19th Century Paintings

La obra no va firmada El estado de conservación de la pintura es aceptable, solo comentar que la tela está reentelada Se presenta enmarcada la obra con un antiguo marco en madera p...

Portrait of Girl with Plaited Hair European School, late 19th century oil on canvas, framed framed: 41.5 x 35.5 inches canvas: 36 x 30 inches provenance: private collection, UK condi...

A nicely detailed still life with flowers in a blue vase by French artist Eugene Henri Cauchois (1850-1911). Cauchois was born in Rouen, France, was a student of Duboe, Cabanel and Q...

This charming landscape painting, clearly influenced by the style of the French artist Théodore Rousseau, captures the tranquil beauty of nature with an emphasis on detail and atmosp...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter ye...

View of Venice is an original oil on canvas realized in the late 19th Century by a Master of Italian School. On the reverse: label with inscribed “E. Mareis” The painting represent...

A very good antique oil on panel costume genre painting by the celebrated Northern Italian artist, Francesco Vinea (1845-1902), the painting dated signed and dated 1873. Vinea studied at The Academy of Fine Arts in Florence and then worked as a designer of illustrated periodicals, he returned to Florence and studied under professor Enrico Pollestrini. Vinea unapologetically produced incredibly high quality humorous and whimsical scenes that were always elegant and depicted figures in period costume situated in lavishly ornamented interiors. Vinea became quite famous and wealthy in his lifetime and his work was particularly sought after in France, England and The United States. The 19th Century American art collector James Jackson...

Attributed to James Holland (1799 -1870) and William Henry Hunt (1790-1864) A Portrait of a Young Girl Wearing a Garland of Morning Glory Flowers Oil on canvas: 17 ½ x 18 in. Frame: 23 ½ x 24 in. Circa 1820 An enchanting head and shoulders portrait of a young girl wearing a white shift...

Study from Nature Made in Montfaucon 1846 (Etude d'après Nature Faite à Montfaucon, 1846) François Bonvin (French, 1817-1887) Oil on canvas, original hand carved wood frame. Signed, dated and inscribed F. Bonvin 1846 a Montfaucon (ll); inscribed indistinctly Etude... F. Bonvin...montfaucon on the stretcher 6 3/8 x 8 5/8 (9 1/2 x 11 1/2 frame) inches Provenance: Ex Collection Auguste Péquégnot Paul Prouté André Watteau Charles Sadler Galerie Berès, Paris Exhibited: Paris, Galerie Beres, Francois Bonvin, Nov. 20, 1998 - Jan. 9, 1999 Literature: International Herald Tribune, Nov. 28-29, 1998, p. 9, illus. Bonvin's work has been compared with that of the eighteenth-century artist Chardin, whom Bonvin greatly admired, and from whose work he often borrowed particular motifs. Amongst the artists he personally encouraged were Théodule Ribot and Fantin-Latour. He was one of a group of artists who challenged the idea that still-life was a mode of artistic expression inferior to the lofty genre of history and religious painting. Bonvin championed the Realist conviction that everyday subject matter was the trues form of artistic expression. Bonvin was known for keen observation skills and great restraint. In his paintings, you can almost feel the moment between breaths as the subject matter is contemplated and then committed to canvas. This a superb, very personal and very quiet study of the village of Montfaucon on what appears to be an afternoon in the Argonne region in Northeastern France known its deep valleys and dense woodlands. François is one of the most interesting painters of the 19th century. Bonvin was born in humble circumstances in Paris and had a very difficult childhood. He was the son of a police officer and a seamstress; when he was four years old his mother died of tuberculosis. Young François was left in the care of an old woman who underfed him. Soon his father married another seamstress and brought the child back into the household. Nine additional children were born (one of whom was his half-brother, the painter Leon...

Oil on canvas, signed and dated in the lower left corner. A tranquil painting featuring a European city on a lake or river at sunrise or sunset. Char...

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf, while the redhead girl, her eyes sparkling with excitement, reaches out to touch the adorable creature. The artist's attention to detail is impeccable, with each brushstroke conveying a sense of life and movement to the painting. Nevertheless, the beauty of this painting lies not only in its technical prowess but also in the emotions it evokes. Visual research gets us to authorship of Walter Goodall (1830 - 1889) an British painter. But since the painting is not signed apparently – it is hard to state for sure. Antique oil painting on canvas with stamp for 'Brodie & Middleton, 79 Long Acre...

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

Nicolas RENIE (Active 1840s to 1870s) Oil on wood 33 x 24 cm (44.5 x 34 cm with frame) Signed and dated lower left 'NRenié / 1879" Nicolas Renié is part of the family of the Barbizo...

'Setter on Point' is by 19th century British artist John Sutcliffe known for his paintings of animals. One of his paintings of a dog in a landscape, same size as this one, sold at Ch...

Large German Orientalist oil painting of horse riders by Schreyer German, Late 19th Century Canvas: Height 59cm, width 96cm Frame: Height 85cm, width 122cm, depth 8cm This outstandi...

Paul De Frick 1864 - Paris - 1935 French Painter “A Lady playing with a Cat” Signature: signed lower left and dated ‘P. de Frick. 96’ Medium: oil on canvas
 Dimensions: image size ...

Conditions ; Excellent condition, original canvas frame, no prior retouching or restauration, and no future restauration necessary. Original Victorian gilet frame in perfect conditio...

European painter (late 19th century) - Landscape with grazing cows. 101 x 76 cm. Old oil painting on canvas, without frame. - Work signed lower right. Condition report: Lined can...

Still Life is an original modern artwork realized in the late 19th Century. Mixed colored oil painting on canvas. Includes frame: 66.5 x 2 x 77 cm

Raimundo De Madrazo y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a li...

This painting by Elisabeth Keyser beautifully captures a scenic view from the northern city wall of Visby, near Lübeckerbräschen. The landscape showcases a stretch of coastline leadi...

Mixed media (pencil, pen, brown ink and white chalk) on paper. Italian school of beginning '800. The scene depicts a meeting between a high priest and a leader: if the latter is fol...

19th century oil painting Highland Pony and Retriever, Robert cleminson. A fine painting depicting a Highland Pony and Retriever, with the days bag. An oil on canvas, signed lowe...

19th-century English yacht, sailboat, and steamer off a coast with a stormy sky. John Niemann was a prolific and highly successful British landscape artist working mostly in oils. ...

This scenic painting captures the raw beauty of a mountain valley with a winding river cutting through dense forests and rugged peaks. The artist's skillful use of perspective draws ...

The Drummer French School, late 19th century Post-Impressionist School oil on canvas, framed framed: 28 x 22.5 inches canvas: 24 x 18 inches provenance: private collection, France co...

Nils Hans Christiansen (1850-1929) Denmark Winter Landscape With an Old Tree oil on canvas late 19th century signed canvas dimensions 15.94 x 12.79 inches (40.5 x 32.5 cm) frame 2...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

Paul Weber was a German born artist that painted beautiful American Landscapes. He exhibited his works in New England, specifically Philadelphia and Boston. After his famed period of...

The Head of Christ 19th Century Dutch School oil on paper laid down on board, unframed size: 7.5 x 6 inches private collection The painting is in overall very good and sound condition

➡️Rustic Cottage in a Woodland Clearing⬅️ This painting, signed simply 'Adam,' appears to be the work of an artist closely associated with the Barbizon school—a movement that emerge...

An idyllic scene with a view from the sand dunes out to an azure blue sea under a billowing sky. Daniel Sherrin (1868-1940) A seascape from the sand dunes Signed Oil on canvas 16 x ...

Charles Thomas Bale (British, 1845 - 1925) - Still life of fish and shrimp. 30.5 x 60.5 cm without frame, 50 x 80 cm with frame. Antique oil painting on canvas, in wooden frame. -...

Mariano Sigüenza y Ortiz was a Spanish painter and engraver born in Valencia. This copper painter and engraver was a disciple of the Academy of Fine Arts of San Carlos, in the early years of the 19th century. It is known that he came from a family dedicated to the art of silk making, so it is not surprising that he began his training at the Academy of San Carlos with the intention of applying his knowledge to this field. However, it seems that he opted for painting and later for intaglio engraving. Of his production as a painter, a copy of the painting La Virgen con el Niño y San Juan Bautista, the work of Mengs, and Los santos penitentes Pablo y Antonio, for which he obtained the 17 January 1836 a Supernumerary Academic position, for painting. Later, he devoted himself exclusively to the exercise of copper engraving. As an engraver, he illustrated the Biographical Dictionary, by Oliva, and the History of Spain, by Father Mariana. The engraving of El Niño Jesús...

A fine folk-style portrait depicting a man wearing traditional wear from Styria, Austria. The artist captures the gentleman in a layered suit with a rich bottle-green overcoat. To hi...

Morston Constantine Ream (American, 1840-1898) Grapes Oil on canvas, 10 x 12 inches Framed: 22 x 24 inches (approx.) Signed at lower right: “Morston Ream” The still-life painter Mor...

Excellent condition.

Signed, inscribed and dated, lower right: 'Geo Dawe RA St Petersburgh 1819', also signed with initials, lower centre: 'G D RA'; and signed and inscribed verso: 'Geo Dawe RA Pinxit 1819 St Petersburgh'; Also inscribed on the stretcher by Cornelius Varley with varnishing instructions. Collections: Private collection, UK, 2010 Literature: Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...

Very well executed tonalist work of a sunset over Amsterdam Harbor in Holland by the well known American artist, George McCord. Signed lower right with A.N.A following the signature which stands for Associate of the National Academy. Circa 1890. Condition is good. The painting is oil on canvas (relined) and is housed in an semi-antique style gold ornate frame. Frame is in very good condition. Overall framed measurements are 30 by 35 inches. Provenance: A Sarasota, Florida estate. GEORGE HERBERT McCORD (1848-1909) Born on August 1, 1848 in Manhattan, New York, George Herbert McCord was considered a central figure of the second generation Hudson River painters. While McCord described himself as mostly self-taught, he attended the Hudson River Institute and the Claverack Academy in New York. He also spent time studying in the studios of Samuel Morse...

Magnificent miniature portrait depicting Queen Sophie Charlotte of Prussia from the Restoration period. The queen is depicted as a young maiden, probably during her stay in Versaille...

This classical painting, presented in an ornate gilded frame, depicts a serene landscape with a boy seated beside a small waterfall. The composition balances the intimate foreground ...

Signed pastel on grey paper circa 1860 by Eugene Boudin. The piece is a study of clouds in a blue sky. Signature: Signed with the cachet of the artist's estate lower right Dimensio...

Alfred de Breanski Sr is one of the finest plein art artists of the Scottish Highlands. Renowned for capturing the fleeting light of sunset and sunrise, de Breanski masters layers an...

View of the Bergsee is an original modern artwork realized by the Austrian artist and painter Josef Brunner in the middle of the XIX Century. Original Oil painting on Canvas cm. 72 x 3 x 102 (canvas). A beautiful original XIX Century decorated frame is included (total dimensions: 100 x 5 x 130). Both the work and the canvas are in very good conditions. Beautiful and intense oil painting depicting the Austrian mountain lake Bergsee. The painting is characterized by a particular play between lights and shadows: the light indeed is distributed in an extremely suffused but homogeneous way on the view but it is also able to create that sense of magic that characterized the whole landscape. The color of the lake therefore assumes a transparency and an iridescent blue that tends to the green and reflects the color of the surrounding mountains. The sky appears full of rainy clouds but they still allow the rays of the last sun to shine on. The general vision conveys calm and tranquility thanks also to the refined use of color and the play of lights and shadows, the turquoise and the pale opaque blue of the lake is perfectly emphasized by the various green tones of the trees. The white, gray and light brown rocky mountains embrace the lake and the cloudy sky in shades of blue increases the feeling of tranquility. The landscape is desolate; the only signs of life are the three fishermen on the shore: they are three small figures painted in different poses and illuminated by the light too. The surface of the water reflects in a spectacular way the surrounding landscape, it is similar to the surface of a mirror. The style, fantastic and almost dreamy, is into the full Germanic Romanticism. Mindful of Caspar David Friedrich's memoirs (Greifswald, 1774 - Dresda, 1840), the author certainly took his cue from the style of the German and the Austrian Romanticism; tangible signs of Romantic painting are the choice of the subject, an uncontaminated Nordic landscape, and the almost fairytale atmosphere that we find in the composition. This wonderful Romantic painting was created by the Austrian artist Josef Brunner (Wien, 1826 - Wien, 1893). Joseph Brunner was the son of Joseph...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Carl Bertold, Nordic Fjord Landscape in Sunlight, oil on canvas Dimensions without frame 81 x 120 cm Dimensions with frame 94.5 x 134.5 cm

Circle of Anthony Vandyke Copley Fielding (1787-1855) VIew In Kerry Highlands, Ireland watercolor/gouache on board, framed glass over picture framed: 10 x 14 inches board: 18 x 21 in...

'The Rose' Canvas Size: 38.5 x 28" (98 x 71cm) Outside Frame Size: 48.5 x 38 (123 x 97cm) Oil on canvas Emile CHARLET 1851 - 1890 Born 1851 in Belg...

Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...

George Stainton British, (1838-1900) Fishing Vessels off a Harbour Early Morning Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 31 inches x 43 inches A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard. George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school. He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900. Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Oil Painting manner of Richard Cosway "Natalie" 1813 - 1880 Portrait bequeathed to Mrs William from the Duchess of Wellington in 1865 then by her to her...

This evocative mid-19th-century oil painting by Robert T Stuart (XIX) depicts a picturesque river landscape illuminated by a setting sun. A silhouetted wood stands before a majestic...

The Beach Cart British artist, late 19th century signed with monogram lower corner oil on canvas, framed framed: 30 x 41 inches canvas: 25 x 36 inches provenance: private collection,...

This superb British 19th century equine oil painting is by noted horse lover, George Gascoyne. Painted in 1889, this French born chestnut horse is Phoenix. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. This painting is from his time in Argentina with Kemmis. Phoenix is depicted in a flat landscape against a vivid blue sky. A gentleman, possibly his owner, Guillermo Kemmis, stands smiling in front of him holding his reigns and gives perspective to how tall Phoenix is. Although in profile, Phoenix is turning to look at the viewer, his chestnut coat gleaming and his anatomy perfectly portrayed. This is a superb Victorian equine portrait of a noted horse in the 19th century and is a lovely example of Gascoyne's work as a horse lover. Signed with initials and dated GG 1889 lower right. Provenance. Inscribed "Phenix" (Cymbal -- Belle-Etoile) by George Gascoyne, Sittingbourne, Kent to reverse. Condition. Oil on canvas, 36 inches by 28 inches and in good condition. Frame. Housed in a wooden frame, 44 inches by 36 inches and in good condition. HORSE BIOGRAPHY Phoenix (FR) 1875 – 1893? Chestnut horse. Cymbal (GB) x Belle Etoile (FR), by First Born (FR) Family 25. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. Race record. Complete record unavailable but as follows: 1878: Won Prix de la Forêt (FR, 1600mT, Longchamp) 1879: Won July Cup (ENG, 6FT, Newmarket July). Won Rous Memorial Stakes (ENG, 8FT, Ascot). Won Bunbury Stakes (ENG, Newmarket). 2nd Rosebery Handicap (ENG, Epsom) 1880: Won Lennox Stakes (ENG, Goodwood) As a stallion: Phoenix was the Argentine champion sire six times, reaching the top in 1887-1890, 1892 and 1895. Notable progeny: Hawk Eye (ARG), Lenape (ARG), Marinera (ARG), Osiris (ARG), San Martín (ARG), Surplice (ARG) Connections: Phoenix was owned by Comte Frédéric de Lagrange. After being exported to Argentina, he stood at Haras Las Rosas, the stud farm of leading Argentine breeder Guillermo Kemmis. His last known foals were born in 1894. Pedigree notes: Phoenix is outcrossed through five generations. Sired by Cymbal, a son of 1861 Derby Stakes winner Kettledrum, he is out of Belle Etoile, whose half sister Garenne (by Gladiator or Ethirion or Freystrop) is the second dam of 1894 Prix Royal-Oak (French St. Leger) winner Gouvernail and the third dam of 1894 Prix du Jockey Club (French Derby...

A truly masterful early 19th Century copy of the original Italian Renaissance masterpiece, "La Zingarella" by Correggio. The scene shows the Virgin Mary, cradling her son in a forest glade on their journey into Egypt. Several putti gather overhead and a blackbird and white rabbit (symbolising both Mary's virginity and fertility) can be seen at the lower left. This beautiful copy has exquisite form, true to the original, and a masterful delicacy in the folds of the Virgin's clothes. This painting has been dated circa 1820, due to the style of nail and stretcher used to stretch the canvas, as well as stylistic and condition features. In addition, the Madonna’s features lack the saccharine sweetness of High Victoriana and posses a style closer to that of late Georgian painters...

This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother and child pause to observe a drover, perhaps f...

This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1895 and the location, inscribed verso, is Loch Restil Glen Croe in Scotland. In...

Artist: English School, early 1800's, circle of John Constable (British 1776-1837) Title: The Woodland Path Medium: oil on canvas, framed, unsigned Size: 12 x 22 inches Picture: 9 x 18 inches Provence: from a private collection in East Anglia...

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...