Oil Paintings

Meadow. Cardboard, oil. 6.2x8 cm

A nicely detailed portrait of a young man by German American artist William Anton Joseph Claus (1862-1926). Claus was born in Germany, Studied under Otto Grundmann in Boston; as well...

Oil Painting Pair by William Anslow Thornley "Morning and Evening off the Coast" flourished 1832- 1904 Popular painter of coastal marines lived in Kent and exhibited in London, Birmi...

François CARLIER-RUBRECQ (active around 1820-1830) Study of various works of art Oil on canvas H. 50 cm; L. 58.5 cm Signed and dated upper left, countersigned on the stretcher 1825 ...

Oil Painting Pair by Jan Van Couver "On the Meerwede and Enkhysen" 1836 -1909 Dutch artist pseudonym for Hermannis Koekkoek junior. Painter of canal and estuary views. Both oil on ca...

This beautiful mid-19th-century Austrian oil painting depicts a still life with a decorous abundance of alpine flora and lively blooms. It’s sign...

Oil on board, signed and dated in the lower right corner. Presented in a period gilt frame this painting depicts a content monk enjoying a peacful moment presumably in the cellar. Me...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Ferdinand Fagerlin (Swedish/German, 1825-1907) Attributed, Interior Scene with Fabric Sellers, Oil on Canvas, 19th century, apparently unsigned, gil...

William Rickarby Miller Rapelyea House, New York, 1884 Signed and dated lower left Oil on canvas 20 x 30 inches Provenance: Kennedy Galleries, New York Born in Staindrop, County Durham, England, he was a portrait and landscape painter, especially appreciated for watercolor painting, which he sold through the American Art Union...

Conditions : Excellent, original period frame. Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, younges...

Joseph Heard British, (1799-1859) West Indiaman off Eddystone Lighthouse Oil on canvas, signed Image size: 28.25 inches x 40.25 inches Size including frame: 34 inches x 46 inches Pr...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

This atmospheric Victorian Spanish landscape oil painting is by noted British artist Harold Speed. It was painted in 1894 in a wonderful soft focus Impressionist palette of greys, bl...

Mazeppa, 19th Century From The Poem By Lord Byron English School Large 19th Century English scene from Lord Byrons narrative poem "Mazeppa", oil on canvas. Excellent quality circa...

Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...

This very fine portrait of a middle-aged woman from the mid 19th Century is a true find. The unknown sitter looks directly out at the viewer with a subtle half-smile. She wears a simple black dress...

Conditions : Excellent overall Condition. Great Master of Orientalism: Decamps revealed Orientalism at the 1831 Salon, establishing himself as an essential reference. The 1831 Salon...

Victorian Still Life with Flowers and Fauna a Small Oil Painting, one of a pair. Beautiful and highly detailed small Oil on Canvas, mounted on Stretchers and housed in a period styl...

Victorian Landscape Beach Scene Oil Painting of Mother, Child and Dog on the Beach. A beautiful and tender scene of a Mother with her young child and pet Dog playing gently by the Sea. A true gem of the Victorian era where the motif of family was strongly portrayed and romanticised. Frederick Thomas Charles Underhill British 1832 - 1896 London painter of genre, coastal scenes and biblical subjects. Born in Birmingham. Exhibited from 1851-75, at the RA between 1852-67. Titles at the RA including 'Sea Coast, 1852, 'The Gypsy Mother', 1855 and 'Hagar and Ishmael...

Louis Aimé Japy (1840-1916) Oil on canvas Cows in river with village in background Signed lower right, Japy. Canvas 26” x 32” Overall in a period gilt frame 38” x 44”. Conditi...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

A superb British Victorian city landscape oil painting by noted Nottingham born artist John Arnesby Brown, painted in 1887. This rare early work is a product of Arnesby Brown's time ...

In his oil painting, “A Path in the Mountains,” Sanford Robinson Gifford paints a figure walking down a mountain trail lined with tall evergreens towards a forested bluff.

A pair of early 19th century French oil on canvas paintings of a man and woman, probably husband and wife. Neoclassical and Napoleonic in style, these paintings are very well execute...

Howard Logan Hildebrandt, 1872-1958 Femme Avec Le Chapeau Plumé, n.d. Oil on canvas 26 ½ x 21 ½ inches Signed (lower right): H L Hildebrandt Provenance Private collection, Detroit A native of Allegheny, Pennsylvania, which later merged with Pittsburgh, Howard Logan Hildebrandt achieved prominence in the art world for his portraiture, and counted esteemed doctors, businessmen, musicians and his own artist-colleagues among his numerous sitters. Born in 1872, his life followed a trajectory similar to other young men in an industrial Pennsylvania town when he went to work at a local stained-glass factory during his teenage years. In 1890, Hildebrandt decided to enroll in the National Academy of Design in New York and although his instruction there was brief, lasting only one season, he took classes in both antique and life drawing and must have felt prepared enough to continue his education abroad in the ateliers of Paris. He studied with Jean-Joseph Benjamin-Constant and Jean-Paul Laurens at the Académie Julian, and also trained at the École des Beaux-Arts, before eventually returning to the United States in the late 1890s to launch his career. Hildebrandt initially settled in Pittsburgh before relocating to New York by 1899, where he briefly kept a studio at the famed Tenth Street Studios and later moved to Carnegie Hall. With the artist’s star rising steadily, Marian A. White, editor of the Fine Arts Journal, praised for his talents in a commentary published in a Pittsburgh weekly: [Hildebrandt] is but thirty-three years of age, yet, through perseverance and industry and an indomitable will, has taken an enviable position among American portrait painters as well as of painters of fisher-folk….Mr. Hildebrandt is an ideal American artist, enthusiastic, energetic, and reveling in painting subjects that are of American type. Beginning in 1905, Hildebrandt was fortunate to gain admittance into newly-constructed buildings being designed specifically for artists rising along New York’s West 67th Street, including the Sixty-Seventh Street Studios, where Henry Ward Ranger and Childe Hassam had spaces, and later the Colonial Studios building, which was commissioned by Robert and Bessie Potter Vonnoh. Counting such luminaries among his neighbors and keeping to an active exhibition schedule, Hildebrandt continued to advance his career. Between 1898 and the mid-1920s, he participated in the annuals of the Pennsylvania Academy of the Fine Arts and the Art Institute of Chicago. Concurrently, he exhibited with the National Academy from the 1890s through the late 1940s, and the titles of paintings shown at these venues suggest the artist was drawn to a variety of themes, from the fishermen and wharves of Gloucester, Massachusetts, to landscape, still life and figural subjects, and finally portraiture, at which he excelled. One of his early portraits, titled Portrait: Miss C and shown at the National Academy in 1902, is thought to be of Cornelia Ellis, a talented miniature painter whom Hildebrandt married that same year. The artist eventually earned the esteemed moniker of National Academician in 1932. In addition to the venues previously mentioned, he showed with the National Arts Club, the Salmagundi Club, the American Watercolor Society and the Allied Artists of America, earning prizes from all four groups. Around 1913, the Hildebrandts began spending summers away from the city in New Canaan, Connecticut, and a few years later built a home on Huckleberry Hill Road near the Silvermine River. Drawn to the idyllic countryside and to the region’s burgeoning artists’ colony founded by sculptor Solon Borglum...

Oil Painting manner of Richard Cosway "Natalie" 1813 - 1880 Portrait bequeathed to Mrs William from the Duchess of Wellington in 1865 then by her to her...

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...

ARTHUR BOYD HOUGHTON (1836-1875) Sunday Afternoon Signed l.l.: Houghton Oil on canvas Framed 20.5 by 25.5 cm., 8 by 10 in. (frame size 30.5 by 34.5 cm., 12 by 13 ½ in.) Provenance: William Drummond; Private collection. Probably painted in 1864, the present work evokes the peaceful contentment of everyday family life, with its small scale further reinforcing the intimacy of the scene. It is one of a series of small intimate family scenes produced during this happy period of his life. A male figure, possibly the artist’s himself, slumbers in a chair, a handkerchief draped over his face whilst Susan, the artist’s young wife reads by the window. Their child, either Arthur or Georgina, plays on the floor with a discarded newspaper. The room is at 4 Adelaide Villas, St Mary’s Grove, Richmond, the house Arthur and Susan moved to shortly after their marriage in 1861. The chaise and window, with its pots of geraniums, also feature in the 1864 painting Coach and Horses (private collection) which depicts Susan, with her hair down, playing with Arthur and Georgina. A pot of daffodils placed beside the same geraniums in the present work suggest it may have been painted in the spring of that year. Such domestic bliss would shortly come to a tragic end when Susan died of pyaemia following the birth of their third child in June 1864. Houghton was born in India, the son of a captain in the East India Company’s marine service. Both is father and older brother were accomplished military draughtsmen and he probably received early training from them. His family returned to England in the early 1850s and he began studies at Leigh’s and the Langham...

Oil Painting Pair by Ebeneezer Colls "Pounding the channel" 1812 -1897 Colls was born in Horstead, Norfolk before moving to London. He exhibited at the British Institution from 1852 ...

Vincent Clare (1855–1930) was a British artist celebrated for his meticulous still-life paintings, particularly those featuring fruits. His works are renowned for their vibrant colou...

Pair of Roman scenes attributed to Annibale Gatti. Inscribed on reverse "A Gatti". 19th century. Oil on board. Paintings measure 14.5" x 4.5" without frames.

Rouen, France, 19th century Impressionist, 1898, City, River, Gray, blue, Landscape Paintings Charles-Jean AGARD (Savignac de Nontron, 1866 - 1950) He studied with Bonnat. Since 189...

Oil On Canvas, Hunting Dog by Alexander Clarys Belgian School German Shorthair Hunting Dog Exceptional paintings seen the large format, sold without the frame. Alexandre Clarys, bor...

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

French school end of 19th century Landscape by the river oil on paper 29 x 49,5 cm In good condition In a modern frame : 33,5 x 53.5 cm

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 FAUST signed "J. García y Ramos" (lower right) oil on canvas 21-1/2 x 24-5/8 inches (54.5 x 62.5 cm.) framed: 24-5/8 x 27-3/4 (62.5 x 70.5 cm.) PROVENANCE Private Collection, France José García y Ramos (Seville, 1852-ibídem, 1912) was a Spanish painter and illustrator. He was a student of the Provincial School of Fine Arts of Seville from a young age, completing his training in the workshop of José Jiménez Aranda...

A rare antique Italian portrait of two children posed inside a villa against a landscape. This unsigned but beautiful work comes house in contemporary frame added to the work to e...

Like many of the great French Impressionists Emile Cagniart (1851-1911) was inspired by the River Seine and its surrounding landscapes between in Ile de France and Normandy. Interest...

Pair of antique Spanish orientalist oil paintings by Montenegro Spanish, 1886 Canvas: Height 36cm, width 29.5cm Frame: Height 56cm, width 49.5cm, depth 9cm This signed pair of 1886 ...

Early American oil portrait on canvas of a man seating wearing a suit holding a book. The painting has a signature in the bottom right corner as seen in the photographs. The painting's style is similar to American artist, William Matthew Prior, John Stanley, and John Brewster...

still life with flowers and vase in an elegant interior Signed Upper left with Initials Oil on canvas Provenance: Private collection, Texas Guarisco Gallery, Washington, D.C. P...

Jules-Arsène Garnier (1847 - 1889) Scene from Rabelais' Third Book, How Panurge Speaks to the Sibyl of Panzoust Oil on canvas 38.5 x 46.5 cm (67 x 74.8 cm with frame) Signed lower r...

19th century French oil painting of a lady and a parrot by Semenowsky French, 1891 Panel: Height 56cm, width 38cm Frame: Height 68cm, width 49.5cm, width 3cm This wonderful oil on p...

William Vivian Tippett (British, 1833 - 1910) - Landscape with Cows by the Lake. 51 x 76 cm. Old oil painting on canvas, unframed. - Signed and dated lower left: "W. V. Tippett, 1...

This charming oil painting depicts a woman and her faithful dog set against the atmospheric backdrop of a moor, with a quaint cottage nestled in the background. Signed and dated to t...

Binje Frans Luik 1835 – 1900 Brussels Belgian Painter 'A Path in the Forest' Signature: signed lower right Dimensions: image size 36 x 22 cm, fram...

A truly unique and engaging piece of European Folk Art from the mid 19th Century. This vibrant and crisp scene shows two smartly dressed peasants standing in an expansive, beautiful Swiss mountain...

A charming oil painting, depicting a rural scene with an old watermill and a figure nearby. Signed to the lower left-hand corner. Presented in a gilt-effect slip and in an ornate, gi...

Conditions : Excellent overall with a genuine oil on board with original period frame. Minor 3 mm retouching under UV light. (As seen on picture) A student of Narcisse Diaz de la P...

Oil painting of a Middle Eastern coastal town with a minaret by Berchère French, 19th Century Canvas: Height 46cm, width 38cm Frame: Height 74cm, width 67cm, depth 10cm This atmosph...

Inscribed lower right, "Carl Sorensen" for Carl Frederick Sorensen (Danish, 1818-1879) and dated 1863. Displayed in a custom-made carved gilt-wood frame by Stephen Motyka of Rhode ...

This accomplished allegorical scene depicts the story in Anacreon’s Ode where Cupid is captured by the Muses. Entwined in a chain of flowers, the Muses lead cupid to captivity, where...

Edwin Howland Blashfield was born in New York and as he grew up, he prepared for a life as an engineer: studying at Harvard, Boston, and MIT. He later grew into a love of art and beg...

Philip Westcott 1815-1878, was a British born artist. This portrait is of the former Prime Minister Charles Grey 2nd Earl of the House of Howick, he was Prime Minister from 1830 to ...

"Robbe Louis, “Plein air” Animal Painter" ROBBE Louis Born in Courtrai on November 17, 1806, died in Brussels on May 2, 1887. Pupil of Eugène Verboeckchoven and Jean-Baptiste De Jonghe...

An interesting homage to the issue of rank amongst the crews and officers of all vessels, a captain is carried to his ready command by one of his subordinates through the ocean surf ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) A lovely pair of French townscape paintings featuring Cathedrals by Henry Schafer. The first offers a view of Metz Cathedral and other medieval buildings from the river Moselle. On the right, figures can be seen at a market stall whilst others walk down a street. Meanwhile to the left, a boat is shown docking at a quayside in front of an archway. The other painting is of Chartres Cathedral seen from a cobbled town square lined with Medieval buildings. Two figures are depicted next to a market stall on the left as others chat or make their way towards the square along a lane to the right. Henry Schafer was born in Hanover, Germany in 1841. Although little is recorded about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...

A wonderful study of the Royal Mailcoach speeding through an English landscape. The coach is fully loaded with passengers and a young girl and child are at the side of the road, wait...

Oil on canvas Canvas size: 17 x 14 inches Framed size: 18 x 21 inches Signed lower right