19th Century Paintings

This is an Ernest Schmitz (1859-1917), Postillon, Bavarian Postman, Oil on Board. Measures 17x16. In great condition

A French Chasseur a Cheval de la Garde Imperiale, drinking outside an Inn or Pub. Frank Moss Bennett was born in Liverpool, England on 15 November 1...

This mid-19th-century oil painting by German artist Heinrich Spiess (1832-1875) depicts a young lady reading a love letter. It’s an accomplished work by an artist with a profound admiration for the old masters. Once again, she’s returned to her jewellery box to unearth a treasured letter from an admirer. Every time surreptitiously tucking it away from prying eyes inside a lockable jewellery box. There’s a chill of excitement as she delicately holds his words with both hands. A shudder of emerging romance, a dream unfolding. She’s not wearing a wedding ring - but for how long? Whatever happened to love letters? Such a pleasing way of conveying one’s feelings. Heinrich Spiess was immersed in the illustrious world of the old masters from an early age. His father, August Fred Spiess (1806-1855), was a notable draughtsman and produced numerous engravings after eminent Renaissance luminaries. They worked together on various projects. As a child, the young Heinrich would’ve been surrounded by old master prints. Here, we see a subtle nod to the Dutch masters of the 17th century, such as Johannes Vermeer (1632-1675) and Gabriël Metsu...

Louis Smets Dutch, (act. 1852-1896) A Winter’s Day Oil on canvas, signed Image size: 23.5 inches x 32.5 inches Size including frame: 30.5 inches x 39.5 in...

The Herring Net, circa 1900 Winslow Homer (1836-1910) interest Circa 1900 American School scene of fisherman bringing in the herring net, oil on pane...

Oil on canvas Canvas size: 27.25 x 38.25 inches Framed size: 33 x 44 inches Signed lower right

François Charles Cachoud (born in 1866 in Chambéry, Savoy and died in 1943) is a painter known today for his night effects and his chiaroscuro...

Rare, beautifully detailed oil painting on board of “Harrow o the Hill”, on a bright summer’s day. Though not signed on the front, it is signed twice verso “E.E. Bradley” and titled ...

Tomkins Harrison Matteson Playing with Grandfather, 1869 Signed and dated lower left Oil on canvas 29 5/16 x 24 3/16 inches Provenance: Sotheby's New York, May 24, 2001, Lot 150 Est...

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

English artist, second half 19th century oil painting on board, framed framed: 20.5 x 27 inches board: 14 x 20 inches provenance: private collection, England condition: overall ver...

Charles Towne (1763-1840) A wooded landscape with a traveller on a path Signed "By CT" lower left Oil on canvas 23 1/8 x 19 1/2 in Provenance Private Collection, West Sussex Charle...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

A fine 19th century still life of flowers by French artist Louis Mettling (1847-1904). Mettling was born in Dijon, Côte- d'Or, France to English parents. He studied at the École des ...

Artist: Inoel (French, Active: Late 19th Century) Title: “Vue de Venise (View of Venice)” *Signed by Inoel lower right Circa: 1875 Medium: Original Oil ...

Charles Henry Miller (American, 1842-1922) Untitled (After Troyon), c, 1885 Oil on canvas 9 x 12 in. Framed: 14 x 17 x 3 1/2 in. Signed lower left, inscribed verso Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Oil Painting by Lilian M. Thornley "Off The Coast" 1890 - 1910 Gravesend painter of coastal maritime scenes, daughter, pupil and studio assistant of William Anslow Thornley. Oil on C...

Alfred Wahlberg (1834-1906) Oil on canvas, in a modern gilt stepped frame Signed Alfr.Wahlberg 33cm x 44cm unframed Minor cracking and losses to pa...

Artist/ School: British School, late 19th century, signed Title: Sunset in the Scottish Highlands Medium: oil on canvas Framed: 25 x 35 inches Canvas: 20 x 30 inches Provenance: ...

Oil Painting by Edwin Henry Boddington "Evening on the Thames" Painter of Thames and North Wales landscapes. Exhibitor at the Royal Academy and B.I, s...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

original and certificated by gallery

Oil Painting by George Aikman "A Scottish Coastal View" 1830 - 1905 A George Aikman was a Scottish painter and illustrator, associate member of the R...

John T. LeMon, Irish 1866-1941 Born in Belfast in 1866, LeMon emigrated to the U.S. in 1898 and practised as an artist in San Francisco. He worked in oils and pastels, and depicted l...

Charming late 19th century oil on canvas of a pair of ducklings. Presented in a wooden gold frame. Unsigned. The stretcher with 'keys'. A warm and inviting painting beautifully executed and in great detail highlighting the soft downy feathers, the shiny beaks and the eye contact...

Tranquil Pastures English School, 19th century oil painting on canvas, unframed canvas: 30 x 40 inches provenance: private collection, England condition: overall very good - small ...

Antique American impressionist flower landscape painting by Arthur William Best (1859 - 1935). Oil on board. Signed. Framed. Image size, 14L x ...

James Stark 1794-1859 , The Shooting Party, Windsor Great Forest. Circa 1830.

Portrait of a large dog (possibly a Great Dane) standing in an interior with finely detailed wood panelling and red carpet beside a sumptuous emerald green curtain held with green si...

Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...

A very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...

A fine impressionist oil painting of the artist’s studio interior by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen years old and became the youngest member elected into the Boston Art...

A wonderful work by Provençal master Joseph Collas, a native of Aix en Provence in the South of France. Born in 1841, Collas studied with Emile Loubon - who was also known for his pa...

Artist/ School: F Bedo 19th Century European - dated 1878 Title: A Resting Place Medium: signed oil on canvas, framed Size: 18 x 14 inches, plus the frame Provenance: private col...

A charming 19th Century oil on tin, after the original painting, by the Dutch painter, Jan van Mieris (1660-1690). The scene shows a finely dressed doctor, ...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

Signed and dated lower left: 1848

Antique American Hudson River School sunset landscape oil painting. Oil on canvas, circa 1874. Signed in monogram. Housed in a giltwood frame. Image size, 30L x 22H.

Coach and Four Horses By Philip Henry Rideout, British 1960-1920 Signed oil painting on board, framed framed: 7.5 x 12 inches board: 6 x 10 inches provenance: private collection, Eng...

Wonderful and very unique English Victorian Village scene, with figures, and lots more . John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham...

Big oil on painting by Francisco Pradilla Ortiz. Certificated by Wilfredo Rincón . 227 and 118 cm without frame.

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Oil Painting by E. S. England "Cockerel and Hens" 1870 - 1900 Painter of atmospheric landscape animal scenes, including prize pig and cows. His scene 'The C...

The First Bridge on The Dart William Traies (British, 1789-1872) signed, inscribed and dated 1851 on canvas overlap attached to the stretcher oil on canvas, framed framed: 15 x 19 inches painting: 13 x 18 inches Provenance: W & F.C Bonham & Sons Ltd,. Tooth & Tooth and Robinson & Foster, November...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Oil Painting Pair by Frank Hillyard Swinstead "Stonehaven North Britain" RBA 1862 - 1937. Studied at the Royal College of Art and Juliennes in Paris. Mas...

View of the Gulf of Naples from Capodimonte is an oil on canvas realized by a follower of Camillo De Vito. The Gulf of Naples, including a smoking Vesu...

Signed lower right in arrowhead: R.A. Blakelock

Artist/ School: Scottish School, circa 1870's Title: The Highland River Landscape Medium: oil painting on canvas, framed framed: 13.25 x 16.25 inches canvas: 7 x 10 inches Prove...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wardle'. Title: Falling Tree...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Charming original antique American painting of terrier puppies posed in a barn in front of straw and a basket. Framed 13x18 Unframed 11x16

Clifton Hampden Bridge, early 20th Century by EVELYN FOTHERGILL ROBINSON (1872-1939) Large Early 20th Century view of Clifton Hampden Bridge in summer seen through a glade of trees...

Fishing boats leaving port Millson Hunt (Late 19th Century) British signed oil on canvas ,framed canvas: 18 x 13.5 inches framed: 22 x 18 inches the painting is in overall very good...

Oladimeji Alabi, a Nigerian contemporary artist, created a thought-provoking artwork titled "Energy," which emphasizes the essence of energy, both positive and negative, according to African spirituality. The artwork is a vivid depiction of the concept of karma, which is fundamental to African spirituality, and the law of nature, which states that what you give out, you get back in turn. The central piece of the artwork is a painting of a human figure, seemingly in a state of contemplation with her flowing hair. "What you give out, you get back in turn." This phrase is a direct reference to the concept of karma, which is prevalent in African spirituality. Karma is the belief that our actions have consequences, and that every action we take has an effect on our lives and the lives of those around us. Furthermore, the artwork emphasizes the importance of energy, both positive and negative, and how it affects our lives. According to African spirituality, everything in the universe is interconnected, and energy flows through all things. Positive energy is associated with good fortune, success, and happiness, while negative energy is associated with misfortune, failure, and sadness. In conclusion, Oladimeji Alabi's artwork "Energy" is a beautiful and thought-provoking piece that embodies the essence of African spirituality. The artwork's central message of karma and the law of nature is a powerful reminder that our actions have consequences and that we must be mindful of the energy we put out into the world. The artwork is a testament to the artist's skill and creativity, and it is sure to leave a lasting impression on all who view it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Antique American realist flower still life oil painting. Oil on board, circa 1900. Unsigned. Image size, 10L x 14H. Housed in a period giltwood frame.

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...