Landscape Paintings

Via di San Leonardo, Florence (Italy) is an oil painting on pressed cardboard realized at the beginning of the 20th Century. Good condition (light color degradation). Frame included.

The Cottage Garden Russian School, signed in Cyrillic dated 1989 titled in French verso oil on canvas, framed framed: 40 x 40 inches canvas : 35.5 x 35.5 inches Provenance: private c...

This lovely Scottish Edwardian Impressionist exhibited landscape oil painting is by noted artist George Whitton Johnstone. Painted in 1901 it was exhibited at the Royal Scottish Acad...

Charles Cobelle, French (1902 - 1994) - Paris Streets with Moulin Rouge 2. Medium: Acrylic on Canvas, signed l.r., Size: 16 x 20 in. (40.64 x 50.8 cm), Frame Size: 24 x 28 inches

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14 x 19 inches *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNITED KINGDOM...

A large American Western, Native American oil on canvas landscape, by Frank Paul Sauerwein (1871-1910), "The Captive", 1901. This large oil on canvas depicts a Native American brave captively tied to a tree stump and being viewed by a rival tribe, who are evidently deciding his fate. Behind the collected tribe of elders, braves and children are a pair of conical tipi dwellings, to the background are grazing horses and another group of native people in a tree lined setting. The painting is indistinctly signed lower left, condition is good, the painting is housed in the original frame with a giltwood rabbet, the painting at sight is 40" x 26". Provenance; From a lifelong collection of 19th & early 20th Century Western Art, Portland, Oregon. Frank Sauerwein was a respected painter of western landscapes, Indian portraits, Indian genre scenes, and California missions. His promising career was cut short by his death of tuberculosis at age thirty-nine. The son of European-trained artist, Charles D. Sauerwein, Frank took his first art lessons from his father before studying at the Philadelphia School of Industrial Art, the Pennsylvania Academy of Fine Art, the Art Institute of Chicago and, finally, the Philadephia Museum School of Art. In 1891 he moved to Denver in hope of improving his health. In 1893, Sauerwein accompanied the artist Charles Craig on a trip to the Ute reservation in southwestern Colorado. This began Sauerwein's unyielding fascination with the Southwest and its Native inhabitants. After a trip to Europe, he returned to the American West, visiting Taos in 1899 and Santa Fe in 1900. That same year, Sauerwein visited the Navajo reservation, becoming good friends with trading post entrepreneur, Lorenzo Hubbell. He also spent time at Keam's Canyon on the Hopi reservation where he sketched local inhabitants. Sauerwein moved to Los Angeles in 1901, and then to Pasadena in 1902, but he maintained his contacts in the Southwest with Summer trips to the Grand Canyon, New Mexico Indian Pueblos, Taos, Santa Fe and Albuquerque. He especially loved the Grand Canyon which is the subject of a large number of his paintings. Rendered in a tight, academic style, Sauerwein's paintings clearly show the influence of German...

A French Fauvist gouache and watercolour landscape on craft paper by Georges Ricard-Cordingley. The painting is signed bottom right and is presented in a fine Montparnasse gilt wood ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Philippe Marie Picard (1915-1997) French French Landscape oil on canvas signed Ph m Picard dated a tergo 16.4 -46 canvas size 12.99 x 22.04 inches (33 x 56 cm ) frame 23.03 x 31.49 inches (58.5 x 80 cm) Provenance: A Swedish private collection. The Artist: The year was 1915, and Philippe Marie was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard...

Title: Mid-Century French Pastel Beach Scene With Seated Woman Knitting and Parasols by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.5 inche...

A delightful oil painting of a large riverside town with figures foraging and children playing on a bright summer's day. The oil has been illegibly signed to the lower right corner. ...

Roman school late 17th - early 18th century - Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693) Pair of fantastic architectural whims with class...

A very pretty late 19th-century English marine scene of fishing boats beached after being out to sea and bringing in their catch for the day. This was a subject that was very popul...

White Lotus Lithograph A limited edition lithograph by listed artist Hoi Lebadang, (Vietnamese/French, 1922 – 2015). This print displays an ethereal lotus flower to center, known to ...

Signed lower right, 'H. Nourry' for Henri Nourry (French, 1902-1978) and painted circa 1965. Label, verso, with title 'Trouville', artist dates, and inscription, 'Voiliers près de la côte bretonne' (Sailboats near the Brittany coast...

Oil on Canvas. Central European school of the first half of the 20th century. Signature unidentified in lower left corner. In a wide valley below sharp mountain peaks, a small lake ...

Alfred Nathaniel Oppenheim German, 1873-1953 Park Terrace in St. Cloud Oil on board 12 ¾ by 16 ¼ in, w/ frame 19 by 22 ½ in Signed and dated 1908

George Laurence Nelson American, 1887-1978 Spring Landscape Oil on canvas 20 ⅛ by 24 ⅛ in, w/ frame 28 by 32 in Signed and dated 1912 lower right George Laurence Nelson was born in...

In crafting this piece, I wove together impressions of nostalgia and serenity with a tapestry of acrylic, ink, and relief printing. It evokes the tranquil beauty of a moment stilled ...

"Taking Care of Business" by Clyde Steadman (United States) is a handmade landscape painting that is unframed, but ready to hang.

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

Opera molto luminosa ,divisionista Cornice autentica 1800 fattura Italiana Enrico Reycend (Torino 1855 - ivi 1928). E' stato un pittore Italiano ,nato a Torino Studiò all'accademia...

Alexandre Le Bihan. French ( b.1839 - d.1924 ). Niagara Falls. Oil On Canvas. Signed Lower Left. Image size 23.2 inches x 49.2 inches ( 59cm x 125cm ). Frame size 28.9 inches x 55.1...

This piece, "Fox in Fresh Snow", is a 11x14 winter landscape oil panting on canvas by artist Claudio D'Angelo. Featured is a bright red fox stand...

Chroma sky (Blue key) 10, 2007 Acrylic and oil on canvas (Signed on reverse) 23.62 H x 31.49 W in 60 H x 80 W cm The artist wrote about how he conceives this work: "The transformat...

In creating this work, I harnessed the fluidity and spontaneity of acrylics to explore a dynamic interplay of forms. Inspired by nature's unpredictable beauty, my brushes danced acro...

Night Life, NYC oil/panel 14 x 11 image size 19.5 x 16.5 framed An oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases the bustling "Night...

A charming and substantial work with a strong, rhythmic compositional sense, vivid color and excellent naturalistic detail. Signed indistinctly lower right, 'Pisuri', inscribed 'Hai...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Surreal Full Moon Hawaii Cliff House Nocturnal Hawaiian 1940s Landscape Symbolic and surreal mid century nocturnal landscape of a lone house on a s...

Immerse yourself in the vibrant energy of "Radiant Blossoms" – a dynamic and colorful abstract painting that celebrates the joy, vitality, and beauty of life. Bursting with a harmoni...

Northern Gowshawk by Ben George Powell, British contemporary artist signed acrylic on board, unframed board: 12 x 16 inches provenance: private collection of this artists work, UK Th...

Helen Howells Distant Stillness Original Oil Painting on Canvas Oil Paint on Canvas Canvas size: H 91cm x W 91cm x D 3.5cm Sold – Unframed (Please note that in situ images are purely...

In this painting I captured nature's serene beauty and the interplay of light through trees, focusing on bluebells and wildflowers. Inspired by woodlands in the Peak District there i...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

This painting is in excellent condition and has only been shown in a gallery. Marcel Demagny was born in 1949 in Nancy, France. He graduated from the Nancy School of Architecture in...

Title: PaperLandscape Artist: Marilina Marchica Year: 2025 Dimensions: 116X89 cm Technique: Mixed media ( paper collage and paint) Description: An original artwork representing a min...

Every now and then, even we dealers get fooled. This painting was sold to me as by George Gardner Symons. It bears his signature. At some point, the FBI (yes!) showed up at my door t...

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

This remarkable painting by Swedish artist Per Wickenberg captures a serene Dutch winter scene at sunset, showcasing his mastery of atmospheric light and dramatic composition. Create...

Signed figures in cityscape oil on panel circa 1940 by sought after French impressionist painter Edouard Cortes. This stunning and wonderfully coloured work depicts a view of a flowe...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Acrylic and offset lithograph on archival paper. Paper Size: 30 x 24 inches. Inscription: Hand signed, as issued. Notes: Published by Via Max, New York; painted by Peter Max, New Yor...

"Visions of the Metropolis #6" - 1996 Original Oil on Canvas Original oil painting from Bay Area artist Travis Flack (American, 20th Century) from the series "Visions of the Metropo...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: Summer Shades, Size: 10.5" x 15...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) signed and dated on verso 74' oil painting on canvas, unframed canvas size: 24.5 x 20 inches condition: ove...

Jacques Muller (Utrecht 1630 - 1680) Signed: 'J. Muller f(ecit).' Pupil of Abraham van Cuylenborch (Utrecht, 1620 - 1658) Diana and the nymphs bathing in a cave Second half of the ...

Signed figures in landscape oil on canvas c.1920 by French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts a harbour at Collioure, a commune in the southern Fr...

In this piece, I meld the raw emotions of expressionism with the fluid ambiguity of abstraction. The cascades of cool blues and greens contrast with warm golden hues, capturing a mom...

RURAL TERRAIN Size: 32 x 52 cm (including frame) Oil on board A very textured mid century modernist landscape composition, painted in oil onto board. This painting is a landscape t...

Tracy Wall's (Colorado, US based) "Kenosha Colors" is an original, handmade, mixed media painting that depicts Colorado aspen trees in autumn. As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

Mountain Lanscape of Gerona original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, ...

Glen Head, County Donegal Ireland by William Henry Burns (1924-1995) signed oil on canvas, framed Framed: 25.5 x 35.5 inches Canvas : 20.5 x 35 inches Provenance: private collection...

This quietly atmospheric painting by Jon Loman captures a group of four hooded crows in a snow-covered winter landscape. Three of the birds perch on a rustic wooden fence, while the ...

"Italian Hillside" is a 48x60 oil painting on canvas by renowned artist Anne Packard. This expansive landscape painting leads the viewers eye through rolling hills of lush green foliage. A grouping of structures stand atop, catching the last bit of an afternoon sun. Signed to lower left. About the artist: Anne has brought to her work an instinct and skill drawn from a deep family well of American and European painters. A third generation Provincetown painter, she is a bona fide Cape Cod artist. Her grandfather, Max...

Gaze shows the famous Texas Longhorn on a Texas ranch. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is kno...

"Unfolded Layers 2" by Lori Mirabelli is an abstract painting that delves into the intricate relationship between color, texture, and form. This piece features a rich blend of reds, ...