1920s Paintings

Original cover for Liberty magazine, published January 22, 1927. Blissful in her recent engagement to Sandy, Lil spends an evening at home knitting him a pair of green zigzag sport ...

Ex Voto; Holy Tribute for the Return to Good Health. Oil on tin with ink, May 31, 1922, by Mexican artist V. Cervantes with a contemporary custom frame hand-carved by artisan Michael...

Original cover for Liberty magazine, published August 17, 1929. Lil calls Sandy down to a nice breakfast to be served in her new fruit dishes, as she asks Sandy to bring her purse and materials to fix the carpet runner, which he forgets. Lil is horrified to find her sideboard key in baby Ulysses’ mouth and she proceeds to feed the baby while asking Sandy to give her updates on a recent triple suicide outlined in the newspaper. Ulysses pounds his cereal spoon, sending sprays of milk across the table onto Sandy’s elbow and Lil’s new fifty-dollar negligee. (Liberty magazine, August 17, 1929, p. 38) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Henry Patrick Raleigh was one of the most prolific of all our illustrators. In spite of this, he consistently maintained high quality and good ...

Achille Laugé (1861-1944) Rue à Alet-les-Bains 1926 oil on canvas 73 x 50 cm signed and dated ‘A. Laugé 1926’ (lower right) Price: €50,000 EUR Provenan...

Signed & Dated Lower Right

Date: 1927 Medium: Oil on Canvas Dimensions: 28.00" x 42.00" Signature: Signed and Dated Upper Right Story illustration "Can't Keep a Good Man Down," by George Pattullo and illustra...

Medium: Oil on Canvas Walter Beach Humphrey specialized in painting magazine covers and he eventually did work for almost all of them, beginning with small-circulation publica...

5000 Antique Chinese Reverse painting on glass et in a period frame with brass hanger

Mountain Reflections "Ben Venue" by John Copland a Kirkcudbright Scotland painter (Scottish, 1854-1929). Painting of Loch Achray and Mt. Ben Venue in Scotl...

'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926. Deutsch bega...

Ture Ander (1881-1959) Sweden Lakeside Reflections, Värmland oil on board signed and dated Ture Ander 1945 unframed 33 x 48.5 cm (13.00 x 19.09 tum) framed 49.5 x 64.5 cm (19.49 x 25.39 tum) Provenance: Architect Ludvig Mattsson (1888-1960), Arvika; Thence by descent until we acquired it in 2024. Essay: This impressionistic landscape painting by Ture Ander, a distinguished member of the Rackstad group, captures the tranquil beauty of a serene lake. The still waters mirror the surrounding foliage and sky, creating a captivating interplay of light and reflections. The Artist: Ture Ander (1881-1959) Ture Ander, Also known as "Blomstermålaren" (The Flower Painter), was born on September 17, 1881, in Asker, Örebro County, and passed away on February 4, 1959, in Arvika, Värmland. Initially trained in the craft of painting, Ander pursued formal art education at the Technical School in Stockholm from 1898 to 1903. He further honed his skills at the Artist’s Association School between 1905 and 1908 and at the Académie Colarossi in Paris during 1911-1912. Here, he was significantly influenced by Paul Cézanne and other Impressionists. Ture Ander’s early work often reflects a delicate, impressionistic approach, which can be seen in this lakeside painting...

The following two paintings are being offered as a pair. Only one is signed the other is not. Both early New Mexico Paintings with beautiful heavy i...

A beautiful signed and dated 1920 oil on canvas interior still life with a shelf and other objects by the important Belgian artist, collector and patron of the arts Philippe Schott. ...

Elisée MACLET (1881-1962) Paris : Small Houses Near Bievre River, c. 1920 Original oil on panel Signed bottom left On board 55 x 46 cm (c. 22 x 18") Presented in a golden frame, 7...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right

ETIENNE BEOTHY 1897-1961 Heves, Hungary 1897 - 1961 Paris (Hungarian/French) Title: Composition on Violet Background, 1927 Technique: Original Hand Signed and Dated Gouache Paintin...

Cuteness personified. An innocent young child holds a cute doll in one hand, and in the other, she has a leashed, soft furry little lamb - while she attends an outdoor concert of si...

“Seven A.M. – All’s Well: The Newlyweds’ Wave-Length Route to Health,” original cover for Liberty magazine, published December 3, 1927 Lil sleepily awakes to her alarm clock buzzing...

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Medium: Oil on Canvas Signature: Signed on the Back House Enchanted

This painting is part of our exhibition Charles Goeller: A Wistful Loneliness. Oil on canvas, 29 x 24 inches, Signed lower left Price Upon Request

Early 20th Century oil painting of men having a conversation on the San Francisco, California pier with boats in the distance by Gus Johnson (American, 19th century), 1928. Signed on the lower right. Unframed. Image size, 23"H x 32"L. Johnson was a regular outdoor painter on the California coastal regions during the 1920s-50s. He enjoyed painting scenes on San Francisco Bay near Sausalito and Marin California.

Signed lower right, 'Dedrick B Stuber' for Dedrick Brandes Stuber (American, 1878-1954) and painted circa 1925. A substantial, early twentieth-century California coastal landscape showing the Pacific Coast's Monterey Bay on a sunny day with lightly scudding clouds against an azure sky. A particularly fine work with jewel-like, spring flowers scattered along the grassy bluff and a panoramic view across the bay towards lavender coastal hills. This luminous California plein-air painting happily retains its original title-plate. Born in New York City, Dedrick Stuber first studied at the Art Students League and, later, with Julian Onderdonk and Clinton Peters. In 1920, he moved to Los Angeles where he became known primarily as a painter of California pastoral and marine scenes, preferring to paint his "plein air" works in the cool and shade of the early morning. Over the course of a long career, Stuber exhibited widely and with success and was the recipient of numerous medals and juried awards. He was a member of the Painters and Sculptors of Los Angeles and the Laguna Beach Art Association and his works are held in numerous private and public collections, including the permanent collection of The Smithsonian Museum and The Pasadena Art Museum. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1076; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3211; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith...

Work on canvas

Medium: Oil on Canvas Signature: Unsigned Advertisement, Cream of Wheat, 1928;

Work on canvas Golden wooden frame 75.5 x 61.5 x 4 cm

CONSTANTIN KOUSNETSOFF [Kouznetsoff, Kuznecov, Kuznetsov] Zoliono 1863-1936 Paris (Russian) Title: Champs au Bretagne Technique: Original Signed Oil Painting on canvas size: 83 x ...

A beautiful British portrait of a Pekingese dog by George Denholm Armour. Dated to circa 1920, it is a superb Art Deco animal portrait with bold brush strokes and vibrant colour. The dog's name is, I believe, written in Japanese top right. Signed lower left. Provenance. Christie’s. Condition. Oil on canvas, image size is 27 inches by 24 inches and in good gallery condition. Housed in a gilded 1930s Art Deco frame, 35 by 32 inches framed. In excellent condition. George Denholm Armour (1864-1949) was a British painter. He was born in Waterside, Lanarkshire, Scotland on 30 January 1864. He grew up in Liverpool and went to school in Fife. He graduated from the University of St Andrews and the Edinburgh College of Art. He moved to Tangiers, Morocco to paint and buy horses. When his money ran out, he moved to London and shared a studio with Phil May. He met Joseph Crawhall...

Story illustration for “Beethoven: A New Life” by Emil Ludwig for Cosmopolitan, published December 1928, page 22. The full caption reads: “At the premiere of Beethoven’s heroic oper...

Medium: Oil on Board Signature: Signed Lower Center Sight Size 30.00 x 24.00;" Framed 40.00 x 33.50" The Elks Magazine Cover, June 1925

Work on canvas

Original cover for Liberty magazine, published December 11, 1926 Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...

Original oil on canvas painting of a bucolic seaside picnic with a mother and her young children. Signed by the artist, F. G. Grust lower left. Condition is very good. The painting is housed in a period style gold leaf frame in fine condition. Overall framed measurements are 31.5 by 41.75 inches. Provenance: A California estate. F. G. Grust was a Dutch painter born in 1889 who was best known for his domestic interior and exterior scenes of a mother with her young children. He is the son of artist Theordor Grust (1859 - 1909), who also painted Dutch genre...

Work on canvas

Gorgeous 1920's still life with Asian elements by San Francisco artist Almira Austin Judson (American, 1868-1945). Signed on verso. Unframed. Condition: one paint scratch upper cente...

Turkey in the Trees, c. 1922 Watercolor on paper Signed lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a mast...

Work on canvas Gray wooden frame 70 x 81 x 5 cm

A superb pastoral oil painting by British listed artist Frederick George Swaish and painted in 1923. He was a noted British artist of the inter war period and a regular exhibitor at ...

Story Illustration Herbert Paus was a native of Minneapolis and got his first job as a cartoonist for the St. Paul Pioneer Press. Ambitious to become an illustrator, he enrolled in the Fine Arts School there, and later found employment in a Chicago art studio. Eventually, he moved to New York where he became a freelance illustrator. Paus had a strong sense of design, which was ideally suited to posters. He was a member of the Government’s committee on pictorial publicity during World War I, and painted many effective posters to support the war effort. This approach, combined with a striking use of vivid color, was carried over into his magazine illustrations and cover designs for such magazines as Woman’s Home Companion, American Magazine, The Youth’s Companion, and Collier’s. Among his many outstanding book illustrations were those for Maurice Maeterlinck’s play “Betrothal” as told for children entitled Tyltyl. Paus also painted for such advertisers as Hart, Schaffner & Marx, Goodyear, General Motors, Certain-teed, and Victor Records...

Date: June 10, 1922. Medium: Oil on Canvas Dimensions: 26.00" x 24.00" Signature: Signed Lower Right Cover of Country Gentleman magazine 6/10...

Signed and dated post impressionist watercolor on paper seascape by French painter Jean Dufy. This colourful piece depicts sail boats at the port of Le Havre in France - a commercial...

Stunning woman nude pencil study by Russian painter G. Debotoiyche (20th Century). The representation is very modernistic, with only a few lines drawn to render the whole movement an...

Eric Hallström (1893-1946) Swedish Party Time pastel on paper signed Eric Hallström image dimensions approx 19.29 x 23.22 inches (49 x 59 cm) frame 26.37 x 30.70 inches (67 x 78 cm...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Dick Beer (b. London 1893 - d. Stockholm 1938) Folkliv på Korsika, I (Popular Dance at Corsica, I) oil on canvas signed Dick Beer c. 1924 canvas dimensions 88 x 100 cm Exhibited: The Royal Academy Stockholm 1973; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick...

Luminosa opera del Monte Rosa in Italia Toni del bianco ,azzurro e celeste Particolari dei pini ricoperti di neve eccezzionali Camillo Galizzi (Bergamo, 23 giugno 1880 – Bergamo, 24...

"Mono Hot Springs Cabins, Fresno Co - Calif" Forest Landscape in Oil on Board Serene depiction of two cabins in the Sierra Mountains by HW Dittmann (Dittman) (American, Born-1883 circa). A wooden...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

Girl with glasses. About 1920-30. Double portrait. Spalmach Gino (Rome, 1900 - 1966). Painted on two sides: on one side the young woman with glasses is represented, in charcoal/penci...

Story illustration for “Amos Tries it Tudor” by Sewell Ford for Cosmopolitan magazine, published January 1924, page 35. The image shows an elegant woman holding a fan. Medium: Ink ...

"Funchal, le Port (Port of Funchal, Portugal)" Raymond Thibesart (France, 1874-1968) Pastel on paper 12 x 9 (18 3/4 x 15 5/8 frame) inches Stamp of studio on reserve INV Nbr. 821RT...

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at Copenhagen's National Museum of Art. He traveled to Italy in 1919 and, from 1923-1939, spent every second year there or in Paris, painting and furthering his understanding of the principles of Modernism. Bentzen was the recipient of numerous scholarships including the prestigious Hielmstierne-Rosencrone scholarship which he was awarded twice (1925, 1927) and the Copenhagen Akademie scholarship which he received three times (1927, 1929, 1931). He exhibited internationally with success including, from 1922, at the Charlottenborg as well as at prominent salons in Paris, Berlin, Venice, Budapest, Riga and Belgrade. The artist is listed in all relevant art reference works including both Benezit's Dictionary of Artists and Thieme-Becker's Kunstlexikon (Vollmer Supplement). We are pleased to offer this dramatic and psychologically penetrating oil study of a young man dating to circa 1925. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, p. 122; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 1, p. 173; et al. Scholarships: Hielmstierne-Rosencrone 1925, 1927; Raben-Levetzau 1926; Bielke 1926; Carlson's Pr. 1926; Akkadian. 1927, 1929, 1931; Oluf Hartmann 1928, 1930; Eckersberg Med. 1930; Kaufmann 1930; March 1931; Zach. Jacobsen 1932, 1936. Exhibitions: KE 1922-26; Charles. Spring 1925; The free Exhibition 1927-38 (inc. from 1930); Association of painters, Helsinki, 1928; Funen Spring Exhibition. 1930, 1938; Tour exhibition 1930-36; Newer Painting, Germany 1932; in Venice 1934, 1954; as exhibited in Budapest, Riga, Bucharest and Belgrade 1936-37; Nerd Mässhallen, Gothenburg 1939; Grønningen 1939-47, 1952 (commemorative issue), 1953, (commemorative issue), 1955, 1965; Icelandic, Swedish art, Mässhallen, Gothenburg 1941; Ny Carlsbergfondet Jubilee Charlottenborg and others 1952; That then buying convention, Fr. 1952 (commemorative issue); The Freeman's Memorial Exhibition, Kunstforen, Kbh 1966; Easter 1974, Skive Museum 1974; Modern art owned by Vejle, Vejle Kunstmuseum 1977; Inside, outside, Mouse at Koldinghus 1981. Solo exhibitions: Anton Hansen, Copenhagen 1917; The free Exhibition building, 1921; Kunstforen, Copenhagen 1937; Jugelsalan, Aarhus 1946-47, 1950; Storstrøm's Kunstmuseum 1953 (commemorative issue); Open Mouse, 1972. Artworks: Egyptian Woman on Balcony (1920); Self-Portrait (1925, Stat. Museum for Art); The Hospital Garden (1925); The Dreamer (1925, Storstrøm Art Museum); The Blind (1925, Carlsons Pr for 3 last names); Marsk Stig's daughters (1926, Nordjyll Kunstmuseum); Young Italian woman on a chair...

John George Hookham (1899-1972) Portrait of the artist’s cousin, Gladys Coombs (1899-1963), c. 1920-25 With a figure study verso Oil on canvas In an attractive, stylised ‘Lely’ type ...

Farmhouse in Autumn, Early 20th Century Landscape by Florence Helena McGillivray A vibrant and colorful late 1920's landscape by Florence Helena McGillivray (Canadian, 1864-1938). This beautiful 1929 landscape depicts a quaint farmhouse in autumn, surrounded by a landscape full of fall foliage in goldenrod yellow, bright orange, and deep red, with soft purple hills receding into the distance. Signed "F. McGillivray" lower left. Displayed in a new Arts & Crafts style giltwood frame. Board size: 16"H x 20"W. Framed size: 19.25"H x 23.25"W x 1"D. McGillivray (1864–1938) garnered admiration for her modern landscape paintings, as well as for her mentorship of young artists, including Tom Thomson. She has been credited in some instances as an influence for what would later be known as the Group of Seven. A prolific sketcher and painter, Florence McGillivray...

The Close of Day, nr. Dorking, Surrey by Joel Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private collection...

La obra va firmada por el artista en la parte inferior y fechada del año 1922 Se presenta sin enmarcar la pintura El estado de la obra es bueno Medidas obra: 94 x 74 cm. ::::::::...

Work on canvas Golden wooden frame 39.5 x 48 x 3 cm

Work on wood Golden wooden frame 59 x 46 x 5 cm

Gorgeous, accomplished western canyon landscape with distinct foreground and background coloration by Cyrus Bates Currier (American, 1868-1946). Signe...