1950s Paintings

Abstract Expressionist Bay Area Fauvist Oil on Paper Honora Berg Berkeley 1959 San Francisco Bay area abstract expressionist painting by Honora Berg (American, 1897-1985).A brilliant fauvist example of the bold slashes of colors Honora Berg creates. Splashes of blue over red and green hues with bright canary yellow swirls and patches. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Unframed. 30"H x 22"W. Larry Miller 1958-2003, Larry was a specialist in bay area abstract artists and purchased numerous bay area artists estates. He purchased the entirety of the Honora Berg Estate and we purchased many of those works directly form Larry. Honora Berg, an Abstract Expressionist and Bay Area Figurative School artist, studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

This lovely pastel painting on paper by John Alfred Begg (1903 - 1974) is a striking cubist nude study in blue, purple, and orange-rust colors with contrasting black lines. The artwork is signed in the bottom right corner. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.13 in wide (43.5 cm) x 24.41 in high (62 cm). Opening view: 6.50 in wide (16.5 cm) x 12.44 in (31.5 cm). About: John Alfred Begg was born in New Smyrna Beach...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

"Florentine Night" is an oil on canvas painting by Edward (Eduardo) Arcenio Chavez (1917-1995) circa 1951 signed and titled on back of canvas. Signed and titled by the artist verso. Abstract painting in bright blue, purple, green, yellow, and orange. Presented in the original artist frame measuring 28 x 33 inches, image size is 24 x 30 inches. Expedited and International shipping is available - please contact us for a quote. About the Artist: Born 1917 Died 1995 Born in Wagonmound, New Mexico, Eduardo Chavez...

Bay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...

Antique impressionist nude interior portrait painting. Oil on canvas, circa 1950. Housed in a vintage frame. Image size, 14L x 20H.

#5-3004 gouache on board, displayed in a dark-wood frame

Antique French cubist abstract still life oil painting. Oil and gouache on paper. Framed. Signed Image size, 19L x 42H.

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

Alma Davies Untitled, 1954 Oil on canvas 40 x 25 7/8 in. Signed verso: Alma Davies (illegible inscription) Dated verso: 3/5/54 Inscribed on stretcher bar: Student of Raphael Soyer W...

Clifford Edgar Jones 1915-1975 American Chickens, 1948. Oil on canvas 30 x 24 inches unframed and 34" x 27.5" inches including the frame. Signed at lower right Clifford Jones ‘48’. P...

Mid Century Impressionist Still Life in Tissue Paper on Cardboard Impressionist still life by Honora Berg (American, 1897-1985). Pieces of tissue paper have been cut out and thought...

This painting is hand signed in oil by the artist "Mane-Katz" in the lower right corner. It was probably painted in the 1950's. Provenance: Christie's, London, 3rd December 1999, lo...

Artist: Unknown (European, Active Early - Mid 20th Century) (Orientalist School) Title: "City Street Scene, Damascus, Syria" *Signed illegibly lower left Circa: 1950 Medium: Original...

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

'Provençal Panorama', oil on board, by Anna Costa (circa 1950s). This is a unique landscape painted by the artist in vibrant colours in an Impressionist style. A traditional home sit...

Signed lower right, 'Kinji Tagawa' (Japanese, born 1909) and painted circa 1955. Additionally signed in Kanji, verso, and titled, 'Still Life' with further inscription. Accompanied b...

3823 English country landscape painting Image size 15.5x19.5"

Vintage American signed interior scene oil painting. Oil on canvasboard. Signed. Framed. Image size, 14L x 11H.

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Suhas Roy - Untitled Watercolour on Paper, 11 x 15 inches, 1954 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored past...

A wonderful self portrait of the artist holding his paintbrush--beautifully painted and signed lower left---Provenance: purchased directly from the artist in 1994

John Alfred Begg (1903 - 1974) designed this brutalist pastel painting on paper. The striking cubist nude study design boasts green, orange, and rust colors with contrasting black lines. No signature is visible on the front, but the piece can be signed at the back, like many of the artist's works. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.32 in wide (44 cm) x 23.03 in high (58.5 cm). Opening view: 9.45 in wide (24 cm) x 13.19 in (33.5 cm). Note: John Alfred Begg was born in New Smyrna Beach...

Signed lower right by Artist This illustration was published as the paperback cover of Part-Time Wife by Gerald Foster (1953).

Shulman, Morris (American, 1912-1978). UNTITLED. Casein on paper, circa 1951. Signed, lower left. 14 1/2 x 21 3/4 inches, framed to 23 x 30 inches. In excellent condition. Shulman st...

The art market--collectors, curators and museums--is in the early stages of a broad reappraisal of the contribution of previously overlooked groups to the development of post-war mod...

A fine example of precisionist style painting by a rarely seen for sale Pittsburgh artist. It is in excellent condition with the original frame.

'Composition in Red and Blue' is a vintage abstract expressionist original oil painting on board by Charles Bunnell (1897-1968) from 1951. Signed and dated by the artist in the lower left corner. Abstract composition painted in shades of white, cream, blue, red, and tan. Presented in a vintage frame, outer dimensions measure 28 ½ x 22 ½ x 1 inches. Image size is 24 x 18 inches. About the Artist: Charles Bunnell developed a love for art at a very young age. As a child in Kansas City, Missouri, he spent much of his time drawing. When he was unable to find paper he drew on walls and in the margins of textbooks for which he was often fined. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer. He studied with Ernest Lawson in 1927-1928 and, in the winter of 1928-1929, he served as Lawson’s assistant. In the late 1920’s, the Bunnell’s settled just west of Colorado Springs and 1928, they welcomed the first of their three children. Their one-acre homesite, which they referred to as “Old Home Place”, was situated between two sets of railroad tracks at the foot of Pike’s Peak. Charlie converted an old railroad boxcar into his studio, where he later gave lessons. Beginning in 1931, Bunnell spent a year and a half studying under Boardman Robinson. The two men clashed constantly due to a generation gap and markedly different philosophies. Robinson encouraged his students not to stray from realism and though Bunnell mastered Robinson’s preferred style of American Scene painting, he regularly irritated his professor with his abstract sketches. Bunnell taught at the Kansas City Art Institute during the summers of 1929, 1930, 1940, and 1941. Between 1934 and 1941, he painted and taught under federal projects which included assisting Frank Mechau on murals for the Colorado Springs Post Office. However, he did not take to mural making and, after criticism from Boardman Robinson about his use of “heavy daubs which have no place in mural work,” he abandoned mural-making altogether. By the late 1930’s, Bunnell’s work departed from the American Scene/Modernist style he was trained in towards abstraction. This is marked by his “Black and Blue” series, consisting of 83 abstracted ink and watercolors. Affected by the Second World War and the loss of his 10-year old son, Bunnell’s work of the early 1940’s took on a Transcendental and Surrealist tone. The works from this period are moody and readily reflect the political and personal turmoil experienced by the artist. In the late 1940’s, Bunnell began experimenting with Abstract Expressionism. He alone is credited with introducing Colorado Springs to the new style as it was excluded from the Fine Art Center’s curriculum by Boardman Robinson. Bunnell excelled in Abstract Expressionism and continued to evolve in the style through the 1950’s continuing to his death in 1968. He was recently recognized as a premier American Abstract Expressionist by his inclusion in the book American Abstract Expressionism of the 1950’s: An Illustrated Survey. Solo Exhibits: Kansas City Art Institute, Kansas City, Missouri, 1930; Santa Fe Museum, Santa Fe, New Mexico, 1947; University of Illinois, Urbana, Illinois, 1948; University of Kentucky, Lexington, Kentucky, 1949; Taos Gallery, Taos, New Mexico, 1951; Carl Barnett Galleries, Dallas, Texas, 1952; The Bodley Gallery, New York, 1955; Amarillo, Texas, 1955; Haigh Gallery, Denver, Colorado, 1955; Colorado Springs Fine Arts Center, Colorado Springs, Colorado, 1956; Dord Fitz Art Gallery, Amarillo, Texas, December 1956 – February 1957, 1959, 1969 (retrospective). Group Exhibits: Carnegie Institute, 1927-1928; Colorado State Fair, 1928 (1st prize); Artists Midwestern, Kansas City, Missouri, 1929 (Gold Medal); Art Institute of Chicago, 1947 (the exhibit traveled to ten major museums in the United States); “Artists West of the Mississippi”, Colorado Springs Fine Arts Center, Colorado Springs, Colorado (7 times); Denver Art Museum Western Annual, Denver, Colorado (5 times); Mid-America Annual, Kansas City, Missouri, 1958; First Provincetown Festival, 1958; Southwestern Annual, Santa Fe, New Mexico, Winter 1957-1958; Central City, Colorado; Cañon City...

Only Ballantine Ale Brews "Brewer's Gold," ad illustration appeared in the major magazines of the day. A magic moment is caught at a peak point of drama. It's the instant of friends having fun. A cold beer from the fridge is offered and it's is acknowledged with a head nod. The woman in the foreground covers her giggling face reacting to a funny comment. The decisive moment is preserved. Sounds like a critique of an art photograph? No, it's an illustrator. This ingenious Infiniti "S" composition simultaneously represents the best of photography and painting. Cartier-Bresson could have captured the precise moment. While Nicolas Poussin could have rendered the complex figural composition. Add to it , a painting technique and color scheme with the quick drama of a post-impressionist. We have a great work of art by an overlooked American illustrator/artist/painter, Mike Ludlow...

Signed Lower Right by Artist Cover of The Saturday Evening Post, September 27, 1952

Antique American signed modernist oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 20H.

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

Signed Lower Right by Artist Lawrence Williams and Nell O’Day, “The Glass Fortress,” American Magazine, August 1950, illustrated, n.p. Daniel Zimmer, Tom Lovell: Illustrator, Decatu...

1950s portrait, gouache on paper painting by Belgian artist Max Moreau (1902 - 1992). A finely detailed portrait of a lovely young girl looking like a good child from the period right after WWII. Moreau captures the sweet expression, soft features, and calm, well-mannered demeanor of that child. Hand-signed and dated on the bottom right corner. The artist demonstrates incredible skill in detailing this portrait with gouache and watercolor. This skill has made his portraits so desirable for international collectors. The painting still has its original elegant mahogany carved frame with glass protection. Measurements: With frame: 25.19 in wide (64 cm) x 30.32 in high (77 cm) x 2.38 in deep (6 cm). Opening view: 19.69 in wide (50 cm) x 24.50 in high (62 cm). Note: Max Leon Moreau (1902 - 1992) Moreau is a highly acclaimed artist born in Belgium. He is best known for his loosely brushed street scenes of Paris, Granada, and North Africa and his revealing portraits of met characters during his foreign travels. Taught to paint by his father, the family moved to Paris, where he made copies of paintings at the Louvre Museum. Later Moreau and his family lived in Tunisia and Morocco before settling in Granada, Spain. Following his death in 1992, his home was converted into a museum dedicated to his life and work. His paintings are internationally collected and appear at auction in major international houses. Max spent his last 30 years living in his Moorish-style house in Granada, which upon his death, was bequeathed to the City of Granada along with the contents of his studio and artwork. The City of Granada has turned his home into a museum showcasing his paintings, studio, and private life. The main building of the Casa Museo Max Moreau houses an exhibition space that takes us on a journey through his most common themes: portraits, still-life, and landscapes, represented through oil paintings, watercolors, and drawings on paper. There is also a series of models for theatre creations that illustrate his interest and relationship to the scenic arts (he was involved in many productions as an actor, playwright, musician, and set designer). The building is an original from the region of Albayzín and is popularly known as Carmen. Does the name come from the Arabic word Karm which means vine, orchard, or garden.?The second building houses his studio, remained untouched: the easel next to the window, a piano with scores, and a collection of oriental objects...

A gem of a painting depicting a Nantucket lighthouse by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was...

GOLDEN MEADOWS Size: 58 x 70 cm (including frame) Oil on board An large and alluring textured modernist coastal landscape composition, executed in oil onto board and dated 1950. Th...

Antique American school abstract oil painting. Oil on canvas. Framed. Image size, 25L x 47H.

Bay Area Abstract Expressionist Fauvist Oil on Paper Honora Berg Berkeley 1959 San Francisco Bay area abstract expressionist painting by Honora Berg (American, 1897-1985).A brilliant fauvist example of the melting pot of colors Honora Berg creates. Splashes of red over hues of blue with bright canary yellow swirls and patches. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Unframed. 30"H x 22"W. Larry Miller 1958-2003, Larry was a specialist in bay area abstract artists and purchased numerous bay area artists estates. He purchased the entirety of the Honora Berg Estate and we purchased many of those works directly form Larry. Honora Berg, an Abstract Expressionist and Bay Area Figurative School artist, studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

SAIL BOATS & FLOWERS Size: 43 x 48 cm (including frame) Oil on Board A fantastic and confidently executed expressionist mid-century composition, painted in oil onto board. A large brown vase...

This charming mid 20th century English naive oil on board depicts Birnbeck Pier on the Bristol Channel in Weston-super-Mare. The grade II listed Vic...

A superb large 1950's oil on board which we believe to depict the tenement buildings of the Milnes Court area in Edinburgh. Clothes hang from T shaped driers as a lady hangs her wash...

ALP TREES Size: 64 x 74.5 cm (including frame) Oil on canvas A vibrant modernist style nature landscape composition, executed in oil onto canvas and painted in 1952. Featuring a ri...

San Francisco Bay area abstract expressionist painting by Honora Berg (American, 1897-1985). A nocturnal setting adds more interest and dimension. Estate stamp on verso "Estate of Honora Berg-Larry Miller Fine Art" Unframed. 36"H x 30"W. Larry Miller 1958-2003, Larry was a specialist in bay area abstract artists and purchased numerous bay area artists estates. He purchased the entirety of the Honora Berg Estate and we purchased many of those works directly form Larry. Honora Berg, an Abstract Expressionist and Bay Area Figurative School artist, studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

Duncan Gleason lived in New York and other places for work or studies but it was really Southern California where he felt most at home, and looking at his body of work, that love of ...

A pastoral mid-century landscape with a red farmhouse on the banks of a beautiful river valley by J. Anderson (American, 20th Century). Presented in a rustic wooden frame. Signed ind...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Sunlit Meadow Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devot...

4085 Stylish and well painted 1950's Italian harbor scene Italian Seascape, oil on canvas applied to board, displayed in a gilt wood frame, signed by De Angelis. Image size 10.5 H x ...

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 36L x 31H.

Antique American school artist portrait painting. Oil on board. Framed. Signed. Image size, 16L x 24H.4

5-2807a Acrylic on board in a custom wood frame Image size 7.5x9.5"

4095 Covered bridge landscape oil on canvas set on board Image size 20x24" Set in a custom wood frame

A colorful view of Menemsha in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one...

William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

A painting depicting a lighthouse in Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, w...

Spirituality and Christianity played an important role for Hamstra in, as he put it himself, 'the making' of his artworks. combined, he wanted to create a powerful, almost ghostly sa...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This work is a charcoal-on-paper composition depicting an interpretation of the famous Alhambra Palace in ...

A view of Oak Bluffs, MA on Martha's Vineyard by Francis Chapin, from around 1950. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of...