Fabric Nude Paintings

Lemmy Gonthier - Body 1 Acrylic Numbered and signed lower right of the work Dimensions: 77 x 68 The human body is at the center of Lemmy's work. His taste for large formats requires...

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

Acrylic paint on canvas Hand-signed lower right by the artist Unique work Discover the new works on canvas by the French emerging and talented artist Julien Calot in his personal ex...

Oil on Canvas 46cm × 37cm (57cm × 49cm framed) Until the 1930s, this painting was considered to be by Théodore Géricault. Indeed, since its creation c.1810, it has been sold twice a...

Oil on canvas Signed (lower right) 75cm × 75cm (93cm × 95cm framed) An influential figurative painter of the 20th century. From 1928 to 1948, he exhibited his work regularly at the ...

Acrylic On Canvas 36" x 48" x 1 3/8" "How would you describe your work? I’d describe my work as playful, expressive, and simplistic, yet loaded with emotion. I try to evoke feeling...

Acrylic On Canvas 36" x 48" x 1 3/8" "How would you describe your work? I’d describe my work as playful, expressive, and simplistic, yet loaded with emotion. I try to evoke feeling...

Reclining Nude Carl Rudolph Krafft (American, 1884-1938) Oil on Canvas Signed Lower Left 38 x 40.25 inches Born in Reading, Ohio, Carl Krafft became a prolific regionalist painter o...

Luis Frangella (1944-1990) was a figurative, postmodern painterand sculptor. He earned a Masters in architecture at the University of Buenos Aires in 1972 and then attended the Massa...

Modern figurative nude painting by Texas-based artist Kermit Oliver. The work features a woman reclining on a blanket in the middle of a field next to a cat and dog. There is a magaz...

"Banksia" Oil Painting 27" x 39" inch by Sasha Sokolova Life Still "I produced this series in 2020 while mostly in lockdown due to the Coronavirus. I a...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Otto Theodore Gustav Lingner, Oriental female nude dancing with a sword, Dimensions without frame 80 cm x 136 cm Measures with frame 102cm x 157cm An outstanding work of art by Ott...

ARTIST: MAREK OKRASSA. Born in 1975, he studied painting in the studio of professor M. Swieszewski and drawing in the studio of Maria Targonska. Okrassa was twice awarded a grant fro...

"Aquarius" Oil Painting 31.5" x 51" inch by Sergey Dolmatov Year: 2014

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Frame 41 x 35 inches Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately ...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s m...

This acrylic on canvas from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a female nude in pose, holding a flo...

This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net. The relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents, but in one wholeness. Fomin is a fairy-tale artist, a romance teller, who is choosing never ending life stories for a viewer. He is telling these stories with realistic language of the artist, citing the language of Bruegel sentimental sincerity of Chagall, but also a precise coloristic scheme, that was a signature of French Art in the second half of XX century. The fantastic World of the artist is perfectly detailed that makes it truthful. This artistic language principle defined the style of the artist long before he entered the Art World market...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s ...

A lush verdant painting of three nude bathers in a French river. It speaks of summer days spent wild swimming, picnics filled with cheese & wine and hear...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Reza begun studying art seriously at age 15 and was studying at the institute of art in Iran where he graduated with highest honors. He also studied privately with one of Persia’s mo...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

Natasha Wright's art probes the politics of representation of the female form. Gender, sexuality, vulnerability and power, seduction and aggression - th...

This compelling portrait of Salome was composed by the French painter Marie Felix Hippolyte-Lucas. While the celebrated artist's oeuvre is filled with bright and cheerful portraits of aristocratic women surrounded by florals, here he takes a different approach. Hippolyte-Lucas' Salome is simultaneously exotic and highly modern, rendered in a style that is both theatrical and bold. The monumental work's rich color palette is filled with gem-inspired hues that lend drama to the scene, highlighting the blatant sexuality of this legendary seductress. Though Salome is not named in the New Testament, she has appeared time and time again in art and literature over the centuries, as both an innocent and a seductress. Her mother, Herodias, resented John the Baptist, who denounced her marriage to King Herod as unlawful. At one evening meal, Salome danced...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

The hero at this painting is a human. His eyes are a lenses that artist using. At all time they are together, a man and a woman. Duality of differences, two views, different accents,...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

The themes in Tran Huy Hoan’s work are contradictions within themselves. His work is both innocent and erotic. Each subject is attractive yet affecting. Hoan’s precise technical styl...

Contemporary nude figurative oil on canvas painting. Dimensions are 63" H x 43" . Colors are predominately black and white with a pastel background.

Vera Barnett is best known for creating elements of her composition—by sewing and painting plastic, building objects with cardboard and tape, and assembling found objects—then settin...

‘Security’ is a large framed contemporary surrealist figurative oil on canvas painting of vertical format, created by Vietnamese artist Dinh Y Nhi in 2010. Featuring a cold palette mostly made of grey and black tones, accented with blue and beige touches, the painting depicts a frontal view of a nude figure. This piece exemplifies Y Nhi's style of paintings as her success with two-colors; red, blue or black and white, addresses modern themes and issues devoid of gender. Her figurative surrealism style of stick figures is warped and elongated, stretched out of proportion. Each figure tilts and twists at painful angles. They bring to mind the famous harrowing faces in Edward Munch's ‘The Scream’, or the difficult distorted ones from the portraits of Francis Bacon. But most of the faces Y Nhi paints are miniature ones devoid of details, deceptively random and simple brush strokes. There is a playfulness that reflects the outer images the painter projects of herself. Her style also allows her to convey complex textures, and emotions, in her images. Dinh Y Nhi is a graduate of Hanoi's School of Fine Arts. Her work has been exhibited in many shows in Vietnam. She is receiving much notice among the Vietnamese press and art patrons in the United States, Australia and Asian countries. With its powerful presence and great proportions, this surrealist oil on canvas painting will be a definite conversation piece in any home, whether placed above a sofa, console table or enfilade. Set inside a frame, the painting is titled in the lower section. 1967: Born in Hanoi, Vietnam 1989: Graduated from Hanoi Fine Art University Exhibitions: 2011: Group Exhibition Art Asia Miami, Florida, AiBo Fine Asia Art 2011: Portrait, Dinh Y Nhi & Le Thiet Cuong...

"Backstage", is a large theatrical Art Deco painting by French artist Paul Alex Deschmacker. The painting depicts two theater performers, one se...

An exceptional early oil on canvas by American artist Karen Kiefer. Karen Kiefer continues to paint and teach fine art in Hawaii, the focus of her pain...

An original oil on canvas by French artist Jean Jannel, known for his figurative, genre portraits. Le Miroir, is an original oil on canvas, signed, c.1930...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

Micao Kono was born in Japan, moving to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils to ...

Presenting a large original oil on canvas, "Salome;" by French artist Friedman Hahn. "Salome'", is an original oil on canvas, signed, c.1940, with an image dimension of 46 x 27 in...