19th Century Paintings

Signed lower right: Chauncey F Ryder

Signed and dated lower left: "SW Griggs 73". In fine condition.

Henri-Léopold Lévy (23 September 1840, Nancy - 29 December 1904, Paris) was a French painter of Jewish ancestry, known primarily for mythological and Biblical subjects. He was the s...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Antique Male Academic nude painting Henri Brugnot with exposition label (1st prize). by Henri Brugnot (1874-1940) Oil on canvas board 15" x 30" The lab...

Antoine VOLLON (Lyon, 1833 – Paris, 1900) Gray partridge hunting trophy Oil on canvas Signed and dated indistinctly lower left 35 x 25 cm A student of the engraver CHARASSE then o...

Victor LEFRANC Paris, 1812 - ? Oil on paper 33 x 42 cm (44 x 52 cm with frame) Inscription on the verso 'Tancarville / 1839" and stamp from the Georges Lhoste collection Painter of ...

Raffaello Sernesi (Florence 1838 - Bolzano 1866), The Tempietto of Villa Floridiana at Vomero, Naples (1862) Oil painting on panel 12 x 19 cm, on the back is a label with the work'...

Giovanni Calamia Lombardo (Palermo 1849 - 1894) The plain of Palermo as seen from Mt. Pellegrino. Oil painting on panel 26 x 44 cm signed lower left.

Domenico Bresolin (Padua 1813 - Venice 1890), Boy in a squero in Venice Oil on canvas applied to cardboard 27 x 16 cm initialed (DB) lower left. Publications D. Ritter, Venedig in...

Domenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. INFO: to get more information Publications D. Ritter, Venedig...

The Harvest Workers English School, 19th century oil on canvas, unframed canvas: 24 x 16.5 inches provenance: from a collection in England condition: very good and sound condition

Pierre Edouard FRERE Paris, 1819 - Ecouen, 1886 Oil on paper on canvas Signed lower left "Ed. Fr" 24.5 x 33 cm (32 x 39 cm with the frame) Beautiful 19th century frame with canes and...

Virgilio Ripari was best known for his seascapes and impressions of Venice. His romantic and peaceful paintings of life of Venice and Italy with placid waters or full sails on boats...

Oil painting, boats fishing on a misty morning by Robert Chalmers 1874. Signed and dated by the artist. Canvas size: 69cm x 106cm, Framed size 87cm x 123cm Robert Chalmers, littl...

Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full length portrait of a child with his dog Oil on canvas Signed and dated lower right 36 x 28 cm 18...

Oil on canvas by Eugene Verboeckhoven (1796-1881) & Alexander Daiwaille (1818-1888) Landscape with cattle & sheep on a farm track. Signed by both artists. Canvas size: 22" x 31" Fr...

Hippolyte Benjamin ADAM Paris, 1808 – 1853 Oil on canvas 54 x 73 cm (61 x 80 cm with frame) Signed lower left “h. Adam" 19th century black wooden frame Hippolyte Adam is a painter o...

Oil on canvas by Joseph Farquharson RA (1846-1935) A View of the sun setting over a Scottish Town from a stone bridge. Joseph ...

Artist/ School: James Levin Henry ( 1855 - 1929) Title: Shipping in a busy port Medium: oil painting on canvas, unframed overall size: 10 x 15 inches Provenance: private collecti...

Charming oil painting on canvas by renowned genre artist George Armfield (1808-1893), of two dogs chasing a pheasant. The expression of sheer dog happiness in the chase. and the phe...

A magnificent oil painting of grand proportions by the great British academic artist William Strutt RBA FZS of lions, elephants and zebras at a watering hole. William Strutt RBA FZS...

Signed and localized on the verso : "Vedute di parte dalla Piazza dif.a alla Loggetta e cam panil parte della Zecca ed in lontan Proc.e vechie e parte della chiesa punto preso vic...

Jules Joseph LEFEBVRE (Tournan-en-Brie, 1834 – Paris, 1912) The death of Demosthenes Oil on canvas Signed and dedicated lower left 38x46cm Son of Toussaint Martin Lefebvre, a baker by profession, and Carole Adélaïde Duval, Jules Joseph Lefebvre was born on March 14, 1834, in Tournan-en-Brie (Seine et Marne). The family settled sometime later in Amiens, around 1836. Then noticed by his drawing teacher at the municipal school, the city awarded him a scholarship to complete his studies in drawing and painting in Paris. Jules Lefebvre...

A French Chasseur a Cheval de la Garde Imperiale, drinking outside an Inn or Pub. Frank Moss Bennett was born in Liverpool, England on 15 November 1...

Jean-Charles GRANDJEAN Active between 1833 and 1857 Oil on canvas 33 x 41 cm (46 x 54 cm with frame) Signed and dated lower right “Grandjean / 1835” Beautiful Restoration period fram...

Comprising "Tempio di Venere e Mercurio a Baia", "Real Villa di Chiaja", "Ponti di Caligola a Pozzuoli", "Real Palazzo di Portici Veduto dal Granatello", "Sepolcro d'Agrippina", "Luo...

'The Parting Day’ by Henry H Parker (1858-1930). The painting – which depicts figures and cattle on a country lane at sunset – is signed by the artist and hangs in a good quality gil...

Most accounts of the artistic achievements of Edward Lear (1812–1888) take as their starting point the notion that he is better known as the writer of nonsense verse than as a topographical draughtsman and painter. His art is then considered largely in isolation, as the extraordinary creation of a fascinatingly eccentric Victorian. However, Lear's art is outstanding. Although Lear suffered from epilepsy, asthma, poor eyesight, and chronic depression, he was an inveterate traveler and an indefatigable sketcher, documenting a lifetime of journeys throughout the Mediterranean and India. During his two-month tour to Athens, mainland Greece and the island of Euboea, Edward Lear made almost 150 landscape drawings and kept a diary of his experiences and impressions. Many years later, Lear’s travelling companion, Charles Church...

Pierre BILLET Cantin (North), 1837 – Cantin, 1922 Oil on canvas 38.5 x 28.5 cm (48 x 36.5 cm with frame) Signed lower left “Pierre Billet” Stamp of the canvas merchant "Tasset & Loth...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Landscape Medium: signed gouache on paper, loosely laid over card, unframed card: 9.7...

Oil on paper laid on canvas. Signed & dated 1899 lower right. This work is included in Tome II of the Catalogue Raisonne by Denise Bazetoux- Ref: 159 This work is a plein air stud...

Work on canvas Illegible signature

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

Western Travellers by Rudolf Stone, British late 19th century Signed by the artist on the lower left hand corner Oil painting on wood panel, framed Framed size: 8 x 14 inches Wonder...

Provenance: Reference: Antonio Jacobsen - The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen (1850-1921) by Harold S. Sniffen (N.Y. and Newport News...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Les Pecheurs Medium: signed gouache on paper, loosely laid over card, ...

The Drummer French School, late 19th century Post-Impressionist School oil on canvas, framed framed: 28 x 22.5 inches canvas: 24 x 18 inches provenance: private collection, France co...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: Winter Medium: signed gouache on paper, loosely laid over card, unfram...

Albert MANTELET (1858-1958) A charming portrait of a young woman resplendent in her finest Sunday bonnet. Albert Goguet Mantelet was considered to be one of the most accomplished pupils of Ernest Hébert and Heinrich Lehmann. He painted fashionably attired women from French society. His style achieved critical acclaim and he quickly became an established artist. Throughout his long career he specialised in genre painting. His work can be found in the collections of Musees de Chateau Thierry...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Park Fountain Medium: signed gouache on paper, loosely laid over c...

View of the Grand Canal in Venice by one of England's best-known landscape and Venetian painters. This example is a very well-painted piece and is a great composition. It is framed in an English Classic running pattern frame. Tracing the story of William Meadows, the son of James Meadows, is sometimes a little difficult. In earlier census returns he gave his place of birth as Epping, but in later census returns he said that he was born in Mountnessing in about 1825. Between 1841 and 1901 William is recorded as William James, William George, and in 1881 simply as George, and these apparent changes of name were explained by a chaotic personal life which contrasts with his tranquil paintings of the English countryside and Venice. An entry in The Fine Arts Journal in 1847, concerning the Theatre Royal, Dumfries, reveals that "The scene-painter is Mr. W.J.Meadows, the son of Mr. Meadows, of the Surrey”. Initially, William had begun his career by following in the family footsteps at one of the theatres where his grandfather had performed. However, his training as a scene painter most probably came closer to home under his father's tuition, possibly at The Lyceum Theatre in London in 1844. (See the previous page on James Meadows for further details). In 1850, William married Lydia Maria Jarvis (born in Norwich c.1826) at St Pancras Old Church, close to St Pancras Station in London. By the time that the census was taken the following year, William and Lydia were living at 16, High Street in Poole, Dorset. So far it has been not been possible to identify a census entry for 1861 for the couple. However, when William exhibited "A scene in Surrey' at the Royal Hibernian Academy of Arts in Dublin in 1865, he gave his address as 187, Hampstead Road, London, not far from the St Pancras area once again. The reason for William's obscurity in the 1861 census may lie partially in his financial difficulties, as well as his frequent changes of address. In 1864, The Law Journal's list of impending bankruptcy proceedings included an entry for "Meadows, William George (known as William James Meadows), artist, of Old Kent Road, previously of Beal Road, Old Ford, previously of Wanstead Flats, Wanstead". A family source has revealed that William tried changing career not long afterward, when he became the landlord of The Black Bull Inn in Fyfield in Essex on the 9th November 1866, and that he "gave an opening dinner there" on 29th November 1866. However, if William was trying to achieve financial stability by changing careers, the 1871 census would suggest that it was an unsuccessful interlude. In 1871 William was recorded under the name of William George but is identifiable as the same person by his age, place of birth, and the personal details of his wife. He no longer gave his profession as an artist, but as an "Eating Housekeeper", back in the East End of London and living at 200, High Street in Shoreditch. Two servants were living with the couple, but more unusually there was also another resident, whose occupation was listed as "bailiff in possession". The presence of a live-in bailiff, therefore, seems to suggest that William's financial difficulties were far from over. In addition to his financial woes, William’s marriage to Lydia also appears to have been a stormy affair. In 1867 in London she petitioned for a divorce from William, although she must have been initially reconciled to him as the couple was living together (with their bailiff!) in 1871. However in 1874, Lydia once again petitioned for a divorce and this time the separation was definitive, and Lydia moved to a separate address in Holborn where she was living at the time of the 1881 census as a "retired publican". William, meanwhile, married for a second time in Southwark in 1875, under the name of William George Meadows. His second wife, Helen Grace Higgs, was born in Tipperary in Ireland in about 1841. By the time of the 1881 census, the couple was lodging over a pub at 87, High Holborn in London, where William is recorded simply as "George Meadows, Landscape painter". In the 1891 census, the couple was lodging at The Green Dragon...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Country Landscape Medium: signed gouache on paper, loosely laid ov...

The English Country Churchyard by James Rudd (English 1821-1906) signed & dated 1889 oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private colle...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Old Chateau Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 i...

Pierre Emmanuel Damoye (1847–1916) French Barbizon School A desolate snow covered landscape of fishing boats and nets drying on the banks of the river ...

Oil on canvas Signed lower left: “Louis Verboeckhoven” Dimensions: 53 x 70 cm, 79 x 97 cm (framed) “Ships in open water,” is an artwork by Charles-Louis Verboeckhoven presenting ...

Oil on panel Signed lower right: "Bertin, 1870," Bertin was a French painter, he represented the details and general character of a landscape with great skill. On this painting we can see a view of the Graslei in Ghent. The Graslei is a quay in the historic city center of Ghent, Belgium, located on the right bank...

A very nice, detailed 19th Century landscape of travellers on the crossroads of the Penzance Road in Cornwall by British artist Peter Deakin. The details of the work are as follows:...

This beautiful oil painting on canvas dates to circa 1840 and is by British Victorian artist William Edward Frost who was noted for his depiction of nudes and feminine beauty. The ov...

A fine impressionist landscape by the 19th century French painter Loouis Boulanger (1806-1867). Oil on canvas 15"x21,3/4" 38cmx 55cm The original giltwood frame: 22"x28" , 56cmx 72cm. A fine plein air study of a stoney outcrop on the edge of a French village circa 1860. Boulanger was famous during his lifetime for his portraits of the intelligentsia of Paris society during the 19th century including Victor Hugo. He was also a great follower of the early impressionist landscape painters this being a fine example of his work. A well balanced composition and an intense study of afternoon light in a French landscape. Signed lower right. Provenance : Estate collection, Paris Good condition. Higher resolution images available on request. Viewing welcome . Worldwide shipping available. Louis Boulanger (11 March 1806, Vercelli, Piedmont - 5 March 1867, Dijon) was a French Romantic painter, lithographer and illustrator. Life He enrolled in 1821 at the École des beaux-arts where he attended the workshop of Guillaume Guillon Lethière and received a solid classical training. Next he made a présentation for the prix de Rome, in 1824, in which he finished logiste. He became the companion of Eugène Devéria...

Ornamental Still Life with fruit, flowers and birds Italian School, 19th century oil painting on canvas, unframed size: 31.5 x 47 inches condition: relined canvas and in very good and presentable condition provenance: from a collection here in England. A very beautiful and decorative oil painting on a huge scale, depicting this classical landscape scene, with ornamental birds...

Lucy L'Engle was born in New York City and attended the Art Students League in Provincetown, Massachusetts, where she studied with Charles Webster Hawthorne in Provincetown. Subseque...

A stunning 1891 exhibited oil painting by British listed artist George Sherwood Hunter. This is a glorious British Impressionist painting from his travels in Northern France. It depicts “A Breton Courtship” in blue hot summer tones and is married well with the French Barbizon frame. The couple sit opposite each other, on either side of the road they are travelling together. A fantastic painting. This is a large oil on canvas by the Scottish artist who is one of my favourite artists of the period. George Sherwood Hunter was a well travelled artist and he painted throughout Europe. He is represented in many public collections. Provenance. Exhibited: Royal Society of British Artists 1891. Condition. Oil on canvas, 30 inches by 20 inches unframed and in good condition. Housed in a fine Barbizon gilt gallery frame, 40 inches by 30 inches framed. Gallery condition. George Sherwood Hunter (1846-1914) - was born in Aberdeen in Scortland on 30 May 1846. He first visited Newlyn in the 1890s, staying at Belle View in 1897. In 1902 he settled at the Malt House, Newlyn, with his wife Constance. Hunter had a studio in Bateman’s Meadow, where the Forbes School of Painting was situated, and Hunter assisted with tuition at the School in its early days. In Mrs Lionel Birch’s 1906 biography of the Forbes’ she wrote, ‘r and Mrs Forbes feel that they owe a debt of gratitude to Mr G...

BILLE Karl. (1815-1898). « Portrait d’un brick danois ». Toile signée et datée 1855. H.48 L.71.

Signed and dated figurative oil on canvas by English Pre-Raphaelite painter John Edward Brett. In 1896 John Brett and his wife Mary went to Paris, the first time the artist had been ...

Alfred Godchaux (1835-1895) An accomplished painter, he was interested in depicting multiple Venetian scenes. He was influenced by the Impressionists a...