Henry Robinson Hall

Oil painting by Henry Robinson Hall “The Silver Strand, Loch Katrine”

1890

"Windmills by a Dutch Waterway" by Joseph Paul. Joseph Paul was a Norwich landscape painter in the Dutch tradition. Regular local Exhibitor. Oil on canvas. Dimensions unframed heig...

"Near Tamerton Devon" by William Pitt. William Pitt 1818-1900 was a fine midlands landscape painter of local scenes and south west views. A regular exhibitor at London and Birmingham...

"Outside the Bell Inn" by Walter Williams. Walter Williams 1835-1906 was a painter of the highly popular Williams family of painters regular exhibitor RA RBA and elsewhere. Oil on ca...

"A Siamese Water Market" by Edwin Norbury. Edwin Arthur Norbury. R.C.A 1849- 1918 was a founder member of the royal Cambrian academy visited Siam in 1892 to...

Samuel Alken Jnr (1784-1825) Snipe Shooting Pheasant Shooting Both signed 'S. Alken' A pair, Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken J...

Benjamin Williams Leader (1831-1923) Morning sunshine at low tide Signed 'B.W. LEADER' lower left Oil on board Painting Size 12 x 17 in Framed Size 19 x 24 in Provenance With The Ma...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...