19th Century Paintings

Work on wood Golden wooden frame 25 x 31 x 3,5 cm

Artist: Wilfrid Constant Beauquesne, French (1840 - 1913) Title: Men Fraternizing with the Ladies Year: c. 1890 Medium: Oil on Canvas, signed l.l. Size: 21.5 x 26 in. (54.61 x 66.04 ...

A delightful depiction of a countryside landscape with a river flowing on the verge of a small village. A church and two cottages can be seen on the far side...

George Dunlop Leslie (1835 - 1921) Antique English realist oil painting. Oil on canvas. Signed. Framed. Measuring 17 by 20 overall and 12 by 15 paining alone. Artist Bio: George Dunlop Leslie RA (London 2 July 1835 – 21 February 1921 Lindfield, Sussex) was a British genre painter, author and illustrator. He was born into an artistic family; his father was the notable genre painter Charles Robert Leslie RA, and his uncle Robert Leslie was a marine artist. He studied art first at Cary's Art Academy, then from 1854 at the Royal Academy. His first exhibition at the Academy was in 1859, and he showed his work every year thereafter. He became an Associate (ARA) in 1868 and a full Royal Academician (RA) in 1876.George Dunlop Leslie lived early on in St John's Wood (London), and was part of the St John's Wood Clique, a group of artists who favoured light-hearted genre subjects. From 1884–1901 he was resident at "Riverside", St. Leonard's Lane, Wallingford, Oxfordshire. His sister Mary Leslie (1833–1907), also an artist, lived at "Cromwell Lodge" next door. Fellow artist, James Hayllar, was also a resident of the village and they painted a portrait of Queen Victoria together for her Golden Jubilee in 1887. From 1906 he lived at "Compton House" in Lindfield, SussexHis early works, such as Matilda (1860) showed the strong influence of the Pre-Raphaelites, but he settled into a more academic, aesthetic, style of painting with the aim of showing "pictures from the sunny side of English domestic life". He often used children as subjects and his work was praised by John Ruskin for its portrayal of the "sweet quality of English girlhood". One of his pictures, This is the Way we Wash our Clothes, was used as a poster in an advertising campaign for soap. Despite its apparently trivial subject matter, however, Leslie's work was highly regarded by critics of the time.In 1889 during his time at Riverside house in Wallingford Leslie is credited with painting four angel murals in St Leonards Church.Leslie was also an author and had several books published. Our river (1888), Letters to Marco (1893) and Riverside letters (1896) were all illustrated by him in black and white, and based on personal observations of life and nature in his local area. He also wrote a history of the early years of the Royal Academy - The inner life of the Royal Academy.Leslie was married to Lydia. They had a daughter Alice (depicted in his painting Alice in Wonderland) and a son Peter Leslie...

François Maurice ROGANEAU Bordeaux, 1883 - Aix-en-Provence, 1973 Oil on canvas on cardboard 44 x 32 cm (55 x 44 cm with frame) Signed lower left “FMR” Mount Lycabettus opposite to t...

Meadow. Cardboard, oil. 6.2x8 cm

Basile de Loose Portrait of a Child signed and dated „1861“ Basile De Loose (17 December 1809 – 24 October 1885) was a Belgian painter. He was born in Zele, East Flanders, United K...

Provencal Landscape by Louis Bellon (French 1908-1998) From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10 x 13.5 i...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught paint...

Late 19th Century - Early 20th Century Stunning Monterey coastal seascape painting w/crashing waves by mystery artist Oil on Canvas Canvas: 16" W x 10" H Frame: 21.75" W x 15.75" H

Early 19th century English school Oil on canvas 35x55cm (50x75cm with frame) This view of the Thames from Richemond Hill is a famous site that was...

Ludwig Hermann German, (1812-1881) Winter on the Quay Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This highly detailed...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

Elbridge Kingsley: 1842-1918. Listed American artist whose paintings are very rare. He was born in Carthage Ohio and moved to Hatfield Massachusetts as an infant. He ended up becoming a successful wood engraver printing a lot of George Inness and Albert Pinkham Ryder...

Georg HÖHN Neustrelitz, 1812 – Dessau, 1879 Oil on canvas 67 x 97 cm (89 x 120 cm with the frame) Signed lower left “Hohn p.” 19th century gilded wood frame Georg Höhn is a 19th ce...

Work on cardboard Golden wooden frame 42 x 34 x 3.5 cm

The golden-red glow of the autumnal sun illuminates this countryside scene by British painter John Atkinson Grimshaw. Showcasing the celebrated painter’s mastery of light and atmosph...

Study of An Appaloosa Horse, 19th Century by H Milnes (19th Century British) 19th Century portrait of An Appaloosa Horse in a yard, oil on board by H Milnes. Rare early portrait of...

The Hounds In Full Cry, 19th Century attributed to Thomas BLINKS (1860-1912) Large 19th Century English Hunting scene of the hounds in full cry, oil on canvas attributed to Thomas ...

A charming Victorian painting showing two girls, perched on a wooden countertop and table, one grasping a picture of napoleon. A chicken can be seen to the lower left of the composit...

Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written label verso with the artist’s address Image size: 31.5 inches x 54.5 inches Size includi...

Allegory of a Wheat Harvest (Portrait of young child), ca. 1850, by unknown American artist. Oil on panel measures 9 x 11 inches. Unframed. Original con...

 Interior of an Harem is a modern artwork realized in the late 19th Century. Oil on Canvas Includes a beautiful gilded frame (fair conditions) Collect a masterpiece of the past

Oil Painting by William Richard Waters "Portrait of a Lady" flourished 1813 - 1880 Painter of Portraits, still-life as coastal genre scenes. Worked in Paris before settling in Dover....

This is an unsigned, but rare, late 19th century oil on canvas of a view of the French Broad River in North Carolina. It is amongst the world’s oldest rivers. The scene depicted is mountainous and the water is swiftly moving. This would put the location at the northern end of its course, north of Asheville and near the North Carolina and Tennessee border. Much like the Hudson River School in...

Leading Hudson River School Painter Famous for New England Views

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

Signed and dated, lower right: EL / Nov 34 Provenance: Barbara and Ernest Kafka, New York.

Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, youngest daughter of a large bourgeois family from Maye...

Signed figures in landscape oil on canvas circa 1880 by French impressionist painter Stanislas Victor Edouard Lepine. The piece depicts two workers haymaking on a summer's day. A mother nestled in the hedges cradles her baby beside a path and there is a river to the left of the painting. Signature: Signed lower right Dimensions: Framed: 22"x23" Unframed: 13"x16" Provenance: Private French collection This work is included in the Catalogue Raisonee of Stanislas Lepine by Manuel Schmit - Supplement 1 / Ref L.1119 Stanislas Victor Édouard Lépine was the pupil of Corot in Paris between 1860 and 1875. His first paintings hardly attracted attention. He would perhaps have remained unknown for a long time if Count Armand Doria, struck by the feeling visible in his landscapes, had not taken him under his protection with Adolphe Félix Cals...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...

Antique landscape watercolor painting of a country road in San Rafael, California, circa 1880. Unsigned and unframed. Presented in mat. Im...

Mystery European Artist Untitled (Countryside Farmette), c. 1880 Oil on canvas 12 x 10 in. Framed: 16 x 13 1/2 x 1 1/2 in.

Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Fr...

This superb large exhibited British Victorian oil painting is by noted artist Thomas Falcon Marshall. Painted in 1849 it was exhibited at the Royal Academy London that year. This lar...

"Summer Blue" Still life of Blue Hydrangeas in a glass vase. Melissa Franklin Sanchez was born in 1984, in Warwickshire, England. In 2002 she graduated from her humanistic studies: ...

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

Watercolour on paper Paper size: 4 x 5 inches Framed size: 19 x 19.75 inches PROVENANCE A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner). Private collection, London LITERATURE: For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988. The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV. Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch. At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824. The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner. Anne Lyles has confirmed the attribution and writes: "Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...

Oil on canvas. 56x46.5 cm.Signed lower right, dated 1860 Provenance : - Gift of the artist to Monsieur Allou in March 1861- Sale by Allou and Ehrlier in February 1872 (Galerie George...

A very good quality early 19th Century Austrian, Vienna style convex porcelain plaque depicting a hand painted portrait of the "Duchess of Devonshire." Georgiana Cavendish...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 26.5 INCHES** John James Wilson British, (1818-1875) Shipping off Scarborough & Shipping off Portsmouth Harb...

Henry Gillard Glindoni British, (1852-1913) The Suitor Oil on canvas, signed & dated 'Jan 1908' Image size: 27.5 inches x 35.5 inches Size including frame: 41 inches x 49 inches Thi...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Work on canvas Molded frame in wood and gilded plaster 66 x 76.5 x 4 cm

This charming scene depicts a child at the feet of his seated mother reading out loud from a book. The sister looks up at them both, smiling as she holds out her apron full of flower...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

Harrison Bird Brown (1831 - 1915) Birch Tree in Maine, New England, 19th Century Oil on canvas 25 x 13 1/8 inches Initialed lower left Provenance: Portland International Galleries, Maine Mr. and Mrs. Walter M. Jeffords, Jr., Saratoga Springs, New York and Lexington, Kentucky (President of Brooklyn Borough Gas Company) Private Collection, Chicago Exhibited: Portland Maine, Portland Museum of Art, 58 Maine Paintings 1820-1920: Selections from the Collection of Mr. and Mrs. Walter M. Jeffords, Jr., May 20 - June 20, 1976, cat. no. 11. The above catalogue listing this vertical landscape will be included with your purchase. "Mr. Brown has succeeded fully in accomplishing that which Mr. John Ruskin, in speaking of J. M. W. Turner's sea views, said no painter had yet accomplished; that is, the representation of the creamy foam which the storm lashes up from the waves along a rocky shore." Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine...

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

Artist: Edward Heaton, American (1824 - ) Title: Landscape with Cottage Medium: Oil on Canvas, signed lower right Size: 12 x 16 in. (30.48 x 40.64 cm) Fr...

Roman Girl At Fountain After Leon Bonnat by L. Luige c.1876 Original oil on canvas This is a period copy of the painting by Leon Bonnat (the original wa...

Impressionist Landscape and Marine Oil Painting of Loch Fyne Scotland. Fishing Boats on the Loch with the Hills and Cottages in the distance. Tarbert, Loch Fyne" by Terrick Williams...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

Modesto Faustini (1839-1891), "Portrait of elegant," oil on canvas in gilt frame signed lower right "M. Faustini - Rome." This splendid portrait belongs to one of the most flourishi...

This charming French 19th century Impressionist landscape oil painting is by noted artist Edouard Frere. Painted circa 1860 it depicts a village, drenched in sunshine with not a clou...

A pleasant serenade Italian oil painting on canvas attributed to Alessandro Sani 19Th c. Alessandro Sani (1856–1927) was an Italian painter, mainly of genre subjects. He was born a...

Wissour circa 1850 23 landscapes in the South of France Oil on paper 112,6 x 173,9 cm with the frame Signed on severals paper on the back