Elmer Ekeroth

Mid Century Carmel Mission Landscape by Elmer Ekeroth

c.1960s

Early 20th Century Carmel Mission Landscape Vibrant early 20th Century painting of Mission San Carlos Borromeo del río Carmelo, aka Carmel Mission, pr...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

A rich, painterly scene of the mission at San Juan Capistrano, California by listed artist Jane R. Hofstetter (American, 20th century). Signed "J. ...

Carmel Mission by Deanna DeChauron a Carmel based artist. Watercolor painting of the Old Carmel Mission located near the coast in the Village of Carmel,...

This artwork titled "Carmel Mission Basilica" is a watercolor on paper by noted California artist Jeanne Ocker, born 1922. It is signed and dated at the...

Paul Grimm (1891-1974) California Artist Image Size: 24 x 30 Frame Size: 31 x 37 Medium: Oil on Canvas Dated 1953 "Pala Mission" The San Antonio de Pala Asistencia, or the "Pala Mission", was founded on June 13, 1816, as an asistencia or "sub-mission" to Mission San Luis Rey de Francia, some twenty miles inland upstream from the latter mission on the San Luis Rey River. Pala Mission was part of the Spanish missions, asistencias, and estancias system in Las Californias—Alta California. Today it is located in the Pala Indian Reservation located in northern San Diego County, with the official name of Mission San Antonio de Pala.[2][4] It is the only historic mission facility still serving a Mission Indian tribe. Pala (a derivation of the native term Pale, meaning water) was essentially a small rancho surrounded by large fields and herds. The Pala site had been noted by Father Juan Mariner and Captain Juan Pablo Grijalva on an exploratory trip in 1795, when they went up the San Diego River, and then through Sycamore Canyon to the Santa Maria Valley (or Pamó Valley) and into what they named El Valle de San José, now known as Warner Springs. Once Mission San Luis Rey began to prosper, it attracted the attention of numerous mountain Native Americans in the area, who were called the Luiseño by the Spanish. Spanish era The Franciscan fathers chose this site for the Pala Mission because it was a traditional gathering place and village for the Native American residents. Father Peyrí oversaw the addition of a chapel and housing to the granary complex, which was constructed at the spot in 1810.[4] The chapel's interior wall surfaces featured paintings by native artists, originally measuring 144 by 27 feet. Workers went into the Palomar Mountains and cut down cedar trees to use as roof beams.[5] Pala is unique among all of the Franciscan missions in that it boasts the only completely freestanding campanile, or "bell tower," in all of Alta California. By 1820, some 1,300 baptisms had been performed at the outpost.[6] Folk tales about the mission include mention of a prickly pear cactus, which became a local symbol of Christian victory, that grew up at the foot of the cross.[7] Mexican era After the nation achieved independence from Spain, the Mexican Congress passed An Act for the Secularization of the Missions of California on August 17, 1833 (the act was ratified in 1834).[8] Father Buenaventura Fortuna surrendered Mission San Luis Rey and all its holdings, including Las Flores Estancia and the Pala Asistencia, to government comisianados (commissioners) Pío Pico and Pablo de la Portillà on August 22, 1835; the assessed value of "Rancho de Pala" was $15,363.25.[9] More than a decade later, fearful of the impending conquest of Alta California by the United States as a result of the Mexican–American War...

Impressive early American impressionist California oil painting. Framed. Oil on board. Image size, 12H by 9L.

Signed lower right, 'Henry Volle' (American, 20th century) and painted circa 1975. A substantial and lyrically painted watercolor view of the original Spanish colonial church and mission buildings at Carmel on the coast of California with a view beyond towards the Carmel highlands. Henry "Hank" Volle first attended the University of Illinois and subsequently studied in Europe, including at the Klinger Institute, Vienna. Upon returning to the United States, Volle began to study with the water-colorists of the California Bay area. Essentially a plein-air painter, Hank Volle painted along the California coast where he exhibited with success. He was also a member of the Santa Clara Watercolor Society and the Society of Western Artists.