Vertical Portrait Paintings

Incredible early American illustration of an opera scene by Richard W. Baldwin (1920 - 2012) . Oil on canvas. Framed. Signed.

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...

"White Shirt" by Barbara Hack is an original portrait painting depicting a female model. This piece is framed and ready to hang. Barbara Hack’s work is an ongoing reflection on peo...

A beautiful full portrait of two girls, possibly the artist's daughters, with spring flowers by British American artist Hamilton Hamilton (1847-1928). Hamilton was born in Oxford, En...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

A charming self-portrait by a young French painter in a red cap holding a paintbrush. Unsigned. Well presented in a painted wooden frame. On paper laid to board .

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Nude Model Reading a Book French School, Early 20th Century Oil painting on canvas, unframed Canvas size: 17.5 x 14.75 inches This exquisite nude painting is absolutely beautiful. The pale green backdrop to the painting has faint coral pink flecks...

The artwork is done in mixed media. Italian fine-grained cotton tm Unico and Dutch acrylic paints Amsterdam were used in the work. Finish - satin varnish. The sides are painted in t...

Oil mesures 36x23 cm. Frameless. Restored.

Title: Portrait of a Lady Artist: Rosendo González Carbonell Medium: Oil on canvas Dimensions: 24 x 20 inches (unframed) Condition: Good condition Creation Period: 1970s Signed: Yes,...

Luis de Morales, called 'El Divino' (Badajoz 1509 - 1586) workshop of La Pietà with Saint John Oil on panel (82 x 65 cm /In frame 109 x 92 cm) STATE OF CONSERVATION: The panel is in good condition, with restorations and cracks clearly visible from the pictures. Gilded and lacquered wooden frame, in good condition. We present this intense Pietà executed on wood panel, the work of a painter of the late Spanish Renaissance who drew on the celebrated iconographic model created by Luis de Morales, known as El Divino (Badajoz 1509-1586), a subject reproposed by the artist and then by his flourishing workshop in numerous versions. This is an extraordinary work, in which the author demonstrates incredible realism and emotional depth in his portrayal of the Madonna and Christ, accompanied by Saint John the Evangelist. In an extremely devout Spain, Luis de Morales counts himself as one of the painters most interested in the dramatic aspects of Christ's life, from his painful Passion journey to his death. This devotional subject, the Pieta, so frequent in Christian art, is renewed in Morales' art with enormous expressive force; it is not for nothing that the artist was nicknamed the Divine, and not only for the creation of a devotional iconography in line with the spirituality of the time, but also for the intrinsic intensity of his religious paintings. The depiction, to great dramatic effect, shows Christ, immediately after being deposed from the cross, gently welcomed into the arms of the Virgin. The intense maternal compassion is also evident in the expression on her face, which, always aware of her son's fate, exudes suffering, melancholy but also serene resignation. Christ, abandoned in his mother's embrace, shows an emaciated and sorrowful face, made even more ghostly by his half-open mouth. The tree of the cross looms over the figures, emphasised by an evocative dark, completely monochrome background, to which the three figures are contrasted with strong lighting. Evident in Morales' painting is the devotional slant typical of Counter-Reformation painting, accentuated by a style that recalls both Italian painting for its research and chiaroscuro effects, and Flemish and German painting for its strongly accentuated dramatic tones. The work shows a strong physical and psychological characterisation of the characters, rendered by the marked chiaroscuro effects and the plastic construction of the figures, also using a sfumato technique, which show the primary influence of Leonardo da Vinci, Raphael and Sebastiano del Piombo. On the other hand, his Flemish training is evident in the anatomical modelling and treatment of the folds of the Virgin's dress, which retain the sharpness of the Nordic painting tradition. We can mention, among the most beautiful versions similar to our composition: - Fig.1 Luis de Morales (c. 1520-1586), La Piedad, c. 1568, Óleo sobre tabla 72 x 50 cm.
Museo de Bellas Artes de Bilbao - Fig.2 Luis de Morales, La Piedad, c. 1560, Óleo sobre tabla 126 x 98 cm.
Real Academia de Bellas - Fig.3 Luis de Morales, La Piedad, 1565 - 1570, Oil on panel 42 x 30 cm.
Museo del Prado - Fig.4 Luis de Morales, Triptych of the Pietà St John and St Mary Magdalene...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

Artist: William Skilling, After Giuseppe Arcimboldo Title: Vertumnus Year: circa 1950 Medium: Oil on Canvas, signed l.r. Size: 42 in. x 36 in. (106...

Warm Evening with Tea" is a painting permeated with soft light and the aroma of a summer garden. Lush flowers in a vase seem to whisper stories of quiet evenings, and a cup of tea s...

This vibrant acrylic painting by Natasha Lelenco, part of her on process Ancestor Clones series, features a striking symbolic face depicted in intense shades of green. The portrait's...

This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...

Artist: Georges Regnault (French mid 20th century) Medium: Oil on Canvas Dimensions: Framed: 27 x 24 inches Canvas: 22 x 18 inches Provenance: Private Collection, France Condition: ...

The Orchestra Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection, France Condition: great condition For more any ...

Large post impressionist Art Deco figurative oil painting by French artist Bernard Py from the 1920, living, bedroom or dining decor. This lar...

Portrait Of A Bride, circa 1900 circle of George CLAUSEN (1852-1944) Circa 1900 Impressionist portrait of a young bride with a French landscape b...

5077 Oversized portrait in rapped canvas

Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance School Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...

Portrait Of Lady Margaret Hasting, posing as a Shepherdess 18th Century CHARLES JERVAS (1675-1739) Large 18th Century portrait of Lady Margaret Hasting, oil on canvas, by Charles J...

Born in Milan, Italy Lupetti studied at the Royal Academy in Rome where he received classical training and was apprenticed to the school of restoration at the Vatican. At the age of fourteen he was accepted to attend Brera Liceo Artistico, one of the most prestigious art academies in Italy, graduating at age eighteen and then went on to win honors from the Royal Academy of Fine Arts in Rome eventually receiving the degree of Professor of Fine Arts. In Milan, he helped restore the famed La Scala Opera House, and in Rome he earned the right to help in the restoration of the Masters' Works in the Vatican's Sistine Chapel. Following service in WWII, Roberto came to America sponsored by the famous conductor Arturo Toscanini. A painting he did of the maestro was purchased by the San Francisco Art Commission. He moved to San Francisco where he taught at the Art Institute. As well as decorating churches throughout the U.S., he also painted portraits of such celebrities as Ingrid Bergman, Barbara Stanwyck, and General George Marshall. Roberto Lupetti earned five degrees at the Royal Academy of Fine Arts. Roberto was married to fellow artist Lynn Lupetti...

Work on paper sold with a frame

The Cornish Fisherman signed D.W Haddon (British, active 1884-1914 in Cornwall) oil on canvas on board, unframed board: 11 x 9 inches provenance: pri...

Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...

Equestrian portrait of Louis XIV, Workshop of René-Antoine Houasse, (Paris, c. 1645 - Paris, 1710) Late 17th century French school, c. 1690 Oil on canvas, h. 100 cm, w. 80 cm Importa...

Portrait of Johann Theodor of Bavaria (1703-1763) by Joseph Vivien Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Christ Wearing The Crown Of Thorns, 17th Century circle of Carlo Dolci (1616-1686) Large 17th Century Italian Old Master of Christ wearing the Crown of Thorns, oil on canvas. Excel...

An intriguing oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Contemporary pop art inspired pixelated portrait of iconic singer David Bowie Ziggy Stardust. Similar to pointillism, the individual hand-painted blocks of color come together to for...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Work on canvas

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist ...

Francesc Sans Castaño (Barcelona 1868-1937). Maja con abanico y mantilla. Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo. Medidas: 65 x 50 cm; 76 x 61 cm (marco) Precios...

"Light Waves" by Kirsten Savage is an elegant, original oil painting featuring a nude female model with her hands raised above in a graceful pose. This handmade masterpiece is framed...

Let love lead. Let's be genuinely happy for each other. No malice, no backbiting. No jealousy. No comparison. Life is not a competition. At the end of the day, we will all transit to...

Minimalist Cubist Abstract Miriam Bromberg Oil on Canvas, signed Size: 42 x 18 in. (106.68 x 45.72 cm) Frame Size: 47 x 22.5 inches

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

An oil painting on paper - framed and matted. Optional Plexiglass included. 17 x 13 inches, framed Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omo...

Abstract Art, Picasso Style, Multicoloured, Original Oil Painting, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Titled verso and dated '2004' Oil painting on canvas, unframed Canvas size: 26 x 19.5 inches Sensational abstract oil painting by a French female artist named Beatrice Werlie. A wonderful nod to the Picasso style of abstract art, using the artists supreme technique of mixing unusual colours together. The striking mix of red, yellow and blue brings a rich sense of warmth to the piece. The concept of 'abstract' was defined by Picasso, but many artists have looked to the Spanish iconic...

This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...

Portrait of a Beautiful Young Woman, ca. 1965. Oil on linen canvas, 8 x 10 inches. Framed measurement: 10.5 x 12.5 inches. Signed indistinctly lower left.

Portrait of a Levantine Merchant, 18th Century Italian school. Oil on canvas. Circle of Giuseppe Nogari (1699-1763) Dimensions with frame cm 71 x 5...

“Listen to your inner nature… for it is a deep and powerful source of wisdom, beauty and truth, ever flowing through you… Learn to trust it, trust your intuition, and in good time, a...

How do you feel when you know you're irreplaceable? People in general are irreplaceable in life. We are ourselves that cannot be copied in a sense of personality. Simply similar Sh...

Portrait of a Lady by Geza Somerset-Paddon (British 20th century) inscribed and dated verso (1978) oil painting on board, unframed board: 18 x 14 inches inscribed verso condition: ov...

A copy of the self portrait of William Hogarth with his dog, called Trump. A fantastic quality image possibly from Hogarth's original school of art. This piece is titled, dated and monogrammed. It is in an antique, period Louis XIV style frame. The painting measures 36 x 28" (92 x 72cm) Outside Frame Size: 45 x 37" (104 x 94cm) Hogarth began this self-portrait in the mid-1730s. Initially Hogarth painted himself wearing a formal coat...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre...

Cain & The Death Of Abel, 18th Century School of William Blake (1757-1827) Circa 1790 English School depiction of Cain and the Death Of Abel, oil on canvas. Rare biblical depiction...

Portrait of a Lady by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 9.75 high by 6 inches wide condition: o...