Oversized Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Style: Impressionism, Title: Lake Side, Size: 44.5" x 29.5" x 1'...

Julius Porcellis (Rotterdam 1610 – 1645 Leiden) attributable Seascape with ships Oil on wood panel (oak) 52 x 84 cm In gilded wood frame 77 x 108 cm The painting on display d...

A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 36 x 55 Frame Size: 46 x 65 Medium: Oil Applied by Palette Knife "Flowers" Biography Jose Vives-Atsara (1919-2004) San An...

Artist: Vahe Yeremyan Title: Cherry Blossom Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 44.5" x 30" x 1" inch (113 x 76 x 2cm) Presentation: Unframed, Gallery Wr...

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...

Original abstract painting exploring the language of paint and colour. Additional information: #607 Jessie Woodward Original abstract painting Acrylic painting Sold Unframed 90 H x ...

Blue, Navy, calm, reflection, nature, mountains 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

Pacific pink by Maggie LaPorte Banks [2022] original Acrylic on canvas Image size: H:75 cm x W:102 cm Complete Size of Unframed Work: H:75 cm x W:102 cm x D:1.5cm Sold Unframed Plea...

Oil on wood sold with original red framing Total size with the frame 115x136 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contempo...

Le Jardin Jeanon Pitre (French contemporary) signed oil painting on canvas, unframed canvas: 51 x 38 inches provenance: private collection, Paris condition: overall very good

Clive Madgwick "Countryside Hunt" Original Oil on Canvas C.1980 A hunt out in the English countryside Original oil on canvas Dimensions 36" wide x 2...

Provence Landscape by Huguette Ginet-Lasnier (French, 1927–2020) This stunning oil on canvas diptych presents an expansive and vibrant Provence landscape by renowned French artist H...

Artist: Ian Hornak (1944-2002) Title: Hannah’s Mirror, Rembrandt’s Three Trees Transformed Into The Expulsion From Eden Year: 1978 Medium: Acryli...

Sophia Chalklen’s The Magic of Winter transports viewers to a serene snow-covered forest bathed in the soft glow of a golden sunrise. The painting captures the quiet beauty of winter...

This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...

Large Size oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: Classic Art, Impressionism, Subj...

Lee Herring is a contemporary painter specializing in vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday m...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Meadow, Size: 30" x 56" x 1'' inc...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Waterlilies, Size: 45" x 30" x ...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

Artist: Joseph Barber Title: Margaree Valley, Nova Scotia Year: 1976 Medium: Oil on Masonite, signed l.r. Size: 30 x 48 inches [76.2 x 121.92 cm] Frame: 35 x 54 inches [88.9 x 137.16...

OIL PAINTING SIGNED OLD FINE MASTER PAINTER 19th Century BRITISH SCHOOL Fine Original Antique 19th Century British OLD MASTER OIL PAINTING GOLD GILT FRAME NEW COLLECTION Of RARE ...

The drama and sublime beauty of the vast summer sky in New York State's Hudson Valley is captured in this dramatic contemporary skyscape painting in oil on canvas by David Konigsberg...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: After Storm, Size: 29" x 44.5" ...

‘The British Fleet with a Vice-Admiral of the Red off Dover’ by Dominic Serres R.A. (1722-1793). French-born Dominic Serres didn’t just paint the drama of...

Oil on wood sold with frame Total size with frame 102x122 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in the...

Spheres and Cubes - Geometric Surrealist Landscape in Acrylic on Canvas Bright and lively surrealist landscape by Randy Dunham (American, b. 1961). Six spheres float above a minimalist landscape with mountains and a body of still water. Some of the spheres are transparent and others are opaque, with three cubes partially obscuring the transparent ones. There are streams of water hitting the shapes and splashing into the body of water below. Signed and dated "Randy Dunham © Nov 04" in the lower left corner. No frame. Canvas size: 36"H x 48"W Randy Dunham (American, b. 1961) was born in Troy New York...

Sylvia Rutkoff (1919-2011) Sr5-1 c.1960s “Crossed Arms” Acrylic on Masonite 36x42 period frame Unsigned Collection acquired from family estate

Gineke Zikken Broadway 115 x 100 cm Oil on canvas ( not framed but if you would like a frame, please contact us) Gineke Zikken likes to paint everywhere she goes. This painting she...

Farm Landscape, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner, Oil painting on canvas, unframed canvas size: 31...

Late 19th Century Upstate New York Oil Painting Landscape by Frances B. Clark Moody rural Hudson River School style painting of Upstate ...

This is a beautiful oil painting of an array of flowers in a vase in front of a dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ...

T. E. Pencke (French, b. 1929), Parisian Street Scene, Oil on Canvas, signed lower right, giltwood frame. Some buckling of canvas to top corners. Image: 23.25" H x 35.25" W; frame: 3...

JARDIN DES PLANTES 2024, PARIS Inspired by the artist's relationship to "Jardin Des Plantes", located in the 5th arrondissements of Paris, France, this original landscape depicts th...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

This painting is a result of my appreciate of Joan Mitchell and her amazing paintings. I have always admired her paintings. Her paintings and her commitment to painting was awe insp...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exemptions under the US Consti...

Rose Dancers Annie Faure (French 1940-2021) signed oil on canvas canvas: 35 x 45.5 inches Provenance: private collection Condition: very good condition For more any more information...

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

This charming mid-18th-century oil painting depicts a veritable array of revellers holding a feast by a tavern. It’s after a work by Flemish artist, David Teniers the Younger (1610-1...

Desert. 1974, oil on canvas, 95,5x116 cm Painting in orange colors Provenance Maxwell gallery

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

"Morning Reflection" is an oil painting on canvas by Dennis Sheehan, depicting a marshy landscape with the soft colorful glow of the approaching sunrise. The artist's use of soft bru...

Quang Ho's "Every Which Way" (2024) is a beautiful impressionist oil painting on panel that depicts a large herd of horses on a blurred landscape. This piece is signed in the lower r...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Morning Fog, Size: 43.5" x 57" x ...

"The Wave" Abstracted Seascape in Oil on Canvas Bold and textured abstracted seascape by Robert Frame (American, 1924-1999). This piece has a high horizon, with a thin strip of sky ...

Steven Nederveen's art is a testament to the complex and ever-evolving relationship between humans and nature. His vivid nature scenes, often seemingly uplifting and idyllic, also reveal the darker aspects of our connection with the natural world. Through his work, Nederveen explores the dualities of our relationship with nature - the love and destruction that can coexist within us. His masterful use of color and light illuminates the beauty and mystery of natural environments such as oceans and...

" Sailing in Sunshine ", circa 1970s Oil on Canvas 50" x 40" Housed in a Slat-wood frame Overall Size: 50 1/2" x 40 3/4" Appears to be in very good condition. We are looking f...

Thelma Appel Nightfall, 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection, and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. It is reproduced in the exhibition catalogue. The collector who acquires this beautiful painting will be furnished with several copies of the limited edition museum catalogue Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

In this contemporary landscape painting in oil on panel by David Konigsberg, the drama and sublime beauty of the sky in New York State's Hudson Valley is captured. The artist is wide...

Gordon Brown's "Fall Along the Roaring Fork" is an original, handmade oil painting that depicts a forest of fall trees with brilliant autumn color alongside a flowing river. "My pa...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

In this abstract landscape painting, a captivating scene unfolds on a canvas brought to life by layers of oil paint. Against a deep black background, a juxtaposition of elements emer...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 30 x 40 Frame Size: 40 x 50 Medium: Acrylic "The Cowboys" Texas Hill Country Biography James Robinson (1944-2015...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...