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Painting Landscape with Figures 19th century
Located in Milan, IT
Oil on Canvas. Central European School of the 19th century. The large scene is set at the banks of a river, which flows near a village and is crossed by a small wooden bridge. On the...
Category

19th Century Other Art Style Landscape Paintings

Materials

Oil

Loch Katrine in the Scottish Highlands Realist Landscape Vintage Oil Painting
Located in Preston, GB
Loch Katrine in the Scottish Highlands Landscape Vintage Painting. A beautiful realist oil painting of the Scottish Highlands from a highly respected British Artist. Art measures 36...
Category

20th Century Realist Landscape Paintings

Materials

Oil, Cotton Canvas, Canvas

'Olive Groves, Mallorca', San Jorge School, Barcelona, Catalonia, Majorca
Located in Santa Cruz, CA
Signed lower left, 'Ventosa' for Jose Ventosa Domenech (Spanish, 1897-1982) and painted circa 1950. A very substantial oil showing a luminous view of the isle of Mallorca with ancient olive groves and mountain cliffs bathed in warm evening light beneath clouded blue skies. A large and rare Mallorcan landscape by this notable Catalan painter. Born in Barcelona, José Ventosa Doménech first attended the San Jorge School of Fine Arts in 1911. He then undertook an extended trip to Brussels where he studied Vanguard painting before returning to Barcelona where he continued his studies with the Realist, Martí Alsina. In 1922, Ventosa worked alongside Eliseu Meifren and Domingo Soler in Ripoll. From 1924, Ventosa exhibited in Barcelona as a member of the "Nou Ambient", the Catalan art...
Category

1950s Impressionist Landscape Paintings

Materials

Oil, Canvas, Board

Tiny Dancers and Fairies in The Blooming Pink Roses Large Oil Painting
Located in Cirencester, Gloucestershire
Rose Dancers Annie Faure (French 1940-2021) signed oil on canvas canvas: 35 x 45.5 inches Provenance: private collection Condition: very good condition For more any more information...
Category

Mid-20th Century Post-Impressionist Landscape Paintings

Materials

Oil

I dreamt of the sea - Large abstract seascape painting
Located in Silverthorne, CO
A large abstract seascape painting dedicated to the magic of the Mediterranean. An opening, moving, dancing wave. In a palette of bright greens, blues. On a background of layered mut...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Oil

Large Victorian Scottish Oil Painting Glencoe Mountains with Shepherd & Sheep
Located in Cirencester, Gloucestershire
Glencoe Scottish School, late 19th century indistinctly signed lower corner signed oil painting on canvas, framed framed: 30.5 x 42 inches canvas: 24 x 36 inches provenance: private...
Category

Late 19th Century Victorian Landscape Paintings

Materials

Canvas, Oil

Blue Tones Triptych, Serene Gorgeous Clouds, Handmade Cyanotype Watercolor Paper
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...
Category

2010s American Realist Landscape Paintings

Materials

Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...

Huge Spanish Modernist Oil Painting Fisherfolk Drying Nets on the Shore signed
Located in Cirencester, Gloucestershire
Drying Nets Spanish School, late 20th century signed lower corner and inscribed verso oil on canvas, framed framed: 29.75 x 41 inches canvas: 28.5 x 29.5 inches provenance: private c...
Category

20th Century Modern Figurative Paintings

Materials

Oil, Canvas

The Philosophy of Tea - Still Life Landscape Pink Flowers Table Forest, 2020
Located in Kent, CT
In this landscape oil painting on canvas, a cheerful outdoor scene is set with a still life arrangement of bright pink gladiolus flowers in a clear glass vase beside a smaller orange...
Category

2010s Contemporary Still-life Paintings

Materials

Canvas, Oil

In Full Bloom, original painting, landscape, abstract
Located in Deddington, GB
I created this abstract painting inspired by flowers and light colours to capture a sense of calm, renewal, and gentle energy. Rather than focusing on detailed forms, I wanted to exp...
Category

2010s Modern Paintings

Materials

Acrylic

"Autumn, New England" Charles Warren Eaton, Tonalist Gloaming Sunset in Woods
Located in New York, NY
Charles Warren Eaton Autumn, New England Signed lower right Oil on canvas 30 x 36 inches Provenance Private Collection, Connecticut A contemporary critic wrote that the paintings o...
Category

Early 1900s Tonalist Figurative Paintings

Materials

Canvas, Oil

Bunny Woods in Bright Sunshine Diptych- Original, Abstract
Located in Deddington, GB
This work has two panels depicting an autumn woodland in bright sunshine. They present a continuous landscape when hung side by side, but also complement one another if placed on dif...
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Manor House with Cottages - British 18thC Old Master art oil painting VG prov.
Located in London, GB
This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...
Category

Mid-18th Century Old Masters Landscape Paintings

Materials

Oil

Antique American Modernist Framed Large Abstract Original Oil Painting
Located in Buffalo, NY
Antique American abstract oil painting by Martin Rosenthal (1899 - 1974). Oil on board. Measuring 28 by 42 inches overall and 26 by 40 painting alone. Oil on board. Signed. In exc...
Category

1940s Abstract Expressionist Landscape Paintings

Materials

Oil

Assembly - soft, landscape, forest, contemporary, acrylic and resin on panel
Located in Bloomfield, ON
This romantic painting from the Berlin studio of acclaimed Canadian painter Peter Hoffer is lush, rich with color, and has the surrealism of being in the interior of the forest. The ...
Category

2010s Contemporary Landscape Paintings

Materials

Resin, Acrylic, Wood Panel

Coast of Bagamoyo by Calo Carratalá - Seascape painting, blue colours, clouds
Located in Paris, FR
Coast of Bagamoyo is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 200 × 300 cm (78.7 × 118.1 in). The artwork is signed and comes wi...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Oil

French Modernist Large Paris Street Oil Painting Expressionist Henry D'anty
Located in Surfside, FL
Large oil on canvas Paris, France street scene with house and tree. Hand signed Framed Dimensions 41 x 48.5 Canvas is 40 X 32 inches Henri Maurice D'Anty, listed French artist, Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Académie de la Grande Chaumière and the Académie Julian Paris. Painter of the school of Paris. ((painter of de l'Ecole de Paris et Peintre Témoin de son Temps) He participated in numerous exhibitions and was rewarded number of prizes for his work in France and abroad D'Anty was born in Belleville, and it was here that he came to know the picturesque architectural quality of small sloping streets, sometimes broken by flights of steps, like those of Montmartre. Afterwards he moved to Saint Maurice, where he came under the spell of the banks of the Marne with its blue green reflections, the heavy river barges, sail boats, and the lock with its large dark mass, which all made their impressions, as did a later visit in northern France, long before he thought seriously about painting. But in both eye and mind, he was already storing secret visions and emotions. During a holiday in Brittany, he discovered an entirely new awareness of colors, or rather of colors of the enchanting, subtle tones which make up the varied atmospheres of the Breton scene. He is linked to both post impressionism and expressionism. He was part of the Ecole de Paris (School of Paris) and showed with Francois Arnal, Franz Priking, Isis Kischka, Roland Dubuc, Bernard Maurice Quentin, Michel Patrix, Roger Bezombes, Lucien Joseph Fontanarosa, Bernard Buffet, Jean Marzelle, Maurice Blond, Isaac Antcher, Francis Bott, Jean Jansem, Alfred Charles Weber...
Category

20th Century Expressionist Landscape Paintings

Materials

Canvas, Oil

Huge 18th Century Italian Oil Still Life Classical Flowers Ornamental Setting
Located in Cirencester, Gloucestershire
Ornamental Flowers in a Classical Still Life Composition Italian School, circa 1780's period oil painting on canvas: 32 x 42 inches antique gilt frame: 38 x 48 inches condition: over...
Category

Late 18th Century Baroque Still-life Paintings

Materials

Canvas, Oil

A Little Pop of Spring, Original painting, Landscape, Tree Art, Abstract
Located in Deddington, GB
An original acrylic on canvas painting of a colourful tree by Sarah Pye. ADDITIONAL INFORMATION: A Little Pop Of Spring by Sarah Pye [2024] Acrylic on canvas Image size: H 100 ...
Category

2010s Contemporary Abstract Paintings

Materials

Acrylic

"Transference- 214" Contemporary Abstract Black and Brown Color Field Painting
Located in Houston, TX
Contemporary abstract painting by Houston-based artist Gary Griffin. The work features a central amorphous black shape set against an off-white and brown background. Signed, titled, ...
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Acrylic

Large Late 20th Century English Realist DEVON RIVER LANDSCAPE Orig. Oil Painting
Located in Cirencester, GB
ARTIST: Andrew Coates (1955-) New Zealand / British TITLE: “Expansive River Landscape” (likely Devon) SIGNED: lower right MEDIUM: oil on board SIZE: 130c...
Category

Late 20th Century Realist Landscape Paintings

Materials

Oil

Huge French Signed Oil Massive Gorge Landscape Valley Panoramic Landscape
Located in Cirencester, Gloucestershire
Artist/ School: French School, second half of the 20th century, signed Title: Gorge valley landscape Medium: oil on canvas, framed Framed: 39 x 59 inches Painting: 34 x 54 inches ...
Category

20th Century Victorian Landscape Paintings

Materials

Oil

Runyon Canyon View - Colorful Abstract Geometric Landscape on Canvas
Located in Los Angeles, CA
Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...
Category

21st Century and Contemporary Abstract Landscape Paintings

Materials

Canvas, Acrylic

Large Antique German Oil on Canvas Norwegian Fjord Landscape River Boats Scene
Located in Portland, OR
A very fine & Large oil on canvas painting by Karl Julius Rose (1828-1911), "Norwegian Fjord", signed and dated 1890. The artist also painted under the nam...
Category

1890s Realist Landscape Paintings

Materials

Canvas, Oil

Huge Antique American Modernist Abstract "Cursive Landscape" Framed Oil Painting
Located in Buffalo, NY
Impressive early American modernist abstract oil painting by Alton S. Tobey (1914 - 2005). Framed. Oil on board. Signed. Impressive modernist painting by an important and historical artist. The following is written and submitted by Joseph Dolice, Exhibition Director of the New Rochelle Council on the Arts. This information accompanied the exhibition, "Alton Tobey," of the New Rochelle Council on the Arts October 22 to November 14, 2003. Millions of Americans have seen reproductions of the art of Alton Tobey, one of the most famous of today's living illustrators -- in national magazines such as Life, Reader's Digest and American Artist; and in public murals such as at The Smithsonian Museum in Washington DC, the Intrepid Sea, Air & Space Museum in New York City; and in Westchester where his Roots of Westchester mural is installed at the White Plains County Courthouse. Few people, however, had had the opportunity to see almost three dozen of his original paintings, including many of his portraits of famous people, at any single time or place before in history. From October 22nd through November 14th, 2003 The New Rochelle Council on The Arts, a major cultural resource for the citizens of New Rochelle and the residents of the surrounding Westchester community will present a special one-man exhibition of thirty-three of Alton Tobey's original paintings, many of which have never been publicly shown before. The show will be held in the 3000 square foot Lumen Winter Gallery in the lobby of The New Rochelle Library, the site of many major exhibitions in the past by the NRCA, such as its show of original artwork of Norman Rockwell and of Frederic Remington. Both of these artists also achieved fame mainly as illustrative painters, and had ties to the community. Alton Tobey was born in Middletown, Connecticut and received his BFA and MFA at the Yale School of Fine Arts and later taught there for four years. He has also taught at the City College of New York and has been juror for many prestigious art competitions. His work is in over 30 museums and in important government, corporate and private art collections. He has had over 50 one-man exhibitions. His work has been published in over a dozen national magazines and books, and he has over three dozen historic murals to his credit. Education: Yale School of Fine Arts, B.F.A. and M.F.A. Taught at: Yale School of Fine Arts; City College, New York City; 92nd St. YM-YWHA, New York City Affiliations: Hudson River Contemporary Artists - President Emeritus; National Society of Mural Painters - President Emeritus; Artists Equity of New York - President Emeritus; Mamaroneck Artists Guild - President Emeritus; International Arts Association - Past Vice-President Memberships: Abraxis; League of Present Day Artists; Fine Arts Federation; American Society of Contemporary Artists; Metropolitan Arts Association Awards: PWA Mural Award, 1939; Westchester Society Merit Award; Edwin Abby Mural Award, 1965; Grumbacher Awards, 1982, 1985; Westchester Council for the Arts, 1987; Lindner Memorial Award, 1992 Murals: Tazewell Museum; Tazewell, VA; 16 Chief Justices; St. Paul, MN; Signing of the Constitution; St. Paul, MN; Roots of Thomasville; Thomasville, GA; Intrepid Sea, Air, Space; New York, NY; Smithsonian Museum (2); Washington, DC; California Bank, Rockefeller Center; NYC; American Bureau of Shipping; NYC; Council on Fitness; Washington, DC; U.S. Post Office; East Hartford, CT; MacArthur Memorial, (6); Norfolk, VA; Falstaff Mural; St. Louis, MO; Three Murals for Saudi Arabia; Jidda, SA; History of Transportation; Hartford, CT; Project 400 (14 Murals); Chadds Ford, PA; Evyan Perfumes/Cheseborough; NYC; Campbell Avenue Library; E. Hartford, CT; Eastchester Town Hall; Eastchester, NY; Liebowitz Family (2); New York, NY; Roots of Westchester County; WhitePlains, NY Publications where featured: Life Magazine; Iconagraphy of Stradivari; American Artist; Readers' Digest; Spotlight; Epic of Man - Life; The Plate Collection Magazine; Birds of Tikai - Museum of Natural History; Men and Power - Western Publishing; The Golden Book of American History (in 12 volumes - 300 paintings by Tobey) August 1, 1961 in Plate Collector magazine (with Tobey featured on the cover): "Tobey Brings Murals to Plates" by Susan Elliott: Winter, 2007 (Vol. 5 Number 20) in Illustration magazine: "The Curvilinear Career of Alton S. Tobey" by John Matuszak. Also in numerous newspaper articles in The New York Times, USA Today, Gannett newspapers, and others. Corporate collections: ABC TV; New York, NY; Charles Pfizer Co.; New York, NY; Readers' Digest; Pleasantville, NY; Ciba-Geigy; Ardsley NY; American Cyanamid; Bound Brook, NJ; General Foods Corp.; White Plains, NY; Evyan Perfumes; New York, NY Portraits: Albert Einstein; Pope John Paul II; Ronald Reagan; Charles Pfizer; Golda Meir; Alexander Calder; Cardinal Cooke; Armstrong, Aldrin, Collins; Robert Merrill; E. Ronald Harriman; Robert Frost; Douglas MacArthur; Alfred DelBello; Robert Merrill; John L. Lewis; Charles Picker; John F. Kennedy and Robert Kennedy Government & other projects: Newberger Museum; Purchase, NY; Dept. of Commerce; Washington, DC; Amer. Machine/Foundry; White Plains, NY; President's Council on Fitness; Wash., DC; Yonkers Professional Hospital; Yonkers, NY; Iona College; New Rochelle, NY; NYU Law Library; New York, NY; Jewish Community Center; White Plains, NY; Instituto Norteamericano del Arte; Mexico; American Center; Stockholm, Sweden; Amer. Bureau of Shipping; New York, NY; The National Academy; New York, NY; St. Patrick's Cathedral; New York, NY; St. Francis Hospital; Hartford, CT; Elmira College; Elmira, NY; Hofstra University; Long Island, NY; Murray Av. School; Larchmont, NY; Mercy College; Dobbs Ferry, NY Limited editions: Royal Doulton Plates; London, England; Lucien Picard; New York, NY; Scafa Tournabene; West Nyack, NY; Numa, Ltd.; Akron, OH International collections: Copenhagen, Denmark; Minori, Italy; Jerusalem, Israel; Lima, Peru; LaRochelle, France; Stockholm, Sweden; Athens, Greece; Buenos Aires, Argentina; Guatemala City, Guatemala; Mexico City, Mexico; Tepotzian, Mexico Solo Shows: American Center; Stockholm, Sweden Alliance Galleria; Copenhagen, Denmark Mamaroneck Artists' Guild; Larchmont, NY Silvermine Artists Guild; New Canaan, CT Instituto Mexicano Norteamericano; Mexico Galleria Satellite; Mexico City, Mexico Casa de Aquarella, Mexico City, Mexico Jewish Center; New Haven, CT Alice Tully Hall; Lincoln Center, NYC Riverside Museum; New York, NY Westchester Art Society...
Category

1960s Abstract Abstract Paintings

Materials

Canvas, Oil

Two Springs and Two Autumns (diptych)
Located in Zofingen, AG
A painting about my native city of Kyiv. Chestnut City and how I miss it. Two years of forced emigration. The city of chestnuts is forever in my heart, and on the canvas.
Category

2010s Impressionist Landscape Paintings

Materials

Acrylic, Canvas

IN THE SHADE OF THE TREES.EDGAR VINTERS 1914_2014 impressionist
Located in Pollenca, Illes Baleares
Born in Riga, Edgars Vinters was the only child of the facade and decoration painter Hermanis Vinters (1874–1939) and his wife Anna, née Kalniņa, (1879–...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Oil

Glass, Lake Landscape, Figure Standing by Water, Mountains, Sage Green, Yellow
Located in Kent, CT
A tall, fair-haired figure wrapped in a light blue towel stands on the bank of inviting, calm water. Dark green trees in a forest, and mountains in the dist...
Category

2010s Contemporary Landscape Paintings

Materials

Linen, Oil

"Village Green, " Abstract Landscape Painting
Located in Westport, CT
This abstract landscape statement painting by Elwood Howell features a yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a small white...
Category

21st Century and Contemporary Abstract Landscape Paintings

Materials

Acrylic, Canvas, Ink

Rolling Fields and Skies, Oil Painting
Located in San Francisco, CA

Artist Comments
Capturing the vast beauty of nature, this painting showcases endless fields gently rising and falling beneath an expansive sky. Lush, undulating meadows, golden...

Category

21st Century and Contemporary Impressionist More Art

Materials

Oil

Huge 1880’s Irish Signed Oil Cottage & Figure in Highland Mountain Landscape
Located in Cirencester, Gloucestershire
The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...
Category

1880s Victorian Figurative Paintings

Materials

Oil

The Midnight Ocean. Contemporary Seascape Oil Painting
Located in Brecon, Powys
It is the middle of summer and a strong southerly kicks up the sea so that it pounds against the shore. On a balmy, moonlit night in July, spray fills the air and a silvery reflectio...
Category

2010s Impressionist Landscape Paintings

Materials

Oil

Meadow Breeze Landscape Impressionism Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Summer Landscape Impressionism Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject:...
Category

2010s Impressionist Landscape Paintings

Materials

Canvas, Oil

The Divine Goddess - Warm Soft Jewel Tone Abstract Floral Painting
Located in Los Angeles, CA
Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

Large 1970s Modern Sailing in Sunshine, Colorful Vintage, Abstract
Located in Grand Rapids, MI
" Sailing in Sunshine ", circa 1970s Oil on Canvas 50" x 40" Housed in a Slat-wood frame Overall Size: 50 1/2" x 40 3/4" Appears to be in very good condition. We are looking f...
Category

Mid-20th Century Abstract Landscape Paintings

Materials

Canvas, Oil

By the sea Hélène Duclos Contemporary art painting blue landscape sky
Located in Paris, FR
Oil paint on canvas Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths already traveled a...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Oil

ROBJ, Large Oil on canvas, Wall Panel, Couple near the Pound, 1930
By ROBJ
Located in Saint Amans des cots, FR
Oil on canvas signed ROBJ, France, 1930s. Couple near the Pound. with frame - 134.6x107x7 cm - 53"x42"x2.75" ; without frame - 116x89 cm - 45.7x35 inches. 50F format. Signed "Robj" l...
Category

1930s Art Deco Landscape Paintings

Materials

Canvas, Oil

Large Antique American Abstract Expressionist Vintage Signed Framed Oil Painting
Located in Buffalo, NY
Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Mayday on the Annan - Scottish Victorian art landscape oil painting Scotland
Located in London, GB
This superb Scottish Impressionist Victorian expansive landscape oil painting is by noted Scottish artist David Farquharson. Painted in 1887 it is entitled verso Mayday on the Annan....
Category

1880s Impressionist Landscape Paintings

Materials

Oil

"Bluebonnet Time Hill Country Frame Size: 35 x 41 Bluebonnets, Poppies, Oak Tree
Located in San Antonio, TX
Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...
Category

1950s Impressionist Landscape Paintings

Materials

Oil

The Wind Picked Up - Original Abstract Nature Landscape Impasto Painting
Located in Los Angeles, CA
Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...
Category

2010s Abstract Landscape Paintings

Materials

Canvas, Oil

Vintage American Modernist Abstract Expressionist Framed Cubist Oil Painting
Located in Buffalo, NY
Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...
Category

1950s Abstract Abstract Paintings

Materials

Canvas, Oil

Christ Falls on the Way to Calvary, Dutch-Italianate School, c.18th-19th Cent.
Located in Soquel, CA
Expressive depiction of Christ being aided by Simon of Cyrene by an unknown artist, Italiante School style of 17th-century Northern European painters principally Dutch, c.1700s-1800s. This piece is composed of oil on linen, laid down on fiberboard. Presented in a giltwood frame. Image size: 42"H x 33"W. Italianate painters, group of 17th-century northern European painters, principally Dutch, who traveled in Italy and, consciously adopting the style of landscape painting that they found there, incorporated Italian models and motifs into their own works. Chief among the Italianates were Bartholomeus Breenbergh, Andries and Jan Both, Nicolaes Berchem, and Jan Asselijn...
Category

18th Century Romantic Figurative Paintings

Materials

Linen, Oil, Fiberboard

Sky Full of Song
Located in Santa Fe, NM
Blue, Navy, calm, reflection, nature, mountains, sky. 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil ...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Wood, Oil

Saddled Hunter Horse in a Landscape - British Old Master equine art oil painting
By John Boultbee
Located in London, GB
This large superb British Old Master horse portrait oil painting is by noted artist John Boultbee. Painted circa 1790, the composition is a beautif...
Category

1790s Old Masters Animal Paintings

Materials

Oil

Italian Landscape - Dutch Old Master art Grand Tour landscape oil painting
Located in London, GB
This simply stunning large Old Master landscape oil painting is attributed to noted Dutch artist Adriaen van Diest. Painted circa 1700 this Mediterranean Italian landscape painting has everything; A really interesting landscape with land, river, sea and mountains, interesting figures and cattle and a wonderful sky with fading light. The details and the capturing of the light make this a really fantastic Dutch Old Master country house Grand Tour oil painting. Irresistible. Provenance. Dorset estate. Condition. Oil on canvas, 42 inches by 20 inches and in good condition. Frame. Housed in an English carved giltwood frame, 50 inches by 28 inches framed and in good condition. Adriaen van Diest (1655-1704) was born in the Hague in the Netherlands. Like his father and his brother, he pursued a career as a marine painter, that is, a painter of seascapes and sailing ships. In 1673, attracted by the thriving English market for portraits and marine paintings, he joined the exodus of Dutch artists leaving to work in England. It is thought that his master was Willem van de Velde the Younger...
Category

Early 1700s Old Masters Landscape Paintings

Materials

Oil

Large British turn of the 20th Century oil painting of boys at the rockpool
Located in Petworth, West Sussex
A stunning, large scale, oil painting by British artist Harry Watson of bathers at a rockpool. HARRY WATSON RWS ROI (BRITISH, 1871-1936) BATHERS AT A ROCKPOOL oil on canvas signed ...
Category

Early 20th Century Academic Nude Paintings

Materials

Canvas, Oil

Mid Century Modern Abstract Expressionist Framed Original Large Oil Painting
Located in Buffalo, NY
Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Wonder Valley (Sidewinder) - Polaroid, 21st Century, Contemporary
Located in Morongo Valley, CA
Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "...
Category

Early 2000s Contemporary Landscape Paintings

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Summer Hill, Impressionism, Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023, Style: Impressionism, Subject: Summer Hill...
Category

2010s Impressionist Landscape Paintings

Materials

Canvas, Oil

Morning Gun - British Old Master naval marine seascape ships art oil painting
Located in London, GB
This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...
Category

1730s Old Masters Landscape Paintings

Materials

Oil

Back Country
Located in Burlingame, CA
Back Country - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Oil

Le Berger et la Mer (The Shepherd and the Sea), 19th Century French Landscape
Located in Beachwood, OH
Constant Troyon (French, 1810-1865) Le Berger et la Mer (The Shepherd and the Sea), c. 1840 Oil on canvas 32.75 x 50.75 inches 40 x 57 inches, framed This work depicts a shepherd an...
Category

19th Century French School Figurative Paintings

Materials

Oil

Large Scale Persian Hunt Landscape Painting
Located in Douglas Manor, NY
#5-01 Large Scale Persian Hunt, circa 1920's oil painting on canvas depicting hunting scene, displayed in a wood-gesso frame.Image size 39 H X 59.5 W Artist unknown. Age wear on the ...
Category

1920s Figurative Paintings

Materials

Oil

Earthly Paradise - Paint by Sirio Pellegrini - 1960s
Located in Roma, IT
Oil on cardboard realized by Sirio Pellegrini in 1960s. Includes a wooden frame realized by the Artist. cm. 157.5x113.5. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo...
Category

1960s Contemporary Figurative Paintings

Materials

Oil, Cardboard

Bergen facades 5, Norway Original Painting, Landscape, Contemporary, Pink art
Located in Deddington, GB
The inspiration for this work is a recent trip I made to the fiordes on Norways north west coast . Beautiful houses in white and red line the waters edge . This restricted palette of...
Category

2010s Abstract Landscape Paintings

Materials

Canvas, Acrylic

“American Rural, Windmill” Contemporary Colorful Pastoral Landscape Painting
Located in Houston, TX
Contemporary colorful pastoral landscape by Texas based artist Jacob Spacek. The work features a windmill set against a vibrant blue sky and green field. Signed by the artist in the ...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Oil

'Batterie de Cote Engagee' - A Naval Battle with Admiral Nelson. Oil on canvas
Located in St. Albans, GB
Francois Tattegrain This painting is named and listed in Benezit It was painted for the Paris Salon in 1911 and then sold in auction in 1919 (ref Benezit). For many years it hung i...
Category

Early 1900s French School Landscape Paintings

Materials

Oil

'Portofino', Genoa, Italian Riviera, Naples Academy of Fine Art, Amalfi Coast
Located in Santa Cruz, CA
Signed lower right, 'Sanzone' for Mario Sanzone (Italian, born 1946) and titled, 'Portofino'. Previously with: Zantman Art Galleries, Carmel, CA. A substantial oil on canvas showi...
Category

1990s Landscape Paintings

Materials

Canvas, Oil

Tuscany Meadow with Long Evening Shadows, Flowers, Summer Evening, Abstract
Located in Deddington, GB
A meadow in Tuscany on a summer's evening at my friend's house, near Sestina. The heat of the day has left a balmy warmth and the low sun is casting long deep shadows across the wild...
Category

2010s Abstract Abstract Paintings

Materials

Oil Crayon, Oil, Acrylic, Canvas, Mixed Media

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