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Francis Luis MoraPlaya con Llüats, Beach and Boats1909
1909
$9,000
£6,772.31
€7,829.30
CA$12,708.26
A$13,779.47
CHF 7,312.60
MX$169,711.74
NOK 90,635.12
SEK 85,538.72
DKK 58,439.83
About the Item
A very dear and special work by Francis Luis Mora done while he was in Spain. An important trip early in his career, this is a gem of American Impressionism in technique and history. Also - this work is in its original condition and framing - all of which has been very well preserved.
Provenance: Rafael Guastavino III, purchased in Barcelona while on a trip there in 1909.
Signed lower right
The panel size: 7.5 x 9.25 inches
Private collection James Black, Florida by inheritance
Mora’s life-long artistic goal was to adapt the techniques of the Spanish Old Masters into American modern painting. Mora frequently traveled to Spain to visit his extended family, and to paint. In fact, Mora would be referred to as one of the American painters who would return, over and over, to Spanish influences and subject matter in his paintings. Mora frequently traveled to Spain to visit his extended family, and to paint. Mora made a trip to Europe around 1908 after he married and he and his wife stayed a little over a year in Europe, primarily in Spain.
On this particular trip, Mora met Joaquín Sorolla y Bastida. It is evidenced in Mora’s work that he would have been impressed with this great virtuoso’s brushwork and use of light within his Impressionist aesthetic. This beach scene of a fishing community is both a delightful and superb example of Impressionist painting along with a window into an important year in Mora’s life.
The beach scene, featuring an array of Llüats, or fishing boats notable for their laurel leaf shape is executed in quickly but well placed, expert strokes laid down with no clumsiness of composition or placement. The color palette was surely inspired by the light and scene before him, but his choices are appealing to the eye. A painting that vividly transports us to another time and place in an effortless manner.
- Creator:Francis Luis Mora (1874 - 1940, American)
- Creation Year:1909
- Dimensions:Height: 15.75 in (40.01 cm)Width: 17.75 in (45.09 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Original untouched condition - including the frame.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1413214110762
Francis Luis Mora
Francis Luis Mora was one of the great American artists of late 19th and early 20th centuries. His illustrations were found in numerous magazines and periodicals including Harper's Weekly, Scribner's, and Century Magazine. In 1903, alongside Robert Henri, Mora taught a class at Bayport on the South Shore of New York's Long Island and another class at Good Ground in 1904, both identified as continuations of Chase's Shinnecock School. Mora also taught and exhibited extensively at the Art Students League of New York. Born in Uruguay in 1874, his family moved to America when he was a child. His father, Domingo Mora, was a well-known Spanish artist who gave his son his early artistic training. Mora also attended the Boston Museum of Fine Arts School where he studied drawing and painting under Frank Benson and Edmund Tarbell. Later he studied under H. Siddens Mowbray at the Art Students League in New York City. Following the tradition of his contemporaries and mentors, Mora traveled to Europe to study the great paintings of the Old Masters. The influence of the Spanish Masters, especially Velazquez, is evident in Mora's choice of subject matter and style throughout his career. "Perhaps it is these very conflicting conditions in the life of Mr. Luis Mora that have evolved the unusual quality of his art, an art essentially Spanish in subject and feeling and wholly modern and American in expression…(Craftsm, 17:402)." Over two hundred of Mora's sketchbooks are conserved at the Archives of American Art. Mora was also commissioned to paint the portraits of Andrew Carnegie and President Warren G. Harding, both of which hang in the White House.
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