1970s Paintings

A dog sleeps in a bed as a little boy sleeps next to the dog on the floor This piece was first illustrated on the cover of the 1971 issue of Panorama magazine and then featured in Allers Magazine, 1973. The illustration features a young boy sleeping on the ground next to an empty dog bed. The beagle dog has taken over the little boy's bed. Much like Norman Rockwell, Kurt Ard...

Sunset 1970, paper/watercolor., 20x24 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School ...

5007 Vintage Modern French girl with her cat acrylic on canvas unframed Signed Somia 1972

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

XI Crocus Hyridus Hort Lowell Blair Nesbitt, American (1933–1993) Date: 1976 Oil on Canvas, signed, titled, and dated verso Size: 50 x 36 in. (127 x 91.44 cm)

Sun Flower is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. The ar...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Reclining Nude with Rose Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 37.5 x 52.25 in. (95.25 x 132...

Albert Hoffman (American, 1915-1993), Nesting Wyverns, Acrylic on Panel, 1974, depicting two wyverns by nest with eggs, signed and dated lower right, marked to verso, wood frame. Im...

"Blue and Green Abstract" by Claudia Sisemore, acylic on canvas, 43.5 x 46 inches, $4,800. "I have a vague idea of what I am going to paint. I...

Bold and expressive oil portrait of a modernist nude figure in blue seated in profile with bright yellow flowers by Allie William “Bill” Skelton (American, 1942-1986). Signed and dated "Allie Bill Skelton '72" by the artist in the lower right corner. Unframed. Image size: 48.75"H x 32.75"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Wonderful country scene of woman feeding chickens in Russian countryside by Valery Kleverov (A.A. Kaebep) (Klever) (Russian, 20th Century), dated, 1971. Signed and dated lower right corner "AA Kaebep '71". Unframed. Condition: professionally cleaned with one tear repaired and inpainted (see photos). Image size: 24"H x 38"W. (translated form Russian) Klever worked in a wide range of styles in a remarkable career that spanned five decades. He painted impressionist landscapes to completely abstract mixed-media constructions and most everything in between, working in oil, watercolor, ink, charcoal, generally whatever was available to paint on or with. The most obvious modern influences are Chagall, Picasso, Leger, Malevich, and various Russian Futurists. Klever passed away after a battle with cancer the day after his 74th birthday in 2013. Valery Kleverov was born in Engels, Russian Federation, Soviet Union June 28, 1939 the son of a fighter test pilot in the Soviet Air Force. He exhibited an independent, rebellious, and highly artistic temperament from a young age. Conscription into the Red Army at the standard age of (18) was first and last straw in the young artist’s battle with the State, he lasted only a few months before making an unauthorized parachute jump over a forest to go permanently AWOL. In his brief stint in service of the Soviet authority he had supplemented his income by selling sexy drawings...

Oil on board realized by Achille Sdruscia  between 1960s and 1970s. Hand signed. Includes a wooden frame cm. 53x43 Very good condition.

Wife portrait. Oil on cardboard, 110,5x72,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and...

8 - Turquoise and Red is an original contemporary artwork realized by Genny Puccini in 1977.   Mixed colored collage on paper.  Hand-signed and dated on lower right margin. 

We originally had the name of the actual bay in Canada this fine painting depicts, but have been unable to dig it up. At any rate, it shows a number of sailboats with sails lowered, ...

Wonderful vintage space abstract by Santa Cruz, California artist Ralph Edward Joosten (American, 1928-2009). Presented in a metal frame. Signed "R. Joos...

Medium: Oil on Linen Signature: Signed and Dated Lower Right Prairie Grove Picnic

Gorgeous watercolor still-life of Chianti bottle with candle and fruit still life by an unknown artist (American, 20th Century), circa 1970. Watercolor...

"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 26" x 26" x 3/4" Dimensions w/Frame: 26 1/2" x 26 3/4" Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical...

"Large Sumi Brush Mark Series, Untitled #II.2.1975," an original watercolor on paper by Tim Nordin, is a piece for the true collector. Nordin's use of color...

"VIII.1 Study" BY TIM NORDIN (B. 1945) Acrylic on Canvas over Panel ⚜ Signed ⚜ Frameless Display A VIBRANT STUDY OF COLOR, TRANSPARENCY & STRUCTURE A rare and original acrylic on canvas over panel, Tim Nordin’s "VIII.1 Study" (1976) is a striking example from his renowned Transparent Sumi Brush Mark series. This work is defined by layered organic strokes of deep blues, vibrant greens, and subtle earth tones, forming a rhythmic interplay of color and light. Nordin’s distinctive brushwork creates a composition that shifts dynamically depending on light and perspective, a hallmark of his innovative approach. His technique results in an immersive, pulsating visual field—where each mark remains distinct yet seamlessly integrates into the whole. This meticulous layering and structured spontaneity connect his work to Abstract Expressionism, Op Art, and Color Field painting. This highly collectible piece was exhibited in Nordin’s 1982 Palm Springs Desert Museum exhibition and remains an essential work for collectors seeking dynamic gestural abstraction and structured color play. WHY COLLECT THIS WORK? ✓ Highly Collectible – A rare hand-signed original by Tim Nordin ✓ Exhibited Work – Featured in Nordin’s 1982 Palm Springs Desert Museum exhibition ✓ Optical Depth & Color Play – A dynamic surface with layered transparency & gestural brushwork ✓ Historical Provenance – From the Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ✓ Frameless Display – Ready to Hang – Presented in its original artist-preferred format ARTWORK DETAILS: ▸ Title: VIII.1 Study ▸ Artist: Tim Nordin (b. 1945) ▸ Medium: Acrylic on Canvas over Panel ▸ Year of Creation: 1976 ▸ Signature: Hand-signed, titled, and dated on verso ▸ Provenance: Collection of Mr. & Mrs. Ricardo Sanchez, acquired directly from the artist ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Image Size: 12 x 12.125 inches — ◻︎ Panel Size: 12 x 12.125 x 1.625 inches ▸ Condition: Excellent – Vibrant colors with well-preserved surface clarity ▸ Framing: Frameless Display (Artist’s Standard Presentation) – Ready to Hang INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Document ✓ Excerpts from the 1982 Palm Springs Desert Museum Exhibition Catalog THE ARTIST: Tim Nordin is an American abstract painter best known for his exploration of transparency, repetition, and structured mark-making. His work draws inspiration from a wide range of influences, including Mark Rothko, Sam Francis, Josef Albers, Kazimir Malevich, and the Optical Art movement pioneered by Victor Vasarely and Bridget Riley. While elements of his work reflect the gestural expressiveness of Abstract Expressionism, his approach to composition and structure aligns with Color Field painters such as Morris Louis and Helen Frankenthaler. Born in 1945, Nordin traveled extensively before settling in California, where he studied fine arts at Cerritos College and later earned his MFA at Claremont Graduate School, concentrating on printmaking and experimental painting techniques. Early in his career, he experimented with plexiglass, vinyl, and alternative surfaces, seeking ways to push the boundaries of traditional painting. By the 1970s and 1980s, Nordin became known for his Transparent Sumi Brush Mark series, in which he developed a meticulous method of layering individual brushstrokes to form structured, organic compositions. These works, featuring veils of fluid color and precise gestural marks, evoke the optical depth and rhythmic movement found in Bridget Riley’s Op Art...

Boldly unique in the field of wildlife art are the paintings of artist and naturalist Peter Darro. His rare ability to achieve meticulous accuracy in his subjects, without sacrificin...

Beautiful, serene painting of a fall Texas road landscape by Henri Gadbois in a gold frame with light color mat. Artist Biography: Henri Gadbois is a second generation Houston arti...

Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...

Artist unknown "Black & Green Street Scene" c. 1970s Acrylic paint and oil pastel on paper 29.5"x4" black wood gallery frame float mount on linen 33"x1.5"...

"Breakthrough" is an abstract acrylic on canvas painting, in varying shades of blue, orange, green, with red accents in the surrealism tradition of Salvador Dali. Landscape elements ...

Abstract composition is a contemporary artwork realized by Leo Guida in 1970s. Mixed colored oil on canvas Leo Guida (1992 - 2017). S ensitive to current issues, artistic movement...

A beautiful modern expressionist painting depicting a white lily flower. This work though unsigned is clearly by the hand of a very talented artist. The work comes in an artist mad...

Blue Horizon (Near Sante Fe, New Mexico) Signed by the artist lower right (see photo) Oil on board, 16 x 27 5/8 inches Condition: Very good. Housed in the or...

Geoffrey Chatten, R.B.A. Born Gorleston 1938 Popular impressionist painter, member of the Royal Society of Artists and Great Yarmouth Society of Artists. Signed and dated (19) '75. ...

Artist: Arthur Boden Title: Sure Thing Year: 1970 Medium: Acrylic on Canvas, signed verso Size: 84 in. x 66 in. (213.36 cm x 167.64 cm) (can be hung horizontally as well)

Flowers. Oil on cardboard, 71.5x56 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sarato...

This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...

Over the course of his long and prolific career, Norman Rockwell executed over 300 cover illustrations for The Saturday Evening Post. In addition to these beloved commissions, Rockwe...

Wonderful landscape of a rustic cottage in springtime by Anatoly Petrovitch Krisochenko (Russian, 1916-1992). Signed lower left. 6"H x 8"L. Presented in gilt-toned wood frame. Anat...

A substantial linear abstract comprising contiguous rectangles in primary and secondary colors contrasted against a background of scumbled chestnut and aubergine. Signed lower right...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

Still life with roses. Canvas, oil, 71x56 cm

5023 Circus and performers in a black and white color scheme . Set in a custom frame Signed Williams 1974

Emilio Greco (Italian, 1913-1995) Roma, 1972 Oil on canvas 45 1/2 x 28 3/4 in. Signed and inscribed lower left: Emilio Greco, Roma, 1972 Emilio Greco, (born Oct. 11, 1913, Catania, Italy—died April 5, 1995, Rome), Italian sculptor of bronze and marble figurative works, primarily female nudes and portraits. At the age of 13, Greco was apprenticed to a stonemason, and he later studied at the Academy of Art in Palermo. Though he began exhibiting in Rome in 1943, he was not well-established until after World War II. His first solo exhibition was held in 1946, and in 1948 he became a teaching assistant at the Artistic Secondary School in Rome. His subject matter varied little throughout his career. In their refined, elongated forms and assertive balance, his sculpted figures...

Dynamic self-portrait. 1970, cardboard, oil, 37x36,5 cm + gift book about artist Vladimirs Glušenkovs Painting published in the book "Vladimirs Glušenkovs", Ed .: Neputns, 2018, on L...

Scenic view of Melbourne City Australia by David savage On wood. Like the 70’s then this would be perfect!

Painted by Frealon Bibbins (American, 1926-2013). Dated verso, '9/18/76' and '9/19/76'. Stamped with Certification of Authenticity and accompanied by a certificate of authenticity. This listed California artist lived and painted in Alameda and also had a distinguished career both as an author and as a musician with the San Francisco Symphony...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Artist: Elwood Howell, American (1933 - ) Title: Nereides Series IV Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 66 x 54.5 in. (167.64 x 138.43 cm)

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Oli Sihvonen DK. Green, Scarlet, Blue, circa 1977 Signed and titled on the reverse Acrylic on canvas 36 x 36 inches Known for large, hard-edged abstractions, Oli T. Sihvonen, a Bro...

A beautiful landscape painting of an oak tree next to a stream by R. Hess (American/Germany, 20th century), circa 1970. Signed lower right corner. Unframed.

Joy Walker (Canadian, b.1942) Pattern painting Acrylic on canvas, This is heavily textured acrylic with a sculptural quality to it Dimensions: approx. 12-1/2" x 12-1/2" Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks. Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition. "One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995. Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters. There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch. Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School. She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin. She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park. This work also bears the influence of Op Art and Kinetic Art Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz, She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpt...

Joy Walker (Canadian, b.1942) Pattern painting Acrylic on canvas, This is heavily textured acrylic with a sculptural quality to it Dimensions: approx. 12-1/2" x 12-1/2" Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks. Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition. "One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995. Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters. There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch. Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School. She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin. She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park. This work also bears the influence of Op Art and Kinetic Art Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz, She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Mother and Daughter Year: Circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size:...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

David Kenneth Merrill is an American painter who was born in 1935. He is mostly associated with the New England states of Connecticut and Maine. He has had auction results as high as...

Clouds over the sea. 1974, cardboard, oil, 36.5x49 cm

Noboru Yamashita, Japanese (1929 - 2019) - Color Study, Year: 1970, Medium: Oil on Canvas, signed lower right, Size: 12.25 x 10 in. (31.12 x 25.4 cm), Frame Size: 13.75 x 11.5 in...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

Hannes Grosse Wave Form II (Wellenform) Oil and Acrylic on Canvas Year: 1971 Size: 33.46 x 33.46 x 31.49 inches (85,5 x 85,5 x 80 cm) Framed (simply wood frame) - ready to hang COA ...

Artist: Pascual Bueno Ferrer Title: Notre-Dame, Paris, France Technique: Oil on board Dimensions: 14.2 x 18.5 in (without frame), 21.7 x 26 in (with frame) Support: Board Signature: ...