Board Paintings

"Singularity I" by Heny Steinberg is a mesmerizing exploration of abstract geometrical minimalism that invites viewers to contemplate the convergence of form and space. Crafted with ...

Much of Sian's inspiration comes directly from the places where she loves to spend time; outdoors enjoying the coastline and mountains of Wales and South East England. The paintings ...

Acrylic on Board 'Campanula' Painting by David Pearce B. 1963, 2022 Additional information: Medium: Acrylic on board Dimensions: 60 x 50 cm 23 5/8 x 19 3/4 in Signed and dated. Dav...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

The view from Stinchcombe Hill, Gloucestershire with afternoon light. Original impasto painting featuring rolling hills and dashes of pinks, blues and greens. ADDITIONAL INFORMATIO...

Modern Contemporary Fauvist Autumnal Landscape by Michael William Eggleston Stunning contemporary fauvist autumnal oil painting landscape by San Francisco artist Michael William Egg...

Vivid Impressionist oil painting on canvas, ‘Harbor Scene’ gets attention with its palette of rich color. This 20th century painting makes an impact! Turquoise waters, green treeline...

Clown with Bouquet - Acrylic and Ink on Cardstock Colorful portrait of a clown holding a bouquet of flowers by Jassen Marek (20th Century). A sad clown in a suit with a straw hat ho...

"Chelsea Cafe" by Richard Gower is a captivating original figurative cityscape painting that seamlessly captures the essence of a bustling London Chelsea café. Executed with masterful skill using oil on board, Gower employs an impressionistic style to breathe life into the scene, creating a visual narrative that engages the viewer. The painting is a celebration of the vibrant city life, focusing on a charming Chelsea café with people relishing the pleasures of outdoor seating. The atmosphere is lively, and Gower skillfully portrays the nuanced interactions between patrons, capturing the genuine enjoyment of the moment. The figures are rendered with a dynamic fluidity, their gestures and expressions conveying a sense of shared camaraderie and leisure. The color scheme of "Chelsea Cafe" is a harmonious blend of blue, white, and pastel tones. The artist's use of these colors adds a tranquil and inviting ambiance to the scene, creating a visual symphony that resonates with the cafe's charm. The play of light and shadow enhances the depth and dimension of the composition, providing a realistic yet dreamlike quality to the overall painting. Gower's signature is a testament to the authenticity and completion of the artwork, and "Chelsea Cafe" is ready to be proudly displayed in any art enthusiast's collection. Whether viewed up close or from a distance, the details in the painting come together to form a cohesive and visually stimulating experience. For those seeking to bring a piece of London's Chelsea charm...

"Golden Hour at The Harbour" by Alina Hubarenko is a captivating original seascape painting that transports viewers to a moment of serene beauty and tranquility. Crafted with precision and expertise using oil on board, this artwork showcases the artist's commitment to the realism style. The composition unfolds with a stunning portrayal of a harbour bathed in the warm hues of the golden hour. White and orange buoys gracefully float on fluid water reflections, creating a harmonious dance of light and shadow. Alina Hubarenko's meticulous attention to detail captures the essence of this tranquil scene, inviting viewers to immerse themselves in the peaceful ambiance. The color scheme, dominated by shades of blue and...

Into the Deep by Maria Krall

Doing the impossible II by Dieter Benz

Doing the impossible by Dieter Benz

Dieter Benz

Fabienne Delacroix is the youngest child of the master naïf painter Michel Delacroix. She began to paint at the age of ten, working along side her father in his studio. Her talent wa...

Josep Marfa Guarro (1928-2014) Cadaques Spain Oil Oil on canvas glued to cardboard. Oil measures 22x27 cm. Frameless. Josep Marfa Guarro (1928-2014) Josep...

On the Artist's 73rd year, he would like to share a Very Special limited edition series, small and compact and for a fraction of the cost, these One of a Kind beauties are intricatel...

This cheerful piece by Linda Dumont is an expressionist depiction of a picnic spread of chocolates and other goodies. Characteristic of much of Dumont's work, this oil on board paint...

In this abstract painting repetitions of geometric forms provide a sense of harmony, rhythm and explore the mediative relationships of patterns on the surface. Original painting, sig...

This abstract painting is from new series “Curved Lines” and inspired by nature. Performed in Minimalism, Modern Art and Hard Edge styles. This work is signed, dated and tilted by Ar...

"Child Resting in Chair" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 41" x 35.75" oil on board portrait is painted in a vibrant color palette. The painting is framed in a new, black wood frame and signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists...

original Oil on board Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:20 cm x W:30 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait. Here you ...

plein air Kerch

plein air Sharm

Egypt plein air

plein air Odesa

From the Habitat 'Dating' series. Acrylic on Board

Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene Antonio Petruccelli (1907 – 1994) The World We Live In Coral Reef ...

In this minimalistic painting, three majestic palm trees emerge from behind rugged rocks against an azure sky. The viewer’s perspective from the ground looking up, creates a sense of mystery about what lies beyond the palm trees. With no beach, people, or ocean in sight, the painting hints at hidden treasures just beyond the horizon. Thomas Easley...

VF21 [2022] original Oil on aluminium mounted on MDF Image size: H:30 diameter cm x W:30 diameter cm Complete Size of Unframed Work: H:30 diameter cm x W:30 diameter cm x D:2cm Frame...

'Portrait of a Smiling Woman', oil on board, by Peter Robert Keil (1983). A cheerful look on the painting's subject puts a smile on the face of the viewer as well. Her beautiful blue eyes express a contentedness suggesting life is good...

"Antenna Birds" New Yorker Mag Cover Proposal Mid-Century American Scene Modern Antonio Petruccelli (1907 – 1994) Antenna Birds New Yorker cover proposal, c. 1950s 12 1/2 X 9 1/4 in...

Signed lower right, 'Marshall' for Barry Marshall (American, 20th century), additionally signed, verso, titled, 'Pacific Grove' and dated 2001. Marshall's mother was a noted New England artist, and she encouraged his passion for painting from an early age. He later studied oil painting under Robert Nally, Helen Van Wyck, Paul Lavallee and Charles Vickery...

Painted from St. James Park the view of Buckingham palace - plein air. Tushar Sabale is an award-winning, Indian born, British artist who paints en plein air as well as in his studio...

High Desert Scene at sunrise circa 1930s by Herbert A. Schmidt (American, 1885 - 1930) Schmidt was a well known architect and designer of many San Francisco buildings and was a pupil at the Mark Hopkins Art Institute (SF) in 1899-1901. Graduated from the University of Pennsylvania in Architecture. President of the San Francisco Bohemian Club...

Mid-Century modern abstract oil and acrylic on canvas by French artist Marcelle Tournié, signed bottom right. A fine example of mid-century abstract painting. This piece has great ...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

Alanna's work is concerned with themes of nature, escapism and nostalgia. She has a particular interest in colour, light and abstract mark making. The paintings themselves are loosel...

Blue Heart

Oil on canvas laid cardboard. Vladimir Ksieski studied art at the Whitechapel School of Art in his native London, where he will later exhibit as well...

Tempera on board, 87cm x 60cm (framed 106cm x 78cm). Stuart Maxwell Armfield (1916-2000) was renowned for his use of the traditional egg tempera technique, a skilled process that us...

Rafael Duran Benet (1931-2015) - Marina - Oil Oil canvas glued to tablex. Oil measures 33x41 cm. Frame measures 37x45 cm. Rafael Duran Benet (Terra...

Rachel Painter Please note that in situ images are purely an indication of how a piece may look. Feel stormy skies and churning seas broken by a golden thread of a sunset in ‘Even On The Far Side Of The Sea’, an original landscape oil painting of Kynance Cove...

Philippe Visson, (1942-2008), whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of La Gazette des Beaux-Arts from 1930 to 1960, and had always frequented the international artistic milieu. His father was a major political journalist for The Washington Post and Roving Editor for The Reader’s Digest. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. At the Vissons, one devours; one spends beyond one’s means; one falls, but only to land on one’s feet. Visson is a painter to whom it is difficult to assign a particular movement in art history; and that, principally for two reasons: firstly, his origins,his education and his way of life have produced a personality without any true roots, but rather a citizen of the world, who carries with him all cultures, from pre-Revolutionary Russia to the black ghetto of Washington, D.C. Secondly, he is self-taught, and can work in complete solitude, as well as before a large audience. His art is therefore uniquely his own, and certainly not that of an Art Brut ‘author’. His faces, his anti-portraits, reveal a continuum of humanity’s facets: from Christ to the demon, from the child to the aged, from the Caucasion to the African. Biography Philippe Visson, whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of “The Gazette des Beaux-Arts” and had always frequented the international artistic milieu. His father was a major American political journalist for “The Washington Post” and “The Readers Digest”. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. He starts to paint in the bathroom of Parisian luxury hotel at the age of 16, working in a frenzy and without art lessons. He’s immediately confronted with the scrutiny of professional experts that surround his parents. He has instant success when he shows at the Craven Gallery in Paris in December, 1958, quickly offered to him; then in New York in the Milch Galleries in May, 1959; followed by shows in Monte Carlo, Geneva and New York again. It was too much, too soon. Visson falls into drinking. Returning to Washington, D.C. on 1960, the period 1963-1979 is differentiated by a life that is sometimes social, sometimes reclusive, which continues when his family settles in a large villa in Switzerland (Epalinges above Lausanne) in the mid-sixties. Visson has stopped drinking. He paints in one of the rooms of his parents’ house and inundates all the empty rooms with his productions that remain hidden from the public, allowing them to be seen only by personalities such as Marcel Brion and René Huyghe, both of the Académie Française; or Jean Leymarie, Director of the Museum of Modern Art in Paris. It’s only at the start of the seventies that he once again opens his work to the public. He meets several important cultural figures of the time, such as René Berger, Director of the State Fine Arts Museum of Lausanne; and Michel Thévoz, future Director of the Art brut Museum. After the death of his father in 1973, he settles without money with his mother in a luxury hotel in Paris. It’s only after a year and a half of perpetual and colorful adventures that they return to Washington, D.C., where he resumes painting and produces a unique period of abstracts. Returning to Switzerland at the death of his mother in the beginning of the eighties, Visson meets with blatant success in Switzerland, where institutions exhibit and purchase his paintings (Aarau State Fine Arts Museum, the Federal Office of Culture in Bern). His fury for painting takes the form of an explosion while remaining focused (he always keeps what he considers the best paintings for himself). After the life of a hermit in the Paccots, Visson comes down from his mountain to settle in Montreux on the Swiss Riveria. This moving is marked by a sort of return to social life, despite the fact that he paints in a cellar. A period of public projects with charitable goals is launched. Visson thrives on this contact with the public. This changes somewhat when he receives a working studio in The Montreux Palace in the late nineties. This emerging from the cellars denotes a new era for the artist. He starts an intense period of painting, and moves six thousand of his paintings to the Palace. He continues his public projects, including the acquisition against paintings of a Stradivarius violin...

Tattoo me 3 2002., Cardboard, mixed media, 153x117 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially a...

Tattoo me 4 2002., Cardboard, mixed media, 153x117 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socia...

Oil on hardboard

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. It comes framed in a white wooden frame. Measurements...

​Helen Taylor (Contemporary) Siren Signed with monogram, inscribed with title verso Oil on board 12 x 12 inches 13 x 13 inches including the frame Helen ...

This is a one of a kind original realistic oil on board seascape by San Diego artist, Anna Cardoso. It is framed. It's dimensions are 14x11. A certificate...

Amongst the Rushes by Helen Robinson [2022] Amongst the Rushes is one of a series of contemporary seascapes exploring the way light interacts with sky, earth and water. This water has a limited palette using blues, turquoise and white. Additional information: Original Oil paint on canvas board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1 cm Frame Size: H:47 cm x W:47 cm x D:3.5 cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Helen Robinson's atmospheric oil paintings represent impressionable moments in her life, mostly inspired by her love of travel and the sea. Following a career in town planning, Helen pursued her interest in art and has now been painting regularly for over 15 years. In 2013, she obtained an Honours degree in Art History when she found she was drawn mostly to artists who painted light. Influences include the 17th century Dutch landscape...

Amongst the Rushes by Helen Robinson [2022] original and hand signed by the artist Oil paint on canvas board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x ...

Cyanotype inspired painting of energetic, aquatic blue and white botanicals interspersed with whispers of yellow. Zephyr (2022) by Amanda Besl. Oil on board.

Cyanotype inspired painting of energetic, aquatic blue and white botanicals. Storm (2022) by Amanda Besl. Oil on board.

Oil on artist canvas board by the well known artist Nicolas Cikovsky of a vibrant floral bouquet. Signed lower right. Condition is very good. The painting is housed in its original frame. Overall framed measurements are 21.75 by 17.5 inches Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

Cyanotype inspired square painting of lush blue and white botanicals with interwoven tendrils of purple. Here Come The Death Pretzels (2022) by Amanda Besl. Oil on board.

Cyanotype inspired triptych of lush blue and white botanicals featuring ghostly, layered leaves and captivating floral textures. Quantum Echoes, Triptych (2022) by Amanda Besl. Oil o...