Medium Landscape Paintings

Title: "Mid Century French Original Ink Drawing of a Rural Landscape with Hay Wagon" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25...

Amedee ROSIER (1831 - 1898) This is a classic example of Rosier's work featuring the Doge's Palace in Venice, Italy. Venice is a reoccurring theme in hi...

Solent No.25 is an oil on canvas showing a section of the landscape, painted from an aerial perspective by Artist & Musician John Illsley. The artwork com...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Beautiful gouache on paper, Moody atmospheric landscape in shades of black, blue green and gold by French artist, Roger Etienne Everaert Ret, signed on top right. Roger Etienne, Fren...

Midwestern Chicago artist Aaron Bohrod painted in 1931 this modernist industrial cityscape during the WPA of the 20th Century. Aaron Bohrod (American 1907 – 1992), Industrial Citysc...

A place where lives have been well-lived is conveyed in this watercolor painting of a Victorian home by Diane Baldwin (American, 20th century). Signed "...

Artist: Amedee-Julien Marcel-Clement, French (1873 - ?) Title: Granville: Au Sortie du Port Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 21 x 25.5 inches (53.34 x 64...

Masterfully designed scene of an attractive young Redhead sitting by a canoe under a tree with hanging Spanish moss. It is rendered in a quick Arts and Crafts style that is as abstract as it is representational. The viewer can stare at it endlessly and still discover new pictorial relationships. Every brush stroke and every dap a paint is perfectly placed. Signed lower left. Most likely for Saturday Evening Post or Colliers. Louderback is a painter/illustrator of the Golden Age of Illustration...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Ocean Clouds...

A fine 20th Century Modernist figurative oil painted by Christian Pedersen Bellinge (1897-1984) oil on canvas 60cm x 70cm painted wooden frame 68cmx 78cm A good late work by the well...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2020 Style: Impressionism Title: Coolness Size: 23.5" x 31.5" x 0.8'' ...

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

The painting is done in oil alla prima on canvas. Linda Clerget focuses on the exploration of colors and textures, inspired by the nature that surrounds her and her daily life. She builds a poetic and intuitive visual universe, which addresses our sensations and emotions before our intellect. The viewer is thus projected into "little paradises", waking dreams...

An original impressionist painting by widely exhibited American artist, Diane Monet. Alexander Monet -- Diane Monet's grandfather -- moved to the United S...

A fine impressionist mountain landscape with cows, probably Mount Monadnock in New Hampshire, by American artist William Preston Phelps (1848-1923). Phelps was born in Chesham, New H...

Paradise Pond. An oil landscape in the style of the Nayiv Volsky Lily. In our fantasies, there are corners or places where we want to come again and again. I decided to share my plac...

This original oil on linen painting, inspired by an adventurous, stormy day on the Big Island in Hawaii at lava engulfed, surf pounded, Kaimu beach is 24 x 30 inches, on gallery wrap...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Genre: Modern Subject: Marine Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 20.5" x 24.5" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Mid Century Figurative Landscape - The Search A dreamlike landscape by Winifred Lucy Shaffer (American, 20th Century). Several figures are clustered together in a forest setting. Th...

Consigned to the gallery by H&N Fine Art as part of the Katherine A. Norris Legacy Collection FRAMED: 25.75" x 29.5" x 1.125 UNFRAMED: 19.5" x 23.75 Exhibited Early California Mas...

Guillaume-François Colson (1785-1860) Sur la plage oil on canvas 35 x 65 cm signed 'Colson' (lower right) Price: £18,000 GBP Provenance: MacConnal-Mason Fine Paintings Private coll...

Venetian painter (18th century) - Sketch for Venus and Chronos. 59 x 43 cm without frame, 70 x 54 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame...

Fine 19the century landscape by member of the renowned Williams family of artists, George Augustus (1814-1901). George Augustus was the son of Edward Williams (1781-1855), whose wife...

"Vilars Lavender Field" is an exceptional large oil painted on location in Provence by Maria Bertran, this Contemporary Impressionist landscape captures the beauty of Summer in the S...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

A beautiful antique modern impressionist painting by WNY artist John R. Nichol. This beautiful painting was created in the earlier 20th Century when Nichol was living in the Buffalo...

Antique impressionsit oil painting of a cityscape. Oil on canvas, circa 1925. Signed. Displayed in a period frame. Image, 18"L x 22"H.

The Lightning is a unique pigments and silver crayon on wood painting by contemporary artist Franco Salas Borquez, dimensions are 80 × 60 cm (31.5 × 23.6 in). The artwork is signed,...

Abstract Geometric Landscape (63) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas mounted to Board Size: 11 in. x 28 in. (27.94 cm x 71.12 cm) Frame Size: 33.25...

Signed, inscribed and dated "R. Pinatel / Taroudant / 1926" (lower right) Oil on panel A stunning ode to the Moroccan landscape, this oil on panel was composed by the French Orientalist painter Raphaël Pinatel, whose lively works adeptly translated the romanticism of the East for a Western audience. The present work, which captures a market in Taroudant, a city in southeastern Morocco, exemplifies the artist’s distinctive approach as he brilliantly translates the energy and atmosphere of the desert city. Pinatel’s style is impressionistic in his brushwork and handling of light and atmosphere. In the present work, he brilliantly captures the effects of the direct desert sun...

An original oil painting by British artist Oliver Walker depicting a secluded farmhouse in the fells. Initialled by the artist to the lower right. On canvas on stretchers.

OLD MASTER W . THORNLEY OIL PAINTING High Quality 19th CENTURY Gold Gilt Frame OLD MASTER LARGE OIL PAINTING 19th Century NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY “Very ...

Abstract Expressionist Sky Composition by Gerard Guegueniat (French 1970's) signed oil painting on board, unframed board: 19 x 26.5 inches provenance: private collection, France cond...

Oil Painting of River Landscape in Ireland Countryside by Modern Irish Artist. This original oil painting is an early example of the more traditional...

4087 Red coral seascape. Painted on artist board Set in a hand painted vintage wood frame Signed Rodat

Work on canvas Beige wooden frame 63 x 85.5 x 6.5 cm

This work depicts a summer hedgerow crowded with blossom – the palest of pink flowers of wild roses, often called dog roses. Their prettiness is matched by their delicate fragrance –...

Luis Moscardó describes natural landscapes in his paintings, but his landscapes are not real, nor possible. They are abstract, invented or, as many critics observe, 'born from the artist's soul'. It is a natural artifact...

Artist/ School: French School, 20th century Title: Mythological Scene with Figures in Classical Landscape Medium: oil painting on board, unframed Size: board: 19.75 x 27 inches ...

Oil on canvas 60.3 x 73 cm.; 23 3/4 x 28 3/4 inches Signed lower right

Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30" x 30" Inspiration for Eastern Glades VIII Acrylic on Canvas Contemporary Abstract 30 x 30" is from the Memorial Park Conservancy. Also shown are other paintings by Eleanor McCarthy. Commissions available. As the first significant project of Memorial Park Conservancy's 10-year plan, Clay Family...

"Bright Conversation" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right, oil painting on board, unframed painting: 25.5 x 21 inches A fine "mid century" oi...

Available at Madelyn Jordon Fine Art. 'Blue' by New York City based, French artist Sandrine Kern. 2022. Oil and cold wax on canvas, 30 x 30 in. This abstracted landscape painting fea...

Wonderful Impressionist scene from Sweden Painted with a great deal of care this scene is of an outside cafe scene with figures in an extensive landscape and town. The artist was...

"Horizon of Hope" is a serene piece that reflects the grandeur and tranquility of nature, addressing the timeless theme of hope and aspiration. The expansive sky, painted in soft blues and pinks, casts its light over the serene waters, with the distant horizon drawing a line of possibilities. The warm pastel colors of the land evoke a sense of inner peace and harmony, while the silhouettes of trees on the horizon symbolize strength and resilience. This work by Helen Mount...

The beauty of the spring landscape is mesmerizing. The air still smells of snow and moisture. It's early spring. The painting was painted outdoors, in the open air in 2009.

Roger Delapierre was born in Geneva in 1935. ... Roger Delapierre's painting has reached full maturity and the success of his exhibitions has proven i...

Artist/ School: Rene Leroy (French b. 1932), signed Title: Abstract/ Cubist Composition Medium: mixed media, material and oil on canvas, framed, signed Size: frame: 24 x 29 i...

Abstract by Helen Greenfield (British 20th century) gouache/newspaper painting on board, unframed board: 25 x 30 inches condition: overall very good provenance: all the paintings w...

4089 California Seascape , contemporary acrylic on canvas applied on board,displayed in a vintage gilt wood frame. Signed by Italian artist P.Russo

Work on canvas Grey wooden frame With frame 75 x 86 x 4 cm This captivating work depicts a rural landscape in soft, earthy hues, evoking a peaceful, harmonious atmosphere. The rollin...

Country Landscape - OIl on canvas cm.60x80, Antonio Crespi, Italy 2005. In this interesting oil on canvas, the painter was inspired by the works of the ...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Seascape oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: Classic Art, Impressionism, Subject...

Oil landscape showing a view of several age-worn buildings near waters edge, with two sailboats making their way past, and gold and lavender hued hills in the background. Signed low...