Vertical Portrait Paintings

Danny McCaw's (US based) "Figure with Textures" is an oil painting with impasto brushstrokes that depicts an abstracted figure in an interior with a grey and red background. Bio/ar...

Nadezda's beautiful new oil on panel painting "Red Shoes" (2024) is a surrealist painting of an abandoned hospital interior, with an explorer peering through a doorway, out from the hall. Just behind the debris and rot rest the spirits of the room, out of view from the explorer. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

"Surprise" (2018) is a charming mixed media work on canvas by Inés Silvalde, measuring 22.4 x 32.3 x 5 cm, and presented in a complementary wooden frame. Part of her Influencers de T...

'Portrait of a Woman and Her Horse', oil on board, French School (1988). Horses are majestic, strong and can display a broad range of emotions. Whether they're around humans or other...

Portrait of a Lady French School, fauvist style indistinctly signed circa 1920's period oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection condition: very ...

Augustus Edwin John O.M. R.A. 1878-1961, was a Welsh born painter, draughtsman and etcher. He was the most important artist of his generation, his sister Gwen John was also an accom...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

In 1961, there would have been a chauffeured Rolls-Royce Phantom V limousine waiting for this gentleman curbside. Perhaps he was a new ambassador paying his respects to a head of gov...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Life Model Posing Whilst Reading, By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Board size: 12x10 inches Lovely elegant portrayal of model who is posi...

Antonio Alberti (1603 - 1649) Portrait of Cardinal Antonio Marcello Barberini (Florence 1569 – Rome 1646) Inscription on the bottom: F.M D.D ANTONIUS BARBERINUS ROM. O. CAP. S.R.E. ...

A bold and elegant piece depicting Audrey Hepburn's Breakfast At Tiffany's juxtaposed with Chanel on an elegant lilac background. With impasto painting, and quick brushwork we are dr...

Work on cardboard Golden wooden frame 51 x 43.5 x 4 cm

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

Man in Blue French School, circa 2000 oil painting on canvas, framed canvas: 60cm x 50cm framed: 76cm x 66cm Superb decorative French portrait of a young man, painted in blue. Wonde...

Mark Bradley Schwartz's (US based) "Untitled 12" is an original, handmade charcoal drawing that depicts a woman in profile with her long dark hair draped over her right shoulder with...

Rudolf Latcher Self portrait, 1928 Oil on canvas 97,3 x 72 cm (106 x 81,5 x 4,5 cm with frame) Signed and dated upper left

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

"Terra Rosa Nude" by Mark Bradley Schwartz is an original oil on canvas depicting the nude back of a female model with with graceful curves. A native of Illinois, He began his professional life as a graphic designer and art director in St. Louis, Missouri and later moved to Southern California to further his design career. Although Schwartz’s career was successful, he wanted to pursue work of a more personally fulfilling nature. To reach these new goals Schwartz first attended life drawing classes at Associates in Art, in Sherman Oaks, California. He later studied at the California Art Institute in Westlake Village, California, where he received extensive training in drawing and painting the human figure from life. While studying with famed illustrator Glen Orbik...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

A distinctive Mid-Century Modern portrait of a man with red necktie by noted Chicago painter, Francis Chapin (Am. 1899-1965). Chapin's estate records list the sitter as named Joe Mu...

Work on canvas Gray wooden frame 56 x 48 x 5.5 cm

Seating figures is a modern artwork realized by Antonio Mellone in 1957 Mixed colored oil painting on canvas Hand signed and dated on the lower margin. Includes frame

Work on wood

Madeline Luka (French 1894-1989) was a self taught painter known for her landscapes, portraits, nudes and still lifes. She typically portrayed her family and close friends set within...

Sometimes waiting is the hardest thing of all. -Luanne Rice Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied ...

A charming portrait depicting an Edwardian lady in attire typical of the period. Her long, open coat is topped with an elaborate collar, accentuated by a long beaded necklace leading...

Portrait of a young lady By Henri Millot (Paris, active between 1699 and 1756) Signed "peint par h. millot" and dated 1706 on the entablature Oil on canvas: h. 81 cm, l. 64 cm A Loui...

Discover the captivating allure of this abstract assemblage composition by German (Hannover) artist Hans-Jürgen Breuste (1933-2012). Crafted with mixed media on a wooden board, it co...

Henri Auguste Cesar SERRUR (Lambersart, 1794 – Lille, 1876) People's Woman of Venice Oil on canvas Signed, located and dated 65 x 60 cm Venice 1850 Exhibitions: - Paris Salon of 1...

Nadezda's beautiful new oil on panel painting "Where The Swamps Sing" (2024) is a surrealist Slavic portrait of a woman dressed in traditional Russian clothing, standing stoically in front of a bizarre scene, with iconography of demons' heads towered up with a cat resting atop it, deep in an abstracted symbolic forest. Nadezda is a painter, sculptor, photographer, and concept artist. Her artwork is focused on narratives carefully gathered from the hidden chambers of her imagination as well as live theater-inspired work with actors, dancers, and models. Like a quilt stitched of poetic realities, Nadezda’s mysterious world defies the mundane. With a non-linear creative process flowing between different media, the artist explores various vantage points in her creations. This dynamic approach inspires her mind’s eye to focus on the worlds within and evoke an uninterrupted, creative transmission which is then channeled through her paintings, drawings, sculpture, photography, writing and film. SOLO EXHIBITIONS: September 2024 Once There Was, Once There Wasn’t // Modern Eden, San Francisco, CA, USA May 2024 Siren’s Heart // Haven Gallery, Long Island, NY, USA February 2022 Secret Hallway // Modern Eden, San Francisco, CA, USA July 2021 The Great Scale of Little Things // Galleria D’Arte Piero Della Francesca, Arezzo, Italy February 2021 A Place To Dream // SHOH Gallery, Berkley, CA, USA July 2019 Pins & Petals // Haven Gallery, Long Island, NY, USA August 2018 Lukomorye // Spoke Art, San Francisco, CA, USA February 2018 Nightmares & Lullabies // Haven Gallery, Long Island, NY, USA June 2017 Fly-By-Night // Haven Gallery, Long Island, NY, USA MUSEUM EXHIBITIONS: March 2024 Miradas Femeninas // group exhibition, Museu Europeu d’Art Modern (MEAM), Barcelona, Spain FAIRS: April 2020 Art Market San Francisco // SFADA x Modern Eden, San Francisco, CA, USA February 2020 LA Art Show // Abend Gallery, Los Angeles, CA July 2019 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY October 2018 Moniker Art Fair // Spoke Art, London, UK July 2017 Art Market Hamptons // Haven Gallery at Bridgehampton Museum of Art, NY SELECTED GROUP EXHIBITIONS: June 2024 Portrait Show XII: Myth // Modern Eden, San Francisco, USA March, 2024 BAA Teachers Show 2024 // BAA Gallery, Barcelona, Spain January, 2024 AKSK // Corey Helford Gallery, Los Angeles, USA September 2023 Reverie // Modern Eden, San Francisco, USA August 2023 Mass // Modern Eden, San Francisco, USA October 2023 Bacchus // Modern Eden, San Francisco, USA September 2023 Harvest // Modern Eden, San Francisco, March 2023 Secret Longings // Corey Helford Gallery x Beautiful Bizarre, Los Angeles, CA December 2022 Yule // Modern Eden, San Francisco, CA November 2022 Halcyon Days // Beautiful Bizarre x Modern Eden, San Francisco, CA October 2022 Danse Macabre // Modern Eden, San Francisco, CA September 2022 Totem // Modern Eden, San Francisco, CA August 2022 Mighty // Modern Eden, San Francisco, CA June 2022 X Annual Portrait Exhibition // Modern Eden, San Francisco, CA April 2022 100 Trees // Modern Eden, San Francisco, CA October 2021 Lore // Modern Eden, San Francisco, CA June 2021 Moleskine Project X // Spoke Art, San Francisco, CA June 2021 Portrait Show IX // Modern Eden, San Francisco, CA November 2020 Art Collector Starter Kit VII // Corey Helford Gallery, Los Angeles, CA October 2020 Midnight Garden // Beautiful Bizarre x Modern Eden, San Francisco, CA July 2020 The Art of Quarantine // SHOH Gallery, Berkley, CA May 2020 Unjust Contentment // Beinart Gallery, Brunswick, Australia March 2020 Contemporary Figuration // Abend Gallery, Denver, CO November 2019 Paintguide x Thinkspace Projects // Thinkspace Projects, Los Angeles, CA November 2019 Annual Holiday Miniatures Show // Abend Gallery, Denver, CO November 2019 Esprit De Corps // Modern Eden x Haven Gallery, CA and NY June 2019 Moleskine Project VIII // Spoke Art SF, CA June 2019 Muse, SHOH Gallery // Berkley CA June 2019 Small Works, Beinart Gallery // Australia May 2019 Gaia Reborn // Beautiful Bizarre at Museum of Urban Contemporary Art, Berlin, Germany March 2019 Femme, Spoke Art + Juxtapoz, NY January 2019 Music Box // Haven Gallery, Northport, NY December 2018 Solstice Blue...

Italian painting from the second half of the 17th century. Oil painting on canvas from the Neapolitan school attributable to the great painter Domenico Viola: specialized in religiou...

When you return to a place where you haven't been for a long time, everything seems smaller and not quite real. I remember that feeling well. And if you were to return home, but when...

This charming British Victorian portrait oil painting is by noted portrait artist Gilbert Baldry. A half length portrait painted in 1892, the sitter is a young boy in a red coat with...

John Emanuel embarking on a series of works using new life models. Unusual for a artist who has over the last 40 years only had 3 previous sitters. Now working with Sarah Jane and Ro...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Ron Gorchov Historic Self Portrait, 1955-1959 Oil painting on board Hand signed in paint on the upper recto and dated 1955-9 Frame included: held in original vintage artist's frame T...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Why do we carry hatred in our hearts like a pregnancy of agelong years? Why do we fellowship in the cabals of backbiters when our friends find themselves at the peak of their worlds?...

In this vibrant creation I have released a kaleidoscope of emotions through a vibrant spectrum of colors and dynamic shapes. Each curve and shade sings a song of freedom and joy. C...

Selfie Figurative Magical Painting, oil on board, textured mixed media, created in 2021. This piece represents one of my earlier works, which explores our connection with animals thr...

Antique American signed modernist oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 42H.

Jordi Curós Ventura (1930-2007) - Woman smoking Mixed technique on canvas board. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanis...

Self Portrait of the Artist by Jacob Markiel (Polish 1911-2008) *See notes below dated 1985 signed oil on board, unframed board: 18 x 15 inches provenanc...

This compelling artwork "Woman in a green dress " is a striking example of modern expressionist portraiture. Dominated by bold, purposeful brushstrokes, the painting depicts a soli...

This superb Portrait oil painting is by noted Italian born artist Pilade Bertieri. Painted circa 1910, Bertieri had a London address in 1908 and exhibited five pictures at the Royal ...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

A super circa 1955 British portrait oil painting of a woman in a hat. (verso another portrait). A very evocative period portrait of a woman painted by British listed female artist C...

Sometimes you need to trust what you have seen and move in that direction and move away from distractions. Focus takes a man to where he should be so I move in my way and forget all the negative words... They don't add to me so I neglect them and move on Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olaniyi Timothy...

Cubist Portrait, Multicoloured, Original Oil Painting By French artist Beatrice Werlie, early 21st Century Oil painting on canvas, unframed Canvas size: 21.5 x 18 inches Sensationa...

The Rain, 2021 by Ramonn Vieitez Acrylic, gouache and watercolor on bamboo paper Hahnemuhle Size: 25.5 H x 19.6 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is ...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Bay Area artist Michelle Fillmore found her love of oil painting at the University of Las Vegas, where she graduated with a BA in Painting and Drawin...

Christine van der Cingel (1966) paints mainly cityscapes, people and animals. In her portraits the emphasis is on movement. It is more about t...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...