Vertical Landscape Paintings

“Studio Canal” by Catherine Picard-Gibbs is a textural urban scene depicting strong sunlight illuminating a factory studio building at dusk. This effect ...

Antique American modernist abstract oil painting of coastal New England. Oil on canvas. Signed. Framed.

Work on canvas Gray wooden frame 49.5 x 39 x 2.5 cm

Acrylic on paper laid board. Frameless.

Leigh Woods Watercolour 38 x 27 cm Wintry watercolour of Leigh Woods, Bristol. Oranges and brown stand out in the undergrowth and the transition from cool blues to yellow and pink...

The painting is being offered with a work and authenticity certificate

The sand cliffs of East Anglia are beset by erosion and constantly change as the sea and storms take their toll. Rachael’s works on paper are particularly organic. Diluted paint is ...

Rome is a modern artwork realized by Artist of 19th century. Mixed colored oil painting on canvas. The artwork depicts a delicate play of light on the horizon line. It cannot be r...

This stunning piece by Melanie Vote exemplifies her signature style of subtly surreal landscapes. Featuring a traditional old-master type landscape, the work takes an unexpected turn...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Duomo of Milan with peasants is a modern artwork realized by an Italian Artist in 18th century. Mixed colored oil on canvas 40x33cm with frame included. Good conditions.

This contemporary seaside artwork "My unforgettable moments at the beach" celebrates my love for the beach, sea, sand and summer vacations spent at the beach. I explore the beauty o...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at...

PORFID-4 is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 50.5 x 40 cm (19.9 × 15.7 in). The artwork is signed, sold unframed and comes wit...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

“Catching the Train” by Catherine Picard-Gibbs is an evocative railroad scene, painted with a heightened color palette of orange, gray, and blue. Dynamic and gestural brushstrokes ad...

Geoffrey Lewis (American, 1928-2005) River Crossing Oil on panel Signed lower left Panel approx: 19 3/4 x 23 7/8 inches In a black and gilt frame with off-white fabric lining: overall 26 1/2 x 30 1/2 inches. The painting depicts a lone figure on horse crossing...

Beautiful landscape by listed Los Angeles and Carmel artist Helen Enoch Gleiforst (American, 1903-1997). Presented in gold-toned wood frame. Signed "Gleiforst" lower right. Size: 20"...

Oil on board. Framed. Signed. Exhibited at the Butler Art Institute.

Artist Statement I've been working in pastel full-time for the last twenty-nine years and have been teaching workshops for the past fifteen. My artistic influences range from Paleol...

Pink Flowers, Impressionist Oil Painting, British Artist by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 18 x 15 inches Stunning original Impression...

Huge Colourful Abstract, Signed Oil Painting Finnish School, 20th Century Signed by the artist on the lower left hand corner Oil painting on canvas, framed Frame size: 41 x 38 inches Fabulously colourful abstract painting. This masterpiece is open to interpretation, what do you see? I see the top of buildings, perhaps Moscow with the stars on top. The wonderful colour palette used is a fun array of pinks, reds, blues and greens. The artist has signed this oil painting on the lower left hand corner, however it is hard to decipher. The previous owner thought the work was by a Finnish painter...

An original oil on canvas which is attributed verso to Isaac Mucheron with figure by Vandveldt. The scene depicts a nude in an Arcadia classical landscape with ruins. Fresh colour an...

A finely detailed landscape of Eilean Donan, a 13th Century castle in the highlands of Scotland, under the night sky, by Fresno, California artist David D...

THIS WORK IS CURRENTLY ON LOAN TO THE MUSEUM OF MODERN ART IN LE HAVRE AND IS BEING EXHIBITED IN THEIR ELECTRIC NIGHTS EXHIBITION 2020 A stunning oil on original canvas by Achile-Emile Othon Friesz depicting a night time view of the Pont Neuf bridge over the Seine, Paris. The painting shows deep blues and reds - richer than those of traditional impressionist paintings - and shows the transition into Fauvism. Signed and dated 1903 lower right. Framed dimensions are 24.5 inches high by 20 inches wide. Achille Friesz was the son of a family of sailors from Le Havre. From 1885 he often spent time in Marseilles visiting his maternal uncles. As a child he dreamed of going to sea, but from the age of 12 he developed a passion for art, and after secondary school he attended the École des Beaux-Arts in Le Havre. There, from 1896 to 1898, he studied under Charles-Marie Lhullier who had been a friend of Jongkind and whom, like Dufy and Braque, he remembered fondly throughout his life. Lhullier introduced his students to the work of Chardin, Corot, Géricault and Delacroix. After receiving a bursary from the local authorities in 1898, he went to Paris and, while his friends Matisse, Rouault and Marquet studied under Gustave Moreau, enrolled at the École des Beaux-Arts at the studio of Léon Bonnat, where he was joined by Dufy. However, he scarcely attended the studio, preferring to go to the Louvre and make copies of the works of Clouet, Veronese, Rubens, Claude Lorraine and Delacroix. He did his military service in Paris in 1902 but continued with his art. Around this time he met Camille Pissarro and sought his advice. As a young man he began to make frequent trips away, not necessarily travelling very far, but looking for subjects for his work, usually landscapes. Among the places he visited were the Creuse region around 1903, Antwerp in 1905, returning there with Braque in 1906, and La Ciotat, Cassis and L'Estaque in 1906-1907, again in the company of Braque. In Paris he frequently moved lodgings until 1914. He moved in with Henri Matisse at the Couvent des Oiseaux from 1905-1910, that is to say at the period when Fauvism was at its height. In 1908 he returned to his native Normandy to reimmerse himself in his early environment; he would return to the region throughout his life. He made a trip to Munich with Dufy in 1909, and visited Portugal in 1911-1912 and Belgium in 1912. In 1914 he was called up and assigned to technical services, not being demobilised until March 1919, although he did manage to maintain a certain independence. From 1914 until his death he lived in Paris at 73 Rue Notre-Dame-des-Champs, where he occupied Bouguereau's old studio. He made frequent trips to Cap-Brun near Toulon where, in 1923, he acquired a property called Les Jarres, as well as making numerous visits to Normandy and Le Havre. In 1925 he received the highest commendation at the Carnegie Prize in Pittsburgh for Portrait of the Decorative Artist Paul Paquereau. Also in 1925, at the same time as Matisse, he was made a Chevalier of the Légion d'Honneur, rising to in Officier in 1933 and Commandeur in 1937. He was also made Commander of the Swedish order of Vasa in 1934. Throughout his life, Friesz was a teacher: from 1913 at the Académie Moderne; from 1929 at the Académie Scandinave; and from 1941 until his death at the Académie de la Grande-Chaumière. Alongside his activity as a painter, he illustrated several works of literature, including: in 1920 Le Pacte de l'Écolier Juan by Jules Tellier; in 1924 Échelles de Soie by Jean Pédron; in 1926 Le Jardin sur l'Oronte by Maurice Barrès; in 1926 En Suivant la Seine by Gustave Coquiot; in 1929 Rouen by André Maurois; in 1931 The Song of Songs; in 1934 Poésies by Pierre de Ronsard; in 1945 Le Bouquet de la Mariée by Gabriel-Joseph Gros; in 1947 Paul et Virginie by Bernardin de St-Pierre; in 1949 Le Livre de Job by Pierre Poussard; in 1949 Petronius's Satyricon, and in 1949 a collection of 12 unpublished lithographs for Le Désert de l'Amour by François Mauriac. He also designed several pieces of decorative art: from 1906 to 1909 ceramics executed by Metthey among others; a façade for a private house in Le Havre; a china service for two for the Le Havre writer J.-G. Aubry; vases, dishes and plates; in 1912 four sets for La Lumière by Georges Duhamel, performed at the Odéon; in 1916 a screen for the Le Havre collector Léon Pédron; in 1918 panels for Pédron's dining room; in 1920 a mural entitled Children Dancing (Enfants Dansant); in 1920 Les Volières for the apartment of Vicomte Amédée de Flers; in 1935 Peace (La Paix), a Gobelins tapestry presented by France to the Palais des Nations in Geneva; in 1937 La Seine in collaboration with Dufy for the Palais de Chaillot, with each artist taking half of the river's course - From the Source to Paris by Friesz and From Paris to the Estuary by Dufy. The Fauves were producing Fauve paintings before they knew it: it was not until the critic Louis Vauxcelles saw their work at the Salon des Indépendants in 1905 and mockingly used the word Fauve to describe it that the term was born. It is known that Vlaminck and Derain worked together and that the École de Chatou was composed of just these two artists. Friesz was living with Matisse and after his first trip to Antwerp in 1905, he returned in 1906 with Braque. In 1906-1907 Friesz and Braque went to La Ciotat to paint and there they met up with Matisse. The paintings Friesz produced in Antwerp are Fauve inasmuch as they are painted in pure colours and are more or less free of the divisionism of the Impressionists, although the draughtsmanship is fairly standard; these works include The Port, The Escaut, The Canals, The Dock with Sailing Ships and The Red Slipway. Those of Braque the following year, in particular Terrace on the Escaut, show great similarities with those Friesz painted of the same subject. Friesz was already avoiding the hardness of pure flat tints by graduating them in thin glazes, allowing the whiteness of the canvas to penetrate the transparency, a technique that came to characterise his entire Fauve period. At La Ciotat Friesz and Braque adopted completely different Fauve styles, with Braque composing his paintings on horizontal and vertical orthogonals painted in small, regular, spaced-out touches, whereas Friesz developed his own personal rhythmical style of wide arabesques of colour in works such as The Bec-de-l'Aigle, Women Bathing and L'Estaque. Many of Friesz's Fauve works were produced in the south of France, and his Portrait of Fernand Fleuret also dates from this period. When he returned to Normandy in 1908 the period that he described as his 'return to form' began; with compromise paintings such as Entrance to the Port of Honfleur, Côte de Grâce Landscape, The 'Bains Marie-Christine' in Le Havre and the great compositions characteristic of this period - Autumn Labours, Spring, Fisherman on a Rock and Women Bathing. His draughtsmanship retains something of the rhythm of the Fauve period, his figures following the lines of the landscape and the colour remaining clear and resonant. In 1909 he painted the Cirque Médrano series: The Trapeze Artist, The Clown and The Horsewoman. In the south of France he also painted the Olive Trees series. He made a trip to Munich with Raoul Dufy resulting in Winter in Munich. This was also the year of his first trip to Italy. Boat in a Rocky Inlet of 1910 marks one of the pivotal points between a totally rhythmic drawing style of sensual curves typical of his Fauve period and a reduced palette of muted ochres, browns and blues. From 1910 onwards, the final traces of Fauvism become less and less apparent in his work. His use of colour follows the same course, towards the transcription of reality, with broken tones, ochres and browns. After his demobilisation, as well as in his studio in Paris, Friesz spent time in his house in Toulon, returned to Normandy and Le Havre and continued to make frequent, often local, forays in search of new subjects: in 1919 to Jura, producing the series Forests, Pine Trees, Road in the Snow and Invitation to Skate; in 1920 to Italy producing Piedmont Village, Florence Grape Pickers; in 1920 to Le Havre, producing The Étretat Cliffs, People Bathing at Étretat; in 1923 to his house in Toulon, producing View of Coudon, Women Bathing, Grape Harvesting, Jars; in 1924 he painted the Large Nude (which he exhibited at the Salon d'Automne the same year) and landscapes of Toulon; in 1928 he made a trip to Algiers, producing The Algiers Kasbah and its Phantoms; in 1931 to Annecy, producing Women Bathers by a Lake; in 1934-1935 to Dinan and St-Malo producing The Great Dinan Viaduct, The Dock with the Terre-Neuvas, After Bathing; in 1936 to Honfleur; in 1941-1944, remaining in Paris because of the war, he painted mainly still-lifes, including Studio Corner, Earthenware. In 1946 he returned to Honfleur; and in 1947 to La Rochelle producing The Port Tower, Tuna Boats, The Red Sail. Numerically Friesz's work is dominated by landscapes but it should be remembered that throughout his career he tackled more ambitious compositions and appeared to do so with great ease. These include Boat in a Rocky Inlet of 1910 with its frolicking women bathers, Allegory of War of 1915 executed in 24 hours, Invitation to Skate of 1919, numerous paintings of Women Bathing over several periods and much later Women beside a Pond of 1944, which clearly demonstrates his attachment to Cézanne. He exhibited at the Salon des Artistes Français from 1901 to 1903 and then at the Salon des Artistes Indépendants. From 1906 he exhibited annually at the Salon d'Automne, of which he later became a committee and jury member. In 1923 he took part in the founding of the Salon des Tuileries and became head of two of the Salon's sections. His work has been exhibited at countless group exhibitions all over the world. Among the most recent thematic exhibitions is Fauvism in Black and White. From Gauguin to Vlaminck, Fauvist Engraving and its Setting (Le Fauvisme en Noir et Blanc. De Gauguin à Vlaminck, l'Estampe des Fauves et son Environnement) at the Musée d'Art Moderne in Villeneuve d'Ascq in 2001. He also showed his work in numerous solo exhibitions in Paris: his first in 1904 at the Galerie des Collectionneurs and another the same year at the Société des Peintres du Paris Moderne...

This is a combination of painting and photography, the antique cyanotype process and the biggest the artist has ever made. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sensitive photo emulsion. The blue and white pattern seen in each leaf is a sun print or lensless photograph of tiny plants laid on top of the painted area. The tiny flowers in the pattern across the painted silhouette are of the same species as the larger painted flower. "Cow Parsnip" and "cow parsley" are common names for this giant white native Californian wildflower...

Jon Rowland – Sand Bank [2021] original Acrylic on paper Image size: H:38 cm x W:55 cm Complete Size of Unframed Work: H:40 cm x W:57 cm x D:0.1cm Frame Size: H:78 cm x W:61 cm x...

Arbre à l'Automne à Saint Paul Raymond Thibesart (France, 1874-1968) Circa 1920's Pastel on paper, signed lower left 12 x 9 inches Raymond Thibesart was born into an affluent famil...

Balinese Landscape by Ketut Soki – Tempera on Paper, Signed, 20th Century This vibrant tempera painting by renowned Balinese artist Ketut Soki captures the lush tropical scenery and...

Provenance Collection of Mrs. Victor R. Bieber, Gwynedd, Pennsylvania Born in Ohio, Worthington Thomas Whittredge began his career as a sign and portrait painter in Cincinnati, wher...

Important, Impressionist original oil painting on artist's board, a landscape of Hong Kong circa 1950s, by the renowned Chinese Artist Hu Shanyu (1909-1993). Hu Shanyu was born in G...

Huge late 1950's oil on canvas depicting a figure in an industrial landscape by Peter Freeth RA. The work comes with wonderful provenance, having originally been sold at the prestigi...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

Kevin Sloan's "Smokey Sunsets with Barrel Cactus" is an acrylic on canvas landscape painting. The Colorado based artist began to create smoke-filled works after a particularly bad wi...

Grasslands - Vertical Impressionist Landscape in Oil on Canvas Vertical plein aire landscape by Sherin M. Lindsey (American, b. 1945). The viewer stands at the edge of a grassy fiel...

Landscape Oil Paint on Canvas 30x42 cm 2023 Original Art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting...

Impressive oil on canvas painting, worked with brush and palette knife of the iconic Pont Neuf bridge in Paris. Done in a post modern by the French artist, Dominique Simon, who used...

Julijs Vilumainis (1909–1981) Asters. 1979, oil on board, 54,5x42 cm

Dorothy Fagan’s "Forevermore 1" is a 2023 oil on canvas measuring 48 x 36 inches unframed, with a framed size of 49.50 x 37.50 x 2 inches. The artwork is professionally framed and re...

In Entanglement, Bri Custer distills the essence of the forest into layered forms and expressive brushwork. Rooted in observation yet propelled by abstraction, this oil painting conj...

Up for sale here is a really impressive early 1900's oil painting by William Clarke Rice, Jr. (1875 - 1928). A great nocturnal view housed in a period giltwood frame. Image size, 2...

Texas Storm is a striking large-scale oil painting by Christina Kent, measuring 60 x 48 inches. This richly textured work captures the cinematic drama of an approaching storm over a ...

This piece is a wonderful Mid Century pertinent example of Nannot de Groot's works from the prime of his career with thick use of impasto oil paint, and gestural brushwork throughout. In 1957 it was a transitional year from painting figures in his New York studio to his new studio into the countryside. And in 1959 he and his wife came back to Provincetown Massachusetts and rented a small cabin that was in a field belonging to Mary Cecil Allen on the west end. It was a small space, and there was a tree that was outside the front door, he was inspired and painted this tree over and over, and soon it was the beginning of a whole new series. The brush landscape that was outside of the window of the cabin became a focal point of this series and every year it would change, picking up inspiration to depict the tree in a new way each year. This piece is signed and dated 59' by the artist upper right corner and it comes housed with the original Mid-Century wood frame with gold rim and hanging wire on verso ready to be displayed. Art measures 49.5 x 39 inches Frame measures 51.5 x 40 inches Nanno de Groot was born on March 23 of 1913, in Balkbrug, Holland. He started drawing at six years of age. Although his father prevented him to study art at an early age, he moved to the United States in the year of 1941, and in 1946 at age 33 he discovered Picasso and he dedicated the rest of his life to painting and drawing. He worked for a year as a cartoonist for the San Francisco Chronicle. After his marriage to the New York School artist Elise Asher...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

A beautiful impressionist oil painting of a small Slovakian lakeside village with vibrant green mountains and red-roofed homes in the foreground. Unsigned. Unframed. Image, 30"H x 24"L.

Lokre. 20ème Siècle Toulon, Le Port, La Vieille Darse, Mai 1939. (Quai Cronstadt). Oil On Canvas. Signed Lower Left. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame ...

Seth Winegar's (US based) "Gold on the Trees" is an original, handmade oil painting that depicts the bright yellow aspen tree leaves glowing against the blue of the cloudy sky overhe...

This is a one-of-a-kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 6.5" x 60" x 2.5" in (L x H x D). It is unframed. A c...

OLD MASTER Large OIL PAINTING 18th CENTURY NAVEL HARBOUR OLD MASTER LARGE OIL PAINTING 18th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “ Very Good condition pane...

A charming early 20th Century oil scene showing a mother and two children playing in the snow with their dog with a little wooden house in the distance. The artist has signed to the ...

Wonderful vintage oil painting of Sierra Mountains in Fall by Max Higgins (American, 20th Century), circa 1940s. Signed lower left. Condition: Professionally cleaned; minor craquelur...

Vladimir was born in the city of Khabarovsk, on December 19, 1957. When he was two years old, his mother abandoned his father, took her son and moved to Sverdlovsk (formerly, Yekater...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

Vibrant Landscape with Sun. Artist signed lower right corner, oil on canvas 36"x30" framed 45"x39"x1"5 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended...

Mid Century Carmel Mission Landscape by Elmer Ekeroth Wonderful landscape of the historic bell tower of the Carmel Mission with background of dynamic ...

Charming floral painting of yellow achillea moonshine flowers among the green grass by California artist Eleanor Perry (American, 1903-1996). Signed and dated "Eleanor Perry / August...

Looking Up To Highgate Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St...

Tree of Dreamy Constellations. Signed in reverse: Ferdinando De Filippi (born 1940, Lecce, Italy) Tree of Dreamy Constellations is a fascinating painting created in a calligraphic m...