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Tom Irizarry StudioFort Greene Park2024
2024
$1,100
£826.35
€952.92
CA$1,526.39
A$1,696.16
CHF 888.81
MX$20,800.38
NOK 11,336.20
SEK 10,664.68
DKK 7,112.17
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About the Item
In 1981, Fort Greene Park was somewhat neglected and bared the same existential, graffitied, stamp mark that covered most of NYC in the 80's. Fort Greene Park became part of my history in NYC. Complete with it's lush variety of trees, including old rare chestnut trees that surround the park on DeKalb avenue.
It has a magical feeling, as I always feel drawn in & seduced by trees and pretty hills. In this painting I was more aware of contrast in light. The red clouds connected everything. I use cinnabar (vermillion) to express this connection, with it's passionate, romantic warm red. Verdigris fields pop from the ground displaying one of the most prized greens of all time that cannot be imitated.
Oil painting on panel is a lost art and not seen often.
- Creator:Tom Irizarry Studio (1958, American)
- Creation Year:2024
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Booklyn, NY
- Reference Number:1stDibs: LU2585214586702
Tom Irizarry Studio
The studio is my laboratory, and a Magical place. The possibility of creating a work of art that resonates so deeply, it cannot be unseen or unheard, drives me. Creative forces enable me to observe and infuse New York and Chicago urbanscapes with bold energy and deep feeling, I put a body on an invisible entity. Yes, they are representational, however, the pictorial effect forms a communication to the viewer. Some might call it alchemy, that finds its way in my paintings as a strong unavoidable vibration from my own hand and the materials I use. Tom Irizarry is a man who does not compromise in any avenue of life and especially in making paintings. My work, like myself, stands firm on it's own ground. If you can see a fraction of what goes through my imagination as I am painting, well then my job is complete.
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