20th Century Paintings

Claude Le Sauteur, Canadian, 1926-2007 LES OMBRES (THE SHADOWS) Oil on canvas 10 x 12 in Signed and dated lower left; signed and titled verso framed

Robert Beauchamp, American (1923-1995) Untitled Hand signed lower right, titled verso. MIxed media oil painting on heavy art paper sight: 22 3/4 x 29 1/2 inches frame dimensions: 23 1/4 x 30 1/4 x 1 1/4 inches, metal frame with glazing Provenance: Private Collection. Frame inscribed 'Property of AT&T' Bears label from their corporate art collection. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...

George Dannatt (1915-2009) Open Blue 1970 Mixed media on paper 25.4 x 17.7 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with the artist’...

Exciting oil painting on canvas of a colorful dove on a wheel with geometric implications under a half moon and over a landscape. Executed in a modern surrealist style. Signed by not...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Antique American school signed seascape painting. Oil on board. Signed. Framed. Image size, 24L x 18H.

From the estate of Jerry Opper & Ruth Friedman Opper Short Hair c. 1940-1950's Gouache on Paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

Oil on artist canvas board by the well known artist Nicolas Cikovsky of a vibrant floral bouquet. Signed lower right. Condition is very good. The painting is housed in its original frame. Overall framed measurements are 21.75 by 17.5 inches Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

Mikesch, who had lived in Berlin as a freelancer since 1966, was originally active as a painter and graphic artist. He worked for radio from 1979. He wrote prose texts for children a...

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

Work on canvas

Francesc Todó (1922-2016) - Symmetrical and mirror in the center - Oil on canvas Oil measures 73x60 cm. Frameless. Tortosa, Tarragona, 1922 - Les Borges del Camp, Tarragona, 2016 Artist of engravings, monotypes, drawings and paintings. After a conventional post-impressionist period of schematic figures and another of painting complex and careful machines that are in tune with social art...

Work on paper Black plastic frame with glass window 48.5 x 60 x 2 cm

Work on canvas Brown wooden frame 52 x 58 x 4.5 cm

Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right. Provenance: Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation). Sothebys American art sale October 10, 2008. The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston. BIO Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...

Oil on canvas. Estate of the artist. Leon Dabo (1865-1960) enjoyed widespread acclaim in a career that stretched nearly a century. He was one of the primary students of Whistler and his work was a “virtual international style by 1910." He was an artist "who created works of decorative and spiritual abstraction that became icons of their age.” (David Cleveland, A History of American Tonalism...

Original oil on canvas painting of Abisko, Sweden by the well known artist, Kjell Leander-Engstrom of Sweden. Signed lower left. Signed, titled and dated verso 1965. Notice of artist...

Scorpion is a contemporary artwork realized in 1973 by Genny Puccini. Mixed colored acrylic on canvas. Hand signed and dated on the lower margin and on...

Dynamic abstract expressionist painting with crow titled, "Night call" by Kristin Cohen (American, b. 1963), circa 1980. Kristin is a California abstract expressionist artist she studied at Humbolt State University and with Michael Dee Cookinham...

Signed lower right "Sander" 19.5 x 23.5 inches; 23.5 x 25.125 inches framed Provenance: Private collection, Denver

Signed lower right: AH Gorson

A one of a kind piece by world famous Israeli artist Mordechai Ardon. It is a framed oil on canvas painting. 65X54 cm (25 5/8 x 21 ¼ in). Signed and dated "Ardon 60" (upper right). S...

Gorgeous landscape oil painting of snow-capped Grand Teton mountains winter scene by B. Silva (American, 20th century). Signed "B. Silva" and dat...

Joaquim Sabaté Casanova - Stained glass window with a nude woman - Oil on canvas Oil on canvas - Hand signed - c.1990 Oil measures 92x65 cm. Frameless. Quimet Sabaté will enter the...

A beautiful signed and dated 1928 French naïf oil on canvas depicting an unusual archery match. The two competitors appear to be aiming at a target which is directly above their head...

A French impressionist piece depicting a waterfront view. Oil on Canvas.

Work on wood Molding frame in plaster and gilded wood 41.5 x 48.5 x 5 cm

Artist: British School, latter part of the 20th century Title: The Coastal House Medium: oil painting on board, unframed Size: 10 x 12 inches Condition: good and presentable Pro...

Signed lower left, 'McCullough' for Jane McCullough (American, 20th century) and painted circa 1985. Jane McCullough was an avid California plein air painter, exhibiting and took ar...

Oil on canvas

Work on canvas White wooden frame 52.3 x 41.7 x 2.8 cm

Canadian artist Pat Service grew up surrounded by the rugged beauty of the BC landscape—forests, sea and sky. In this, one of her earlier landscape paintings Service has captured a v...

''Mr Duck'' by Édouard Righetti (1924-2001) Signed lower front and back oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors. very good conditio...

Work on paper to frame

Surrealistic and whimsical, bright and vivid colors. Provenance has only been from Artist studio to Gallery inventory.

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Cadaques - Oil on canvas Oil measures 50x61 cm. Frame measures 61x72 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography...

Toronto artist David Bolduc was a modernist inspired by Jack Bush and Henri Matisse--his work was described as exotic and eccentric. A prolific traveler...

Original oil on board painting by Frederick Tordoff. Signed lower right and titled verso. Overall size in gold and black nautical style frame 25 by 35 inches. Condition: good; no restoration. Frame has some old repairs. This painting depicts the second race of the 1885 America's Cup between Puritan of Boston's Eastern Yacht Club...

Work on canvas sold with frame. Total size with frame 43x54 cm

On the beach. 1976. Cardboard /mixed media. 50x59cm Marina landscape with beach, boats and people relaxing on the seashore.

SHERRON FRANCIS (AMERICAN, B. 1940) Trap Rock, 1972 Acrylic on canvas 22 3/4 x 16 inches Signed, titled and dated on the reverse A reappraisal is long overdue for the second-generation abstract expressionists. Artists such as Helen Frankenthaler, Morris Louis, Dan Christensen, and Sam Francis are already well-known names. However, Sherron Francis, a female artist from the Midwestern United States, exhibited alongside many of these stars, yet has not been the recipient of a major exhibition in nearly 40 years. Francis was born in the Chicago suburb of Downers Grove, Illinois in 1940. She studied fine art at the University of Oklahoma from 1958 to 1960 before transferring to the Kansas City Art Institute for better educational opportunities. At the time, Francis remained loyal to figurative art. Philip Pearlstein, a contemporary artist and visiting professor once remarked at the confidence of Francis’ draftsman abilities. In the early 1960s, art dealers and gallerists from New York would visit the Institute to recruit artists by offering scholarships, but they only offered these scholarships to men. Francis was forced to plead with deans to allow a scholarship for women so that she could continue her studies. She ultimately graduated from the Kansas City Art Institute in 1963. In Missouri, Francis met Dan Christensen (Class of 1964), an artist friend, who would play a key role in her career throughout the next two decades. Francis then received her MFA from the University of Indiana, where she was housemates with Mernet Larsen, before assuming a teaching position at Eastern Michigan University. In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in Soho. At the time, the neighborhood boasted some of the biggest names in abstract expressionism. She quickly became friends with Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Larry Zox, and Larry Poons, who all lived and worked in the neighborhood. In fact, Francis introduced Larry Poons to his now wife, Paula, a friend and student of Sherron’s. Francis helped to found The Bowery Gallery in 1969 and received her first solo exhibition there in 1970 for her figurative works. After this exhibition, Francis decided to switch to abstraction. By 1971, Christensen, who was exhibiting with Andre Emmerich, introduced Francis to the legendary gallerist. There was no better gallery to be showcasing abstract expressionism and color field painting during this decade for an artist. For example, in 1972, Emmerich held solo exhibitions by art titans, such as Hans Hofmann, Al Held, Esteban Vicente, David Hockney, and Morris Louis. In 1973 alone, Emmerich gave one-person exhibitions to Helen Frankenthaler, Kenneth Noland, Hans Hofmann, Jack Bush and a new discovery: 32-year-old Sherron Francis. The January 27 - February 14 exhibition for Francis was a great success with Peter Schjeldahl commenting in the New York Times: “Francis has…sidestepped the danger of seeming hopelessly derivative of such artists as Mark Rothko, Morris Louis and Helen Frankenthaler —by, it seems to me, the use of a single canny formal device. All her canvases are tall, vertical rectangles. What this shape achieves is a physical presence that supports the paintings' fragile play of color and texture. Bearing roughly the proportions of the human body, but bigger in size, her pictures confront the viewer with a satisfying firmness, inviting delectation.” Francis’s career now took off with the stain paintings. In a 1974 article in Arts Magazine, Whee Kim writes, “She has asserted the credibility of her own answer to the problem of the outer edge of a canvas by limiting her investigations to a singular central image. In her variations on this theme, an intuitive sense of color and touch is given restricted free-play.” Schjeldahl added, “Her paintings, stained and brushed to a suavely grainy texture, each float an area of warm, soft color in a somewhat less‐intensely colored field. The areas are amorphous in shape and closely related, by hue, to the surrounding fields. Her colors run to luxurious brown‐golds, dreamy bluegreens and dusty pinks, though each canvas is alive with a variety of evanescent hues and tints. The goal of her art is to be at once as gorgeous and as delicate as possible: she intends to ravish.” In 1973, Francis exhibited at the Whitney Biennial and then received a second solo exhibition at Emmerich the following year. Corporate collections and private enthusiasts, including Helen Frankenthaler, rushed to purchase her paintings. More than sixty of her paintings sold in one year at Emmerich’s gallery. Throughout the 1970s and early 1980s, Francis exhibited at other leading American galleries, including Janie C. Lee Gallery in Houston, Barbara Kornblatt Gallery in Baltimore, Douglas Drake in Kansas City, Rubiner Gallery in Detroit, and Tibor de Nagy Gallery in New York. Francis always marched to the beat to her own drum. Although she admired the works of Jules Olitski, Jack Bush, and Kenneth Noland, Francis never felt that her work and lifestyle were influenced by others. When her friends summered in the...

Here for your consideration is one of the last paintings completed by the well known Russian/American artist, Nahum Tschacbasov. Acrylic paint on canvas. Signed lower left and dated 1982. Condition is excellent. Presently unframed. Provenance: Estate of the artist Nahum Tschacbasov. Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur Kalaher...

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...

Atlantis, A large spectacular nautical, marine magic fantasy. (without the frame it is 32X39 inches) The roots for Peter Kolin’s fascinating world of Surrealist Fantasy, Magic Realist images can be traced back to the art of Mannerism, a brief period - approximately 1520 to 1610 - between the Renaissance and Age of the Baroque. In Mannerist paintings composition had no focal point and space could be ambiguous. Surreal figures could be characterized by athletic bending and twisting with distortions, exaggerations, elastic elongation of the limbs, bizarre or graceful posturing and the rendering of the heads as uniformly small and oval. (reminds me very much of some of the compositions of Salvador Dali) The composition was full of clashing symbolist colors very unlike the balanced, natural and often dramatic colors of the High Renaissance. Mannerist works presented instability and restlessness and also showed a fondness for allegories with lascivious undertones. Kolin, an exceptionally gifted painter within this tradition, creates gorgeous and mysterious fantasies of Surrealism with each work opening a new and more exciting fantastic world. His narrative world of images and symbols is presented in his own metaphorical language but with a visual accuracy solidly rooted in technical perfection. Today Kolin is a widely acclaimed artist of the Vienna School of Fantastic Realism. (Together with, Arik Erich Brauer, Ernst Fuchs, Rudolf Hausner...

This portrait of a Jockey is a nod to Pop-art and an avant-garde approach to abstract painting and exploration in the 1960's. A great painting for a contemporary setting or a family ...

This small work depicts a Blue woman's figure with Red lipstick attired in yellow situated against a swirling purple, Green, black, and silver back ground. this work is framed. S...

Fantasy Animals is an original contemporary artwork realized by Claudio Bissattini in 1980s. Mixed colored acrylic on canvas. Hand signed on the l...

Blue n.18 is an original contemporary artwork realized by Gastone Biggi in 1974. Mixed colored acrylic painting on canvas Hand signed, titled and dated...

Portrait of a Flagmaker is a striking pop art play done in the 1960's as the artist explored abstracted compositions that played off the work of such artists as Jasper Johns. A grea...

‘Figures on a Pier’ - an original impressionist oil on canvas by Mischa Kallis (1903-1987) exudes the feeling of hope; calm washes over the viewer upon first glance. This piece focus...

Roger Bohnenblust, born August 15, 1929 in Mulhouse and died May 30, 1979 in Friborg, is a Swiss painter, designer and engraver. Roger Bohnenblust w...

This French Impressionist painting by renowned artist Yolande Ardissone is a beautiful impasto work. This piece is an original work created with oil on canvas.

Artist/ School: French School, c. 1960's Title: Figurative Study Medium: oil on canvas, unframed Canvas: 36 x 25.5 inches Provenance: private collection, France Condition: The ...

Wonderful vintage oil painting of Sierra Mountains in Fall by Max Higgins (American, 20th Century), circa 1940s. Signed lower left. Condition: Professionally cleaned; minor craquelur...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Sky blue-toned abstract portrait of a Victorian woman attributed to American Modernist artist, John O'Neil. This painting depicts a pale white woman with rosy cheeks wearing a sky blue Victorian garment, sitting against an abstract light blue background. The canvas used for this piece was originally painted with an abstracted landscape and was painted over for this work. This piece has not been authenticated. Signed, dated, and titled at the back. Currently unframed, but options are available. Artist Biography: John O'Neil (1915-2004) was a painter, educator, and writer best known for his Abstract Imagery and Early Modern (before 1950) styles. O'Neil was born in Kansas City, Missouri in 1915. He received his Bachelor of Fine Arts from the University of Oklahoma in 1936 and his Master of Fine Arts in painting from the University of Oklahoma in 1939. He studied at the Colorado Springs Arts Center, with Boardman Robinson, Paul Burlin, and Henry Varnum Poor; Taos School...

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...