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Henry Pether
Venice by Moonlight - 19th Century Moonlit Oil Painting Nocturne of Grand Canal

Circa 1850

$103,381.97List Price

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Important 18th Century Royal Academy Oil Painting of Georgian London Festival
Located in Gerrards Cross, GB
‘St. James’ Day’ by Richard Morton Paye (1750-1820). This large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s eveni...
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Diana Nemorensis - 19th Century NeoClassical Oil Painting Ancient Roman Goddess
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‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fi...
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Going to Market - 19th Century Exhibition Oil Painting Woking Common in Surrey
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‘Going to Market, Woking Common’ by George Cole RBA (1810-1883). The painting is signed by the artist and dated 1853 in which year it was exhibited at the Society of British Artists ...
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An Undershot Watermill - 19th Century Victorian Oil Painting of North Wales
Located in Gerrards Cross, GB
‘An Undershot Mill, North Wales’ by William E. Harris (1854-1934). The painting is signed by the artist and presented in a newly commissioned bespoke gold metal leaf frame. A native...
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Late 19th Century Victorian Landscape Paintings

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Fabbriche di Careggine - Mid 19th Century Oil Painting of Tuscany Hills Italy
By Edmund John Niemann
Located in Gerrards Cross, GB
‘Fabbriche di Careggine’ by Edmund John Niemann (1813-1876). Fabbriche di Careggine is the name of a Italian ghost village that today lies beneath Vagli di Sotto, a man-made lake in Tuscany. Prior to its flooding in 1953 the village was home to a community of subsistence farmers who raised sheep and Garfagnana goats. The painting depicts one of these goatherds and a young woman riding out from the village at sunrise. It is not uncommon for paintings by one member of famous family of artists to be mistakenly attributed to a relative; a picture by “the Elder” is erroneously credited as being by “the Younger” and the work of one brother is confused with another, and so on. In 19th century British art...
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