Oversized Landscape Paintings

Impressive early American modernist abstract expressionist large oil painting. Framed. Oil on canvas. Signed. Image size, 31H by 41L.

An abstract Avante Garde piece with vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1969 during the rise of Avante Garde express...

This painting is in excellent condition and has only been shown in galleries. This painting is gallery wrapped and finished on the edges so it can be hung without a frame. Frame op...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean line...

Richard Ballinger is a British landscape and still-life painter. “I do not draw in the landscape, I draw from it. It’s taken me inside, to the studio, imagining how it should be ......

Signed and dated in the right hand corner. Beautiful and impressive painting by the italian painter Giuseppe Raggio, both in size and atmosphere, representing a Lake in the countrys...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

Edmund Darch Lewis (American, 1835-1910) 'Untitled', 1875 Oil paint, linen, stretcher bars The artist signed the bottom right of the painting. Dimensions: 43.5" x 25.5" x .75" Frame...

Born in Riga, Edgars Vinters was the only child of the facade and decoration painter Hermanis Vinters (1874–1939) and his wife Anna, née Kalniņa, (1879–...

“Summer glow” 48 x 36 inches is a one-of-a-kind original, modern, landscape impressionist painting by Juanita Bellavance. In this highly expressive abstract work, Juanita combined ye...

Three Sisters in the Cascade Range, Oregon Landscape scene depicting three snowcapped mountains, also known as "The Three Sisters," surrounded by evergreen trees by John Englehart...

In this piece, I meld the raw emotions of expressionism with the fluid ambiguity of abstraction. The cascades of cool blues and greens contrast with warm golden hues, capturing a mom...

Oh the stories that this coastal scene at the last light of the day could tell! The sky is nearly flashing as the sun light diminishes sending pools of sparkles on the water's surface. The crew and guests on the schooners, smaller sailboats and dinghy become absorbed in the culmination of their day's journey and the journeys of the passengers in the other remaining boats as they navigate their boats with safe passage to their home dock destination. Rising star fine artist Paul Beebe...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Cafés in the streets of Paris portrayed in the dista...

Artist Ger Stallenberg likes to get lost in his landscapes. The artist born in Maastricht (1959) studied at the Academy of Visual Education in Tilburg. Ger Stallenberg is inspired b...

This commissioned oil painting, 1884, was painted by James McGinley for owners of a custom home in Gladstone, NJ on the adjacent lands to the United Sta...

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece ...

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Abstract Composition by René GUINAND (French, 1892-1983), signed oil on canvas, in a wooden frame Framed: 35 x 52.5 inches Canvas : 34 x 52 inches Inscribed verso Provenance: private...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Beautiful sunset waves in a peacefully atmosphere at sunset. The Sunset kissing the waves and bathing them in a warm glow. This contemporary landscape painting is full of vibrant col...

5207 Oversized Modernist Oil painting on rapped canvas of a desert landscape Signed Robert Yaumola Edges are painted no need for frame

Landscape water/ground Oil on cotton canvas 110x180cm the painting is shipped ready to hang the cotton canvas stretched on a handmade wooden frame...

I'M SORRY TOO 2024 Paris, France This abstract painting portrays two roses seemingly merging in harmonious synchronization, evoking a sense of beauty intertwined with a poignant und...

‘Summer Shade’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts cattle in the shade of a large tree on the river Ribble in North Yorkshire – is signed by the artist...

Up for sale is a large original oil painting on canvas depicting a sailing ship breaking through the waves leaving a white trace behind, signed by Listed Artist Hewett R. JACKSON ...

"Woodland Radiance" is a captivating portrayal of a tranquil birch forest bathed in golden sunlight. The slender white trunks rise gracefully, their leaves forming a luminous canopy ...

Louis Toffoli (1907-1999) Peru : Quiet Square Original oil painting Signed bottom right On canvas 65 x 92 cm (c. 26 x 36 inch) Presented in a golden wood frame 84 x 110 cm (c. 33 x ...

Winter Landscape - Oil on canvas cm. 60x120 by Paolo De Robertis, Italy 2002. Beautiful oil on canvas inspired by the work “Glacier in the Spitzbergen” by the artist Friederich Ka...

Johann Till II (Austrian, 1827-1894) Plethora, c. 1860 Oil on canvas Signed lower right 47.5 x 35.5 inches 54.5 x 43 inches, framed Johann Till the Younger trained in Vienna under h...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x 47....

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Warm Waters is a beautiful abstract painting in clear blue, with touches of warmth, that references color through water, with a quiet yet complex surface of layered oil paint over st...

Circle of Carlo Labruzzi A view of Lake Nemi Oil on canvas Canvas Size 26 3/8 x 40 1/2 in Framed Size 35 x 49 in Carlo Labruzzi was an Italian painter, draftsman, and engraver, best...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

Artist/ School: Italian School, 17th century. Title: A King and Queen before court figures, amidst a classical landscape with Roman columns. Medium: oil painting on canvas, framed ...

Antique German oil painting by Christian Johannes Wilberg (1839 - 1882). Oil on canvas. Signed. Framed. Measuring 40 by 50 inches overall and 31.5 by 41.5 painting alone. A luminous...

Landscape oil Painting, Impressionism, flowers, oil on canvas Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 S...

Artist/ School: American School, signed lower corner. Title: Leading them Home. Medium: oil painting on canvas, framed Size: painting: 25.5 x 37.5 inches, frame: 28.5 x 40.5 inch...

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

Ciro Ferri (Rome 1634 - 1689) circle of - San Giovanni Battista. 80 x 103 cm without frame, 94 x 118 cm with frame. Antique oil painting on canvas, in an antique 17th century frame...

Hope - Floral landscape after the Storm Extra large floral showcase Investment Extra large Floral Showcase Investment Nature Landscape Joy Colorful Authentic Original One-of-a-kind ...

A tall, fair-haired figure wrapped in a light blue towel stands on the bank of inviting, calm water. Dark green trees in a forest, and mountains in the dist...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

This painting is an oil on canvas and signed in the lower right, dating to about 1920. It does has craquelure which would be expected for an untouched painting of this age, but it do...

A magnificent Winter Landscape by the Swedish artist Anton Genberg (1862-1939). In this painting from 1912, we see the characteristic features that made ...

Canadian artist Peter Hoffer (1965) is best known for his landscape paintings. His style has also been compared to the idealistic landscapes of the 19th-century landscape painter Joh...

‘Vale of the Conwy’ by Samuel Lines (1778-1863). The painting – which depicts a single female figure in Welsh dress walking with a goat in an extensive mountain landscape – is signed...

Gold Edition - with real gold leaf, 23,75 carat Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting ...

IDEA 7 is a unique acrylic on canvas painting by contemporary artist Ramon Enrich, dimensions are 140 × 210 cm (55.1 × 82.7 in). The artwork is signed, sold unframed and comes with ...

A stunning, large scale, oil painting by British artist Harry Watson of bathers at a rockpool. HARRY WATSON RWS ROI (BRITISH, 1871-1936) BATHERS AT A ROCKPOOL oil on canvas signed ...

This superb large British Old Master oil painting is attributed to John Inigo Richards. Painted circa 1770 the composition is a view from before the water's edge across a lake to cas...

Contemporary oil on canvas, this very large painting has fine naturalistic detail, with deep sky tones, rich coloring, crisp trees/leaves and lines of lighted meadow reflected in the...

'Moving Sky' is 48 x 53 inches. The unique work bridges realism with surrealism. The painting is unframed and is ready to hang and enjoy over a lifetime. Signed and dated by the ar...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

The artist applies the underpainting in approximately five to six layers, building a rich texture of brushstrokes that adds depth and atmosphere to the work. Although this process is...

Moses with the Israelites before Parting the Red Sea circle of Matteo de Pitocchi (Italian 1626-1689) oil on canvas laid on board, framed framed: 26 x 48 inches canvas: 21 x 43 inche...