Narcisse Berchere

Orientalist Oil Painting of a Mosque in Cairo by Berchère

Oil painting of a Middle Eastern coastal town with a minaret by Berchère French, 19th Century Canvas: Height 46cm, width 38cm Frame: Height 74cm, width 67cm, depth 10cm This atmosph...

Antique German Orientalist painting of a Cairo street by Macco German, Early 20th Century Canvas: Height 77cm, width 116cm Frame: Height 108cm, width 147cm, depth 10cm This vibrant ...

Antique German Orientalist oil painting of an Egyptian temple by Meyerheim German, 1893 Canvas: Height 42.5cm, width 54cm Frame: Height 67cm, width 79cm, depth 7cm Presented in an i...

This exceptional painting depicts the Tomb of Esther and Mordechai with the Alvand subrange of the Zagros Mountains behind. This monument is located in Hamadan, Iran. The painting was created by the important 19th-Century artist, Charles-Théodore Frère (French, 1814-1888) for one John Wright-Osmaston (English, 1831-1901). Since Frère had never been to Iran, he based this painting on sketches and descriptions of the site found in a book written by Osmaston, titled ‘Old Ali’ or ‘Travels Long Ago’. This text recorded Osmaston’s travels across Scandinavia, Russia and the Middle East in 1860-61. The journey took eight months to complete and covered 11,000 miles. There are clear parallels between details in Frère’s painting and passages in Osmaston’s text. For instance, Osmaston describes how ‘just as the sun rose, a splendid view was opened up to us [...] It was exceedingly beautiful […] the mountains looking very remarkable in their icy covering, being curiously divided into an exact half by the snow-line; the upper half, in its mantle of white, the very picture of cold; the lower half, in its mantle of brown, hot-looking tawny, and bare.’ The Alvand range is depicted in just this way, with the brown mountains before the tall snowy peaks. In his account of visiting the Tomb of Esther and Mordecai, Osmaston also describes ‘A tall, old Israelite, with a long, white beard that had seen seventy summers at least...[who] led us in through a low doorway’ to the ‘two wooden sarcophagi, one in memory of Esther, the other of Mordecai’. Similarly, in this painting, a grey bearded man gazes out at the beholder and gestures to the tomb, as though inviting us to enter. By employing short, blended brushstrokes, Charles-Théodore Frère has managed to portray the scene in exceptional detail. The figures, horses, architecture and landscape are highly naturalistic in their depiction. Frère has also captured the beautiful warm rays of light, as they fall across the scene. Frère was an exceptionally talented artist, as demonstrated in this painting and in the fact that his work is today held in the Metropolitan Museum of Art in New York, the Heritage Museum in St. Petersburg, and many other prestigious international art galleries. This work is signed ‘Th Frere...

Oil on canvas mounted on board. As twilight descends over the ancient city of Cairo, the iconic silhouette of the Citadel emerges against the fading light. This is the scene that Robert Swain...

A beautiful late 19th or early 20th century oil on panel by Baron Rodolphe d'Erlanger which depicts a market scene in Assouan, Egypt. The artist is very interesting - a French banki...

Louis Jean LOTTIER (La Haye-du-Puits, 1807 – Mont-Saint-Père, 1892) View of Cairo, Egypt Oil on cardboard Annotated on the back: Offered by L. Lottier / to Mr. Ch. Ginoux / 1852 / ...

Charles-Théodore Frère (French, 1814-1888) "A Street Scene in Cairo" In a carved wood frame painted to mimic tortoiseshell with a pale green velour liner.  Circa 1888 Signed Oil...