Early 20th Century Paintings

A charming coloured etching of a European lady, wearing a white headscarf and pink shawl. The sitter stands with her arms folded, gazing to left with a subdued smile. The artist's et...

Born in New York City, modernist painter Adelaide Lawson Gaylor studied at the Art Students League and with Kenneth Hayes Miller. She was a member of the Society of Independent Artists, the Salons of America, and the New York Society of Women Artists. She was married to artist Wood Gaylor...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Peasant woman with a jug. Oil on canvas, early 20th century. Eastern School? Signature to be identified. Small cracks, to be cleaned. 33 x 4...

⭐ French School - PS 246 Ou veux tu que je regarde ⭐ Portrait of a woman sitting on the beach with balloon from Banksy Technique: oil, acrylic, and ink on old book pages on wooden ...

A Pair of Modernist Landscapes by listed female artist Margaret Munro Stratton McLennan. Margaret was a painter working in the early 20th Century in the Syracuse area. These charmi...

This superb British self portrait oil painting is by noted artist Sir Walter Westley Russell CVO, RA, RWS. He had a distinguished career: Russell became a member of the Royal Academy...

A fine early 20th Century copy of the original portrait (by an unknown artist) of Ann Heron (nee Vining). The sitter is a solemn young woman in a white dress and red cloak. The paint...

Initialed lower right 'A.H.'; signed verso, "Alfred Helberger", inscribed "Gertrúd" and dated 1914. Bearing the original 1962 exhibition label from the Senator fur Folksbildung, Ber...

"Portsmouth Harbor, New Hampshire" Seascape in Watercolor on Heavy Paper Serene harbor landscape by Adele Jones. The viewer looks out across the wat...

This art historically interesting oil on panel painting is by Scottish artist David William Gunn. Painted in 1927 it is of Caithness harbour in Scotland. The style is Scottish Cubist...

A charmingly rustic early 20th Century oil landscape showing a rural valley with a row of cottages nestled in the distant trees and a river running through the foreground. The artist...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Place Jean-Baptiste-Clément by Maurice Utrillo (1883-1955) Oil on cradled panel 51.3 x 76.2 cm (20¹/₄ x 30 inches) Signed towards lower right, Maurice. Utrillo. V. Executed circa 1918 This work is accompanied by a certificate of authenticity from the Comité Utrillo. Painted circa 1918, this Utrillo oil...

'Brume Sur La Seine (Mist On The Seine)' Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibesart was born into an affluent family on May 2nd, 1874. As a small child, Thibesart’s family moved to a suburb of Paris where the very young artist found a wealth of teachers and inspiration to pull from. Thibesart showed such proclivity for drawing at an early age, and had enough talent that famed impressionist Emile Boggio began giving him lessons when he was just 11 years old. Eventually, Thibesart began formal training at the Lycee Rollin in Paris, followed by studies at L’Ecole des Beaux-Arts and the Academie Julian. While working in Symbolism, Thibesart became a student of the Impressionist and Post-Impressionist art movements of his native France and began winning numerous medals in France, including the gold medal from the Societe des Artistes Francais in 1897. Thibesart then began his studies with the famed Impressionist Henri Martin for much of his early life. From Martin, he learned the technique of “plein air" painting who as a master of the discipline. Proficiency of this technique and its aesthetic, freed up the young artist, allowing him the ability to create amazingly beautiful light and shadow splayed across his trademark subjects which frequently included the landscapes of Italy...

Antique American modernist interior scene of figures eating lunch by the shovel full. Really well painted and unusual scene. A rare early work by Justin Murray (1912 - 1987). Sign...

Original oil on artist board painting by the Russian/American artist Ben Benn. Signed lower right and signed titled and dated in pencil verso. 1929. Overall in custom contemporary ...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart of Cantal, Marie Réol left to study Fine Arts in Paris, where she met Louis-Marie Désiré-Lucas. This Breton master will become “his” master. Going from teacher, to friend, then husband whose stylistic influence will be felt throughout Marie Réol's career. The couple is divided between Douarnenez where Désiré-Lucas has a large residence, Espalion where they have a house overlooking the Lot and the Vieux Pont, as well as in Paris. Obviously, through his friendship with the Périgord Lucien de Maleville...

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

Beautiful seascape oil painting of boats sailing on the Nile, showing the city in the background by an unknown artist, c.1920. Unsigned. Rustic frame. Image, 20"H x 44"W.

Pages, Jules (American 1867 - 1946) “Pont Neuf, Paris” Oil on artist board, Pencil sketches and estate stamp verso Estate Stamp signed 13 ½ x 10 ¼ Inches, 23 ½ x 20 ½ Inches, Framed Provenance: Niece of the artist, Normandy, France About A prominent landscape and marine painter, Jules Eugène Pages...

MODEST URGELL Spanish, 1839 - 1919 CATALONIA LANDSCAPE signed “Urgell” (lower left) oil on canvas 27-1/4 x 51-1/4 in. (69 x 130 cm.) framed: 31-1/4 x 55-...

The Bark 'Black Eagle' cutting in at Chesterfield Inlet

Beautiful early 20th century historical landscape of Mission San Juan Capistrano, 1926, with vines climbing the courtyard columns, by Calif...

Arsene Chabanian 1864 – 1949 Picture Size: 24 x 36" (60 x 92cm) Outside Frame Size: 32 x 44" (80 x 110cm) Oil on canvas Chabanian was born in the village of Sunints in Karin...

"Autumn on Canal" is a Pennsylvania landscape by American Impressionist painter Albert Van Nesse Greene. The painting is a 8" x 10" oil on board, framed, and signed "A V Greene...

“Young Famer with Draft Horses” Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 41 1/2 x 33 1/2 Depicted here is one of Junghanns favorite subjects depicted animals an...

Splendid Landscape of the Scottish Highlands Loch in summer by Francis E Jamieson, also known as W. Richards, was an English painter who, after a holiday to the Highlands of Scotland, became obsessed with painting highland landscapes and became one of the most prolific artists of his time. Image, 20.5"H x 30.38"W Frame, 26.5"H x 36.5"W x 3"Deep (please note for shipping quote purposes we marked it as 1" deep in the details section) The paintings of FE Jamieson were so fashionable he was contracted to paint exclusively for various furniture stores painting scenes on furniture. Jamieson is believed to have painted under eleven different artist names so he could sell more of his paintings undetected by his employers. These aliases include J McGregor, Graham Williams, Henry Stewart, HB Davis and W Richards. There are other pseudonyms that include Aubrey Ramus...

William LEE HANKEY RWS, ROI An oil painting is in very good condition. The canvas has had a clean and a varnish. There is no noticeable restoration. British 1869 - 1952 William Lee Hankey was born in Chester and after leaving school he worked as a designer while attending evening art classes at the Chester School of Art under Walter Schroeder. Lee-Hankey later studied at the Royal College of Art before becoming a renowned painter and print-maker. From the early 1890s Lee Hankey exhibited at numerous and notable art galleries, which included the Leicester and Lefevre Galleries, the Royal Academy, the Royal Institute of Painters in Watercolours, the Royal Institute of Oil Painters as well as the Royal Society of Painter-Etchers and Engravers/Painter-Printmakers. In 1886 he became a member of the Royal Society of British Artists, in 1909 an associate member of the Royal Society of Painter-Etchers and Engravers and a full member in 1911 in 1896 he became a member of the Royal Institute and was President of the London Sketch...

Artist: Maurycy Trebacz, Polish (1861-1941) Title: Gypsy Year: 1924 Medium: Oil on Canvas, signed and dated l.l. Size: 39 x 27 in. (99.06 x 68.58 cm)

"Reclining Nude" by Gustave Durand is a beautiful, classical French nude in the tradition of Carolus-Duran and the Académie Julian.

Herman Hyneman (1849-1907) Sunday Morning, 1907 Oil on board 15 3/4 x 11 1/2 in. Framed: 21 1/3 x 17 1/2 in. Signed lower right: Copyright 1907 by H.N. Hyneman Inscribed verso: Sunday Morning by H.N. Hyneman The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

This lovely Victorian genre oil painting is by noted animal artist Arthur William Redgate. Painted circa 1900 the scene is a farm horse having a drink at a water trough outside a tav...

This early 20th-century oil painting by Dutch artist Jelle Troelstra (1891-1979) depicts a seated woman wearing a floral top and dark grey dress. With eyes closed and hands held upo...

Farmers shepard a herd of sheep over a slow river in the quiet countryside. With a plethora of earthy, natural greens, Scaton has captured the ambiance o...

A fine copy of Ferdinand Roybet (1840 -1920) original genre scene painting, 'Two Soldiers and Barmaid in a Tavern'. Signed 'F. Roybet' to the lower left. However we do not believe th...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This lovely British 20th century river landscape oil painting is by noted female artist Margaret Maitland Howard. The location may be Bath but needs more research. The composition is a tranquil river landscape with a man fishing from a boat in the foreground, a bridge and buildings beyond. A neo classical building stands on the right bank...

Tree-Filled Valley and Mountains in West Brighton Staten Island Watercolor 1905 Detailed watercolor by W. Lund (19th Century). This piece depicts a valley with lush trees an greener...

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

Artist: Albert Horel (French, 1878-1964) Title: Quai Des Orfevres, Paris Year: Circa 1920 Medium: Oil on canvas Canvas size: 15 x 18 inches Signature: Signed lower left by the arti...

Rene Charles Edmond His (1877 – 1960) French Col de Villefranche, South of France Oil on canvas: 13x16 in. (Frame: 20x23in.) Signed& inscribed ...

This beautiful, large British figurative landscape oil painting is by noted Slade School artist Franklin White. Painted circa 1920, the composition is of a large number of villagers ...

Signed and dated post impressionist watercolor on paper seascape by French painter Jean Dufy. This colourful piece depicts sail boats at the port of Le Havre in France - a commercial...

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1929. Mixed colored oil painting on board Not signed. Ref. - Exhibition: Biennale of Venice 1938, - Italian...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

Beautiful 1920's landscape of autumnal Northern California landscape with colorful oaks and mountains in the background by Sydney Lemos (Son of the artist William Lemos) (American, 1...

Here we have an original large painting by Louis Jambor (1884 - 1955) Depicts a California coast with two female figures One nude and one with Parasol Louis Jambor Circa 1929 Water...

Composition 14 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 47...

Marcel COSSON (1878-1956) Madame Cosson dans son Jardin Oil on canvas Size : 60,4 x 73,4 cm Signed lower left Painting in perfect condition Without frame Sold with invoice and certif...

This evocative early 20th-century oil painting by Scottish artist Robert Russell MacNee RGI (1880-1952) depicts a farm with a track, horses, and figures. MacNee was an accomplished p...

Nude study of the Three Graces attributed to André Favory unsigned, after Cezanne. Excellent condition, framed.

Pastel blue and green toned oil painting depicting serene town landscape with Victorian church towering over green fields and houses. Framed in white vintage antique frame...

Signed and titled oil on canvas riverscape by sought after French impressionist painter Pierre Eugene Montezin. The work depicts a view of a river in autumn. The trees that line the ...

Signed lower right "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A fine early twentieth-century oil still-life of white and yellow daisies ...

Large early 20th Century Dutch oil on canvas genre river view by C van der Maas. The painting is signed bottom left and is presented in a patinated gilt and 'bronzed' frame with a wh...

A superb landscape oil painting on canvas by Sir James Lawton Wingate, President of The Royal Scottish Academy. This painting shows a windswept Scottish landscape and a "glimpse of t...

Turn of Century American Figurative Maine Lobster Fisherman - Grandfather's Joy A Old Lobster Fisherman ponders the future and the joy of grandchildren. Wonderful turn of century Ame...

Alfred Neville Lewis 1895-1972, was a South African artist. He studied at the Slade School of Art in London and became a member of the New English Art Club in 1920, he married a fell...