Portrait Paintings

Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Signed and dated lower right. Cole and Higgins (1874-1958), both lived in Lyme, Connecticut. Higg...

'Portrait of Woman in Yellow', oil on cardstock paper (circa 1970s), by Raymond Debiève. A cubist portrait of this lovely young woman at her window is ...

Portrait of a Dancing Women French artist, mid 20th century signed oil on canvas, framed in original 'Montparnasse' style frame framed: 30 x 25.5 inches canvas: 22 x 18 inches Prove...

Woman is an original modern artwork realized by Eliseu Visconti (1866-1944) in 1930. Mixed colored oil painting on board. Hand signed and dated on the lower margin.

Artist/ School: French School, circa 1960's, signed with monogram Title: Portrait of a fashionable lady in an emerald green dress. Medium: oil...

Expressive Portrait of a Young Figure Josine Vignon (French 1922-2022) ...

Karen Offutt approaches Queen 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Queen show the strength in the female boxer. Queen ...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Fernando Cueto Amorsolo (Filipino, 1892-1978) Signed: F Amorsolo 1937 (Lower, Right) " Girl in Pink Dress ", 1937 Oil on canvas 26 1/8" x 19" H...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tope Alawaye, is a young contemporary artist hailing from the vibrant city of Ibadan, Nigeria. Born with an innate passion for art, Alawaye has emerged as a dynamic force in the Nigerian art...

A beautiful, colourful Impressionistic portrait of an Edwardian lady by Arthur Hacker RA which dates to circa 1905. A rare and fine oil on panel in excellent condition. A real quality British Impressionist painting in a gilded oak frame of the period. Signed lower left. Provenance. Sotheby’s London. Condition. Oil on panel. Image size 14 inches by 10 inches. In excellent condition. Housed in a gilded oak frame gallery frame, 25 by 19 inches framed. Excellent condition. Arthur Hacker RA (25 September 1858 - 12 November 1919) was an English classicist painter born in London. Hacker was the son of Edward Hacker (1813–1905), a line engraver specialising in animal and sporting prints (who was also for many years the official Registrar of Births, Marriages and Deaths for Kentish Town in the St Pancras registration district, north London). In his art he was most known for painting religious scenes and portraits, and his art was also influenced by his extensive travels in Spain and North Africa. He studied at the Royal Academy between 1867 and 1880, and at the Atelier Bonnat in Paris. He was twice exhibited at the Royal Academy, in 1878 and 1910, and was elected an Academician in 1910. In 1894 he was the subject of a bust by Edward Onslow Ford...

This lovely portrait was painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster. This painting depicts a beautiful young woman in an Impressioni...

"Houdini" (2024) by Nicolas Martin is an original handmade oil painting on panel that depicts a person in a yellow hoodie looking out at an abstract and surreal scene. Nicolas Mart...

The Favourite Pet, portrait of young lady with Alsatian dog. French Schoo, signed indistinctly, dated 1940 oil on canvas, framed framed: 23 x 29 inches c...

Jean La Forgue (French 1901-1975) circa 1930's oil on unstretched canvas, unframed painting: 22.5 x 19 inches provenance: the artists estate, France condition: the painting is on uns...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 19.25 x 25.75 inches condition: overall very good, a very few light marking...

Portrait of a Man with Cherries & Blue Jug French School, mid 20th century circa 1950's oil on canvas, unframed canvas: 26 x 16 inches provenance: private collection, France conditio...

Adam Shaw's "Outkast" is an original, handmade oil painting on canvas created in 2015. This striking contemporary artwork measures 20 x 16 inches (50.80 x 40.64 cm) with a depth of 0.62 inches (1.57 cm) and is professionally framed to 21.50 x 17.50 inches. Shaw masterfully captures the essence of the iconic hip-hop duo Outkast in this thought-provoking piece. The painting features vivid portraits of Andre 3000...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed inscribed verso piece of paper is...

"Uncanny brilliance is deployed as we run through art history’s highlight reel via the work of Ta Byrne. With the recurrent motif of an egg and Edward Burra-like layered body composi...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Oil on wooden panel. Good condition except for some minor losses on edges.

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) - Signed: Yes, in the lower left corner ...

Oil on canvas mounted on board, realized by Francesco Settimj in 1933. Hand signed and dated lower left. Good condition.

Impressive early American modernist portrait oil painting. Nicely framed. Oil on canvas. . Image size, 30H by 25L.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omo...

French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition

Artist/ School: French School early 20th century, signed 'Guy Rose' to the lower left corner. Title: Couple in a rowing boat on a lake within a landscape; v...

Artist Edward Cucuel and his wife Clara Lotte von Marcard spent their first two decades together in Germany, mostly in a villa on Lake Ammersee in Holzhausen near Munich. It is the works created in this period, mainly outdoor scenes of young women in fashionable attire of the day, that are most collected and appreciated among his works. It’s easy to see why- they capture an elegance and sense of calm and easy leisure- of long days in gardens or by the water.  This is one of those captured moments with a well-dressed woman watching the sailing yacht...

Nude Male Portrait, Burgundy Colour, Original Oil Painting English School, Mid 20th Century Oil painting on board, unframed Board size: 30 x 20 inch...

Portrait of a Lady, 19th Century Painting. Miniature on ivory. Wooden frame with leather back. 12 X 12 cm.  Good conditions!

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

This oil on canvas painting shows an intriguing portrait of a contemporary woman. There is great attention to detail in this piece, with small highlights of red in the woman's hair, a reflection of blue light emitting from the phone in her hands, and the silver of a small nose ring...

Gabrielle Rainer Istvanffy was a Hungarian painter of animal paintings. Her chosen subjects were mostly dogs and cats and mostly white and off-white breeds. This piece is a very pretty and cute painting...

Up for sale is a fabulous antique 19th-century or even earlier original oil painting on canvas depicting an interior scene with a seated female nude queen w...

Portrait with Piercing eyes

Palomino Portrait signed by Fanch Lel (French b. 1930) size: 9 x 9 inches gouache painting on board, unframed condition: the painting is in very good condition. It has previously bee...

This contemporary figurative painting, titled "Love Life", depicts a woman in a dress and is created by French artist Natalya Mougenot. It is part of her “Women” series, which explor...

Suchitra Bhosle's "Somewhere in Denver" is an original, handmade oil painting that depicts a dark haired woman, brushing her hair, wearing a translucent white shift around her as she...

Nice modernist portrait for sale here. Oil on board. Signed. Nicely framed. Image size, 9L x 10H.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Colbert, Afternoon," Michael Alford captures the lively am...

The Scruffy Terrier English artist, contemporary signed oil on board, unframed dated 24' Board: 9 x 9 inches Provenance: private collection Condition: very good condition For more ...

‘Rita’ Spanish Flamenco Dancer By Spanish artist, signed, Mid 20th Century Oil painting on canvas, unframed Signed by the artist on the right hand corner size: 21 x 18 inches This ...

Ryan Morse's "Overlapping" is an original, handmade oil painting that depicts the back of a nude female figure eclipsing the body of another nude female fig...

Portrait by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas stuck on board, unframed measures: 18 high by 15 inches wide conditi...

Antique impressionist painting. Watercolor and gouache on paper, circa 1950. Housed in a vintage frame. Image size, 11L x 9H.

Portrait of contraversial former President and current Republican nominee Donald Trump by renowned artist Lou Ros Acrylic on canvas signed, dated and titled on reverse by the art...

Portrait of Man (16) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

The Artists Model Nude Lady Model French School, circa 1970's signed oil painting on card, unframed size: 17 x 24.5 inches condition: overall very good, a very few light markings t...

This painting shows a girl with a juggling ball in her hand. Her image includes both coldness and vulnerability. Thanks to her ball, she juggles her life.

Charming portrait of a young girl with red hair wearing a typical mid-century frilly dress and high-cut bangs, by an unknown artist (American,...

Girl in restaurant in Paris. 19th century, oil on wood, 46x37,5 cm Eduardo Léon Garrido (1856-1949) Eduardo León Garrido was born in Madrid in 1856. He falls within the Group of Spaniards in Paris, as he warns in his style, with clear influences of Impressionism, somewhat reminiscent of Manet. He was the eldest son of Luis Garrido Fernandez, an official at the Ministry of Finance. His father would have liked him to embrace an administrative career but Eduardo León moved towards the artistic career. Trained in the Escuela Superior de Madrid, he painted his first work « the theft of the Sabine women », at only eighteen years old. Then he entered the Studio of Vicente Palmaroli (1834-1896). He will always consider the latter as his true teacher. In 1875, at the age of 19, he arrived in Paris to continue his studies with a scholarship from the city of Madrid. The same year he exhibited for the first time at the Salon where he presented a « Saint Jerome ». Very quickly he appears to be noticed by the famous merchant of the Rue Chaptal, Adolphe Goupil, for who he worked a few years. Notice that Vincent van Gogh worked for Goupil & Cie from 1869 till 1876 (his brother Theo entered in 1873. From 1876 on Garrido exhibits portraits and stylish, contemporary scenes. Catalogues indicates that he changed his dealer for the gallery Borniche around 1880. During the years 1882-1894 he did not expose anymore at the Salon (except once, in 1887, with the portrait of his friend, the painter Bréauté) . However, he painted a lot to feed the gallery of his dealer and a few galleries in Madrid. During that period he had also some student : Anne Blanche Dillaye (1851-1931), the american painter, studied with him from 1885 till 1887. From 1892 onwards it is the merchant Félix Gérard (one of the first dealers of work by Manet and Courbet), of the Rue Lafitte, which concludes with him an exclusive contract. He probably imposed to the artist to paint a different style. This sealed a radical departure from his 1880-1890 period, during which he painted the streets of Paris, café terraces, newspaper kiosks, and was likened to very fashionable Belle-Époque artists. From 1892 onwards, Garrido painted almost solely gallant scenes in the 18th century style, in keeping with current tastes and clients’ demands. Meanwhile, Garrido left Paris. In 1888 he established a studio on the banks of the Marne at La Varenne-Saint-Hilaire (Val-de-Marne near Paris). He married there in 1892 one of its models, Leonie Beck, and in 1893 their first child, Louis- Edouard, was born. He is quickly integrated into local life and became an art teacher in the Philotechnic Association of La Varenne. From 1895 onwards he presented new works at the Salon des Artistes Français and in 1914, he obtained the French citizenship, while two of his son went into battle (World War I). He continued painting, mainly landscapes, portraits of family members (children, granddaughter Odile born in 1923) and flowers. At the end of his life and because of poor eyesight he painted exclusively flower bouquets. In 1939, Eduardo León and his wife Leonie arrive at Caen. They settled with their son, Louis- Edouard, who resided there. Eduardo Leon Garrido died there in 1949. He is buried in the family burial at the cemetery Venoix in Caen. Some of his paintings can be seen in the Museo del Prado (Madrid), the Museo Carmen Thyssen (Málaga), the Museo Nacional de Bellas Artes (Argentina), Bilbao Fine Arts Museum and private collections such as the Bellver Collection in Sevilla. In the Musée Charles Léandre...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 12 x 9.5 inches In good condition, though with ...

This lovely British Edwardian Impressionist portrait oil painting is by female artist Sybil Maude. Painted circa 1905 the painting is a charming seated portrait of a young Cornish gi...

Portrait of a Man with a Hat holding a Pipe French School, signed and dated 1903 oil on canvas, unframed canvas: 21.75 x 18 inches provenance: private collection, France condition: s...

This lovely British Victorian Pre-Raphaelite portrait oil painting is by Royal Academy artist Sir William Blake Richmond. Painted circa 1900 it is a stunning example of his work with...