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Leon Richet"Sunset on the River"Circa 1885
Circa 1885
$2,800
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About the Item
Sunset on the river by French artist, Leon Richet. Oil on wood panel. Circa 1885. Signed lower left. Framed size 13.5 by 16.5 inches.
Born in Solesme, France in 1847, Léon Richet was of the generation of painters raised during the height of the Barbizon school. He was a student of Narcisse Virgile Diaz de la Pena, as well as Jules Lefebvre and Gustave Boulanger. He began a Salon career in 1869, received an honorable mention in 1885 and was awarded second place medals in 1888 and 1901. However, his Barbizon-style works figure more importantly in his career than his Salon submissions.
Richet was very influenced by the works of Rousseau. The majority of Richet’s landscapes are of the forest of Fountainebleau, although he did also paint views at Moret sur Loing, Loiret, Burgundy, Normandy, and along the Seine. His compositions are often airy and open, unlike the sometimes enclosed or shadowy views of nature of some of his mentors and counterparts, such as Diaz and Corot. Richet was a very prolific artist and his works appear in many collections.
Selected Museum Collections:
Musée d’Orsay, Paris; Musée des Beaux Arts de Montreal; Musee des Beaux Arts, Nice; Musée des Beaux Arts, Reims; Musée des Beaux Arts, Rennes.
- Creator:Leon Richet (1847 - 1907, French)
- Creation Year:Circa 1885
- Dimensions:Height: 9.5 in (24.13 cm)Width: 13 in (33.02 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good to very good condition. Could use a cleaning. Antique period frame but not original to the painting.
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1411829613
Leon Richet
Richet spent much of his adult life in Paris. It was there that he met and became a student of Jules Lefebvre. He also became a disciple of Diaz la Pena. Both of these teachers were well-known proponents of the Barbizon School. The Barbizon school of painters was part of a movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active from roughly 1830 until 1870, was inspired originally by the work on John Constable, and included, most notably, Theodore Rousseau and Jean-Francois Millet. It takes its name from the village of Barbizon, France, near the Forest of Fontainebleau, where many of the artists gathered. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. These Realist artists would shape Richet’s style and in turn his successful career as a landscape painter. The artist sometimes collaborated with Lefebvre; there are several paintings that bare both of their signatures. Lefebvre’s teaching is evident in paintings such as this L’étang Les Hautes herbes, in the delicate way in which Richet accurately depicted the effects of light and reflection on the water. His compositions, such as this one, are known for their lightness and openness. These qualities set Richet apart from his mentors and counterparts, such as Diaz and Corot; whose work often comprises enclosed and shadowy views of nature. This meant Richet enjoyed a successful and prolific career, and his work was widely exhibited during his own lifetime. At the Salons of Paris, he obtained an honorable mention in 1885, medals in 1896 and 1900; and from then on was considered to be a leader in the Barbizon School, and later proposed for the cross of the Legion of Honor. Like many painters of the Barbizon School, Richet had a fondness for the Forest of Fontainebleau, and it provided the subjects for the majority of his paintings. A Road to the Forest of Fontainebleau was perhaps his most famous painting and drew public attention to his name at the time it was painted. Richet also loved the areas of Moret Sur Loing, Loiret, Normandy, and Burgundy as sources for his painterly inspiration, as well as views along the River Seine. He was a member of the Society of French Artists and exhibited with them from 1880 until his death in 1907.
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