R. H. Ives Gammell

Cyprus

1930

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". Sheet measures 12 1/2 x 10 inches. This is a very early work and despite the fact that...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". This is a very early work and despite the fact that it is squared off for enlargement,...

Signed lower right: 'C.E.L. Green'. Two labels verso: 'Brockton Art Center/Fuller Memorial/Cat. #19/C.E.L. Green:/Shore and Landscape/Painter of Lynn and Newlyn/Sept.9-Nov.1, 1980'; ...

Sean Flood (American, b.1982), Street in Naples, 2012. Signed lower right: "Sean Flood". Painting depicts a cityscape of a street in Naples, Italy. Painting dimensions: 46 x 32 inches. Framed dimensions: 48 3/4 x 34 1/2 inches. Born and raised on the South Shore of Massachusetts, Sean Flood has always been drawing. The process of construction has also surrounded him for much of his life. His father was a builder, and Flood himself worked construction during his time at the Art Institute of Boston. Flood’s art is a reflection of these factors: when he approaches a work, he is drawing with paint, constructing his scenes from the ground up, much like how a building is raised. His subject matter, not surprisingly, pulls from his fascination and familiarity with the architecture of cities. Flood presents his viewers with the modern era’s landscape: the urban jungle created by man’s building efforts. The kinetic energy felt in Flood’s paintings has its root’s in the artist’s background. Flood spent many years as a street artist working in graffiti, and still approaches his paintings with the same dynamism used in covering a blank wall. After brief forays in architecture and illustration, Flood found a home in fine art under the tutelage of George Nick, realizing that painting could appreciate both a frenzied energy and an eye for the construction process. Flood uses both to create works that reflect the hectic feel of urban life, yet also project the familiarity and comfort a city brings to its denizens. Flood’s work has been exhibited at many venues including the deCordova Museum, Duxbury Art...

This contemporary, realistic, floral, landscape, oil on board is by Ciba Karisik Fresh, bright and soft colours greet the viewer’s eye in this charming landscape by Ciba Karisik. Kn...

"Shady Day, Sag Harbor" is a contemporary impressionist oil painting of a summer day in Sag Harbor town, painted en plein air. Marc Dalessio was born in 1972 in Los Angeles, Califor...

A fine c.1935 oil on board by Rex Vicat Cole which depicts a pre-war view down Cloth Fair, close to West Smithfield and St. Bartholomews Hospital, in the City of London. John George Glover's engraving shop is on the corner with New Court, and the tower of Holy Sepulchre Church is visible in the distance. Rex Vicat Cole created a number of paintings of London streets for his one man exhibition ''London Old and New'' in 1935. These works now form an important record of London before the Second World War. Signed lower centre and with Christie's provenance. Artist: Rex Vicat Cole (British, 1870-1940) Title: Cloth Fair Medium: Oil on board Picture size: 16 x 12 inches (40 x 30 cm) Frame size: 20 x 16 inches (51 x 41 cm) Provenance: Christie's London, 29th July 1988, Lot # 51 Artist information Reginald (Rex) Vicat Cole was the son of the artist George Vicat Cole. He began to exhibit in London in the 1890s and was elected a member of the Royal Society of British Artists in 1900. He taught at King's College London with Byam Shaw and together they opened their own establishment, the Byam Shaw and Vicat Cole School of Art in Camden Street, Kensington in 1910. At the outbreak of the First World War Vicat Cole and Byam Shaw enlisted in the Artists Rifles...

This oil landscape painting of fall leaves is by Ciba Karisik. In stunning detail, the Canadian artist has captured the myriad of shapes and autumn colours one can find on a forest ...