19th Century Paintings

Artist/ School: English School Circa 1900 Title: Portrait of a young woman, head and shoulders Medium: oil on board, framed within an antique 'Florentine' gilt frame. actual pain...

Highland Cattle By The Loch, 19th Century by ALOIS STOFF (1846-1890) Large 19th Century Scottish Highland Loch landscape with cattle gathered near a Loch, oil on canvas by Alois St...

A late 19th century American School two-sided landscape painting by an unknown artist, this oil on board has two decidedly different scenes that are each lovely to view. The most unu...

Conditions : Minor retouching on the upper part, original canvas with frame. Currently Under Restoration by Museum specialist for Alfred Smith paintings....

This stunning Neo Classical French 19th century landscape oil painting is by acclaimed French artist Jean Victor Bertin. He was also an early proponent of sketching out doors and dir...

The Calm Sea Oil on mahogany panel, 8 7/16 x 6 1/2 inches Signed lower left (see photo) This work was inspired by Haskell's frined, teacher and mentor, James Abbott McNeill Whistler,...

Signed lower right, 'H. Dearth' for Henry Golden Dearth (American, 1864-1918) and dated 1892. Provenance: Collection of George A. Hearn. Exhibite...

This elegant still life painting showcases a vibrant floral arrangement in a glass vase, accompanied by delicate seashells on a draped surface. The composition balances the lively co...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

Portrait of a Victorian Lady English artist, circa 1870's period oil on canvas, framed framed: 27 x 21 inches canvas: 18 x 14 inches provenance: private collection, UK condition: ove...

Realistic early German portrait painting of Johann Ludwig-Mosley wearing his various military awards. The back features further documentation about the man's life and service. Curren...

This superb Scottish Impressionist Victorian expansive landscape oil painting is by noted Scottish artist David Farquharson. Painted in 1887 it is entitled verso Mayday on the Annan....

A large late 19th century still life of fruit, captured alongside a freshly shot pheasant. Signed' J. Urban' to the lower left. On canvas on stretchers.

The Studio Model French Impressionist artist, circa 1890's oil on canvas: 27.5 x 16.5 inches provenance: private collection, France condition: very good and sound condition

Here for your consideration is a very well executed and highly detailed oil on mahogany wooden panel painting by one the the leading Victorian artists of the day, Joseph Thors. Sign...

UNKNOWN (still life with fan) Unknown Oil on canvas Framed: 35.5 x 23.5 inches

Tempera on cardboard mounted on an original canvas and original glass. 19th century. Interesting and well accomplished study for Nature probably in eastern France. Dimensions with fr...

Cows Grazing At The Riverbank On the River Trent, near Hoveringham, Nottinghamshire inscribed to the label verso, dated 1853 Oil on Canvas, framed Framed: 21.5 x 24.5 inches Canvas: ...

The meeting is an original modern artwork realized by Artist of 19th century. Mixed colore oil painting on canvas, not signed. Relined in the mid-20th Century.. The artwork depic...

French school of 19th century Academy study - Naked man Oil on canvas 81 x 56,8 cm Inscribed "Julien" on the backside

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive nocturn of a hunter and his two ...

"The River Cottage" British School, 19th century follower of John Constable oil painting on board, framed painting: 12.5 x 12.5 inches fram...

Artist/School: 19th Century English School Title: Three Dogs In Open Landscape Medium: oil on canvas, framed (behind glass hence the reflection). Framed...

This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...

Antique French impressionist seascape signed oil painting. Oil on board. Signed. Framed. Image size, 28L x 20H.

Antique portrait painting of two woman having an art lesson by Swiss artist, Louis Patru (1871-1905). This is an unusual painting from an artist who only enjoyed a short life. Two ...

A charming late 19th century oil painting depicting two gentlemen fishing in an idyllic river location. The composition has been well presented in a contemporary gilt frame with inte...

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

A rather beautiful Hudson River landscape oil on canvas painting by the celebrated New York artist Charles Grant Beauregard (1856-1919), signed and dated 1898. The painting depicts c...

Antique elegant Polish beach scene oil painting by Paul Merwart (1855 - 1902). Finely detailed with great color. Oil on canvas. Signed. Framed. Image size, 13L by 16.25H

Farmyard Friends French artist, late 19th century oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private collection, Paris condition: very good and sound condition

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

This lovely portrait oil painting is by much exhibited British artist Edwin Roberts. The painting is an excellent example of Victorian romantic genre art and is of a Summer Beauty. T...

A finely detailed silhouette of a Victorian young man. Circle of Hinton Gibbs (1783-1839) Portrait of a young man, bust length, turned to the right, wearing coat and cravat watercol...

Elias Erdtman (Sweden, 1863–1945) Moonlit Reflections, Heyst-sur-Mer oil on canvas laid on board signed E. Erdman och daterad -84 unframed: 29 x 18.5 cm (11.4 x 7.3 inches) framed:...

A gorgeous novecento animalier painting, depicting a curious colt and.a white rabbit, by Gaetano Jerace (1860-1940) Gaetano Jerace was born in Polistena in Calabrian into a dynasty of artists: his brothers Francesco (1894-1937) and Vincenzo (1862-1947) also became painters. Gaetano moved to Naples as a young man, where a attended the Academy of Fine Arts, studying with Francesco Lojacono...

Large European impressionist seascape sailboat oil painting by Thorolf Holmboe (1866 - 1935). Framed. Oil on canvas. Signed. Image size, 26H by 29L.

Set of Six Antique Engravings each drawing : 9 x 12 inches provenance: private collection condition: very good and sound condition Description: This collection of six antique engrav...

Scottish/British artist John Gifford is best known for his paintings of Setters, Spaniels and Ponies in the Scottish countryside and highlands. Sought after for his sporting artwor...

A fine copy of Johann Peter Hasenclever's oil painting, Der Dudelsackpfeifer from 1835. Hasenclever's original painting has been lost since 1945. This fine replica comes presented in...

This charming German miniature painting, created of oil on copper, depicts a tranquil outing on a boat. A lavishly dressed couple stands together, while a seated man rows the boat. T...

Vinsent G. Stiepevich (1841 - 1910) Russian and American artist. Emigrated to New York in 1878, where he lived in Brooklyn, Vincent Stiepevich was noted for his realist painting style of portrait, figure and genre subjects, especially in Harem and Orientalist* settings. Memberships in New York included the Artists Fund Society* the Brooklyn Art Association*, 1878-82, 1891; National Academy of Design*, 1878-91; Pennsylvania Academy of the Fine Arts* annual, 1885, 1888-91; Boston Art...

Stunning naturalist landscape by Karl Bock (German, 1873-1940) in the style of and "after" (Paul Franz Flickel German, 1852-1903) . Signed ("K. Bock n. P. F...

Signed oil on panel circa 1895 by French modernist painter Louis Anquetin. The piece depicts three white horses. Signature: Signed lower right Dimensions: Framed: 16.5"x20" Unframe...

Antique American gilt picture frame. Rabbet measures 12.5" x 10.5" Perfect for a 12" x 10" painting.

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

J. Bonnevay (active in France in the late 19th century) Portrait of a Gentleman Signed upper left (the signature is quite difficult to read, but without a doubt Bonnevay's) Oil on c...

Spanish School, head and shoulders portrait of a beautiful young woman in an elegant blue dress and lace mantilla. Well presented in a painted wooden frame. Unsigned. On canvas on st...

This mid-19th-century oil painting, attributed to English artist Edward Charles Williams (1807-1881), depicts a wooded river landscape with a boathouse, cottage, fishermen and figure...

Signed and dated in the right hand corner. Beautiful and impressive painting by the italian painter Giuseppe Raggio, both in size and atmosphere, representing a Lake in the countrys...

19th century English Antique Horse racing scene in a landscape with Jockey up. Wonderful and very well painted English Horse Racing scene. Simil...

Signed: Morrow '65 (Lower, Right) " Venus of the Grotticella Fountain ", 1865 Oil on Paper 14 1/2" x 10" Housed in a 2 3/4" Ornamented Frame Overall Size: 19 1/2" x 15" The f...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

OIL PAINTING SIGNED OLD FINE MASTER PAINTER 19th Century BRITISH SCHOOL Fine Original Antique 19th Century British OLD MASTER OIL PAINTING GOLD GILT FRAME NEW COLLECTION Of RARE ...

This atmospheric landscape painting depicts a rural scene with thatched cottages nestled among lush trees along a winding dirt path. The artist skilfully captures the interplay of li...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

Dancing Figures in the Park French, 19th century oil on canvas, unframed canvas: 22 x 26.5 inches provenance: private collection, France condition: with some former restoration and m...

Portrait of the Long-Haired Black Labrador, 19th Century, English School This distinguished portrait of a long-haired black Labrador is attributed to the circle of John Ferneley (18...