1980s Paintings

3726 Small landscape painting of a New England lighthouse with sailboats in backround Signed on back

Ronald Davis (American, b. 1937) Pitch, 1983 cel-vinyl copolymer on canvas Hand signed verso and further inscribed with title, date, size and PTG 751 67 x 110 1/2in. Framed 69 x 112in. Bears remnants of old gallery label to reverse. Ronald Ron Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions. Born in Santa Monica, California, he was raised in Cheyenne, Wyoming. In 1955–56 he attended the University of Wyoming. In 1959 at the age of 22 he became interested in painting. In 1960–64 he attended the San Francisco Art Institute. Abstract expressionism, the prevailing artistic movement of the time, would have an influence on many of his future works. In 1962 he was a Yale-Norfolk Summer School Grantee. In 1963 his paintings became hard-edged, geometric and optical in style, and by 1964 his works were shown in important museums and galleries. He lived and worked in Los Angeles, 1965–71, and in Malibu, California, 1972–90. Since 1991 he has lived and worked in Arroyo Hondo on the outskirts of Taos, New Mexico. Ronald Davis from the earliest days of his career had a significant impact on contemporary abstract painting of the mid-1960s. According to art critic Michael Fried: Ron Davis is a young California artist whose new paintings, recently shown at the Tibor de Nagy Gallery in New York, are among the most significant produced anywhere during the past few years, and place him, along with Frank Stella and Walter Darby Bannard, at the forefront of his generation. He had his first one-person exhibition at the Nicholas Wilder Gallery in Los Angeles in 1965. Barbara Rose wrote an in depth essay about Davis' paintings of the 1960s in the catalogue accompanying an exhibition of his Dodecagon Series in 1989 in Los Angeles. Among other observations she wrote: Davis saw a way to use Marcel Duchamp's perspective studies and transparent plane in The Large Glass for pictorial purposes. Instead of glass, he used fiberglass to create a surface that was equally transparent and detached from any illusion of reality. Because his colored pigments are mixed into a fluid resin and harden quickly, multiple layers of color may be applied without becoming muddy. his is essentially an inversion of Old Master layering and glazing except that color is applied behind rather than on top of the surface. Alone among his contemporaries, Davis was equally concerned with traditional problems of painting: space, scale, detail, color relationships and illusions as he was with the California emphasis on hi-tech craft and industrial materials. His work has some connection to the Light and Space art movement related to op art and minimalism. He was a contemporary of Peter Alexander, Larry Bell, Robert Irwin, Ron Cooper...

Signed lower right, 'Lightfoot' for Jon Lightfoot (Native American, 1939-2018) and dated 1986. Jon Lightfoot was born in Kansas City, Missouri to a Cher...

ACRYLIC PAINTING ORIGINAL. Acrylic on cardboard ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and fo...

Signed Lower Right

Oil painting by Lowell Nesbitt (1933 - 1993). Titled "Rose Iris" and dated 1982. Wonderful vibrant painting in excellent condition. In 1958...

Isaac Monteiro (1938-2008) Female, 1985 Oil on canvas 36 x 48 in. Framed: 37 x 49 x 1 1/4 in. Signed lower left: I Monteiro Inscribed verso: Female, I M...

Antique American modernist signed abstract oil painting. Mixed media on board. Signed. Framed.

Face After Picasso - Tropical Storm Two Sided Abstract Watercolor Acrylic Paper Bold Face after Picasso with a storm of bold abstract colors on verso, by California-based artist Ric...

4091 Graffiti art acrylic on artist board displayed in a custom -made wood frame. Signed by S.Mooney 1987. Image size 12H x12W

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Modernist abstract "Manan du Terre" by LT Milton 1987 Abstract landscape on paper by Milton (American, 20th century). Bright colors in Gouache and Acrylic paints. A bold green mount...

Joe Bergeron (American) Saturn From Titan, 1980 Oil on canvas Framed: 40 x 30 x 1 1/2 in. Signed lower right: Bergeron 80 Inscribed verso Joe Bergeron grew up in the twin hamlets of Endicott and Endwell in upstate New York. As a boy he taught himself the constellations using a cardboard star wheel, watching in awe as stars he had never before identified rose according to prediction. Later he began a more thorough examination of the heavens using various small telescopes. A devoted hiker, Joe prowled his surroundings at all hours of the day and night, often discovering semi-abandoned sites of human activity which his imagination invested with the mystery of ancient ruins. Joe was known as a "class artist" in high school, mostly by virtue of superhero drawings done in ballpoint pen. His early efforts at painting were clumsy at best and disastrous at worst, leading him to be intimidated by the brush. Finally, called upon to produce planetarium shows during a summer job, Joe taught himself to paint so he could create visuals for the shows. Soon he was selling paintings and drawings at science fiction art...

5-3161 Acrylic nude on paper in a custom wood frame

Jerusalem Israeli landscape cityscape with the Har Habayit, The Western Wall plazas. Kotel Hamaaravi. Size includes frame. canvas is 9 X 11 Edward Ben Avram (born 1941) is an Indian...

5-3207a Acrylic on artist board set in a white wood frame

Jerusalem Israeli landscape cityscape with the Har Habayit, The Western Wall plazas. Kotel Hamaaravi. Size includes frame. canvas is 14 X 11 Edward Ben Avram (born 1941) is an India...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

5-3596 Oil on artist board Set in a custom hand painted wood frame Image size 18x13.5"

Isaac Monteiro (1938-2008) Untitled (Abstract Landscape), 1989 Oil on canvas 22 x 28 in. Signed verso: I Monteiro 89 Isaac Monteiro was born in Antwerp...

Katherine Porter Tempest, 1989 Oil painting on gessoed India rag paper with deckled edges 29 1/4 × 25 inches signed and dated in graphite on the lower front Unframed (accompanied by ...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

Jean Dassonval (French, 1939-2012) Untitled, 1989 Acrylic and mixed media on canvas 19 3/4 x 25 3/4 in. Signed lower right: Dassonval Stamped verso: Jean Dassonval Inscribed in Fren...

Purvis Young (1943 - 2010) Collage 1989, 1989 Oil enamels on wood with wood collage 86 x 31 in

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

3772 Acrylic surreal figural painting on artist board by Brunelli

Joyce Kozloff Topkapi Pullman, 1985 Watercolor and acrylic on paper (bears original gallery labels: Barbara Gladstone Gallery, Gallery Camino Real, Boston University Art Gallery) Sig...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on the back Unframed Hand signed by the artist on the front and stamped by the artist's estate on the back. Acquired from the Estate of Ben Wilson. This poignant painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn...

Incised lower right, 'Gavin' for Boyd Gavin (American, 20th century) and dated 1986; additionally titled, verso, on old exhibition label, 'Painted Trunks...

Ben Wilson Concert, ca. 1989 Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp) Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson 42 × 48 inches Unframed This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery. In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue. About Ben Wilson: Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

"Descanso, Peru (Woman)" by Ernesto Gutierrez, 1986, oil on jute canvas, signed lower right. 25" x 30" art 35" x 40" frame Artist Bio: Ernesto Gutierrez was born in Lima, Peru in ...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

5-3546 Acrylic on artist board Set in a vintage white frame Image size 14x11"

#5-3517 Black and White still life ,acrylic on black paper, signed by Anna Stathys,displayed in a mat-glass and gilt wood frame.Image size 11.75 H x 8.5 W

Signed Lower Right by Artist Paperback Cover of 'Beguiling Ways' written by Lynda Trent. Silhouette Special Edition #457, May 1, 1988

Portrait of a Woman with Curly Brown Hair in Oil on Canvas (Marie Osmond) Elegant portrait of a woman (Marie Osmond) with a perm by Cindy Gin (Cindy Lin) (American, 20th Century). A...

Jeremy Gardiner (British, b. 1957) Argonauts, 1986 Oil on canvas 54 x 54 in. Framed: 55 1/2 x 55 1/2 x 3 in. Signed, dated, and titled verso Provenance: NYNEX Corporation Jeremy Gardiner’s artistic excavation of the geology of landscape is shaped both by human activity and by the forces of nature. Gardiner interprets, through his painting and printmaking, a variety of landscapes that contain the marks and secrets of their own distant formation, giving them a unique, contemporary depth and beauty. His artistic exploration has taken him from the Jurassic Coast...

#5-3339 Figurative Surreal on canvas applied to a board, signed by Martino, set in a black wood frame.Image size 13.75 H x 10.50 W

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...

Untitled, c. 1980s Oil on canvas 43 1/2 x 55 1/2 in.

Pierre Dorion (Canadian, b. 1959) Pontoise, 1989 Oil and mixed media on canvas 47 3/4 x 36 in. Framed: 56 x 43 3/4 x 2 1/4 in. Signed, dated, and inscribed verso Jack Shainman Galle...

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY...

4090 An abstract graffiti art, acrylic on artist board displayed in a custom -made wood frame Image size 12H x 12 W

Pavlovsk Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devoted hi...

4077 Modern Cubic geometric monochromatic oil on canvas set in a vintage wood frame signed D.Wins Image size 15.25x19"

Stone Faces - Abstract Portrait in Acrylic on Textured Paper Abstract portrait by California-based artist Ricardo de Silva (Brazilian, 20th Century). Two faces are merged, overlappi...

Clarence Holbrook Carter (American, 1904-2000) Maze, 1982 Acrylic on cardboard Signed and dated upper right 7 x 9.5 inches A surrealist mid-century figural abstract painting. Clar...

Village Harbor Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devo...

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Masterful figurative painting by mid-20th century artist Harley Francis. Exceptional for its circular composition and use of intricate pattern. Acrylic on stretched canvas. Harley Francis (1940 to 2017) was a passionate and prolific creator whose work has been exhibited in the Museum of Modern Art. His oeuvre includes the figure, still life, portraiture, landscapes and abstract work in a number of diverse techniques and media including oil, acrylic, clay, collage. Most interesting is Francis’ integration of pattern with abstraction and figural compositions. Gillian Bryce...

Signed upper right, 'Graham' for Ellwood Graham (American, 1911-2007) and painted circa 1985; additionally signed, verso, and titled, 'View Study'. This early California Modernist ...

Jerusalem Israeli landscape cityscape with the Har Habayit, The Temple Mount. Size includes frame. canvas is 37.5 X 42.5 Edward Ben Avram (born 1941) is an Indian - Israeli artist w...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...

Summer on the River Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he...

Warmth of Autumn Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he de...

Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...

Vyra Vasily Borisenkov was born in Mikhailov-Pogost, Pskov (near Leningrad) in 1924. Upon graduation from the renowned Repin Institute in St. Petersburg in 1954, he devoted his li...

Artist: Dobroslav Halata, Czech (1943 - ) Title: Two Nude Seated Figures Year: 1983 Medium: Oil on Canvas, signed Size: 45.5 x 59 in. (115.57 x 149.86 cm) Frame Size: 46.5 x 60 inches