Watercolor Paintings

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Signed by artist lower left. The Century Illustrated Monthly Magazine Cover

Ink and watercolour Image size: 3 3/4 x 5 3/4 inches (9.5 x 14.5 cm) Contemporary frame Provenance Private family collection This painting was created in the early 1900's when the Decadent Movement...

Expressionist Figurative water color painting by Zhang Chunyang Series The Horse Whisper No.2-25 Dimension: 29 x 36 cm Material: Gouache, Watercolor on Paper Date: 2013 Artist B...

Medium: Gouache on Board Signature: Signed Lower Right American Magazine story interior illustration

Signature: Signed Lower Right "Stevan Dohanos" Framed dimensions are 27.00" x 31.00." Interior scene with a family cooking. Original advertisement for American Optical published in ...

Medium: Gouache on Board Signature: Signed Lower Right Seats of the Haughty, Munsey's Magazine illustration, December 1906 Literature: This illustration appeared in O. Henry's shor...

Shipbuilding in Philadelphia. Signed lower right.

Medium: Gouache on Board Dimensions: 12.00" x 16.00" Signature: Signed Lower Right

Money bags 1910 "Wealth of Love". The illustration depicts a man torn between wealth and beauty. Orson Byron Lowell was the son of the landscape painter, Milton H. Lowell, and his...

Medium: Gouache and Pencil on Board Signature: Signed Lower Left Carter's Monthly, February 1898, cover illustration. Newly Framed.

Famed female illustrator Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The accompl...

Nandi means bull and bull denotes religion. This religion is the vahana of Lord Mahadev, so, in conventional language it is said to be the bull of religion. In these paintings the a...

Archivally Matted to 17.75 x 16.75 inches Signed lower left

William CRUICKSHANK (1844-1922) Two still-Life Gouache in pair signed low Dimensions : 20 X 30 cm and 35 X 45 cm (framed) DImensions : 26 X 31 cm and 39 X 46 cm (framed) Golden wood frames William CRUICKSHANK (1844-1922) British painter born December 25, 1848 in Broughty Ferry...

Maurice Buffet (1909-2000) Maurice Buffet is a French Artist His works have great records of sales through the multiple auction houses. Gouache on cardboard, signed lower left c. ...

"Male Portrait" by Jean Marc (French 1949-2019) gouache paint painting: 16 x 12.5 inches provenance: private collection, South of France Superb original painting by the widely exhi...

Unsigned, but it is attributed to Thomas Miles Richardson Jr., R.W.S. (1813 - 1890), since the similar work was sold through Christies in 1998 (same size with signature and date 1861...

Signed lower right with monogram "MD" - in Cyrillic, leads to the Russian - Lithuanian artist Mstislav Valerianovich Dobuzhinsky (Mstislavas Dobužinskis; 1875 - 1957). Fascinating d...

Sea Shells – Blue & Gold, c. 1940s, watercolor on paper, signed upper left, 15 x 19 ¼ inches (image); title and artist’s name and address inscribed verso, presented in a newer glazed...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

A joker holding a clown puppet. Signed lower right Watkins, John:. British painter, watercolorist, and engraver, active 1876-1908

Signed lower left "G. Brisgard" (Gustave Joseph Marie Brisgand, 1867 - 1944). This stunning portrait of a supposedly young movie star captures the essence of old school glamor in the film industry (perhaps old Hollywood...). Dressed in a beautiful stage gown, she holds an intricately patterned box close to her heart. What treasures could be inside? Perhaps precious jewelry or heartfelt letters from a special someone. Who knows... One thing is certain, this box holds great value to her. In 1993, this painting was entitled “Le Secret”, it was masterly executed in early 20th century in the manner of Pre-Raphaelites with strong flavor of Art Nouveau though. Size app.: 71 x 52.5 cm (roughly 28 x 20.7 in), frame is 94.5 x 75.5 cm (roughly 37.2 x 29.7 in). Appears to be in very good pristine condition with minimal wear to painting (slight discoloration by spots), ready to hang. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 3.6 kg is going to measure 7 kg packed for shipment. Brisgand's, french painter and pastellist. An academic painter, he specialized in portraits of women (pinups) and female nudes. He was the student of Auguste Allongé...

This small watercolor by well known and listed artist Hartwell Leon Woodcock is most likely a scene in the Bahamas. Woodcock was born in Maine in 1853 and spent most of his life the...

A lovely watercolour on paper circa 1905 by French Impressionist painter Henri Duhem depicting a woman in a blue dress taking a stroll along the path beside a stream. The trees and f...

This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...

Watercolor of an antiques store titled "Paradox" by Ross Jones (American, 20th century). Signed "Ross Jones" lower right and on verso. Presented in a wood frame. Image, 22"H x 30"L. ...

Small size watercolor image of shells. Painting is mainly blue, yellow and brown tones. Painting is framed in a painted wooden gold frame with a yellow matte. Dimensions without Fram...

5031. Antique gouache Indian painting on paper Image size 9x6"

Orientalist watercolor of a guard standing watch. He stands at the ready, attentively listening while resting his hand on his sash which holds a sheathe...

]Duncan McFarlane. This excellent ship portraitist began his life's work in Liverpool. It is believed that he later sailed to America and was employ...

Most accounts of the artistic achievements of Edward Lear (1812–1888) take as their starting point the notion that he is better known as the writer of nonsense verse than as a topographical draughtsman and painter. His art is then considered largely in isolation, as the extraordinary creation of a fascinatingly eccentric Victorian. However, Lear's art is outstanding. Although Lear suffered from epilepsy, asthma, poor eyesight, and chronic depression, he was an inveterate traveler and an indefatigable sketcher, documenting a lifetime of journeys throughout the Mediterranean and India. During his two-month tour to Athens, mainland Greece and the island of Euboea, Edward Lear made almost 150 landscape drawings and kept a diary of his experiences and impressions. Many years later, Lear’s travelling companion, Charles Church...

Dear Mr. Train It was very nice seeing you yesterday and I take this opportunity of thanking you for purchasing the SUNBEAM from me. The information that I promised you at that time ...

Gum - 8"x10" Mixed Media Painting on Canvas in Vintage Repurposed Solid Wood Frame My work is inspired by the beauty that I find in the ordinary and imperfect; it tells a short st...

Adam, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 15.7 H x 11.8 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught Brazilian arti...

A dandy in the garden of black roses, 2016 by Ramonn Vieitez Watercolor and Gouache on canvas Size: 19.7 H x 15.7 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez...

Patricia Udell's art is a combination of Color Field and Hard-Edge abstraction, and her beautiful artworks are deceptively simple. Her signature style and contemporary use of color ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 1947 From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed mea...

About Faces Series Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherh...

About Faces Series Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherh...

About the Artwork Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherho...

Netherlands, 1817-1891 Cornelis Springer (Amsterdam, May 25, 1817 - Hilversum, February 20, 1891) was born as the fourth son of carpenter and contractor Willem Springer. Springer received training as a house painter from the house and carriage painter Andries de Wit and from his eldest brother, who was an architect, lessons in architectural drawing and perspective. After studying at the Amsterdam Academy, he painted accurately executed cityscapes with a lot of sunlight effect in Amsterdam, temporarily in Brussels and in Germany. As a member of the 'Felix Meritis' society in Amsterdam, he won a gold medal for a church interior in 1847. Together with Barend Cornelis Koekkoek...

About the Artwork Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherho...

In this piece the artist choice of colors is muted, and there is a deft blending of them. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladizhinsky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Netherlands, 1817-1891 Johannes Bosboom was born in The Hague in 1817. During his lifetime, Johannes Bosboom would become one of the best-known painters of church interiors. His work has been much appreciated over time. He received his training from Romantic masters such as Bart van Hove and Wijnand Nuijen. Johannes Bosboom also took lessons at the Hague Drawing Academy. He showed his preference for the church interior at an early age. He made several journeys in his early years as an artist. In 1835 he visited Germany and in 1837 he traveled to France via Antwerp, where he worked mainly in Rouen and Paris. In 1851 he married the writer Anna Bosboom-Toussaint. He is considered a precursor of the 'Hague School'. The masterful way in which he used light in his church interiors made him one of the most important European painters in this genre. Some museums with his work: – Stedelijk Museum Alkmaar – Museum Fodor Amsterdam – Historical Museum Amsterdam – Rijksmuseum Amsterdam – Stedelijk Museum Amsterdam – Rijksmuseum Paleis het Loo...

Dutch, 1843-1896 The painter Margaretha CJW Roosenboom (The Hague, 1843 – Voorburg 1896) grew up in a real artist's family. She was taught by her father Nicolaas Johannes Roosenboom...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an ar...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

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Painting titled "Window into Studio" and dated 2023 by Jeanne Cosimano. The painting is gouache on paper, frame is included. This work was recently included in a solo exhibition at Gallery 2112...

Step back in time to the opulence of the Victorian era with this stunningly detailed and realistic portrait of an elegantly dressed gentleman. Painted by the skilled artist Tymon, this masterpiece is a testament to the artistry and attention to detail of the late 19th century. Executed in watercolor on paper and mounted on canvas, the technique employed by artist adds an extra layer of delicacy to the portrayal. The subtleties of color and the fine nuances of the gentleman's attire and expression are brought to life with a level of precision that speaks to the mastery of the artist. The indistinct signature of artist...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

Frederick McNamara Evans (English, 1859-1929) Signed: F.M. Evans (Lower, Left) " A Game of Patience ", circa 1900 (Titled in pencil on verso and original label.) Watercolor on pape...

Signed Lower Right by Artist

Contemporary floral still life figurative gouache on cardboard painting by Polish artist Bozena Lesiak. Colors are vibrant with red and green colors. BOŻENA LESIAK (born in 1952) St...

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

Signed Lower Right by Artist Titled on the reverse: May I Have the Pleasure Good Housekeeping cover, November 1926 As Jessie Willcox Smith biographer S. Michael Schnessel has a...