1970s Paintings

Flute Player is a beautiful mixed media, original drawings in blue-colored, coupe-papier, applied on cardboard, realized in 1972 by the artist Esy A. Belluzzi, Hand-signed on the lower right " ESY" and dated. In very good conditions. The artwork represents a female player with the transverse...

A Post-Impressionist-style oil interior scene showing a view of an artist's working studio with a paintbox and tools in the foreground and an Expressionist style figurative oil paint...

Signed lower right and dated 1975

This is an acrylic painting on canvas by American artist Dan Teis. This work follows his signature style, geometric compositions in acrylic and paper collage on canvas. His work achi...

Artist: Clayton J. Gorder, American (1936 - 1987) Title: Neon Bullseye Year: circa 1974 Medium: Acrylic and Airbrush on Custom Shaped Canvas, signed on label verso Size: 32.5 x 57 x ...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1971; additionally signed, verso, and titled, 'Leslie'. Winner of the Prix Othon Friesz, Victor di G...

Gulf of the river. Oil on cardboard, 31,2x45,5 cm Albins Dzenis (1907.19. XII Riga –1998) 1935 – Graduating Latvian Art Academy, department of Decorative painting by guidance of J....

A mystical portrait of a woman holding a mask in a surreal, dream-like setting by Ramon Santiago. Artist: Ramon Santiago, American (1943 - 2001) Title: Cynthia I Year: 1976 Medium...

Artist: Charles Levier, French (1920 - 2003) Title: Paris Street Scene Year: circa 1960 Medium: Watercolor, signed l.l. Size: 22 x 30 in. (55.88 x 76.2 cm)

Composition 1972 Oil on canvas Signed and Dated 73 x 60 cm The painting is framed. This beautiful painting is representative of David Lan Bar's 1970's compositions. David Lan-Bar ...

Enamel on cardboard. Hand signed, 1970. Dimensions: 27x22 cm. This artwork by Pablo Echaurren is a typical example of his production in 70s. Echaurren, son of Sebastian Matta, is ...

Carmen Louis Cicero, American (1926 - ) - Asteroid, Year: 1978, Medium: Collage, Acrylic on Paper, signed and dated in pencil, Size: 6.5 x 9 in. (16.51 x 22.86 cm)

Beautiful portrait of a young girl in blue dress by Jan Hanson Travis (American, 20th century). Circa 1970. Signed "Jan Hanson Travis" lower left an...

A dreamy tropical landscape of the beautiful Cook Islands coastline at sunset with a red anthurium flower in the foreground by Motohiko Ono (20th Century)...

Work on paper Golden wooden frame with glass pane 93 x 66.6 x 1.5 cm

Gene Hedge Untitled, circa 1970 Acrylic on canvas 48 x 18 inches Provenance Estate of the artist Gene Hedge was born (1928) and raised in rural Indiana. After military service, he...

acrylic on paper

Artist: Jorge Braun Tarallo, Uruguayan (1951 - ) Title: Cowboy in Snowy Landscape Year: circa 1979 Medium: Oil on Canvas, signed l.l. Size: 30 in. x 4...

Courtyard. 1978, oil on cardboard, 69x63 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art,...

Karen Agamyan Composition 2, 1979, b/w, 50x40 cm

Image dimensions: 35 x 45 cm. Quanto sono alto! (How Tall I am!) is a beautiful original tempera painting on paper, realized around 1970's by the Italian versatile artist and comic ...

Boris Akopian "Nude"

Artist: Ramon Santiago, American (1943 - 2001) Title: Companions Year: 1970 Medium: Oil on Paper, signed and dated Size: 29.5 x 36 inches

Wonderful California plein air seascape of sail boat in San Francisco harbor by California artist Elizabeth Gregory Kent (American 1901-1996), c.1...

Horizon Original Op Art Painting 1978 Artist signed and dated. Marko Spalatin (American, Born 1945). An original Modern Abstract Op-Art oil painting on canvas. Titled "Horizon". Featuring colors of white, yellow, orange, green, purple, and blue. Signed and dated 1978 with title on verso. Mounted on wood stretcher. Provenance: 11/10/2007 Ivey-Selkirk Auction, LOT 775. PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Tate Gallery — London, England Bibliothèque National — Paris, France Victoria & Albert Museum — London, England Library of Congress — Washington, D.C. Museum of Contemporary Art — Chicago, Illinois Metropolitan Museum — Manila, Philippines Philadelphia Museum of Art — Philadelphia, Pennsylvania The Butler Institute of American Art — Youngstown, Ohio Museum of Modern Art — Belgrade, Yugoslavia Milwaukee Art Museum...

Die Hinterglasmalerei zeigt eine anthropomorphe, weibliche Hundefigur. Eine gute Beherrschung der Technik ist beim Bild auffällig. Der Künstler/die Künstlerin zum Werk sind nicht be...

Journal herbier de Bordeaux, Mardi 12 juin 1973. Collage of 25 sheets on paper and canvas. On the back: label of Galerie Sonnabend, Geneva. Stamps and label of Galleriaforma, Genoa. ...

Artist: James Suzuki, Japanese/American (1932 - ) Title: Instability with Gold Rectangle Year: circa 1975 Medium: Acrylic on Paper mounted to Canvas, signed l.r. Size: 48 x 60 in. (...

Suggestivo notturno con i pescatori

Gouache on paper Signed and dated in pencil, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Universi...

An abstract, minimalist painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work i...

Dimensional Abstract by Jeffery Abouaf (American, b. 1949). Composed of rows of small "scenes," this piece gives the impression of a roll of film, or moments laid out next to one ano...

Signed lower right, 'DMc', for Douglas McCellan (American, 1921-2016) and painted circa 1975. Additionally signed, verso, titled, 'Still Life' and bearing old rental reference label....

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative Surrealist figures. . Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

"The Nature" is an original oil on paper by the italian artist Sergio Barletta. Designed in mid 1970s, it is in very good conditions. Sergio Barletta From the age of 22 is active in...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art his...

Artist: Ladislav Karousek, Czech (1926 - 1990) Title: Zimna Krajina (Winter Landscape) Year: 1989 Medium: Oil on Canvas, signed l.r. Size: 36 x 55 in. (91.44 x 139.7 cm) Frame Size: ...

Come mestiere faccio il poeta e quindi devo scriverlo con una esse sola is an amusing and ironic enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and da...

David Hare Cronus Asleep in the Cave, 1971 Acrylic on board 27 1/2 x 38 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Substantial and exceptional Cezanne inspired abstract of Spring Mountain scene of the John Day Fossil Beds and Painted Desert in Oregon by Erle Loran (A...

Gorgeous oil painting of a blue vase filled with vibrant yellow daisies next to a small bowl and pears by Roslyn B Silva (American,1911-2005). Signed "Roslyn Silva" lower right and titled on verso. Presented in a rustic wood frame. Image, 14"H x 18"L. An early Sacramento River Delta artist and a founding member of the River Road Art Gallery in Walnut Grove...

Beautiful vivid and fluid large scale abstract painting by Dorothy Hyman (American, 1904-2007). A dark blue object appears to float in a sea of colors, tra...

Business is slow! The Village Vendor, painted by Clyde Singer, captures the boredom and expectation waiting for the next sale. This likely New York City scene shows the bustle of ...

Artist: Jay Rosenblum, American (1933 - 1989) Title: Untitled VIII Year: circa 1977 Medium: Acrylic on Paper Paper Size: 26 in. x 40 in. (66.04 cm x 101.6 cm)

Enamel on cardboard. Signed at lower right. Signed, dated, titled on overleaf. Authentication by Fondazone Pablo Echaurren.

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

Gorgeous watercolor landscape of Big Sur cliffs by California artist Doris Ann Warner (American, 1925-2010), circa 1970. Signed "Warner" lower left. Unframed. Image size, 15.25"H x 2...

Sea. Oil on canvas, 60x65 cm,

Hand signed. Oil on canvas.

Evocative pop art/fauvist treatment of the return of Ayatollah Khomeini to Iran by Monterey, California aritst Dick Crispo (American, b.1945). Presented in a mat. Signed and dated "D. Crispo 79" upper left corner. Image size, 29"H x 23"W. “I am an abstract journalist of the landscape and a choreographer of the dance of the mind, eye and hand. The plastic, the decorative, the horrible and the serene that pepper the visual landscape of the present time challenges the artists who address the age of information. I consider myself a global artist, not an American artist. This galactical view is the true basis of my work–Nature is my teacher–the Master. I’m the apprentice.” –Dick Crispo Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Blue Mountains, Vintage 1970s Desert Landscape Expansive landscape of a monumental mountain range in blue and purple tones in desert scenery by an unknown artist (American, 20th Ce...

Provenance Acquired by the gallery (2015); Private Collection, Woodland Hills, California; The Artist's Family, St. Petersburg, Russia Description Lilacs in Vase was created by the renowned Russian Soviet Realist, Boris Mikhailovich Lavrenko, one of the leading representatives of the Leningrad School of Painting. Lavrenko served as professor of the Repin Art Institute (Russian Academy of Arts), St. Petersburg, and in 1953 was made a member of the Leningrad Union of Artists. In 1976 he was awarded the title of "Meritorious Artist of the Russian Federation," and in 1994 he received the highest honor of "People's Artist of the Russian Federation" -- a recognition bestowed to artists who have made outstanding contributions to Russia's art and culture. In this humble vanitas the artist represents garden fresh flowers, a classic theme in Russian still life...

Bold, large scale geometric abstract landscape with brilliant blue toned trees in an abstracted urban color-field setting by Erle Loran (American, 1905-1999). Unsigned. Estate stamp ...

Victor Mirabelli (b. 1949) Untitled, c. 1970s Oil on canvas 63 7/8 x 53 3/4 x 1 in. Mirabelli attributes his style to his art education and execution of his early abstract oil paint...

Beautiful landscape painting of lakeside house by Linda Larsen (American, 20th Century), 1972. Signed and dated lower right corner "Linda Larsen '72." Displayed in rustic wood frame....

An original hard edge abstraction by American artist James Koenig. This piece is featured in Draw Near which is currently on view at Benjaman Gallery.

Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovic...

Antique American modernist industriala oil painting. Oil on canvas. Signed. Framed.

American Photorealist Ian Hornak’s stunning depiction of a tropical landscape is framed by back-lit palm trees and clouds illuminated with the setting sun. The painting is signed, ti...