Pastel Landscape Paintings

Rosie Phipps Green Fields Original Landscape Painting Water Colour Paint, Gouache and Pastel on Paper Image Size: H 10cm x W 25cm Mounted Size: H 18.5cm x W 34.5cm Framed Size: H 23c...

Tapas Ghosal - Untitled - 36 x 36 inches (unframed size) Acrylic, dry pastel and dry pigment on canvas Inclusive of shipment in a roll form. should you want it framed it would attra...

Pam was born in Ayrshire on the scenic West Coast of Scotland she graduated from Glasgow School of Art in 1986. Encouraged by her artistic parents she started an early career in desi...

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

The painting is titled Tuscany Landscape and it is signed but the signature is indistinctly signed on the lower right. It is a Pastel on heavy rag p...

Springtime in the park [2023] original Pastel Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:20 cm x W:30 cm x D:1cm Sold Unframed Please note that insitu images ar...

Ocean's Jewels 24.0 x 12.0 x 1.0, 15.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "**This painting is professionally framed in a 2" warm silver fram...

Blooming apple trees. 1980. Pastel on paper, 28x34,5 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

This is a pre-owned painting by Justin Coopersmith. It is a framed mixed media seascape painting. Its dimensions are 16 x 13.5 x 1 in (L x H x D).

Outlook of the city 1960. paper, pastel. 29x40 cm "Outlook of the City" is an evocative and vibrant artwork that offers a glimpse into the urban landscape of the 1960s. Through the expressive use of pastels on paper, the artist aims to capture the essence and energy of the city, inviting viewers to immerse themselves in the sights and sounds of this bustling urban environment. Aleksandra Belcova...

Soulful Sky 16.0 x 12.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "My goal with this piece was to begin with a low horizon so that the sk...

"The Golden Hour" is a colorful and vibrant fall foliage landscape in a warm autumn color palette by American Impressionist painter Albert Van N...

Tapas Ghosal - Untitled - 36 x 36 inches (unframed size) Acrylic, dry pastel and dry pigment on canvas Inclusive of shipment in a roll form. should you want it framed it would attra...

Oil paint and mixed media on canvas. This work is the second painting in a series of trees from Parade St. Park.

Prakash Karmakar - Untitled - 36 x 40 inches ( unframed size ) Acrylic on Canvas , 2012 Prakash Karmakar was the most senior artist of Bengal . He was instrumental in the Bengal M...

Windswept 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: “'Windswept' is the fourth painting in my wave series. I love finding the ...

The vision of St. John Paper, pastel, 16x23 cm It presents a colorful cityscape on a dark background, the use of pastels allows for the creation of vibrant colors and a dynamic com...

Autumn sunny day. 1993. Paper, pastel, 30x40 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Venice at night 2007. Paper, pastel, 19 x 27 cm This work portrays a colorful landscape capturing the lively and enchanting atmosphere of Venice duri...

In the yard. 1950. Pastel on paper, 65x49,5 cm

Graham Noble Norwell, Canadian, 1901-1967 Untitled watercolour on paper 7 x 13 in (sight) Signed lower right framed

Yvonne Jacquette Searsport Harbor Night I, 1982 Pastel on paper 8 1/4 x 11 inches Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford...

"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...

Travel notes 2007. Paper, pastel, 22x26 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Travel notes 2007. Paper, pastel, 19x23 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Travel notes 2007. Paper, pastel, 20x27 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Artist Commentary: The small lobster fishing village of Blue Rocks on the Gulf of Maine in Nova Scotia. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), she gained her fine arts degree at the University of Michigan. Ms. Seltzer has also attended the New School for Social Research, the Pratt Institute and New York University, at Which she gained invaluable experience in photography, silkscreen and design. In Addition, Ms. Seltzer has lectured at several institutions, including the school of Visual Arts in New York, the University of Virginia and the University of Iowa. she is in the collection of the Brooklyn Museum and the Indianapolis Museum of Art and has showed at Un jardin secret - Collection Monique Dorsel et Emile Lanc - Centre de la Gravure et de l'Image imprimée, La Louvière along with Jean Tinguely, Francois Morellet, Georg Baselitz, Berto Lardera...

This is a pastel painting done on pastel U-Art sandpaper that is archival. The paper is mounted to gatorboard. The pastel painting is framed in a simple light colored wood frame with...

At the Seine. 1996. Paper, pastel, 24x41 cm Cityscape at the Seine In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting depa...

Valencia. 2003, pastel on paper, 17x19 cm Colorful, bright abstract summer landscape Gunta Liepina Griva Born 1942 in Riga, Latvia 1961 – Graduated from...

Warm Water, Framed Original Contemporary Impressionist Seascape Painting 12" x 24" (HxW) Pastel on Paper 15.5" x 27.5" x 1" (HxWxD) Framed Hand-signed by the artist. A soft color palette of blues, greens, and purples is used to depict the clear ocean water as it begins to curl over, cresting into a subtle wave, just enough to make a satisfying crashing sound of water-on-water. The entire artwork is overtaken by the water of the sea, with no land or sky to divert your focus from the vastness of the ocean's depths. Artist Commentary: As an artist, I just love being able to take creative license and paint what my mood dictates. The photo reference for this painting was of New England waters and the day I painted this it is was cold and rainy. I was looking for warmth, not 20 degree temps! I took out my set of pastels that remind me of warmer climates and painted this in that palette. The luminosity of pastels really comes through in this painting and just like that, I'm transported under a palm tree watching...

Artist Commentary: I very rarely paint from a photo reference I didn't take but the photo my friend took of this scene really stuck with me and she gave me permission to paint it. S...

Autumn's Magic 8.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I just love the magic of the fall season. This year happened to have...

Artist Commentary: This painting is from a photo reference I took while on an RV road trip through Wisconsin. I've painted this image several times in values of purple and green, wh...

"Lifting Fog" is a pastel painting by Torrance, CA based artist, Joe Mancuso. This painting was created in Morgan Hill, CA. This calming painting depicts a lonely road with a monumental tree to the right-hand side. Tones of violet, orange, blues, and greens, can be found in this piece. Mancuso ventured out prior to the Plein Air Paint Out event and became inspired by the landscape of the quiet town. This painting is offered in a traditional wood frame with an ornate gold fillet. Framed: 9.5"W x 11.75"H Unframed: 6"W x 8"H Framing includes a black matte border with an ornate gold fillet on top of museum glass, all included in the price. About the Artist: Joe Mancuso is a plein air pastellist based in Torrance, CA. Mancuso is well known for the light in his paintings. His paintings are deeply influenced by the environment, especially seasonal changes and climactic weather. Mancuso creates his breathtaking paintings on location and though he may respond to a certain place or scene, his goal is to always make capturing the light his focal point. Joe participated in Colibri Gallery...

Pastel on Arches paper

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Misty Morning, Original Impressionist Pastel Seascape Painting, 2020 8" x 10" (HxW) Pastel Painting on Board Artist Commentary: Have you ever been to Acadia National Park in Maine? It is such a treat and a real must see for nature lovers. As I took the photo reference for this painting I was reminded of a teacher who told me everyone loves a sunny day and to not waste my time on painting misty paintings...

Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New England Arts Club and the Royal Instit...

Contemporary Impressionism Lively summer pastel painting featuring the purple flowers of the Loosestrife at the waters edge on the Norfolk Broads. Signed on the front and accompani...

"Umbrellas at the Cactus" by Ani Espriella one-of-a-kind pastel on paper 8" x 10" image size, 12x16" framed with non glare glass Painted en plein-air across from the Cactus Grill in Loveland, CO signed lower right ABOUT THE ARTIST: A native of Colombia, South America, Ani Espriella grew up in the culturally rich city of Miami working as a singer for 20 years. She moved to Longmont Colorado in 2003, and inspired by it's natural beauty, turned to the visual arts. She’s been painting in oils and pastels since 2005, and has taken classes and workshops with Jake Gaedtke, Jeff Legg, Elizabeth Robbins, Dan Beck...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

Yvonne Jacquette uses pastel on a heavy rag paper to depict an ariel city scene at night with pulsing lights. There is a heavy texture to the paper and the surface is rich and vibra...

Gossip Girls 9.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Working from the same photo reference as ‘Bike Ride Through the Country...

This is a Post-Post-Impressionist, Post-Expressionist, Post- Fauve depiction of a West African landscape by an African American artist. It is characterized by flat pattens of bold co...

We are pleased to announce that we are now representing the captivating work of the artist David K. Austin. The paintings of David K. Austin are a wonderful balance of emotion and de...

"Showering a Rain of Melody" is a 24 x 30 inches, original land.- and skyscape by American master colorist painter Al Lachman. The artwork is framed and sig...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

Sky High 1 8.0 x 10.0 x 2.0, 6.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: **This painting is professionally framed in a warm gold wood frame with T...

Chasing Ghosts, Original Sunset Painting in Pastel on Board, 2021 Impressionist style painting of a romantic sunset. The clouds are bright orange reflecting the sunlight. Artist Co...

Going Solo 7.0 x 5.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I've been having a blast creating homemade boards and I used a 5x7 one fo...

"How Sweet Thou Be" is a 20 x 24 inches, original, abstract landscape by American master colorist painter Al Lachman. The artwork is framed and signed "Lachman" in the lower right. Born in 1936 in New York City, Alan Lachman...

Original Pastel Landscape Painting on Board 12" x 9" (HxW) This moody landscape painting features a set of tropical palm trees glowing under the moonlight of a deep blue desert sky. Artist Commentary: I think the moon is pretty magical and I love watching...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Dream Catchers, Original Contemporary Impressionist Landscape Painting, 2020 8" x 8" (HxW) Pastel on Paper Hand-signed by the artist. An impressionist, almost abstract, landscape pa...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

The Evening Chorus 16.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This diptych was so much fun to paint! I love how the compleme...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...