Pastel Landscape Paintings

Last Call 12.0 x 12.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "You can’t really see it in the photo but I used a pearlescent pastel for...

Tapas Ghosal - Untitled - 36 x 36 inches (unframed size) Acrylic, dry pastel and dry pigment on canvas Inclusive of shipment in a roll form. should you want it framed it would attra...

Francis Dodd R.A. 1874-1949, was an English landscape and portrait painter, draughtsman and etcher. He attended the Glasgow School of Art and travelled throughout Europe, France, Ita...

Ker-Xavier Roussel Lorry-les-Metz 1867 – 1944 Etang-la-Ville French Painter 'L’après-midi d’un faune' Signature: signed lower left and right Medium: pastel on paper mounted on boar...

Wildflowers 9.0 x 12.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Whenever I paint something that has a lot of yellow, I like to start wi...

Yvonne Jacquette Searsport Harbor Night I, 1982 Pastel on paper 8 1/4 x 11 inches Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford...

Sublime landscape of mountains and a river dominated by dramatic clouds. Signed, titled, and dated along bottom edge of the work. Hung in a dark wood frame with a white matte. Dimensions Without Frame:H 32 in x W 32 in. Artist Biography: A seventh generation West Virginian, McWhorter went to California in 1968. Upon returning from service in Vietnam, he enrolled in California State University. Here he began his quest to create the illusion of light on canvas by studying the works of the impressionists and hiking the Sierra Nevada region where the dazzling light plays on the atmosphere and the mountains. “I was clearly moved by the dynamic landscape of the Western States and became fascinated by the Hudson River artists...

This is a Post-Post-Impressionist, Post-Expressionist, Post- Fauve depiction of a West African landscape by an African American artist. It is characterized by flat pattens of bold co...

Misty Morning, Original Impressionist Pastel Seascape Painting, 2020 8" x 10" (HxW) Pastel Painting on Board Artist Commentary: Have you ever been to Acadia National Park in Maine? It is such a treat and a real must see for nature lovers. As I took the photo reference for this painting I was reminded of a teacher who told me everyone loves a sunny day and to not waste my time on painting misty paintings...

"Umbrellas at the Cactus" by Ani Espriella one-of-a-kind pastel on paper 8" x 10" image size, 12x16" framed with non glare glass Painted en plein-air across from the Cactus Grill in Loveland, CO signed lower right ABOUT THE ARTIST: A native of Colombia, South America, Ani Espriella grew up in the culturally rich city of Miami working as a singer for 20 years. She moved to Longmont Colorado in 2003, and inspired by it's natural beauty, turned to the visual arts. She’s been painting in oils and pastels since 2005, and has taken classes and workshops with Jake Gaedtke, Jeff Legg, Elizabeth Robbins, Dan Beck...

"Lifting Fog" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created in Morgan Hill, CA. This calming painting depicts a lonely road with a monumental tree to the right-hand side. Tones of violet, orange, blues, and greens, can be found in this piece. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. This painting is offered in a traditional wood frame with an ornate gold fillet. Framed: 9.5"W x 11.75"H Unframed: 6"W x 8"H Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery...

Going Solo 7.0 x 5.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been having a blast creating homemade boards and I used a 5x7 one fo...

Where Ocean Breezes Blow, Original Pastel Impressionist Seascape Painting, 2021 9" x 12" (HxW) Pastel Painting on Board This impressio...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

This is a pastel painting done on pastel U-Art sandpaper that is archival. The paper is mounted to gatorboard. The pastel painting is framed in a simple light colored wood frame with...

Artist Commentary: I am enamored by trees of all kinds. On my RV road trip this fall I fell in love all over again with birch trees, the first trees I ever ventured to paint when I ...

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

Contemporary Impressionism Lively summer pastel painting featuring the purple flowers of the Loosestrife at the waters edge on the Norfolk Broads. Signed on the front and accompani...

Landscape #10 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #10 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

"Showering a Rain of Melody" is a 24 x 30 inches, original land.- and skyscape by American master colorist painter Al Lachman. The artwork is framed and sig...

"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Pastel on Arches paper

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Artist Commentary: The small lobster fishing village of Blue Rocks on the Gulf of Maine in Nova Scotia. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

Setting Sun in the Meadow 18x 24 x 0.1, 0.1 lbs Pastel on paper Hand signed by the artist Artist's Commentary: "This pastel painting was inspired by the warm light of the setting sun in early summer in Virginia. I was attracted by the light hitting part of the flowers when others stayed in the shade. The blue haze of the distant mountains and a small barn added to the beauty of the piece." About the Artist: I am a Russian born plein air oil and pastel artist...

Wallflowers 8.0 x 8.0 x 1.0, 0.1 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Recently I've been intrigued by cast shadows. These little daisies creat...

Signed on reverse Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the S...

"How Sweet Thou Be" is a 20 x 24 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is framed and signed "Lachman" in the lower right. Born in 1936 in New York City, Alan Lachman...

Pastel on Arches paper

A Little Lavender 6.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "On a recent bike ride through the Croatian countryside, I rode by ...

Late Summer Reeds 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I used a different technique for this piece. Instead of a traditio...

We are pleased to announce that we are now representing the captivating work of the artist David K. Austin. The paintings of David K. Austin are a wonderful balance of emotion and de...

Vue des Grands Boulevards à Paris by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 50 cm (14 ⅝ x 19 ⅝ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a...

Windswept 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: “'Windswept' is the fourth painting in my wave series. I love finding the ...

John Mackie (born 1953) Born in Glasgow, he works in oils, watercolors, and pastels. After studying at the Glasgow School of Art, he won the W. H. Shanks Prize for Drawing in 1976 an...

Queen For A Day 8.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Queen Ann's Lace always reminds me of summer. These beauties were ...

Beginnings of a Bluebird Day 8.0 x 10.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love catching a morning sunrise with all the pink v...

Gossip Girls 9.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Working from the same photo reference as ‘Bike Ride Through the Country...

Ocean's Jewels 24.0 x 12.0 x 1.0, 15.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "**This painting is professionally framed in a 2" warm silver fram...

Standing Tall 12.0 x 24.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love Queen Anne's Lace flowers! When they sway in the wind I can't...

Chasing Ghosts, Original Sunset Painting in Pastel on Board, 2021 Impressionist style painting of a romantic sunset. The clouds are bright orange reflecting the sunlight. Artist Co...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing and conveying its contents, with particular involvement of methodologies from geography, anthropology, sociology to cultural studies. Her works have been in the past approached to the works of Anselm Kiefer (b. 1945) and Giovanni Battista Piranesi (1720-1770), but in Gullotta's paintings the absence of color makes the spaces particularly ethereal, allowing them to be ideally lifted to new places and to new life. We often speak of a "brain drain," but in this case we are truly happy to be able to say that this is a "return," and an important one: an artist of international caliber who has decided to entrust her return to her homeland to Almach Art...

"Japanese Vista II" Landscape Painting 8" x 12" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gene...

You Kiss Like Fire 8.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "'You Kiss Like Fire' was inspired by a magical sunset in the fa...

Springtime in the park [2023] original Pastel Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:20 cm x W:30 cm x D:1cm Sold Unframed Please note that insitu images ar...

Wing and a Prayer 14.0 x 11.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I keep a very, very long list of phrases, words, sentences, just...

Artist Commentary: The ever shifting shapes and contours of the Namibian dunes are like waves upon the land. They rise and fall, fold and crease, plunge and soar. Other worldly and...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

"Hilltop" Mixed Media Landscape Painting 8" x 12" in by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gene...

"Oasis Shore" Painting 8" x 18" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She generally makes use ...

"Japanese Vista I" Landscape Painting 8" x 12" inch by Katherine Bakhoum Tisné Techniques Bakhoum often paints on canvases that have been prepared with various materials. She gener...

Artist Commentary: The second in a series of paintings of the Namibian dunes, a vast landscape of windswept peaks and valleys, waves and crests. About the artist: Richard Levine, ...

Dream Catchers, Original Contemporary Impressionist Landscape Painting, 2020 8" x 8" (HxW) Pastel on Paper Hand-signed by the artist. An impressionist, almost abstract, landscape pa...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

10" x 10" (HxW) Pastel Painting on Board Artist Commentary: I love a good sunset! I get to the beach every day at 4 pm and walk along the shore until the sky makes its debut. On thi...

Warm Water, Framed Original Contemporary Impressionist Seascape Painting 12" x 24" (HxW) Pastel on Paper 15.5" x 27.5" x 1" (HxWxD) Framed Hand-signed by the artist. A soft color palette of blues, greens, and purples is used to depict the clear ocean water as it begins to curl over, cresting into a subtle wave, just enough to make a satisfying crashing sound of water-on-water. The entire artwork is overtaken by the water of the sea, with no land or sky to divert your focus from the vastness of the ocean's depths. Artist Commentary: As an artist, I just love being able to take creative license and paint what my mood dictates. The photo reference for this painting was of New England waters and the day I painted this it is was cold and rainy. I was looking for warmth, not 20 degree temps! I took out my set of pastels that remind me of warmer climates and painted this in that palette. The luminosity of pastels really comes through in this painting and just like that, I'm transported under a palm tree watching...