Metal Paintings

Signed (on stretcher): Stanley Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hards...

Impressionist landscape oil painting of Venice at night in a fantasy world. Three blazing moons illuminate the city and its canals and bathe her ancien...

Oil and gold leaf on arches paper with a crackled varnish finish. Matted 18" x 14" Image 14" x 10" Signed and dated upper right

Wyona Diskin, American (1915 - 1991) Girl In A Blue Chair Acrylic on canvas partially painted over wire mesh, Unsigned. Framed. Measurements: H 70.5 x W 49.5 x D 1.25 inches Wyona ...

Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches

In this painting, Art Nouveau French illustrator Georges Lepape depicts a high moment of personal drama. He exquisitely renders a beautiful yet solitary woman sitting on the beach...

GREG CLARK "LEAVING THE GARDEN" MIXED MEDIA ON COPPER, SIGNED CALIFORNIA, DATED 1992 32 X 48 INCHES GREGORY CLARK IS AN ARTIST FROM SAN DIEGO CALIFO...

Vibrant depiction of a view from a window by an unknown artist (American, 20th Century). This sweeping landscape, composed in a horizontal panoramic view, depicts a distant vineyard ...

A colourful, unique and vivid painting on canvas. Framing on request.

SALE ONE WEEK ONLY Mel Meyer's work runs the gamut of multiple mediums. His artwork, especially his metal sculptures, are known for their geometric components and bright contrasting colors. Other mediums he has worked in include watercolors, stained glass, frescoes, paper, textiles and acrylics. Religion, education, and an appreciation for life suffuse his work. It is estimated that he created 10,000 art pieces during artistic career. His work has an atmosphere of "joie de vie" that fits his artistic philosophy: “Art is an outgrowth of what the person is," said Meyer. "I’m a happy person. The feeling of being happy finds its way into the art." Brother Mel Meyer...

Artist: Hans-Ulrich Muhlhausen ( 1915-1987) Title: Chickens and Pigeons Medium: Oil on Copper Dimensions: Unframed 8” x 6” A small oil painting of a German agrarian landscape care...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Oil Painting of Seated Female Nude Figure by British Contemporary Artist Art measures 13 x 20 inches Frame measures 18 x 25 inches Mark Clark is a British Artist, born in 1959. Cla...

Lou Fink The Patriot Oil on canvas, 1970 (mixed media with iron lock) Provenance: Collection of The Southampton Hospital Association, Southampton, New York. This abstract expressionist painting entitled "the Patriot" is done in patriotic shades of red, white and blue in a color field pattern reminiscent of Mark Rothko. It has an assemblage, collage, lock installed at its center, with great color and texture. This piece has a sculpture quality to it. Louis R. Fink (1925 - 1980) American modernist artist. He lived in Staten Island, New York. Lou Fink is known for abstract painting, collage and assemblage Education Art Students League (studied with Harry Sternberg, Louis Bosa, and John C. McPherson) Solo Exhibitions: 1955 Wagner College Studio-Gallery, Staten Island 1960-1980 Environment Gallery, N.Y., seven one-man shows 1981 Elaine Benson Gallery, Bridgehampton, N.Y., Memorial Exhibition Group Exhibitions: 1949 Art Students League (works by disabled GI Bill students) 1952-54 Art Institute of Chicago, International Exhibition of Contemporary Drawing (traveling exhibition) 1955 Pennsylvania Academy of the Fine Arts, Annual Exhibition 1956 National Academy of Design, 131st Annual Exhibition 1956 Museum of Modern Art, "Recent Drawings— U.S.A." (along with Andy Warhol, Josef Albers, Louis Schanker, Larry Rivers, John Levee...

Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...

Sunil Das - Untitled - 6 x 6 inches (unframed size) Acrylic Foil Burn, Metal Screens, Acrylic Paint, Metal Wire on Board (Three Dimensional) Inclusive of shipment in ready to hang fo...

Kenneth Lochhead (1926-2006) was a prolific Canadian painter (and educator) who made an important contribution to abstraction both nationally and beyond. After studying at the Penn...

Artist/ School: artist unknown, dates to circa 1970's period; there are possibly markings to the underside. Title: Head sculpture of the American President, Richard Nixon (1913-1994). Medium: exceptionally heavy bronze Size: height: 14.5 inches depth : 9 inches ( back of head...

Enchanting oil painting of a glowing textured tree layered with gold leaf and deep purples by an unknown artist (American, 20th Century). Unsigned. Painted on heavy 1/4" artists boa...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Roland Strasser (1895-1974) "Japanese Geisha" Signed lower right Oil and gold leaf on canvas, measures: 76 x 46 cm In fine white-wash wood frame. ...

Stunning horizontal abstracted mesh and gold-leaf lithograph on heavy bond paper with artist's protocol notes (for future projects) by Patricia A. Pearce (American, b. 1948). Unsigne...

Oil Painting of Female Blonde Nude Figure on Bed by Contemporary British Artist Mark Clark (b.1959). Renowned for his superb technique and skilled draftsm...

The artist has painted the work in matte black and gloss black. It a sense this is also an optical art “Op Art” in that it changes as the light changes. Jimmy Ernst was a major figure of the New York School of abstract painting and part of The Irascibles, and son of Max Ernst: Provenance: Grace Borgenicht Gallery, New York, New York; Joseph H. Hirshhorn, New York and Washington, D.C. (acquired from the above in 1966); Joseph H. Hirshhorn bequest, Hirshhorn Museum, Washington, D.C., 1981; Sotheby's Arcade, New York, New York, February 24, 1995, lot 331; The Jeanne and Carroll Berry...

Bold and dynamic abstract composition titled "The Playful Journey" by Stephen Schulz (American, b. 1948). Schulz has used various types of acrylic paint, mixed with silicon to create a variety of textures. Signed and dated "Schulz 97" on verso, with an inscription that reads "For Leo and his Beautiful Family". Wood support frame on verso. Stephen Schulz (American, b. 1948) is an artist who has lived and worked in Fresno and Santa Cruz, California, and Cedar Grove, New Jersey. He has studied privately with Julie Connell, Jan Daniels, Michele Faia, Elle Fielder, Sal Pecoraro, Susan Stover, and Chris Volpe. Artist’s Statement: “My painting and artistic expression opens the doorway into an unconscious and creative world, where an uninhibited expression can take place, as one becomes immersed without the perception of time. Painting and design started it. From the beginning the process of transforming materials into art has struck me as a magical alchemy and, over the years, that mysterious process has had its hold on me, leading me from hobby to art. The creative process fills me with a sense of wonder and has proven a most amenable vehicle for transforming inner vision to outer reality. I paint from the inside out. Though I work quite deliberately, consciously employing both traditional and innovative techniques, my unconscious is the region of the most fertile of creative soil. I love working with a full complement of colors but often find my design direction working within the narrow spectrum of black and white, shadow and light. Some of my early inspiration comes from the New York School and artists such as Franz Kline and Jackson Pollock. Their ideas and techniques have helped to free my mind to explore areas of the unconscious that aren’t restricted by the world of right and wrong, good and bad. The journey continues and I feel blessed to have the opportunity to explore this exquisite world of the creative process.” Education: University of Oklahoma: 1966-1967 Canada College, AA Degree: 1972-1974 University of California: 1974-1975 Exhibitions: 2014 - Studio show Fresno, CA 2010 - Dubai (UAI) Animal rights show; Gallery 10, Washington, DC 2008, 2009 - Jia Salon & Gallery, Fresno, CA 2007 - Studio Exhibition 2006 - Cabrillo College 2004 - Studio Exhibition 2000, 2001, 2002 - Rollf's Gallery, Fresno, CA 2000 - Studio show; Bridgeport Gallery, CT 1999 - Tercera Gallery, Los Gatos, CA; Matt Miller Design, SF, CA 1998 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery Los Angeles, CA; Open Studio Aptos, CA; Brigitte Bohlem, Hamburg, Germany 1997 - Robin Hutchins Gallery, NJ; Teroera Gallery, Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery, Santa Cruz, CA; Hanson Art Source, Tennessee 1996 - Robin Hutchins Gallery, NJ; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin 1995 - Abrahamsen Design; Teroera Gallery Los Gatos, CA; Verve Gallery, Los Angeles, CA; The Pope Gallery Santa Cruz, CA; Hanson Art Source, Tennessee; Barlett Fine Arts, Pleasant, CA; Birchstone, Gallery, Wisconsin; l&I Gallery, NJ; Gillen Design, London Ontario Canada...

LOREN MUNK (american b. 1951) MUNKEY BUSINESS Signed and dated 'Munk 84' verso, mixed media construction with paint brushes, mirrored mosaic tile, gold leaf and oil paint 57 x 33 x 23 in. (144.8 x 83.8 x 58.4cm) Provenance: Malcolm Forbes collection The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese at LACE, Los Angeles Cal. "It's All Good" curated by Richard Timperio at Side Show Gallery Brooklyn. 2010 "Wall to Wall" Daniel Weinberg Gallery Los Angeles California. Artists: Richard Artschwager, Lynda Benglis, Robert Bechtle, Billy Al Bengston, Tony Berlant...

Antique American modernist mixed media sculpture painting by Duayne Hatchett (1925 - 2015) . Mixed media metal sculpture . Signed on verso.

Titled: Chants. Hand signed and dated. Sonja Kuhfahl (1928-) is a German born woman artist. She began her art career studying fashion design in Europe,...

1930s Zeppelin Over San Francisco Landscape Bright and evocative 1938 painting of burning Zeppelin by Ethel Grace Arpin Harlo Lynn (American 1881-1960). This was original painting w...

This painted ceramic tile by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome and vibrant art from the Memphis Milano era. This is signed with his initials. This is reminiscent of the mid century work of Jean Lurcat and Jean Picart le Doux. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

"Untitled 4" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime in the 1...

"Untitled 9 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

"Untitled 2 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract enamel painting on metal tile from a series created sometime in t...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

"Untitled 7 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

"Untitled 8 (Two Figures)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime in the 1960's. A Chi...

"Untitled 5 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is a semi-abstract enamel painting on metal tile from a series created sometime ...

"Untitled 3 (Faces)" by noted Chicago painter William Jacobs (1897 - 1973) is an abstract enamel painting on metal tile from a series created sometime in t...

Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...

Textured abstract landscape achieved through layered materials by Annis Allen (American, 1922-2018). Signed by the artist, lower left: "Annis Allen." Presented in a dark mauve paint...

This Modern abstract painting Stanley Bate features an earthy and warm palette and textured paint application. The painting is signed by artist lower right and is framed in the origi...

Contained metal mercury in immersion liquid kinetic sculpture. Rotates freely on a central pivot mounted to the wall, this work can be turned, allowing the mercury to shift and flow ...

'Persistence' is an original mixed media painting on rough-cut aluminum by American artist and appraiser Kelly Butenhoff. In the image, Butenhoff shows a yellow figure against a blue background; however, the painting is even more about the material of paint and metal than it is about figuration. Recalling the figurative paintings of Abstract Expressionist Willem de Kooning, the work is constructed of built-up textured layers, their rough surface mirrored by the irregular border of the aluminum sheet support. These same colors are seen in the Ukrainian flag. Yellow and blue represent Ukraine’s wheat fields below the blue skies and mountains. All proceeds of this sale will be donated to help Ukrainian refugees. 34 x 23 inches Artist's labels on the reverse Unframed, ready to hang Framing options available Overall good condition; some lifting of paint around edges; paint loss upper left After studying abroad, Kelly graduated from Carroll College, Waukesha, Wisconsin, with a BFA in Fine Art and Commercial Art. Her career in the art world began with the prestigious David Barnett Gallery in Wisconsin. Simultaneously exploring her own artistic accomplishments and gallery pursuits, eventually brought Kelly to Palm Beach Gardens, Florida, and Studio E Gallery in 2001 where she held the position of Gallery Director for eleven years while launching her endeavor of concierge fine art and appraisal services. Never one to rest on her laurels, Kelly appeased an interest in appraising by attending the School of Continuing and Professional Studies at NYU, completing the intensive Art Appraising and Connoisseurship Program in 2004. These studies and internships have included in-depth research and documentation of fine and decorative arts. Courses, workshops, and seminars on fine art, decorative art, American silver 1800-1940, estate jewelry, 18th, and 19th-century furniture, and IRS legal guidelines. Her training took place in such esteemed locations as Sotheby’s, Doyle’s Auction House, Swann Auction Galleries, Hirschl & Adler, Beauvais Carpet...

Artist: Max Karp Title: Clown with Flower Medium: Enamel on copper, signed lower right Image Size: 29.5 x 23 inches Frame Size: 40 x 34 inches

"To know how to grow old is one of the masterworks of life" M Barnard Oil and gold leaf on board, varnished. signed and dated lower right. Matted

Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan...

Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...

La Vie, by Kenji Yoshida, Nihonga, Japanese, painting, silver, black, red, gold La Vie 58, by Kenji Yoshida Nihonga Japanese painting silver black red gold Gold leaf, Silver leaf a...

This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Wonderfully bright and psychedelic vintage graffiti-spray-can art by unknown artist, circa 1970s harkens to Haight Ashbury, San Francisco scene. Black l...

Serse creates drawings by erasure. He covers a sheet of paper with a dense layer of graphite, then ''draws'' on its surface with an eraser. Using photos as his point of departure, Serse renders mountains, bodies of water and trees from the shades of gray that emerge as he plies his eraser. The resulting image is mounted on aluminum. This image has a powerful presence because of the composition and the clarity of its realism. Serse was born in 1952 in San Polo di Piave. He lives and works in Trieste. The artist has produced over the years an extraordinary series of images that have been included in the book “Drawing”, edited by Phaidon Press. These also owed him the participation in significant national and international exhibitions such as: Parkview Museum in Beijing and Singapore (2018 - 2019); Palazzo del Governatore, Parma, Italy (2018); Centre Pompidou, Musée National d’Art Moderne, Paris, France (2013); Museum of Modern and Contemporary Art, Rimini, Italy (2012); Musée des Beaux-Arts et d’archéologie, Besançon, France (2010); Palazzo Reale, Milan, Italy (2007); De Garage Cultuurcentrum, Mechelen, Belgium (2006); III Biennial of Valencia, Spain (2005); S.M.A.K., Gent, Belgium (2004); Rufino Tamayo Museum, Mexico City, Mexico (2002); Center for Contemporary Art Luigi Pecci, Prato, Italy (2002); Kunstverein Augsburg , Augsburg, Germany (2000); Musée de Beaux Arts, Gent, Belgium (1999); Bevilacqua La Masa Foundation, Venice, Italy (1997). Amongst the institutions that hosted his most recent solo shows include: Museum of Modern and Contemporary Art of Saint-Etienne Métropole, Saint-Etienne, France (2014); Galleria Continua, San Gimignano, Italy (2015), Tan Guobin Museum, Changsha, China (2017) and Museo Nacional de Bellas Artes, Havana, Cuba (2017 - 2018). Source: Galleria Continua SELECTED SOLO EXHIBITIONS 2019 Water Veils, Modern Studio, Shanghai, CN 2017 Serse, Tan Guobin Museum, Changsha, CN Aquí todo está abierto. Nada es cercano, nada es lejano, Museo Nacional De Bellas Artes, CU 2016 Serse, as far the eyes can see, Galleria Continua, Beijing, CN 2015 L’Esperienza del paesaggio, Galleria Continua, San Gimignano, IT Paysage Analogue dessins 1994-2014, Musée d’Art Moderne et Contemporain de SaintÈtienne Métropole, Saint-Ètienne, FR 2014 Serse, Galleria Continua Beijing, CN 2013 Disegnare per ordini e numeri, Galleria Giuseppe Pero, Milano, IT 2012 Puro disegno. Disegni 1997-2012, Galleria Plurima, Udine, IT Matité, Studio Carlotta Pesce, Bologna, IT Serse - “Koh-i-noor”, FAR – Museo d'Arte Moderna e Contemporanea, Rimini, IT 2010 Geometriche dissolvenze, Ex Pescheria- Salone degli Incanti, Trieste, IT Disegni in Scala, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Gemme, architetture, riflessi, Galleria Contemporaneo, Venice, IT 2009 Serse, Galleria Civica Segantini, Arco, IT 2008 Fotographite, Galleria Massimo Minini, Brescia, IT Stoiceia (Elements), Casa Natale di Leonardo, Vinci / Cecchi wine cellars, Castellina in Chianti, IT 2007 Diamonds, Tim Van Laere gallery, Antwerp, BE 2006 La natura del disegno, De Garage Cultuurcentrum, Mechelen, BE Il cielo sopra il Cremlino, Galleria Lipanjepuntin, Rome, IT Astratto naturale, Gallerie Plurima, Udine, IT 2005 Umanak, il luogo dove il cuore fa silenzio, Galleria Continua, San Gimignano, IT 2004 Paesaggio adottivo, Villa Manin – Centro d’Arte Contemporanea Spazio FVG, Codroipo, IT Bella figura, Galerie Guy Bärtschi, Genève, CH Astratto naturale, Het Domein Museum, Sittard, NL 2003 Naturam ipsam imitandam esse, non artificem, Van Laere Contemporay Art, Antwerp, BE 2002 Serse, Guy Bartschi Gallery, Genève, CH 2001 Serse, Casa Musumeci Greco, Rome, IT 2000 Serse, Van Laere Gallery, Antwerp, BE Serse, Galleria Continua, San Gimignano, IT Serse, Galleria Modulo, Centro Difusor de Arte, Lisbone, Portugal FIAC, Special project, Paris, FR 1999 Serse, Galleria Massimo Minini, Brescia, IT Serse, Barbara Mathes Gallery, New York, USA Rinascimento-Nascimento: Serse -Van Eyck, Musée de Beaux Arts, Gent, BE Serse, Galleria Lörhl, Mönchengladbach, DE 1998 Serse, Galleria Albert Baronian, Bruxelles, BE Acqua, Gian Ferrari Arte Contemporanea, Milan, IT Serse, Galleria Biagiotti, Florence, IT Serse, Kunst Mitte Berlin, Berlin, DE 1997 Serse, Galleria Continua, San Gimignano, IT G.Paolini, Serse. Storie della pittura, Galleria Milleventi, Turin, IT 1996 Serse, Galleria Lörhl, Mönchengladbach, DE Paesaggio Adottivo, Galleria Massimo Minini, Brescia, IT 1994 Notti Bianche, Galleria Continua, San Gimignano, IT 1993 Aria di Parigi, Galleria Romberg, Latina, IT SELECTED GROUP EXHIBITIONS 2019 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Beijing, CN 2018 Intriguing Uncertainties, curated by Lorand Hegyi, Parkview Museum, Singapore, SG Il Terzo Giorno, curated by Didi Bozzini, Palazzo del Governatore, Parma, IT 2017 L'immagine situata, curated by Denis Viva, Casa Furlan, Pordenone, IT 2016 Caveau, Siena, IT Perditiva, Aria Art Gallery, Florence, IT 2015 Follia Continua!, Le CENTQUATRE - Paris, FR Flow_1, Basilica Palladiana, Vicenza, IT Master Drawings New York, Barbara Mathes Gallery, New York, USA 2014 Krobylos un groviglio di segni. Da Parmigianino a Kentridge, FAR Fabbrica Arte Rimini moderna e contemporanea, Rimini, IT Biennale del Disegno, Rimini, IT Galleria continua, Beijing, CN 2013 Museo illuminato. Arte contemporanea e percorsi museali. Corrispondenze d'arte 2, Museo Revoltella, Trieste, IT Donation Florence Et Daniel Guerlain, Centre Pompidou, Musée National d´Art Moderne, Paris, FR 2012 Future, Landscape. A changing exhibition, Forte Marghera, Venezia, IT 2011 Made in Filandia, La Filanda, Pieve a Presciano, IT Ma dici a me?, SPAC FVG, Friuli Venezia Giulia, IT De l’arbre à la forêt, Galerie Alice Mogabgab, Beyrouth, Liban Fratelli d’Italia, Associazione Culturale Maniera, Rome, IT 2010 Collection Florence & Daniel Guerlain, dessins contemporains, Musée des beaux-arts et d’archèologie de Besancon, Besancon, FR STILL IMAGE, contemporary italian paintings, Galleria Continua, Beijing, CN 2009 Isola Mondo, Torre Massimiliana, Isola Sant’Erasmo, Venice, IT 2008 Plurima 35°, Galleria Plurima, Udine, IT 2007 Ouverture, Galleria Continua / Le Moulin, Boissy-le-Châtel, FR Arte Italiana: 1968 – 2007 Pittura, Palazzo Reale, Milan, IT Wundergarten - Il giardino delle meraviglie, innesti tra arte e botanica, Orto Botanico di Palermo, IT One Colour, Galleria Continua, Beijing, CN 2005 Water (Without you I'm not), 3rd Biennial of Valencia, Valencia, ES Altri fantasmi, galleria in Arco, Torino, IT Manmano, Galleria Continua, Beijing, CN 2004 Questi fantasmi, 1000 Eventi, Milan, IT Demi-Tour, SMAK, Gent, BE 2003 Metropolis, Stamperia dell’Arancio, Grottammare, IT Models & Mavericks, Museum Het Domein, Sittard, NL 2002 Intimate Immensity, Museo Rufino Tamayo, Mexico City, MX The Image Regained, Museo Cantonale d’Arte Contemporanea, Lugano, CH Continuità, Centro per l’Arte Contemporanea Luigi Pecci, Prato, IT 2001 Volume 1, Van Laere Gallery, Antwerp, BE 2000 Paesaggi fluttuanti, Santuario Oropa, Biella, IT Paesaggi italiani...

Ido Bar-El (Israeli, b. 1959) Untitled, c. 1997 Mixed media painting on aluminum street traffic sign Industrial paint, aluminium 24 x 24 inches (61 x 61 c...

"Retablo Exvotos (Replica Family with Cow's Vision)" is an original oil painting on tin by Monica Flores Martinez. The artist signed the piece. This artwork features a family kneelin...