Modern Landscape Paintings

This is an experimental work by the artist combining two different city landscapes. It was created after the artist's return to New York after visiting Mexico

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of nature through richly ...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Step back in time to the bustling streets of 1940s New York City, where artistry and urban vitality converged in a dazzling display of creativity. This exceptional original oil paint...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Carl Linstrum's "Faded Histories" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer beauty of nature through ri...

Indulge in a journey to the vibrant and nostalgic era of the 1970s with our vintage original oil painting—a mesmerizing modernist beach interior scene, capturing the essence of sandy...

Antique American signed modernist nude male landscape oil painting. Oil on canvas. Signed. Framed. Image size, 18L x 14H.

Kimberly Marney From The Ashes (Black, White, Abstract) 2023 Acrylic on Canvas Size: 16x16x1.5in Signed by hand COA provided Ref.: 924802-2013 Tags: B...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Antique English modernist landscape oil painting by Phillip Castle (Born 1943). Oil on canvas. Framed. Signed verso.

“Chelsea” by Paul Cornoyer sees the artist depict a busy street in the Chelsea neighborhood of Manhattan, with cars moving underneath an overpass.

In his artwork entitled, “December 25th,” Alec Montroy paints a New York City street blanked with snow but illuminated still by the numerous neon signs ab...

Arthur Cohen paints two long bridges stretching into Manhattan in his acrylic painting entitled “The Bridges, 1981.”

Johann Berthelsen depicts a view of New York City from the iconic Brooklyn Navy Yard in his work entitled, “New York Skyline from the Brooklyn Navy ...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Alec Montroy depicts a group of figures standing on a street corner a few blocks from Times Square in his work entitled “ The Big News is Always on 42nd S...

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Oded Feingersh. painter and chemical engineer. Born in Jerusalem. Graduate of Bezalel Art Academy, studied art in Paris. Education 1960–63 Bezalel Academy of Art & Design,, Jerusalem...

Johann Berthelsen paints a dramatic depiction of the Queensborough Bridge rising above the river and the boats in it in his work entitled, “Queensborough Bridge.”

“Thru a Glass Brightly” by artist Alec Montroy is a view of Times Square from a unique elevated perspective.

In this artwork by Alec Montroy entitled “Lindy’s,” the artist paints the iconic Times Square in New York City and the numerous electronic signs above it.

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 20L x 16H.

Seascape view of a boat dock. Painting is in a cubist style with neutral tones. The artist uses color and shape to create depth in the painting. Placed in a thick wooden frame. Artis...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Image size, 24L x 18H.

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed.

size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bukarest where they settled in a house situated near a circus. ...

WPA Scene American Modernism 20th Century Workers Strike Realism Industrial "Pawns" 16 x 20 inches,. Oil on board, c. 1930’s. Signed lower left. Stowell Sherman...

Urban Landscape "Hamms Brewery Blue" Building in San Francisco Oil on Canvas 1981 Bold Urban landscape featuring the TMG redesigned of the former Hamm's Brewery building by William (Bill) Jefferson (American, B-1956). Currently a New York artist. Image, 55"H x 42.5"W x 2.5"D After graduating from college ( BA in history), I moved to San Francisco to pursue a career in the arts. Again, I never stopped. San Francisco in the ‘70’s was a magical place, and was the perfect canvas for me. I began drawing, all of the time, everywhere. By 1980 I had begun translating my drawings into paintings. By the time I moved to New York in 2007, my art had matured and my purpose was clear: I mean for my paintings to give the viewer a sense of calm, and wonder at the beauty of the world around us, and to serve as an antidote to the pain and suffering we all experience in life. William Jefferson...

Step into the captivating embrace of autumn with this exceptional vintage American School modernist abstract landscape oil painting. This finely painted original work invites you to ...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

In this piece the artist choice of colors is muted, and there is a deft blending of them. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladizhinsky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bukarest where they settled in a house situated near a circus. ...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...

Vintage modernist landscape signed Nannette Rhodes Hayes. Titled on the reverse Berkshire Hills and dated 1961.

Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left. ...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Abstract Street (Untitled), 1939, oil on canvas, signed and dated lower right, 12 x 32 inches; provenance includes a private collection in Venice, California; presented in what is likely the artist's original handmade frame About the Painting The present work is the culmination of a series of mainly horizontal urban abstractions Harari completed between 1937 and 1939. Deeply influenced by Stuart Davis, Harari’s New York streetscapes began with clearly recognizable objects and landmarks as in Into New York (1937 - Collection of the Whitney Museum of American Art), New York Harbor (1937), Up and Downtown (1938), and his other mural proposals for the Nurses Home on Welfare Island (1937) and the Williamsburg Housing Project (1938). At the end of the series, Harari’s vistas became increasingly abstract with broad planes of color representing buildings and streets, the slightest cross-hatching forming a bridge or elevated train track and the vague suggestion of a streetlight looping in the right center of the composition. Figures, birds, and a street vendor’s cart are reduced to pictograms scratched into the surface of the canvas. Abstract Street (Untitled) is among Harari’s most spare works of the 1930s and 1940s and calls to mind the seemingly childlike, but deeply sophisticated works of Paul Klee from the 1920s. It serves as an excellent reminder of why Harari was heralded as one of the earliest members of the American Abstract Artists. About the Artist Hananiah Harari was an artistic polyglot who was equally at home working in styles as diverse as Cubism, Constructivism, Expressionism, Hard Edged Abstraction and trompe l’oeil Realism. A native of Rochester, New York, Harari initially studied as a child at the Memorial Art Gallery in his hometown and later as a scholarship student at the College of Fine Arts at Syracuse University. In 1932, Harari left for Paris where he befriended Nahum Tschacbasov, Benjamin Benno and John Graham and studied at the ateliers of Lhote, Leger and Gromaire. He also studied fresco painting at the Ecole de Fresque. By 1933, Harari had completed enough work and gained a sufficient reputation to have a solo exhibition at the American Club in Paris. The following year, Harari and his childhood friend and fellow artist Herzl Emanuel traveled to Palestine, where the artists worked hard in the orchards and fields of Kibbutz Deganiah, but produced little art. After returning to New York, Harari married Emanuel’s sister, Freda, and set out on the development of what noted scholar Gail Stavitsky has called an “original synthesis of the old and new." Harari became an early member of the American Abstract Artists (AAA), an organization formed to give modernists exhibition opportunities. Harari was also a member of the socially conscious Artist’s Union and the American Artist’s Congress. From 1936 through 1942, Harari worked on the Federal Art Project and assisted Marion Greenwood on a project as part of the Mural Division, but to his disappointment did not lead his own project. During the late 1930s and early 1940s, Harari completed a series of paired paintings with the same subject matter depicted in a Cubist manner and in trompe l’oeil Realism. Harari was acclaimed by Clement Greenberg and six of the artist’s works were selected for the Museum of Modern Art’s important 1943 exhibition American Realists and Magic Realists. During World War II, Harari served in the US Army Air Corps. Following the war, Harari continued to produce fine art while also producing commercial art. During the McCarthy Era, Harari’s progressive politics and leftist leaning art...

Lower Manhattan American Modernism NYC Cityscape Social Realism WPA 20th Century Jo Cain (1904 - 2003) Lower Manhattan 34 1/4 x 42 ½ inches Oil on canvas c. 1...

Antique American modernist signed mural study oil painting. Oil on board. Signed. Framed.

Genre: Modern Subject: Landscape with figure of horse, driver and wagon Medium: Oil Surface: wood Board EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicen Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel Glicenstein Romano and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the WPA Federal Art Project creating murals. ( there were many jewish artists active with in the WPA period. notably Chaim Gross, Ben Shahn, Isaac and Moses Soyer, Abraham Rattner and many others. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicenstein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...

Carl Linstrum's "Faded Histories" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the shee...

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer bea...

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer bea...

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer bea...

Carl Linstrum's "Other Side" series of paintings speak to disappearing ecosystems in a time of increasing climate crises, while celebrating the sheer bea...

Antique American modernist abstract seascape oil painting. Oil on canvas. Framed.

Katharyn Gwendoln Truesdell - (American; 1909-1996) This colorful painting depicts a Southern California valley, likely near Sun City, over the mountains from Los Angeles and San Di...

Antique American modernist nocturnal view of the Brooklyn Bridge. Oil on board. Signed verso. Framed.

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 18H.

Monumental antique American modernist abstract cityscape oil painting. Oil on canvas. Framed. No signature found. Very impressive painting in person here.

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed "Lee Tang".

Oil on canvas modernist city scape painted circa 1950 by Paul K Smith (1893-1977) titled Central City, Colorado. Portrays a city scene of historic buildin...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed illegibly.

Step back in time to the roaring 1920s, a period of innovation, artistic rebellion, and cultural transformation. This painting invites you to own a piece of this vibrant era with a r...

Antique American modernist cityscape oil painting. Oil on board. Framed.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed illegibly.

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of his patron Alfred C. Barnes of Phila...