Paint Paintings

Oil on canvas. Man on beach. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern f...

Oil on canvas

Abstract landscape painting in green, red, blue, and brown. Russell Sharon was born on a farm in Minnesota. He studied in Mexico City, Boston and New York. He is known for his wildly colorful works with imagery drawn from the Minnesota landscape...

Ideal head by 19th-century American painter.

German Modernist

GUN SALE is an oil on canvas painting standing at 54 inches tall and 41 inches wide, featuring an inflatable advertiser standing adjacent to a gunshop seated in a dark, night sky background. A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg...

Berlin Porcelain Allegorical Plaque of Admiration KPM, Late 19th CENTURY The three-quarter-length portrait depicting a brunette woman with blue eyes in light ecclesiastical robes supporting palms crossed over chest and looking up over right shoulder - in a landscape immersed in powder blue sea holly...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually exciting. His work is extremely personal as well, drawing upon the Arab presence on the island where he grew up and his own Italian heritage. His paintings are indicative of self-discovery and emotional awareness, while also focusing on color, composition, and technical skill. This balance of visual dynamics and emotional response is essential to Beddru’s work. Many of Beddru’s multi-media paintings include the visual motifs of classical Greek bas-relief sculpture, flattened within the confines of Plexiglas. Athletes and female portraits in profile are reminiscent of coins and popular classical imagery. After having admired and studied the works of the great masters, Beddru left Italy to continue his practice abroad. This vibrant one-of-a-kind 22 inch square artwork is painted among many layers of Plexiglas panels. Beddru's pictorial subjects are represented through ink-based mixed media, applied via reverse painting techniques inspired by Italian painters from the seventeenth century. The eye of the observer is simultaneously caught by both a fascinating chromatic balance and the mystery of enigmatic figures who, from the depths of a mythological past, bring secretive symbols to our contemporary present as messages to decipher. This artwork is framed in a modern, black wooden frame. Size and price include the frame. It is wired and ready to hang. The artwork is signed by the artist on the front in white. Free local Los Angeles area delivery and professional installation included. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is also included with this original artwork. The artist represents vibrant and beautiful characters that populate his artistic world and speak up loud to make their voice heard. His international exhibitions include highly ranked art galleries, art fairs, and museums. His artworks are part of distinguished international private collections, such as the collection of the Saudi Royal Family and notable art collector Graeme Hart (New Zealand). REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2023 "Fragmented Fluorescence", Artplex Gallery, Los Angeles, CA 2022 "The Human Form", Artplex Gallery, Los Angeles, CA “Beyond Reclusion”, Le Neuf Gallery, Belgium Affordable Art Fair, Stockholm, Sweden Art Boom Focus Paris, France 2021 Artplex Gallery, Los Angeles, CA 2019 Affordable Art Fair New York Artspace Warehouse, Los Angeles, CA First Art Fair, Amsterdam, Netherlands Art Palm Springs, Palm Springs, CA Art Up, Lille, France ACAF Pop Up, Maasmechelen Village, Belgium AAF New York, NY London Art Bienalle 2019, London, UK...

acrylic and pigment on raw canvas. original artwork by los angeles based artist sam kupiec. 60’h x 40’w x 1.5’d.

An artwork by Carlos Luna. "Miel y Canela" is a contemporary painting, gouache and charcoal on amate paper in red, black, and brown by Latin American artist Carlos Luna. The artwork ...

Black Outline Multicolored Butterflies, Black Guardians. Multicolored

19th Century Dutch

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Je Kon park 92". Born in South...

Sergei Besedin was born in the village of Ruska near the Ukrainian city of Lozovaya. He was born into a working class family who were staunch communists. Besedin, shortly after the R...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Acrylic on Canvas. Signed "Oscar" although nothing is known about the artist. Measures 31.5 x 43.5 x 1.25 inches with frame. The piece is in Good Condition, the frame has cosmetic im...

In Byron Brown's "The Night Journey", 1947, Picasso meets Jackson Pollock. Here Brown strikes a balance between fanciful representation and abstraction. ...

Oil on canvas

Stacked acrylic, spray paint on canvas 60" x 60" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being...

Alyse Rosner 2022

“My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the com...

Lisa Matrundola was born the youngest of five children in Montreal, Quebec. Her parents immigrated to Canada from Italy and England in the mid 1950’s. Self-sufficiency, hard work and...

In her paintings, Christine Hayman concerns herself with space. She is interested in how forms are energized by the space around them, especially when incorporated into paintings wit...

Annika Connor is a modern-day Renaissance woman. Primarily known as a Contemporary Romantic painter, her work uses strong symbolism and passionate imagery to ignite the imagination. ...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Andrey Inozemtsev is considered to be a master of Russian impressionism. "August Day" is an impression of light along a small road in a town on the Crimean coast near the Black Sea. ...

Alfred Collin (1880-1944). Alfred Collin was a Swedish impressionist landscape and marine painter. Like many of his Scandinavian contemporaries he tra...

A painting by Xiaoze Xie. "June 2001, J.T." is a contemporary painting, oil on canvas by Chinese photorealist Xiaoze Xie. The artwork is signed on the verso, "June 2001 Xie Xiaoze...

Oil on canvas. Engaging. Female centric. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of refl...

Signed and dated '1835' center right

Gritty working class truck driver with tiger painting on truck door, is rendered in a flat and quick style with rapid brushstrokes defining the trucker. The tiger is painted in a t...

Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an artist in 2010 with a female street art collective and since then she has wor...

Stefan Umærus Stefan Umærus has initiated, created and exhibited cross-cultural art projects since 1985, with one-man gallery and museum exhibitions in ...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice, The Star-Ledger, Newsday, Flash Art...

Original oil painting by New York painter Alexandra Pacula. A city painting in a contemporary style with vivid colors and shapes. Pacula has been collected throughout the US, Europe,...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

Jean-François LARRIEU (1960) (France) is an artist born in 1960 The oldest auction result ever registered on the website for an artwork by this artist is a painting sold in 1991, at...

DANIEL-ANTOINE (1961) is an artist born in 1961 The oldest auction result ever registered on the website for an artwork by this artist is a painting s...

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...

Large Format Abstract Pink & Black Mixed Media Painting by Cuban Artist Victor Manuel. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always ...

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...

Nicholas Berger Biography American, b. 1949 Nicholas Berger’s career as an artist spans three decades and has brought him national and international acclaim for his paintings. A lis...

Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for was Wo...

Susan McDonnell's "Blue Jay," created in 2021, is a masterful oil on panel that captures the vibrant essence and lively demeanor of its avian subject. Measuri...

"Village On The Sea" is a unique oil painting merging academic and contemporary painting styles to build a narrative. Jaroslav Leonets is a young Ukra...

A painting by Jae Kon Park. ""Life and Roots"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon...

"l'Auberge de la Place au Manege" by Gerard Valtier is an original oil on canvas that measures 29x36 inches. Valtier uses many different bright and vivid c...

Political Chatter, 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic envi...

'Champion,' 2019 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environment...

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...