Oil Paintings

This spellbinding late 19th-century oil painting by Scottish artist Robert Walker Macbeth RA ROI RWS (1848-1910) depicts a young woman wearing...

Paul JONES Oil on canvas These paintings are signed Paul Jones on the bottom left. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...

Full Bloom Oil on canvass, 28 x 21 1/2 inches Signed lower right: Robert Hallowell Provenance: Estate of the artist Marbella Gallery, New York Illustrated in Ma...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Step into the vibrant energy of New York City with Alex Hook Krioutchkov's captivating cityscape masterpiece, "NYC Panorama." This original painting offers a breathtaking view of the...

NYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on canvas, c. 1960s Signed lower r...

Shizico Yi's Spring Duet is a project that explores the format of a diptych through a series of paintings. Artist Shizico Yi painted en plein air, capturing the landscape outside of ...

Paul Wadsworth has a strong affiliation with the Indian sub-continent and after spending 6 months in the beautiful southern state of Kerala he has returned to his English studio to p...

"Anton Pilipchuk" Oil Painting 35" x 47" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 200...

Nicely painted mid century abstracted figurative painting. Oil on canvas. Framed. No signature found. Great color and composition. Nicely framed in a period modernist molding.

The Flower Shop Girl by JEAN ROSE B. 1933 Oil on board, signed, 24 x 27 cm Jean Rose was one of the first women students at Corsham, Bath and worked under some of the postwa...

‘What Lovely Lamplight’ by JEAN ROSE B. 1933 Oil on board, signed, 24 x 27 cm Jean Rose was one of the first women students at Corsham, Bath and worked under some of the pos...

River landscape Studio of Jan Brueghel the Younger (1601-1678) 17th century Antwerp school Oil on copper: h. 7.48 in, w. 10.43 in Ebonized wood and moulded frame Framed: h. 18.4 in, ...

Master artist Sax Berlin has turned his attention and considerable skills to creating this signature work, a self portrait. It's a complex piece that takes inspiration from the peace...

"Open Sea" is an impressionistic perspective of a sailor in the vast blue Atlantic Ocean. Frame Dimensions 29.25 x 41in Artist Bio Ben Fenske (b. 1978), although a native of Minn...

The Knight Errant English School, circa 1900 after the painting by John Everett Millais (1829-1896) oil painting on board, framed board: 13 x 10 i...

Paul Wadsworth has a strong affiliation with the Indian sub-continent and after spending 6 months in the beautiful southern state of Kerala he has returned to his English studio to p...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itsel...

Very impressive American impressionist landscape by Alexis Matthew Podchernikoff (1886 - 1933) . Great colors and nicely painted. Housed in a period giltwood frame. Oil on canvas....

Signed figures in landscape oil on canvas circa 1860 by French impressionist painter Stanislas Lepine. The piece depicts a daytime view of a bustling street in Normandy on a cloudy d...

"Genesis" Oil Painting 63" x 51" inch by Yevhenii Shapovalov AAT: Artwork ships rolled in a tube ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and graphic know...

Very impressive mid 20th century modernist interior scene. Oil on canvas. Framed. Signed with a monogram. Really impressive quality and a great subject.

Agnieszka Zawisza (born 1970) is a painter, visual artist and art teacher. She studied at the Warsaw Art Academy, Department of Painting (1994-2000), obtaining a Master's degree with...

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Loy Luo is a Chinese artist based in New York. She received a Master’s Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Beijing Institute of Scie...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Now ...

Signed figures in riverscape oil on original canvas circa 1895 by French post impressionist painter Albert Charles Lebourg. The work depicts a v...

Landscape Medium: Oil on canvas Size: 100 x 100 cm (39.4 x 39.4 inches) Description: The painting depicts a mountainous landscape. The scene is rendered in a minimalist style, wit...

Armand Tatossian, Canadian, 1948-2012 Burst of Light Oil on canvas 16 x 12 in (image) Signed on the lower right: A. Tatossian Signed, titled verso framed

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

The Hill Dwellers' JOHN BOLAM, 1922-2009 Oil on board, 1959, signed and inscribed verso. John Bolam is seen by many as following in the path of the neo-Romantics, most notabl...

'Down a Suffolk Lane' by ROWLAND SUDDABY 1912-1972 Oil on paper, laid on baord, signed. Rowland Suddaby is one of the enduring names of the 20th century landscape group of pai...

"Soyva" Painting 20" x 16" inch by Vladislav Chenchik Vladislav Chenchik is a contemporary artist from Ukraine. His artwork combines abstract and realistic styles, with a focus on p...

'LIGHT OVER DARTMOOR' by CLIFFORD FISHWICK 1923-1997 Oil on board, signed botton left, dated 1958, 31.5 x 53.5 cm. Label verso. Provenance: Katherine House Gallery, Marlbororugh,...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

The Swedish Girl” by RUPERT SHEPHERD, RP, 1909-1992 Oil on canvas, 20 x 24 in, signed, dated 1949 The ‘Swedish Girl’ portrait is a superb example of Rupert Shepherd’s work. A fi...

"Parasol" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature and at times, ...

A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht around Scandinavia and Western Eu...

“Magnolia Blossom” is a painting full of the gentle trembling of the petals of a beautiful tree, the light of a spring day and the blue of the sky! In spring, nature awakens from sle...

Style of Francesco Guardi (1712-1793) Venetian Canal Scenes, a pair -San Giorgio Maggiore from the Bacino di San Marco -Santa Maria della Salute from the Grand Canal Oils on canvas: 13 X 18 ¼ in. Frame: 18 ½ x 23 ½ in. Late 18th / early 19th century. Francesco Guardi was an Italian painter of veduta, nobleman, and a member of the Venetian School. He was born in Venice in 1712, the son of a minor painter, Domenico Guardi, and went on to become, after Canaletto, the main painter of views of Venice in the mid-18th century. His early figurative paintings were carried out in association with his brother, Gian Antonio, but in about 1760 Guardi turned to view painting, recording both the architecture of the city and the celebrations of its inhabitants in interior and exterior scenes. These works brought him great success. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Gallery notes: This fabulous pair of Venetian scenes are a work by a highly talented but unknown artist painting...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

Born 1949, Fréjus, France French artist Evelyne Ballestra studied painting in the South of France before moving to Switzerland where she met her mentor, Rolf Dürig, a master of the ...

"Fountain of Youth" Abstract Painting 82" x 63" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of heavily symbolic po...

"ANTI GUN VIOLENCE" (FRAMED) Painting 24" x 18" inch by Isaac Pelayo Medium: Oil, oil stick, acrylic, aerosol on wood Size: 24" x 18" inch Size framed: 30" x 24" inch ABOUT THE AR...

This painting by Patrick Heughe depicts a view of two hot-air balloons floating above the iconic San Francisco bridge. With meticulous attention to detail, Heughe captures the essenc...

In this painting by Charles Jupiter Hamilton's "Downtown San Francisco," the pulsating heartbeat of the city comes alive in a kaleidoscope of color and form. This acrylic abstract se...

Born 1949, Fréjus, France French artist Evelyne Ballestra studied painting in the South of France before moving to Switzerland where she met her mentor, Rolf Dürig, a master of the ...

"Sophie Dumont's painting, 'Exploration of the Absolute,' unfolds as a visual meditation on the depths of human existence, taking the library as its point of departure. In this abstr...

Richard Andres American, 1927-2013 Untitled, c. 1950 oil on masonite 8 x 10 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art...

Trio On Red Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x24 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at...

The Forge is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 97 × 130 cm (38.2 × 51.2 in). The artwork is signed, sold unframed and comes wit...

Portrait of Franklin Atwood Park, VP of Singer Mfg. Co. Stately portrait of Franklin Atwood Park by Arthur Trevethin Nowell (British, 1862-1940). Park is sitting for a classical por...

"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...

Alexandre-François BONNARDEL was born in Israel on September 6, 1867. In 1891, he entered the Ecole des Beaux-Arts and made his debut at the Salon (both in Lyon). He worked under the...

Badinter is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 100 × 100 cm (39.4 × 39.4 in). The artwork is signed, sold unframed and comes wi...

Meadow painting, vibrant colors of the blossom meadow landscape, textured painting would be a great addition to your oil painting collection. The texture and strokes can be seen in t...

Giovanni Agostino Cassana (c.1658 – 6 May 1720) Venetian Birds with an Upturned Basket of Fruit Oil on canvas: 25 x 35 in. Frame: 33 x 43 in. Abate, or Giovanni Agostino Cassana ...