1950s Paintings

Mid Century Modern Boats and Bridge, Abstracted Maritime Landscape Painting Wonderful mid-century modern abstracted maritime seascape by listed San...

Alka-Seltzer Quick Relief Advertisement Illustration Illustration of a magician with his hat over a glass of water with a alka-seltzer quick relief tablet. From the Estate of ...

Medium: 1958 Medium: Gouache on Tempera on Board Dimensions: 17.00" x 15.50" Signature: Signed and Inscribed Lower Right This illustration was published as the dust jacket for the h...

MANUEL HERNÁNDEZ MOMPÓ Spanish, 1927 - 1992 CASA DE LECHERA signed "H. Mompó" (upper left) & inscribed "Rotterdam 55" (upper right) with inscrip...

Estate stamp, verso, for Victor di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Medium: Gouache Sight Size 17.00" x 16.00", Framed 27.00" x 25.50" Signature: Signed Twice in Lower Portion Original cover illustration for The Saturday Evening Post, April 5 1958. ...

Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...

Signed lower right in Kanji 'Sanzo' for Wada Sanzō 和田三造 (Japanese, 1883-1967) and dated 'Year 34' of the Showa Era, 1959 in the Gregorian calendar. Artist, teacher and costume designer, Sanzo Wada worked during a turbulent time in avant-garde Japanese art and cinema. A multi-talented artist who gained early fame as a Western-style oil painter, his career spanned the late Meiji-era through the mid-twentieth century. In addition to numerous prizes and medals for his painting, he received the 1955 Academy Award for costume design for his work in the movie Gates of Hell. He also received awards for his pioneering work on color theory, which he researched and published in the 1920s and is still in use today. Sanzo Wada graduated from the Western-style painting division of Tokyo School of Fine Arts. Studied in Europe 1907-1915; traveled to India and Burma. He was appointed a member of the Imperial Arts Academy in 1927 and taught at Tokyo School of Fine Arts from 1927. According to Shinagawa Kiyoomi, editor-in-chief of the book of paintings in print "Dia Nihon Gyorui Gashuu" by Ohno Bakufu...

HENRY BOTKIN (1896-1983) Untitled, c. 1954 Oil on board 40 x 30 inches Signed at lower right: Botkin Signed verso

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. An elegant figural interior showing a young woman seated on a bed beside a table bearing a vase...

Date: 1954 Medium: Acrylic on Board Dimensions: 20.00" x 30.00" Signature: Signed Lower Right The events of 1954.

HENRY BOTKIN (1896-1983) Medley, 1958 Oil on paperboard on board 44 x 34 inches Signed at lower left: Botkin Signed, titled and dated verso

Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...

Surrealist painting from 1950 by artist Camilo of two relaxing harlequin performers by the seaside dressed in yellow and pink. Signed and dated by artist. Cleaned And Restored.

Oil on hardboard, 1955 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lover right: Wellenstein 55. Framed. Height: 31.1 in ( 79 cm ), Width: 40.94 in ( 104 cm ...

Victor Di Gesu (American, 1914-1988) estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Cho...

Cover for The Memoirs of Casanova (Bantam books #FB-415, 1957): A New Edition of the French Translation by Lowell Blair Memoirs of Casanova, Paperback Cover, 1957 Tom Lovell ha...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

Painted circa 1950 by Karl Larsen (Danish, 1897-1977) and with certification and seal of of authenticity stamped verso. From 1917, Karl Larsen participated in numerous exhibitions i...

Oil on hard board, 1953 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower right: Wellenstein 53. Framed. Height: 33.46 in ( 85 cm ), Width: 41.34 in ( 105 ...

Composition 1955 Oil on panel Signed and Dated 61 x 50 cm The painting is framed. This beautiful painting is representative of David Lan Bar's 1950's compositions. David...

Medium: Oil on Board Signature: Signed Lower Center Advertisement for Budweiser Beer, 1956. Party seen through a beer glass.

Pleasing French landscape in warm autumn colors of a cityscape beyond a bridge spanning the river, circa 1950. Signed lower right. Original artwork on paper displayed on a white ...

Signed lower right, 'Fred Korburg'; additionally signed, dated 1959, and inscribed verso 'Vineyards Along the Mosel River, Germany'. Titled on old gallery label verso. Provenance: Los Robles Galleries, Palo Alto, California. Born in Denmark, Frederick Korburg first studied at the Graphic Art Center in Copenhagen and, subsequently, at the Academy of Fine Arts in Hamburg under Max Lieberman...

Oil on hardboard, 1953 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lover right: Wellenstein 53. Framed. Height: 41.34 in ( 105 cm ), Width: 33.46 in ( 85 c...

Date: 1953 Medium: Gouache on Board Dimensions: 32.00" x 27.00" Signature: Signed Lower Left Cover of Nov. 1953 issue of Country Gentleman magazine...

Date: 1958 Medium: Oil on Board Dimensions: 14.50" x 11.00" "Does he... or don't he?" Fake advertisement illustration for Miss Clearoil hair color, featuring Harpo Marx, Shirley Temple and Groucho Marx. MAD artist - unidentified:. Unidentified MAD magazine...

Date: 1956 Medium: Oil and Pencil on Paperboard Dimensions: 18.00" x 15.00" Signature: Signed with the Artist's Initials 'N/R' Lower Right Pan American World Airways advertising campaign Exhibitions West Stockbridge, Massachusetts, Norman Rockwell Museum...

Starostin, A.M. (1924 -1987) was a Russian artist from Moscow. In 1963, due to his recognized talent, he became a member of the Union of Painters of USSR. In 1950-1960 Starostin mast...

A delicate watercolor view of the medieval rectory of Winchester, in the English county of Hampshire, showing figures and a horse-drawn cart in Broad Street. Signed lower right, "Frank Sherwin...

French gouache painting of a reclined nude female figure from the back and surrounded in soothing blue hues, circa 1950. Original artwork on paper displayed on a white mat with a ...

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they seem to have had a few snow flurries lately. Up there the moist westerly winds bump against sky-reaching peaks of the Cascade Range, with the result that the winds spill their contents before whistling dryly on down across the eastern slopes. Thus residents of places like Seattle living in a relatively balmy clime beside the Pacific's mild Japan current, can drive in an hour or two up to where skiing material is sometimes twenty feet thick if it's an inch. Indeed, when seasons overlap, a downlander might conceivably pick a rose and go skiing with it in his buttonhole. All of which, thanks to highway crews who blow off the blizzards, is a very felicitous geographic arrangement." John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

Date: 1955 Medium: Acrylic on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Left

Date: 1951 Medium: Acrylic on Board Dimensions: 24.00" x 36.00" Signature: Signed Lower Left

Delightful French gouache painting of a nude female figure from the back and surrounded by calming shades of blue, circa 1950. Original artwork on paper displayed on a white mat ...

Date: Late 1950s Medium: Gouache on Board Dimensions: 16.25" x 17.50" Signature: Unsigned Coricidin Cold Tablet Advertisement, Schering Corporation Advertisement

Medium: Gouache, Tempera and Pencil on Paperboard Signature: Signed 'Dick Sargent' (Lower Left) Sight Size 23.00" x 21.88", Framed 29.00" x 28.00" Cover of the April 12th, 1958 issu...

Excellent gouache of the interior of a Parisian cabaret filled with vivid, feminine furnishings and decor by AM. Rémy, circa 1950. Unsigned. Original one-of-a-kind artwork on paper...

Bernard Lorjou has painting this subject "Harlequins" many times in watercolors, drawing , oil paintings and later on in the late 60's in acrylic, both on canvas, paper and some on m...

This painting was completed at his home in the South of France between 1953-1955. There is no in painting, relining or cracks in the paiting and original stretcher.

Flowers is a contemporary artwork realized by Mario Asnago. Hand signed on the lower margin Mixed colored oil painting on canvas. Includes frame Mario Asnago: A renewed architect...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

Signed lower left, 'V. Rorup' for Viggo Julius Rorup (Danish, 1903-1971) and dated 1959. A substantial, Post-Impressionist oil showing a panoramic view of a summer landscape looking an expansive field with scarlet poppies in the foreground and a view towards a range of lilac-tinted hills with a terracotta-tiled farmhouse in the distance. A robust and charming work that exemplifies the artist's characteristically lyrical brushwork, elegantly expressed here in a harmonious palette of turquoise, lavender, peach and other gentle pastel shades. Viggo Rorup was still a student at the Royal Danish Academy of Fine Arts when he made his 1928 debut at the Free Exhibition at the Charlottenborg Palace. Following his graduation in 1930, he moved to Odsherred, where he continued his studies under Karl Bovin. Together, they formed the foundation of the avante-garde group of Modernists, The Corner, that first introduced the principles of Modernism to Danish painting. Rorup traveled widely, including to Italy, Austria, Spain, and most importantly to France, where his studies of the Impressionists and the Post-Impressionists had a significant stylistic impact on his subsequent work. His palette grew brighter, and his earlier defined contours were subsumed into nuances of light. We are pleased to offer a dynamic painting from Rorup's mature period that exemplifies the qualities of his mature work, harmoniously capturing the warmth and color of a summer landscape. Exhibitions: KE 1928-29, 1933-38; Corner Harvest 1939-41; Corner 1942- 71, 1981; Liljevalchs, Sth. 1946; Union Frcia 1947; Nordic Arts Association. 1947; Wild Wheat, Kunstindustrimus. 1948; New Carlsberg Foundation, Charlottenborg Palace, 1952; Cromisterne 1952;Kalundborg 1952; Da. contemporary art, Charlottenborg Palace 1956, 1958; Danish Institute Contemporary Art, Freedom Hall, Sønderborg 1961; Ostseeländer, Rostock 1961-62, 1969; Artists in Odsherred, 1977; Copenhagen 1978; Danish. landscapes, Norwegian Art Museum. 1981; Danish Cultural Institute, The Artists House, Ukraine 1986. Separate Exhibitions: Binger Gallery Copenhagen. 1938; Art Unite., Copenhagen. 1964 (retrosp.); Haagen-Müller Kunsthdl., Copenhagen. 1966; Farumgaard, Farum 1971 (Artist Retrospective); Odsherred painter Retrospective, Odsherreds Museum, 1983; Norwegian Art Museum. 1985; Odsherreds Art Museum. 1993; et al. Literature: Pol. 1.4.1957; 03/08/1983; 05/17/1985; Holbæk County Venstrebl. 28/06/1958; Ulf Hoffmann in: Cat. Corner, 1959; News 15/11/1964; Gunnar Jespersen: The abstract, 1967, 107; Berl. Time. 17/01/1971; Inger Hjorth Nielsen: Cat. Corner, 1971-72; January Garff in: Corner Book...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right and Upper Left This piece is on 15.00" x 20.00" illustration board and has a 13.00" x 16.00" image. Caricatur...

Antique American modernist abstract expressionist signed oil painting by Gloria Banning (1924-2007). Oil on canvas, circa 1954. Signed. Titled, "Sunset Vignette" on verso. Display...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Operenccia Year: 1954/1986 Medium: Acrylic on Board, signed, dated and titled in marker verso Size: 40 in. x 66 in. (101.6 cm ...

Oil landscape showing a view of Paris and the Seine in wintertime, with mauve and teal branches of bare trees contrasted against a background of ivory and blush with a view beyond to...

Presenting an exceptional mixed media oil on panel, "King of Clubs", by American artist Robert McIntosh. Robert McIntosh was an extremely prolific artist whose paintings were exhi...