Oil Paintings

Portrait Of A Lady, 19th Century circle of Sir Thomas LAWRENCE (1769-1830) Fine large early 19th Century portrait of a young lady, oil on canvas. Super quality and condition study ...

Clara Löfgren (1843–1923) Sweden Pergola Noor, c.1890 oil on canvas laid down on board no signature unframed: 27.7 x 26.7 cm (10.9 x 10.5 in) framed: 35 x 34 cm (13.8 x 13.4 in) P...

Hermann Armin Kern Hungarian (1839-1912) The Blacksmith Oil on canvas, signed & dated 1898, with wax seal to reverse Image size: 16 inches x 20.25 inches Size including frame: 23.5 ...

Émile Renard French, (1850-1930) Cordonnier à Jouy, Eure-et-Loir (Cobbler of Jouy) Oil on canvas, signed & dated 1883 Image size: 12.75 inches x 17.5 inches Size including frame: 23.5 inches x 28.25 inches A realist painting of a cobbler in his workshop by Émile Renard. The composition features an elderly shoemaker seated on a rickety chair next to a bench. The light from a window illuminates his work. Émile Henry...

A Still Life with Sparrow and Grapes Artist 19th century European School Signature: Verso signed and dated 1883 Medium: Oil on panel Dimensions: Image size 23 x 18 cm, frame size 3...

Portrait Of An Birmingham Industrialist, dated 1904 by George F. HARRIS (1856-1924) Birmingham Society Painter Large 1904 Late Victorian era portrait of a Birmingham Industriali...

Signed lower left in arrowhead: R.A. Blakelock (NBI-1611-II)

Dordrecht Moonlit Landscape, 19th Century by Felix KREUTZER (1835-1876) Large 19th century Dordrecht moonlit landscape, oil on canvas by Felix Kre...

Oil on canvas framed representing a monk reading sitting on a chair in the taste of François Granet.

Listed Artist James Brade Sword (1839-1915) Oil Painting On Canvas Landscape. Signed and framed in good shape. Could use a cleaning measures 29x22

"Sermon Time", 19th Century by Annie Sherrif (1850-1888) Large 19th Century Irish portrait of a lady seated before attending church, oil on canvas by Annie Sheriff. Excellent quali...

Oil Painting by Francis Sydney Muschamp "A Relaxing afternoon" 1851 -1929 London painter of historical and mythological subjects similar to Alma Tadema. He was a member of the Royal ...

A truly unique and engaging piece of European Folk Art from the mid 19th Century. This vibrant and crisp scene shows two smartly dressed peasants standing in an expansive, beautiful Swiss mountain...

Portrait of a Lady in Pink French School, indistinctly signed upper right corner dated 1893 oil painting on canvas, unframed canvas: 24 x 19.75 inches condition: very good, a few light age related scuffs around the edges which would cover with a frame. provenance: private collection, France. Straight out of the Belle Epoque...

This elegant floral still-life painting, executed in oil on canvas, showcases a meticulously arranged bouquet of roses, lilacs, and other blossoms in a gilded vase, placed on a reflective surface. The composition exudes a sense of classic beauty, reminiscent of Dutch Golden Age still-life traditions and 19th-century European academic painting. The rich color palette and detailed rendering of individual petals, leaves, and the metallic sheen of the vase highlight the artist’s mastery of light and texture. The soft, atmospheric background enhances the contrast between the delicate flowers and their surroundings, drawing attention to the vibrancy of the composition. Housed in an ornate gilded frame, this painting is an exquisite decorative piece that evokes the refinement and sophistication of traditional floral art...

Signed (at lower left): W.R. Miller/ 1851

Oil Painting by Richard Wane "Breaking Waves" 1852 - 1904 marine painter who studied at the Manchester academy and was president of the Liverpool sketching club. Regular exhibitor. O...

French school end of 19th century Seaside with two characters, oil on paper 27 x 49 cm In good condition In a modern frame : 35 x 57 cm

A thoroughly charming and humorous 19th Century scene, showing a smartly dressed gentleman on the bank of a stream with his fishing rod, being rudely interrupted by a mischievous donkey, biting his jacket over a fence. A red faced young boy watches...

Charles Lewis Fussell (American, 1840–1909) Trees in a Meadow Oil on canvas, 12 1/4 x 7 3/4 inches FRAMED: 18 x 13 1/2 inches (approx.) Fussell probably painted this work sometime b...

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame Identity of the sitter as yet unknown. The artist has managed to capture her ethereal beauty perfe...

A very fine Victorian portrait in oil, showing a woman in half mourning. The sitter is wearing a black mourning dress with white lace collar and cuffs a...

Eliza Barchus (American, 1857-1959) Mt. Shasta, California Signed Lower Left Titled Verso 11 x 14 inches 13.75 x 16.75 inches with frame Eliza Rosanna L...

Circle of Jean Victor Bertin (1767-1842) Neoclassical Landscape Oil on canvas 32.5 x 40.5 cm without frame 56 x 64 cm with frame This rural scene depicts an idealized architectura...

Highland Pastures by Thomas Sidney Cooper RA British, 1803-1902 Oil on panel Panel size: 16.5 x 21 inches Framed size: 23 x 27 inches Signed and dated 1851 lower right

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes Harraden...

Attributed to Thomas William Earl (fl.1836-1890) A Yorkshire terrier in a favourite blue bow unsigned oil on card 7 ⅝ x 5 ⅝ in. (19.3 x 14.3 cm.) with frame 15 x 13 in. (38 x 33 cm...

Francois Bonvin (1817-1887) French Still Life of a Copper Pan and Pewter Jug Oil on Canvas Indistinctly Signed 9.5” x 16” (24 x 40.7cm) Bonvin was bor...

Charles Joshua Chaplin (French, 1825-1891) A Very Fine and Charming Pair of 19th Century French Whimsical Oils on Canvas of Cherubs and Putti, after François Boucher (French, 1703–17...

"Hudson Highlands," by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 14 inches. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

Haynes King British, (1831-1904) Family Life Oil on canvas, signed & dated 1869 Image size: 27.25 inches x 35 inches Size including frame: 41 inches x 48.75 inches Provenance: Edwar...

Highly respected American painter Warren Sheppard depicts the fishing boats of Venice with their colorful sails along the still waters of the Adriatic Sea. Sheppard is famous for his...

This charming Victorian oil depicts a young girl innocently playing by a pond with ducks. The child can be seen grasping a long stick in her left hand, enticing the paddling birds cl...

Antique American Hudson River School panoramic landscape oil painting. Oil on paper. Framed. Apparently unsigned. Image size, 13L x 8.5H.

A fine pair of oil paintings, oil on board depicting views of the Thames one showing houses of parliament the other barges in busy shipping lane. Framed and Glazed the size being 26 ...

Allegory of Asia: a cassocked woman, with a blue cloth edged with gold, is lying on a triclinium, in her right hand she holds a crown of flowers; her gaze is turned upwards, her head encircled by a diadem of flowers. Next to her bed there is a censer and a gilded vase carved with cherubs, filled with flowers; scattered at her feet are roses, pearl and coral necklaces...

A rare antique Italian portrait of two children posed inside a villa against a landscape. This unsigned but beautiful work comes house in contemporary frame added to the work to e...

Signed bottom right. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purchaser. We carry out stringent...

The strength of a great ship portrait lies with its overall striking composition blended with an attention to detail. Charles Sidney Raleigh was extremely skilled with both elements, and this is one of his finest works. An American full-rigged ship of large proportions, LUCY G. DOW is one of many ships owned by Maine interests, where the ship would be locally built and consortium owned. More Maine captains owned part of their ships than any other East Coast region, it appears through an informal survey of lists. Note the fine details of the captain and crew hard at work onboard off the coast. The numerous buildings are clustered on the peninsular stretch with a pier coming out near the lighthouse’s walkway. At the distance, ship masts...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

Vandendaele Casimir Deinze 1818 – 1880 Ghent Belgian Painter Portrait of a Gentleman Signature: Signed bottom left and dated 1843 Medium: Oil on panel Dimensions: Image size 23 x 19...

Cogen Felix Sint-Niklaas 1838 – 1907 Brussels Belgian Painter 'Return from Fishing' Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 45 x 80 cm, frame siz...

A charming 19th century seascape depicting a proud as punch fisherman standing with his catch on dry land. The artist has managed to capture a wonderful folk art feel in the panting,...

William Richardson Tyler was a painter in the White Mountains of New Hampshire and Keene Valley in northern New York, William Tyler was a resident of Troy, New York from 1862 to 1866...

Oil Painting by William Howard "St Angers Bridge on the Rhine" 1879 - 1845 Painter of atmospheric Britain and Continental townscapes represente...

Dutch School Dutch Still Life of Hanging Flower Basket Oil on board 14 by 18 in, w/ frame 17 ¾ by 21 ¾ in

Paul Rudolf Linke Breslau, 1844 – Charlottesburg, 1919 The Sea of ​​Galilee Oil on panel 30 x 41 cm (50 x 59 cm with frame) Signed and dated lower left "P. Linke / 1882" Very beautif...

Very finely painted 19th Century Spanish impressionist landscape painting. Oil on canvas. In excellent original condition. Handsomely framed in a period giltwood molding. Excelle...

Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...

This charming scene depicts a child at the feet of his seated mother reading out loud from a book. The sister looks up at them both, smiling as she holds out her apron full of flower...

Cardboard, oil. 9.5x7.5 cm

Paul Emile Perboyre 1826-1914 French Le Marechal Ney passant ses Troupes en Revue (The Marshall Ney reviewing his Troops) Oil on mahogany panel Signed l...

Oil on canvas attributed Rousseau-Decelle, French painter of the XIXth century. Student of Bouguereau and Ferrier In 1903, the artist whose studio is located at 235 rue du Faubourg ...

Still life painting of fruit and a parrot by French artist Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the French artist Eugè...

19th Century French School A charming portrait of a young woman resplendent in her best bonnet. Indistinctly signed on the front, also inscribed on the frame verso with the artist’...

"A Short Break from Work" captures the essence of a fleeting moment in the life of a young boy, skillfully portrayed by the artist John George Brown in oil on canvas or board. The sc...

Oliver Clare British, (1853-1927) Still Life of Apples, Grapes & Other Fruit Oil on canvas, signed Image size: 17.5 inches x 13.5 inches Size including frame: 23.5 inches x 19.5 inches A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank. Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks. Sometime after 1871, he moved to London where he married Emma Mary Webb...