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Julius Lars HoftrupOld Miner's House, Sante Fe, New Mexico
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Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Old Miner's House, Santa Fe, New Mexico
By Julius Lars Hoftrup (1874-1954)
Unframed: 20" x 20"
Framed: 26" x 26"
Hofterup in Skane was the birthplace of J. Lars Hoftrup. Hoftrup immigrated to a farm in New York in 1881 but left to study at Cooper Union Art School and later made study journeys to paint landscapes in Canada, France, and North Africa.
His work has been shown in exhibitions at the Phillips Collection, Washington, D.C. and at the Brooklyn Museum.
- Creator:Julius Lars Hoftrup (1874 - 1954, American)
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU747311355082
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Unframed: 20" x 20"
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Hofterup in Skane was the birthplace of J. Lars Hoftrup. Hoftrup immigrated to a farm in New York in 1881 but left to study at Cooper Union Art School and later made study journeys to paint landscapes in Canada, France, and North Africa.
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Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association.
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A realist and early modernist painter, graphic artist, illustrator, and sculptor, Will Shuster became known primarily for his work in New Mexico where in 1920, he settled in Santa Fe, having been encouraged to come there by John Sloan. He had studied electrical engineering at the Drexel Institute in Philadelphia and later was a student of Sloan's in Santa Fe in both etching and painting.
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Signed Lower Right
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David Schulman was a Dutch self-taught painter, draftsman and watercolorist. He was born in the city of Hilversum, in 1881. Schulman's father Lion was a painter himself and was known to be come an art dealer in subsequent years. Apart from this, he sold painting...
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Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included)
* Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist
A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254)
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