1950s Paintings

Boulevard de la Madeleine. Oil on canvas, 33,3x46 cm Street in Paris at evening

Mid Century Serene Lake German Impressionist Landscape by Karl Max Lechner Gorgeous mid-century plein air oil painting of a lake in a sprawling ...

Piero Sadun (Siena 1919 - 1974), Plastic space (late 1950s) Oil painting on canvas measuring 90 x 100 cm. The work appears to be archived at the Piero Sadun Archives. Provenance: ...

This painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...

Chemin de Placy by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower right, Paulémile. Pissarro. Signed and titled on the reverse Executed...

A fine mid 20thCentury Modernist/Post Impressionist Landscape circa 1952 oil on canvas 46cmx54cm Good quality silver gilt gallery frame 59cmx68cm Painted by Thure Wahlstrom (1908- ? ...

Richly-hued vintage French acrylic painting of three ceramic pitchers, in a style beautifully mimicking a mosaic, circa 1950. Original artwo...

Nantucket artist Reggie Levine, evolved from his figurative work in the 40's-50's to abstract in the 1960's and later to found object art. Interestingly I see his interest in found...

Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...

Oil Painting: A Pekingese "Lovely Maid of Kyratown" by Dorothy Alexandra Johnson (1902-1988) signed lower right oil painting on canvas, unstretched 5.0 x 7.0 inches A delightful ...

Expressionist Abstract Composition Canvas size 24"x32" gold leaf frame 27"x35", signed lower right corner. Sandro von Lorsch German painter born 1921-1993. Very dynamic and expressi...

Wonderful still life oil painting by Franz Krischke from the 1950s. Painting depicts a clock, teapot, teacup, and open book arranged on a tabletop. Framed in a heavy, rustic frame. S...

Gorgeous still life of a tropical bonsai flower arrangement by Helen Gleiforst (American, 1903-1997), circa 1950. Signed lower right corner "Gleiforst." born in Crete, Nebraska, Helen Gleiforst moved with her family to San Diego, California. Her teachers included Nicolai Fechin...

Mastiff: "Broomcourt Romeo" by Dorothy Alexandra Johnson (1902-1988) signed lower right oil painting on canvas, unstretched 5.5 x 7.25 inches (frame 7.5 x 9.25 inches) Delightful ...

Oil on Canvas by François Desnoyer, not framed. It depictes the port at Sète, in Occitanie, France. François Desnoyer, né à Montauban (Tarn-et-Garonne) le 30 septembre 1894, et mort...

This superb large abstract oil painting is by Italian born but South African based artist Armando Baldinelli. It was painted circa 1958 after Baldinelli left Italy for South Africa a...

'Monuments: Sunrise', original vintage 1950s oil painting of a southwestern desert landscape in early morning with rock formations, trees and brush with brilliant sky with clouds by ...

Joaquín Asensio Mariné (1890-1961) - Landscape - Oil on canvas Oil measures 33x41 cm. Frame measures 60x68 cm. Asensio Mariné (Barcelona, 1890-1961) was a painter who specialized in...

Delicate mid century still-life of white and pink roses in crystal vase with a soft, lime green background by listed California artist Helen Mae Enoch Gleiforst (American, 1903-1997)...

This superb British realist portrait oil painting is by noted artist Gerald Leslie Brockhurst. It was painted in 1952 when Brockhurst was in his sixties and living in America since 1939. The sitter is Hope G. Simpson. The painting is a half length portrait of a striking blonde woman in a blue buttoned up Chinese style garment. It is a strong portrait with bold colours and confident brushwork and an excellent example of his work. Signed and dated 1952 lower right. Provenance. Hiram Hoelzer New York label verso. Portraits Inc. East Street new York. Label verso. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in its original wooded frame, 37 inches by 32 inches and in good condition. Gerald Leslie Brockhurst (1890-1978) was a British painter and etcher. Brockhurst was born in the Edgbaston district of Birmingham on 31 October 1890, son of a coal merchant called Arthur Brockhurst, he soon showed precocious drawing skills and entered the Birmingham School of Art at the age of twelve. A pupil at the Royal Academy Schools in 1907, he won the gold medal and a travelling scholarship in 1913, enabling him to visit both France and Italy. This led to a closer study of such 15th-century artists as Piero della Francesca, Botticelli and Leonardo da Vinci, whose work had an abiding influence on him. In 1914 he married for the first time to a Frenchwoman, Anaïs Folin, whom he used as the model for most of his early etchings of young womanhood (especially from 1920 till 1934). From 1915 to 1919 Brockhurst and his wife Anaïs lived in Ireland, where they were friendly with the artist Augustus John and his circle. Though he tried his hand at etching in 1914, it was not until 1920 that he began his career as an etcher in earnest, eventually achieving success as both a printmaker and society portraitist. Brockhurst held his first important exhibition in 1919, in London, and after it was well received returned to live there. In 1921 he was one of the early members of the newly-formed Society of Graphic Art and exhibited with them. Throughout the 1930s he continued an increasingly successful career as a portrait artist, with notable sitters including the film stars Merle Oberon and Marlene Dietrich, as well as the Duchess of Windsor, whose husband commissioned her portrait. In 1937 Brockhurst was elected to the Royal Academy and was able to command a price of 1,000 guineas for a portrait. In the same year however details of his relationship with his young model Kathleen Woodward, whom he had renamed Dorette, were made public after she gave an interview to the Sunday Express. Brockhurst's marriage had previously come under strain in 1922 when his wife discovered his adultery with her sister, Marguerite, and now broke down acrimoniously, with Brockhurst counter-suing on the grounds of his wife's adultery. In August 1939 Brockhurst and Dorette moved to the United States, and he was eventually divorced from his first wife in 1940. He married Kathleen in 1947. In New York City, Brockhurst became both famous and rich with a series of society portraits but his printmaking output diminished, especially his etchings. He produced a few lithographs at the end of his career (around 1945). In 1951, he was elected into the National Academy of Design as an Associate member. In 1958, he appeared as a guest challenger on the TV panel...

A beautiful 1950's oil on canvas still life depicting potted primroses by French Naïf artist Peter Orlando. The work is signed lower right and presented in a simple gilt frame in ve...

Bouquet by Hugues Pissarro dit Pomié (b. 1935) Oil on canvas 80 x 40 cm (31 ¹/₂ x 15 ³/₄ inches) Signed lower right, Hugues Pissarro Executed circa 1959-60 This work is accompanied ...

Robert Gilberg (1911-1970) "Still Life in White" c.1950s Gouache on newspaper from Sacramento Bee 1957 22.75"x15.25" unframed Unsigned Born in Oakland, CA on April 25, 1911. Gilberg...

Antique American modernist nocturnal starlit harbor painting. Watercolor on paper. Signed. Framed.

Antique American modernist signed abstract still life oil painting. Oil on canvas. Framed.

This painting is hand signed in oil by the artist "Mane-Katz" in the lower right corner. It was probably painted in the 1950's. Provenance: Christie's, London, 3rd December 1999, lo...

Oil on canvas. Estate stamped and numbered verso; initialed “SF22” verso. 48.25 x 34.25 in. 49.25 x 35 in. (framed) Custom framed in a solid maple floater. Provenance Estate of Samuel Feinstein McCormick Gallery, Chicago Samuel Lawrence...

The art market--collectors, curators and museums--is in the early stages of a broad reappraisal of the contribution of previously overlooked groups to the development of post-war mod...

Artist: Unknown (European, Active Early - Mid 20th Century) (Orientalist School) Title: "City Street Scene, Damascus, Syria" *Signed illegibly lower left Circa: 1950 Medium: Original...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This work is a charcoal-on-paper composition depicting an interpretation of the famous Alhambra Palace in ...

Bela de Tirefort (1894 – 1993) Snow at Madison Square Park, 1951 Oil on canvasboard 16 x 20 inches Signed and dated lower left; signed and titled on the reverse on artist label Prov...

"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...

Nocturne, The River Thames, London. Oil on board circa 1950's by Keith Parsons (1919-1988) British. painting 42cmx58cm fine antiques frame 68cmx83cm Night view with a full moon hanging over the River Thames in central London...

Jean Salabet French, 20th Century Marchand de Fleurs, Paris Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of ...

Beautiful watercolor by Nell Blaine, in perfect condition. Framing options available. More photos available upon request. Nell Blaine was an American artist best known for her brightly colored oils and watercolors. Painted in a loosely brushed style, her depictions of still lifes and landscapes have a casual yet poignant quality, similar to the works of Fairfield Porter, Louisa Matthíasdóttir...

BOATS AT THE JETTY Size: 34 x 70 cm (including frame) Oil on Canvas A restful and very confidently executed mid-century coastal landscape composition, executed in oil onto canvas. ...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century Antonio Petruccelli (1907 - 1994) The World We Live In Birds of Paradise Life Magazine Illustration ...

Signed lower left. Oil on canvas in what might be the original frame. Wonderful still life at a table with NYC street scene shown below. RFeally br...

Signed by Artist Lower Right The present work is a study for the cover illustration of Rockwell's American Petroleum Institute Quarterly: Centennial Issue

Antique American modernist signed scene oil painting. Oil on paper. Signed. Framed. Image size, 20L x 15H.

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Nylons and Bric-a-Brac by Orovida Pissarro (1893-1968) Oil on canvas 73 x 60 cm (28 ³/₄ x 23 ⁵/₈ inches) Signed and dated upper right Orovida 1951 Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 141 (illustrated) Exhibition London, Redfern Gallery, Recent Paintings: Orovida, 3rd-26th January 1952, no. 51 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...

This stunning abstract still-life composition was signed by Dutch artist E.J.E. Dulfer (Rotterdam 1909 - Bussum 1965), dated 1958, and named "Summer in the windowsill" (Zomer in de v...

Vintage modernist abstract painting by Suzanne McCullough (b.1916). Oil on canvas. Housed in a period frame. Image size, 24L x ...

Vintage signed American school guitar still life oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 22L x 18H.

Oil on wood Golden wooden frame 84.5 x 73.5 x 6.5 cm

Original post impressionist oil on canvas painting of the landmark Cafe Weber in Paris by C.H. Duval. Circa 1950. Signed by the artist lower left. Condition is excellent. Titled and signed again verso on top left wood stretcher. The painting is housed in its original gold over wood frame in fine condition. Overall framed measurements are 20.75 by 24.75 inches. Cafe Weber was located on Rue Royale near Le Madeleine and adjacent to the outdoor flower...

SNOWFALL Size: 41.5 x 67 cm (including frame) Oil on canvas A beautifully detailed mid century winter snow landscape composition, executed in oil onto canvas. A lone figure is depi...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lovely pastel color composition, by the beach, on the French Atlantic coast nearby Cabourg or Deauville. Newly framed with a gray and green ceruse wood frame and a blue canvas matte. Measurements: With frame: 22.82 in. wide (58 cm) x 19.32 in. high (49 cm). Opening: 16.13 in. wide (41 cm) x 12.63 in. high (32 cm). About: André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the Ecole Nationale Superieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old. Because of the early recognition of his talent, Hambourg became active in major Paris salons in the first stages of his fledgling career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. The first of Hambourg’s many honors was the Prix de la Villa Abd-el-Tif, awarded in 1933. As a result, the artist traveled to North Africa for the first time and spent nearly ten years working in Algeria and Morocco. The strong light of the sun, and the bleak poverty of this region, inspired Hambourg’s works. In 1937, he executed a large mural for the Algerian Pavilion at the Exposition Internationale of Paris. Throughout his years in North Africa, Hambourg would exhibit his paintings in numerous solo exhibitions in Algeria and Paris. In 1939, Hambourg was mobilized as a military reporter and draughtsman and worked on the staff of the Journal de Commissariat a la Guerre, the newspaper of the French army, under the pseudonym Andre Hache. Special missions on combat vessels led to his appointment as a war correspondent in 1944 with the staff of inter-allied SHAEF. As such, he participated in the campaigns of Germany, Alsace, the Atlantic front, and the Liberation of France. After returning to his artistic career for a short time, Hambourg became the official painter of the Navy in 1952. He undertook numerous voyages aboard French Navy vessels on missions worldwide, including Venice, the Soviet Union, Israel, Great Britain, The Ivory Coast, The United States, and Mexico. From these extended trips, the artist brought back numerous sketches and preparatory drawings for future paintings and illustrations. His international trips would have a lasting influence on his artwork. Hambourg’s adventurous maritime career resulted in his receiving the honor of Laureate of the Salon de la Marine and becoming the official painter of the Marine Ministry. In 1970, five hundred of his works created a prestigious retrospective at the Maison de Culture in Bourges, France. Other notable shows include Drawings of Venice...

Vintage modernist nocturnal painting. Watercolor and gouache on paper. Housed in a period frame. Image size, 28L x 19H. Signed.

Mid 20th Century oil on panel view of sailboats in the port of Monte Carlo. The painting carries a monogram of the peace symbol and a date to the back of the panel. The artist has c...

Signed upper right, 'G. Simonka' for Georges Simonka (Hungarian, 1916-2001) and dated 1955. A substantial, mid-century modernist, oil still-life showing an assemblage of items on a table-top Born in Budapest, Georges Simonka studied at the University of Applied Arts in Budapest. After his first solo exhibition in Budapest in 1943, he moved to Paris, where he became a regular exhibitor at several salons including the Salon d'Automne and the Salon Comparaison. An active member of several Parisian art groups, Simonka exhibited successfully throughout Europe and his work may be found in the permanent collections of numerous European museums, including that of the Centre Pompidou...

THE TEAPOT Size: 58 x 56 cm (including frame) Watercolour An elegant and gentle still life painted in watercolour. A teapot, a pitcher, a plate of fruits, and a garlic glove are la...

This is a stunning polychromed, engraved, and oxidized aluminum abstract still-life composition panel painting by Robert Pansart (1909-1973). The painted aluminum panel imitates the ...

Monogrammed work Work on wood Brown wooden frame 33 x 48 x 4 cm

Oil paint on wood with original frame. Total size with frame: 60x50x5 cm

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...