Large Landscape Paintings

Sophie Berger Incoming Original Oil Painting on Canvas Size : H 100 cm x W 100 cm Please note that in situ images are purely an indication of how a piece may look. Sophie Berger's r...

Looking Up To Highgate Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St...

acrylic on canvas b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canva...

Mark Harrison’s "Passing Through" is a panoramic oil painting that captures the majesty and solitude of the natural world. Completed in 2024, this original, handmade work transports ...

Le peintre devant San Giorgio Maggiore, Venice Christian Dombrevane (French School) signed oil on canvas, framed framed: 19 x 35 inches canvas: 16 x 31 inches inscribed verso Proven...

Emma Hartley Night and Day Original Landscape Painting Oil on Canvas Canvas Size: H 80cm x W 100cm x D 4cm Sold Unframed (Please note that in situ images are purely an indication of ...

The wisdom and silence of the forest fills us and brings us back to ourselves. The closer we are to nature, the closer we are to ourselves. I convey my feeling of unity with nature...

SIGNATURE AND TITLE ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured....

This painting features hues of green, brown and red. This work is framed 38 by 38 inches framed. David Boyd is inspired by the work of Edward Hopper, Andrew Wyeth and Winslow Homer....

Born in Surrey in 1967, Lorna Holdcroft-Kirin is now based in Suffolk, England. Having trained at the Wimbledon School of Art she was awarded the Prize for Drawing. She then went on ...

Kathleen (or Kweyetwemp in her Eastern Anmatyerre tongue) Petyarre was born c. 1940 at Atnangkere on Utopia Station, 270km north east of Alice Springs. She first encountered white ma...

Edward Williams British, (1781-1855) The Old Abbey Ruins Oil on canvas Image size: 22.25 inches x 30.75 inches Size including frame: 28.25 inches x 36.75 in...

Sidney Richard Percy (British, 1822 - 1886) - River landscape with swallows in flight. 51.5 x 76.5 cm without frame, 57.5 x 82.5 cm with frame. Antique oil painting on canvas, in a...

This lovely British 19th century landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1840, the composition is a drover with cattle watering in an extensiv...

5076 Underwater coral view Rapped canvas no frame required

This landscape painted in early spring shows a view over the Teme valley to Cwm-Salanhan hill in the Shropshire ANOB. The brook which meanders it’s way to the river Teme was in full ...

Picture Landscape with water lilies. A rich green palette, lilies on the water, the reflection of the sky in the water, clouds, evoke a feeling of love and gratitude to nature. The p...

"Tutto quello che ti ho nascosto" is a painting so dear, dear to my heart. Its title in Italian translates into "All that I have hidden from you" in English. It is a painting dedica...

David Grossman's (US based) "Lines and Birds on Golden Sky" is an original, handmade oil painting that depicts a golden sky with birds delicately perched on power lines and a few bir...

"Yellow Tree, Red Barn" is a a contemporary impressionist plein-air painting of a tree in its transition stage during fall, overlooking a pastoral landscape and red barn. Small, impr...

"Children On Sea" is a figurative painting by the impressionist Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed...

Naples Beach, Umbrellas and Pier

Impressionistic sepia toned pastoral landscape painting by Dan Baker. The work features a sprawling hill country landscape dotted with trees. Signed by artist in front lower right co...

“Mountain Waves” is an embodiment of the power and poetic beauty of majestic mountains. The layers of blue and green smoothly flow into each other, creating a visual response to the ...

A traditional still life of lilacs in the foreground is met with an impressionistic view of the landscape and sky out the window. set inside a neutral toned room; a round wooden table holds up a glass pitcher abundant with lilac blossoms. A beautiful summer vista of a cloud speckled sky, a winding sea, and lush treetops allow the indoor viewer to experience the glory of the day. The subject matter, flowers, clouds and water, is reminiscent of Monet. Framed dimensions: 43 x 47 inches Artist Bio: Viktor Butko was born in 1978 in Moscow, into a family of artists. He often visited the studio of his grandfather, the famous artist Victor Chulovich, and watched the creation of paintings. As you may imagine, this has inspired him to start painting. Viktor’s first steps in art were directed by his grandfather and his parents, artists Nickolay Butko and Marina Chulovich, he then studied at the Moscow Art School, which is known for a high level of training. After completing his training at the art school, Butko painted at the Academic Dacha of Artists, created by the great Russian artist Ilya Repin for students of the Academy of Fine Arts. There he worked under the guidance of famous artists Alexey Gritsay and Tkachev brothers, which had a big impact on his creativity. Viktor’s first solo show was held in the United States, in 2002 at the McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art. This marked the beginning of a long cooperation with the gallery. Later, in 2016, He took part in an international plein air event, which was organized by American painter Ben Fenske and art dealer Laura Grenning. As a result of this Russian-American Painting Alliance a large exhibition was held in the Grenning Gallery...

Robert Amirault's "Springtime" 36x36 oil painting on canvas of a colorful rural landscape in spring. Depicting rolling hills meeting the forests edge ...

Oil on canvas, signed lower right.

The painting is signed on the back. The whole artistic output of Robert Bubel centres around subjective emotions and arousing emotion in the beholder. The source of inspiration- tha...

Forgotten Shore an original Richard Whadcock. Richard Whadcock is a contemporary artist specialising in atmospheric landscape paintings. His contemporary landscape paintings explore...

"Norway Winter" is an impressionist painting by Maestro Elena Georgieva. The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by ...

Mid 20th Century Mannerist view of boats in a harbour scene by E Tiedemann. The painting is signed and dated bottom left. Presented in very fine wood, gesso and silver leaf frame. A...

Mid-Century Modern oil painting, 1940s cityscape, "Bedford at Lafayette, Brooklyn". Oil on masonite. Signed King Rich. In vintage modernist frame...

Kim Ford Kitz grew up in Southern California Beach towns, lived in San Francisco as a young adult, and now lives and works in a former furniture warehouse converted into an airy art ...

"Spring Sassafras" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly real...

Dutch Fishing Boats & Naval Ships Offshore, 17th Century circle of LUDOLF BAKHUIZEN (1630-1708) Large 17th Century Dutch Old Master scene of Dutch fishing boats and naval ships offshore, oil on canvas. Good quality and condition early Dutch maritime...

Landscape with Mississippi River. Saul Haymond, Sr. (1947- ) of Pickens, Mississippi is a self-taught painter who has been documenting life in the A...

Swept Away by Alyson Kinkade Abstract Landscape Beach/Ocean scene Oil on Linen 24x36" image gallery wrapped, painted black sides. ABOUT THE ARTIST: "Over t...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only membe...

"Le Cafe Boheme De Paris" by Gerard Valtier is an original oil on canvas that measures 29x36 inches. This impressionistic painting has an array of bright c...

Early fall mornings with the mist starting to lift off the water inspires Ryan Sobkovich in this tranquil painting. His signature style of painting trees is on display, multi-hued hi...

Fortunato Anjos (Portuguese, 1908-2000) Signed: Fortunato Anjos 1980 (Lower, Left) " Sintra, Main Square ", 1980 Oil on Masonite 23 1/2" x 28 3/4" Housed in a 3" Frame Overall...

This is a painted-framed original painting. Bayard Hollins' work explores the link between abstraction and figurative representation. Although the lines back to classical realism can...

Andrew Thomas Schwartz American, 1867-1942 Blue Ridge Mountains, Virginia Oil on canvas 24 by 30 in. W/frame 28 ½ by 34 ½ in. Signed lower right...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

A fine monochromatic watercolor landscape painting of Mount Monadnock in New Hampshire by American artist Gifford Beal (1879-1956). Beal was b...

In its endless manifestations, art occupies a unique realm in humanity's quest to express and understand both the existing and the abstract. One of its profound vehicles is painting,...

Rezalia Thrash (1893 - 1982) Dallas Artist Image Size: 24 x 30 Frame Size: 30 x 36 Medium: Oil "Trees" Biography Rezalia Thrash (1893 - 1982) Rezalia C Thrash was the first ...

'The Bird Cage', Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory 'Les Amours du Bocage' (The Bird Cage). Painted after the original work (1735) by Nicolas Lancret (Fre...

"Meadow with Marguerites IV" is an impressionist landscape painting of a meadow of wildflowers, specifically daisies. Signed at bottom Artist's statement Even as a child of 2, I h...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28.5 x 32.25 inches Signed lower right

John Edmund Califano, an American artist born in the late 19th century, was known for his remarkable skills in capturing the beauty of everyday life through his paintings. Califano'...

Work on canvas

This is an original unframed, gallery-wrapped oil painting on canvas. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. Hi...

This painting builds on Higgins’ Slow Down series, which began in 2021. Through an ongoing exploration of the relationship between text and image, Higgins creates works that communic...

Going Forward, 2023 Oil on canvas 88 H x 70 W cm 34 41/64 H x 27 9/16 W inches This oil painting, "Going Forward" by Carmen Belean, captures the essence of serenity and natural beau...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

The American landscape – endless skies, calming waters and the varied shores of the East and West coasts - are Cople’s passion and she travels far and wide to capture her subjects. “I love painting the landscape en plein air. In the outdoors, exposed to the sun, wind and rain, you can incorporate not only what you see, but also the sounds and the smells of the landscape. All of this lets me convey the sense of wonder I feel at the subject,” says Cople. Undeterred by nature’s extremes, Cople has painted in blizzards in the Wasatch Mountains...

A lovely plein air landscape painting from the 1930s of a cabin amongst the eucalyptus trees in Old Laguna Beach, California. Oil on canvas ...