Paper Landscape Paintings

Rene Genis (French 1922-2004) Title illegibly written. "La Bienne" "Jura" (?) - Illegible - "The Property" in "Jura" Switzerland. Rolling hills on background, trees, glade and pond(?...

"Nile Roses Miniature" Painting 20" x 25" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973...

Jack Hooper "Trees and Bulls" - Mexico 1-12-1993 Acrylic and conte crayon on rag paper 30.75"x21.25" unframed Signed and dated in pencil lower right *Custo...

Stonehenge at Dusk By Max Panks [2021] original Watercolour on Paper Image size: H:27 cm x W:39 cm Complete Size of Unframed Work: H:31 cm x W:41 cm x D:0.1...

The Palmhouse of Kew Gardens By Max Panks [2018] original Watercolour on Paper Image size: H:26 cm x W:36 cm Complete Size of Unframed Work: H:23.5 cm x W:3...

This is an original gouache painting layered over an original archival pigment print using alternative process photography. Image measures 30" x 20" on 34" x 22" Hahnemühle German Etching 100% rag paper. Ava Blitz...

Powder Basin

View of Loch Craignish (mounted original painting) [2021] Original Mixed media Image size: H:20 cm x W:25 cm Complete Size of Unframed Work: H:28 cm x W:36 cm x D:1cm Sold Unframed P...

Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Marius Schmidt (American, 1863-1938). Presented in a giltwood frame. Signed "Marius Schmit" lower l...

Alexandra Rozeman’s “Sunny Side Up” is 12 x 9 inches watercolor-collage on paper. The playful figure of an angel is made out of eight kinds of painted and patterned paper. A characte...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

This is an original gouache painting layered over an original archival pigment print using alternative process photography. Image measures 18.5" x 9.25" on 20.5" x 12.25" Hahnemühle German Etching 100% rag paper. Ava Blitz...

Charming mid century watercolor painting of late 19th Century Paris street scene circa 1950. Signed lower left "Julius" , attributed to Julius Rosenbaum...

Spring Storm, original vintage painting by New Mexico & Oklahoma modernist, Doel Reed (1894-1985). Evening scene with hint of a moon, clouds and rain over a rocky western landscape with low mountains/buttes, dated, June 1980 and signed by the artist lower right. Presented in a custom frame, outer dimensions measure 24 ½ x 37 ½ x 1 ¼ inches. Image size is 14 ¾ x 27 ¾ inches. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Early in his artistic career, Doel Reed knew he wanted to be a printmaker. Influenced by Goya's aquatints, he extended himself beyond his formal art training to learn this technique, and he established himself as one of its masters. For decades, he devoted himself to the art program at the University of Oklahoma, taking it from a faculty of one to a major mid-Western department. Upon retirement, Reed focused totally on his work, moving with his family to Taos, New Mexico, where they had previously summered. Marked by strong tonal contrasts, his landscapes of this region are deeply emotional renderings with a sense of mystery -- modernist forms combined with romantic moodiness. Born and raised in Indiana, Reed originally studied architecture, which he credits with a lifelong attention to "how something is constructed." His mature style can be characterized as architectonic in his concern with assembling volumes and planes. Even the intense northern New Mexico light becomes the means to articulate three-dimensional patterns into cubistic interplay. When painting, Reed used thick strokes of oil and casein as another structural element. Transferring to fine art, his studies at the Cincinnati Art Academy were then interrupted by military service in World War I. Suffering a gas attack in the trenches of France, Reed spent months in a hospital temporarily blinded. The effects of the gas also damaged his lungs, which later prompted him to live in the dry climates of Oklahoma and New Mexico. After the war, he returned to his studies, but it was discovery of Goya's aquatints rather than his art classes that inspired. Considered the master, Goya drew on the tonal range available with this medium to create powerfully haunting imagery. Perhaps Reed responded personally to the eloquent series "The Disasters of War." Now his course was set, and he built his own etching press, which he continued to use for the rest of his life. In 1924, he accepted a teaching position at Oklahoma State University, where he remained for thirty-five years. Emphasizing drawing, Reed encouraged students to go to nature and translate the scene through their own sensibilities. Beginning as the sole art professor, he developed the program when it became an independent department in 1930. Through his stewardship, the university gained a reputation as one of the best for printmaking in the country. During the forties, Reed also prepared a series of lectures and demonstrations on aquatint for the Association of American Colleges. His most public offering in art education is the book "Doel Reed Makes An Aquatint" (1965). Sabbaticals allowed him to visit Paris in 1926 and 1930-31. Summer travel took him to Nova Scotia and Mexico, but gas rationing during World War II necessitated a closer destination. Thus the Reed connection with Taos was established. Finally in 1959, he, his wife, and daughter moved there to Talpa Ridge, the same outlying area in which artists like Andrew Dasburg, Howard Cook, and Barbara Latham resided. Settling into a complex of three adobe buildings, Reed was welcomed by these artists, who referred to their community as Neurosis Ridge. Rena Rosenquist of Mission Gallery remembers that Reed was "the most affable man" who liked cold martinis. For Reed, the surrounding Sangre de Cristo Mountains offered "end of abstract pattern." His inventive mind came up with techniques to transform a natural scene into a richly dimensional object. He fashioned a rosin box and concocted his own formula of etching ground to achieve a velvety texture with his prints. Described as "not for the faint-hearted,”" casein became a medium with which built up paint surfaces that almost seem sculpted. Both the prints and drawings are characterized by a tension between the two-dimensional surface pattern and the articulated space it conveys. In addition to landscapes, Reed produced a number of works of voluptuous women with the figures echoing landscape elements. As a boy, his first art experience was a grade-school field trip to the John Herron Art Museum (now the Indianapolis Art Museum), where he expressed his admiration for a painting of a nude mermaid -- an image that made a lasting impression. Reed was proudest of his recognition by the National Academy of Design (now just the National Academy). In 1942, he was named associate member; in 1952, he was named full academician. ©David Cook Galleries, LLC Exhibited: Society of Independent Artists, 1927 & 1929; Society of American Etchers, 1930-1946; Kansas City Art Institute, 1932; “100 Etchings of Year,” 1932-44; Art Institute of Chicago, 1934, 1937, 1939; National Academy of Design, 1934-46, 1965 (Samuel Morse Medal); Tulsa Art Association, 1935 (prize); Paris Salon, 1937; Rome, Italy, 1937; Sweden, 1938; Chicago Society of Etchers, 1938 (prize); Corcoran Gallery of Art, Washington, D.C., 1940; Philadelphia Print Club, 1940 (prize); Venice, Italy, 1940; Carnegie Institute, 1941; Currier Gallery of Art, Manchester, NH,1942, (prize); Metropolitan Museum of Art, 1942; Whitney Museum of American Art, 1942; Northwest Printmakers, 1942 (prize), 1944 (prize); Herron Art Institute, 1943; Library of Congress, 1944-46; Pennsylvania Academy of the Fine Arts, 1944-45; Philbrook Art Club, 1944 (prize); Laguna Beach Art Association, 1944 (prize); Southern States Art League, 1944 (prize); “50 American Prints,” 1944; Oakland Art Gallery, 1945 (prize); Audubon Artists, 1945, 1951 (Gold Medal of Honor), 1954 (John Taylor Arms Memorial Medal); Albany Institute of History and Art, 1945; Pasadena Art Institute, 1946; London; Allied Art Association; National Society of Painters Casein; Mission Gallery, Taos, NM, and Blair Galleries, Ltd. Santa Fe, NM. Works Held: Carnegie Institute; Honolulu Academy of Art; Grinnell College; Library of Congress; Metropolitan Museum of Art; Museum of Fine Art, Houston; New York Public Library; Oklahoma Art Club; Pennsylvania Academy of Fine Art; Philadelphia Museum of Art; Philbrook Art Club; Seattle Art Museum; Southern Methodist University; University of Montana; University of Tulsa; Bibliotéque Nationale, Paris; Victoria and Albert Museum, London. Further Reading: Harmsen's Western Americana: A Collection of One-Hundred Western Paintings with Biographical Profiles of the Artists, Dorothy Harmsen, Northland Press, Flagstaff, Arizona, 1971.; The Illustrated Biographical Encyclopedia of Artists of the American West, Peggy and Harold Samuels, Doubleday & Company, Inc., Garden City, New York, 1976.; Taos Artists...

Early Autumn Study I by Suzanne Winn Original landscape painting Oil on Fabriano Pittura paper Image size: H 22cm x W22cm Framed size: H 29cm x W 29cm x D 3cm Framed in a bespoke, ha...

Wonderful watercolour on paper circa 1920 by Henri Duhem depicting a cafe scene at night, with the terrace lit up by lanterns. Signed lower left. This painting is not currently frame...

Superb fine detail of geese in flight by Surachai Promsuntisit (EAD) (American/Thailand, b-1952). Presented in a metal frame. Signed illegibly lower r...

Kaleidoscope Coast [2012] Original Seascape Mixed media on paper Image size: H:50.1 cm x W:38.2 cm Complete Size of Unframed Work: H:50.1 cm x W:38.2 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Kaleidoscope Coast is a mixed media painting that depicts the wealth of colour, that emits from a sunset on the Pembrokeshire Coastline. The original photograph was taken by myself using a high sensitive light setting. David Truman...

Double-sided watercolor of California beach with distant purple mountains by listed artist Doris Ann Warner (American, 1925-2010). On verso is a rough abstract watercolor with blocke...

Wonderful pastel of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. One of two estate pieces purchased one was signed and t...

"Parterre at Casa de Mateus," Acrylic on Paper over Wood Panel, Tom Fawkes (1941- present), painted 2007. This painting is so wonderfully detailed & depicti...

Boat at the Dock, Alviso Bay Area Tonalist Landscape Watercolor by Iku Nagai Lovely Tonalist watercolor landscape of Alviso, California by Iku K. Nagai (Japanese/American, b. 1932)....

Misty morning on the loch by Natalie Bird [2021] original Mixed media Image size: H:20 cm x W:25 cm Complete Size of Unframed Work: H:28 cm x W:36 cm x D:1cm Sold Unframed Please no...

Blooming apple trees. 1980. Pastel on paper, 28x34,5 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...

Set of 2 artworks by Modern Indian Artist Badri Narayan 1) House I Ink on paper I 5 x 5 inches ( unframed size) I 2008, 2) House I Ink on paper I 5 x 5 inches ( unframed size) I Cir...

Space Rocks, 2020, watercolor, oil pastel, black, creatures, graphite, fantasy.

A Green Thought by Janet Keith [2020] Original Acrylic paint on heavy watercolour paper Image size: H:100 cm x W:70 cm Complete Size of Unframed Work: H:100 cm x W:70 cm x D:0.10cm S...

Vibrant Livery stable Landscape of Niles, California (in Bay Area) by Elsa Hull (American, 20th Century). Presented in a wooden frame. Watercolor on paper. Signed "Elsa Hull" lower r...

Sarah Foat Graffiti VI Contemporary Abstract Landscape Painting Acrylic Paint on Paper Image Size: H 10cm x W 10cm Framed Size: H 30cm x W 30cm x D 1cm Sold Framed in a White Frame P...

Autumnal Dawn [2012] Original Landscape Mixed media on paper Complete Size of Unframed Work: H:38.2 cm x W:50.1 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Autumnal Dawn depicts an early sunrise through mist, lighting up a bridle path above Derwent Water in Derbyshire. David Truman...

Selsley Church, Gloucestershire By Max Pants [2021] Original Watercolour on Paper Image size: H:33 cm x W:49 cm Complete Size of Unframed Work: H:36 cm x W:51 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look The view of Selsley Church sitting just below Selseley's undoubtedly triangular piece of common. This is the view from my Parent's living room window in Stroud. Perhaps the best view of Stroud I have ever seen. Painted on Saunders Waterford 300gsm Watercolour Paper. Max Panks...

Beautiful mid century double-sided watercolor landscape painting of boats docked in the Gloucester harbor by C. Campbell (American, 20th Century). Unframed. Acquired with a collectio...

Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...

Cherries bloom. 2010, acrylic on paper, 49x70 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and ...

At the Seine. 1996. Paper, pastel, 24x41 cm Cityscape at the Seine In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting depa...

VALERIE HIRD FLIGHT, 2020 watercolor, Arches paper 23 x 46 in. 58.4 x 116.8 cm. mythology

Tsemo Gompa looks out over the valley of Leh, capital of Ladakh, high in the Himalaya. Rachael’s works on paper are particularly organic. Diluted paint is allowed to migrate on a da...

An oak tree at sunset… sculpted by the wind over decades, bent, gnarled and beautiful Rachael Dalzell’s works on paper are particularly organic. Diluted paint is allowed to migrate ...

Mid century landscape watercolor of a campsite in the forest by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work dire...

Amboy Crater, Southern California, painting on paper, walnut ink, landscape Walnut ink on handmade Indian paper Helen Stanley’s sculptural paintings ar...

Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this traditional medium. ...

John Bolam was born in 1922 in Amersham, Buckinghamshire. He originally studied painting at Hornsey School of Art and furniture design at High Wycombe School of Art. He subsequently became a member of the Great Bardfield group of artists (named after the village in Essex where many of the members settled). Close friends and colleagues from that time included Michael Rotherstein, Edward Bawden, John Aldridge...

"Bleak House 7-13-2020" is a plein air painting of the artist's farm house in Louisiana, featuring hues of yellow, grey, blue and green. This work is fram...

Garth Bayley Heads Down Original Equine Painting Watercolour Paint on paper Image size: H 25cm x W 32 cm x D 0.1 cm Sold Unframed Please note that in situ...

This is an original colored pencil drawing layered over an original archival pigment print using alternative process photography. Image measures 14" x 20" on 16.5" x 22" Hahnemühle German Etching 100% rag paper. Ava Blitz...

Artist: Donald Louthian – American (1929-) Title: Winter Mountains Year: 1990 Medium: Acrylic on paper Sight size: 17.75 x 11.75 inches. Framed size:...

Jon Rowland Untitled : Through the Spring Window Original Abstract Painting Acrylic and Oil Paint on Paper Paper Size: H 57cm x W 76cm Sold Unframed (Please note that in situ images ...

Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this traditional medium. ...

"Daffodils" is a colorful naturalist landscape featuring hues of bright yellow, lime green, baby blue and orange. This work is framed in a brushed silver frame behind Plexiglas. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson, Charles Burchfield, Ellsworth Kelly, Alexander Calder and Mary Delany...

Embankment. 1970, paper, etching, 26,5x50,5 cm Jazeps Delvers (1910-1984) Jazeps Delvers born in Daugavpils in postal workers family. In Daugavpils he received secondary education....

Vicky Oldfield Cool Blues Limited Edition Collagraph Print Edition of 30 Image Size: H 49cm x W 40cm Sheet Size: H 64cm x W 54cm x D 0.1cm Sold Unframed Ple...

Gorgeous watercolor winter landscape of Yosemite's Tuoloumne Meadows by Dorothy Watkeys Barberis (American, 1918-1998). Unframed. Signed "Barberis" lower right. Image size, 12"H x 15"L. Dorothy Barberis was born on September 20, 1918 in Newport News, Virginia. National Association Women Artists, National Arts Club, Salmagundi, New York Artists Equity, Mid-West Watercolor Society, Southwest Watercolor...

Early 20th Century "Net Menders" Original Oil Painting C.1920 A fine old Italian school oil on paper Dimensions 12.25" wide x 8.5" high The lightly distressed frame measures 13" w...

"Let Me Wrap My Dream" is a contemporary artwork by Indian artist Binay Sinha. The imagery is a composition of many different textures, both artificial and natural. The bright red cloth is surrounded by shrubbery and an unknown manufactured texture. His surrealistic style captures the balance of flora & fauna, humanity, and city elements. Sinha's longing for the natural environment incorporates plants and natural textures into his works. This piece has a muted background with the central imagery vivid and colorful, commanding attention and consideration. From the artist: "Migration for employment from rural to urban areas has emerged. The history of migration is probably as long as human existence itself. Although the nature of migration has changed over time, factors that influence immigrants’ mental well-being largely remain the same. Migration for employment from rural to urban areas has emerged mainly due to agrarian stress in almost every part of India. This has raised many questions for me about what constitutes home and family. Is home a gunny sack...

Boat Moon, in vivid blues a range of blue tones on Arches Paper. not framed. Signed, titled and dated verso. Francine Tint is a New York-based American abstract expressionist painter and costume designer. Tint studied at the Pratt Institute and the Brooklyn Museum College. Tint began showing her work in various galleries in the 1970s. Her early paintings are gestural and lyrical, with many circlings, loopings, and expressionistic brushstrokes. In her later work, the color takes on more of a force, more taut and with more surface tension. Her work has been exhibited in nearly thirty solo shows and nearly fifty group shows in the United States and Europe. Tint is also in the permanent collection of numerous museums including the Clement Greenberg collection at the Portland Art Museum as well as the Krannert Art Museum in Champaign, Illinois. Her work is in many private and corporate collections She has represented by ACA galleries, Denise Bibro Fine Art, Inc. in Chelsea, NY and Gallery Sam in Berkeley, CA. Tint lists painters Antoni Tàpies, Larry Poons, Hans Hofmann, Jules Olitski, and Helen Frankenthaler as her primary influences. Tine also worked for many years as a television and film costume...

VALERIE HIRD BREAK IN THE HORIZON, 2019 oil, monotypes, gesso, Arches paper, silver leaf, silver amulet 23 1/2 x 22 in. 59.7 x 55.9 cm. mythology

Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 17 x 18 inches. Unframed and unmounted. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...