Board Portrait Paintings

Ice Cream Picnic by Orovida Pissarro (1893-1968) Oil on board 101 x 76 cm (39 ¾ x 29 ⅞ inches) Signed and dated lower left Orovida 1953 Provenance Richard Pissarro, gifted by the ar...

Framed 28 X 28 sight 23 X 23 "Veterans", 1988, paint, inlay, with monogram signature on formica board Framed: 28 x 28 in. Sight: 22 1/2 x 22 1/2 in. This painting is after Surrealist master Rene Magritte. It depicts men with bowler hats Carlos Kis, 1932-2010 a well known Brazilian artist. Kis was born in Uruguay to a Romanian Jewish family and moved to Brazil where he was well known for his painting and sculpture. His formica paintings were an extremely laborious process and the media has not been used by other artists other than that of his daughter Anita, under Kis's supervision. Known as a painter, watercolorist and graphic artist Carlos Kis artworks show the surreal, modern and expressionist aspects of his inexhaustible talent and imagination. Inspired by Surrealism he developed Sinapsism. Kis studied at the Faculty of Architecture of the Universidad de la República (UdelaR) and at the Instituto de Profesores Artigas. For three years he ran the art gallery Opus in Brasília , then was director of a fashion magazine, worked as an interior designer and in the design department of an automotive company. Initially painting on canvas, he refrained from doing this during a five-year stay in New York in the 1970s and increasingly turned to works of art made from the artificial material Formica than baked into an enamel at high temperature. The Cyanamid company provided him with the necessary materials. In 1995, the Art of Living magazine devoted an extensive story to his works in Buenos Aires, Montevideo, Punta del Este, New York, Guarujá, Porto Alegre, Joinville, São Paulo and Mexico City among others. In 1960, he came to Brazil and lived in São Paulo for ten years. In this city, he released several albums of his own: Razão & Coração e Galos e Galos, 1966; IV Screenprints, 1968; and Woodcuts by Carlos Kis, 1969. After spending four years in New York (United States), he settled permanently in the city of Santos SP, in 1975. He is the creator of paintinlay, a technique of painting on pressed formica and submitted to high temperatures. Reviews "Carlos Kis exposes his painting, populated by madonnas, roosters and images, a threshold between the real and the fantastic, a mystical force that exerts a fascination on the public, the result of a cosmopolitan experience, from Yugoslav ancestry, to coming to Brazil and the departure for the United States. The five years he lived in New York put him in direct contact with the busy world of megalopolises, at the same time in search of explanations - like the primitive ones - in the fantastic. Magics, fetishes, myths , symbols, become strong in a new trend". Roberto Peres CARLOS Kis: oils and prints. Texts by Delmiro Gonçalves, Roberto Peres, Dottie Campbell and Thomaz S. Corrêa. Brasília: Itau Galeria, 1978. "He is a man of the world and a 'creature of the universe', as Dottie Campbell asserts in 'Reviews' in New York. This universalism gives him conditions to produce a 'sui generis' style in painting. Various phases have marked the career of the artist He still now paints on Formica, not in the traditional Formica found in stores, but in a pressing process he calls 'paintinlay.' For this exhibition, Carlos Kiss prepared figures (a series of Mona Lisa, the posture of the model), still life, which the artist calls silent, all in water-quenching-and-oil. The result is in good taste and reveals the 'deep self' of the sensitive artist". Paulo Augusto Bueno Wolf CARLOS Kis: painting. Presentation by Paulo Augusto Bueno Wolf and Jorge Amado. Santos: Brazil-United States Cultural Center, Art Gallery, 1987. Select collections Philathea College Museum Of Modern Art - London (England) Chase Manhattan Collection - New York (USA) Exxon Corporation Columbia University Long Island University New York University - New York (USA) Private Collection - USA Beverly Hills Private Collection - USA Private Collection by Greta Garbo - USA Private Collection by Jackie Onassis - New York (USA) Private Collection by Júlio Mesquita Filho - São Paulo SP Private Collection by Marques Della Stufa Oehschlaege Gallery Abril Editora Collection - São Paulo SP Cyanamid Química Collection Hotel Collection San Rafael Individual Exhibitions sd - São Paulo SP - Carlos Kis: Recent Paintings Made in Unique Technique in the World, at Paço das Artes 1945 - Mexico City (Mexico) - Individual - 1st prize with the work Descargando pedregulho 1963 - São Paulo SP - Individual, at the Gallery Artécnica 1964 - Campinas SP - Individual, at the Jockey Club Art Gallery in Campinas 1965 - São Paulo SP - Individual, at KLM Gallery 1968 - Buenos Aires (Argentina) - Individual, at Kraft Moreno Gallery 1968 - Punta del Este (Uruguay) - Individual, at the San Rafael Art Gallery 1968 - Montevideo (Uruguay) - Individual, at the Columbia Palace Hotel Art Gallery 1968 - Montevideo (Uruguay) - Individual, at the Rio de la Plata Gallery 1968 - Punta del Este (Uruguay) - Individual, at the Guendalina Gallery 1969 - Punta del Este (Uruguay) - Individual, at the San Rafael Art Gallery 1969 - Porto Alegre RS - Individual, at the North American Brazilian Cultural Institute 1970 - Punta del Este ( Uruguay) - Individual, at the San Rafael Art Gallery 1970 - São Paulo SP - Individual, at the Actualidades da Hebraica Art Gallery 1971 - New York (United States) - Individual, at the Empire Savings Bank Art Gallery 1971 - New York (States United) - Solo, at Charles Mann Gallery 1972 - Long Island (United States) - Solo, at Long Island University 1972 - New York (United States) - Solo, at Saint Bartholomew's Art Gallery 1973 - Englewood (United States) - Solo, at the Jewel Spiegel Art Gallery 1973 - Newark (United States) - Solo, at The Art Gallery 1973 - New York (United States) - Solo, at the Park South At Carnegie Hall Art Gallery 1974 - New York (United States) - Solo, at the Empire Savings Bank Art Gallery 1974 - New York (United States) - Solo, at the New York University Art Gallery and The Catholic Center 1976 - Santos SP - Retrospective, at the Municipal Gallery 1977 - São Paulo SP - Individual, at UCBEU 1978 - Florianópolis SC - Individual, at Clube Doze de Agosto 1978 - Brasília DF - Carlos Kis: oils and prints, at Itaugaleria 1978 - São Paulo SP - Carlos Kis: oils and prints, at Itaugaleria 1978 - Itapetininga SP - Individual, at City Hall 1978 - Santos SP - Individual, at Cades Art Gallery 1978 - Santos SP - Individual, at Santos Art and Decoration Center 1982 - Santos SP - Individual, at CCBEU Gallery 1982 - Santos SP - Individual, at Centro Cultural Brasil-United States Gallery 1983 - São Carlos SP - Carlos Kis: oils and prints, at Itaugaleria 1983 - São Paulo SP - Individual, at Galeria de Arte Atualidades da Hebraica 1983 - Guarujá SP - Individual , at Delphin Hotel Gallery 1983 - Santos SP - Individual, at Banco do Brasil 1983 - São Paulo SP - Carlos Kis: oils & paintings in phenolic art, at Galeria Atualidades 1983 - São Paulo SP - Individual, at the First National City Bank Gallery 1983 - São Paulo SP - Kis-Pinturas Recentes, at the State Department of Culture 1984 - Santos SP - Individual, at the Santos Association Gallery 1984 - São Paulo SP - Retrospective, at Sesi Art Gallery 1985 - Sorocaba SP - Individual, at Sesc/Senac Art Gallery 1986 - Joinville SC - Individual, at Joinville Art Museum 1986 - Joinville SC - Individual, at Victor Kursancev Gallery 1987 - Santos SP - Individual, at the Brazil-United States Cultural Center Gallery 1987 - Santos SP - Carlos Kis: paintings, at the United States Brazil Cultural Center 1988 - Santos SP - Individual, at the Santos Doctors Association Gallery 1989 - Santos SP - Individual, at Aliança Francesa 1990 - Sebring (United States) - Individual, at Kissimmee Valley Gallery 1991 - Sarasota (United States) - Individual, at Frank Oeheschlaeger Gallery 1992 - Santos SP - Individual, at CCBEU Gallery 1997 - Santos SP - Individual, at the CCBEU Gallery Collective Exhibitions 1966 - São Paulo SP - Collective at Masp 1970 - Chicago (United States) - Collective at Gilman Galleries 1971 - New York (United States) - Collective at The Weyhe Gallery 1971 - New York (United States) - Brazilian Art, at Iramar Gallery 1972 - Mexico City (Mexico) - Collective, LifShitz Art Gallery 1972 - London (England) - Collective, at Philathea College Museum of Modern Art 1972 - New York (United States) - Collective, at Lexington Art Gallery 1972 - New York (United States) - Latin American Art at Columbia University 1972 - New York (United States) - Spring Arts Festival, at Educational & Cultural Fund. of EI 1972 - New York (United States) - Spring is Here at One World Trade Center New York 1972 - Paris (France) - Paintings & Sculptures, at Le Demeure 1973 - Long Island (United States) - Collective, at Crow's Best Gallery 1975 - São Paulo SP - The theme is the Woman, at Azulão Art Gallery 1976 - São Paulo SP - Collective, at Masp 1976 - Santos SP - Collective, at the Centro Cultural Brasil-United States Gallery 1976 - Santos SP - Collective, at the Santos Art and Decoration Gallery 1976 - Santos SP - Beneficent Exhibition, at the Alhambra Art...

Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam...

Two Cats, early 20th Century by Lionel Ellis ARCA (1903-1988) Early 20th Century study of a pair of cats heads, oil on board by Lionel Ellis. Good quality...

Mid to late 20th century oil on board of a cellist by J. Tempier, signed bottom left and to the reverse with a reference to 78, quite probably the date of the painting and possibly titled 'Allegro' as noted to the reverse. An extremely lively and colourful representation of this cellist at play. The quick and incisive brushstrokes give great energy to the painting. The expression of concentration on the cellist...

King and queen with clowns and jesters. Bold, colorful, expressionist masterful painting. Jonah Kinigstein (b. 1923) is an American Postwar & Contemporary painter. He works in a figurative expressionist style. His works are featured in the Smithsonian American Art Museum, the National Academy of Design, the Whitney Museum of American Art, and the Museum of Modern Art in New York. He lives in New York City. Jonah Kinigstein was trained at Cooper Union Art School, The Grande Chaumiere in Paris; and Belle Arte in Rome. He has been a Fulbright Fellow. He has holdings at MOMA, the Ain Herod Museum in Tel Aviv; Smithsonian; the Albright-Knox Gallery and the Nelson Gallery of Art. He lived and worked in Brooklyn New York. Kinigstein was inducted as an Academician into the National Academy of Design in 1997. Exhibits include: Young Americans at the Whitney Museum of American Art; the National Academy of Arts and Letters; ACA Gallery; Rittenhouse Gallery; the Washington Irving Gallery; and the Pindar Gallery. Contemporary American Painting and Sculpture (CAPS) '59, University of Illinois, Arthur Okamura, Fred Farr, Jonah Kinigstein, Lawrence Calcagno, Reuben Tam and Rico Lebrun. Jonatha Kinigstein attended The Cooper Union and Grand Chaumiere, Paris. He received a Fulbright scholarship to study in Rome, and has also received awards from the Butler Art Institute; American Academy of Arts and Letters; Silvermine Guild; and Louis Comfort Tiffany Foundation. Kinigstein has had solo shows at Galerie Bretau, Paris; Alan Gallery, Grippi Gallery, ACA Gallery, and Pindar Gallery, New York; Siembab Gallery, Boston; Rittenhouse Gallery, Philadelphia; among others. His work is in the collections of the Whitney Museum of American Art; Museum of Modern Art; Allentown Art Museum; Albright Art Gallery; Butler Art Institute; and more. He has taught at the Brooklyn Museum and National Academy of Design School of Fine Arts. Born in 1923 in Coney Island, Jonah’s early influences were discovered during visits to the Metropolitan Museum- “When I really saw the old masters, it blew my mind, of course.” He attended Cooper Union for a year before he was drafted into the Army, serving from 1942 – 1945. Soon after, Jonah moved to Paris where he spent time at the Académie de la Grande Chaumière, conversing with other aspiring artists, exchanging ideas, exhibiting his work, seeing established artists, and generally soaking up a fertile creative environment. He exhibited in several shows including the Salon D’Automne, Salon de Mai, and the Salon des Moins de Trente Ans, and had one-man shows in the Galerie Breteau and Les Impressions D’Art. After Paris, Jonah moved to Rome on a Fulbright Scholarship and studied at the La Schola Di Belles Artes. After a year, he returned to the U.S. and exhibited his paintings at the Downtown Gallery in Manhattan. A classically trained painter whose ambitions were frustrated by the New York art world’s obsession with Abstract Expressionism and the lucrative industry that grew up around it. Like so many painters, he was unable to make a living solely from painting, so he worked in the commercial art world and did freelance illustration and design. Throughout this time, Jonah’s commitment to his own art never wavered, and he continued to paint and occasionally exhibit. He was included in the MoMA show, Summer Exhibition: New Acquisitions; Recent American Prints, 1947–1953; Katherine S. Dreier Bequest; Kuniyoshi and Spencer; Expressionism in Germany; Varieties of Realism along with Alexander Archipenko, Francis Bacon, Balthus, Will Barnet, Leonard Baskin, Eugene Berman, Reg Butler, Lovis Corinth, Andre Derain, Otto Dix, Raoul Dufy, Max Ernst, Lucian Freud, George Grosz, Alexei Jawlensky...

Timothee (Tymo) Pierre, "Indian African Face Woman", Signed Abstract/ Figurative Portrait Painting, Acrylic Paint on Cardboard, 13.50 x 10.50, Late 20th ...

Ron Gorchov Historic Self Portrait, 1955-1959 Oil painting on board Hand signed in paint on the upper recto and dated 1955-9 Frame included: held in original vintage artist's frame This work was exhibited at the Sager Reeves Gallery in Columbia, Missouri in their Masters Exhibit in December, 2022, and is reproduced as a full page in their exhibition catalogue. A copy of this catalogue accompanies the artwork. In 2019, the year before Ron Gorchov passed away, Stephen Truax, director of Cheim & Read, his then gallery, passed along details of this extraordinary painting to Gorchov's studio to be included in the forthcoming catalogue raisonne. When shown the work, Gorchov remembered it well, but was amazed that the painting was still in existence after so many years. This historic early self-portrait, done over a period of four years, from 1955-1959, starting when he was only 25 years old reveals Gorchov's distinctive and sophisticated sense of color and form. This is one of the artist's earliest works, and very few works by Gorchov from this era ever appear on the market or are known to remain in existence. It should be in any museum or career retrospective. This work was gifted by the artist to Elthea Rembrandt Peale...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

Soldier. 1950. Cardboard, author technique, 39,5x20 cm Artwork depicts a soldier in motion. Author has used a mixed media technique on cardboard. Both the soldier himself and the fe...

'Boy with Anemones', oil on cardstock paper, by Raymond Debiève (1965). Here the artist paints a young boy having his breakfast with a beautiful bouquet of an...

'Portrait of Blue-Eyed Woman', oil on board, signed by artist, Ayral, French School (circa 1960s). Discovered in the South of France, this small portrait is painted with vibrant colo...

Gypsy woman. 1959., oil on cardboard, 48x37 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and...

A strong modernist oil painting depicted in the 1950's of a Boy seated with a bowl of fruits. Comes displayed in a distressed wood frame, signed lower left illegibly. Art measures 1...

Oil on canvas painting from 1946 by Colorado/Woodstock modernist Jenne Magafan (1916-1952) titled 'Deserted Street'. Single figure portrayed in a ghost town with buildings and teleph...

Woman, Russia, snow,Portraits Levitin, Anatoly Pavlovich or Levitine, Russian, 20th century, Born 1922, in Petrograd (now St Petersburg). Painter. Figures, nudes, genre scenes. Socialist Realism...

'Outstanding in His Field', oil on cardstock paper, by Raymond Debiève, 1976. The artist depicts a salt-of-the-earth farmer seated on a fence post, arms crossed with a look of wholeh...

B Wade 20th century Self Portrait Oil on canvas on board Image size: 11.25 x 8.25 inches Contemporary style frame This striking self portrait shows Wade against a red background. ...

Portrait of a little girl with a ball of thread. Oil on cardboard, 46x40 cm

Framed 26 x 13 image 20 x 6.5 inches. YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. He was part of the loose association of émigré artists known collectively as the École de Paris, the majority (among them Marc Chagall, Isaac Dobrinksy, Henri Epstein...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

Certainly a family of artists, such as, of course, Amadeu (1912-2004), known for a long artistic career, as a teacher of several generations of painters and as an artistic popularize...

Genre: Modern Subject: Fiddler on the roof, Shtetl matchmaker Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Most likely for Redbook, Cosmopolitan, Collier's Weekly, Good Housekeeping or Macall's

Red Grooms (American, b. 1937) Jackson Pollock, 1986 Pastel on paperboard 9 1/4 x 9 1/4 inches Signed and dated lower right Provenance: Hirschl & Adler Modern, New York Charles Rog...

"New Hat" is a figurative, interior portrait painting by Philadelphia born Expressionist painter Bernard Harmon from 195. The 20" x 16" oil on board portrait features a young African...

'Grand Prix Racer II', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One (or Grand Prix) racing are depicted in this thrilling ...

"Resting" is an interior portrait of a young man resting on a sofa. This work was painted by Philadelphia born Expressionist painter Bernard Harmon. The 24" x 32" oil on board painti...

Flirt. Cardboard, mixed media, 50x40 cm Abstract/Surrealist composition with two fasec Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, grap...

The sun. 1973. Cardboard, oil, 33x46.5 cm Woman portrait in orange colors Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Using brilliant compositional devices and late afternoon light, Frank McCarthy captures a man at the precise moment before death. The scene is staged wi...

Together. Cardboard, oil, 50x39.5 cm Double portrait of a man and woman Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, po...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and dated 1971; additionally signed, verso, and titled, 'Leslie'. Winner of the Prix Othon Friesz, Victor di G...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

"Jazz" is a figurative painting by Philadelphia born Expressionist painter Bernard Harmon from 1968. The 34" x 40" oil on board portrait features a young African American woman playi...

Warm toned modern portrait of a medieval woman wearing red dress against a blue background. Signed "Charles Campbell" at bottom right corner. Matted in linen and framed in black and gold frame. Dimensions Without Frame: H 20 in. x W 15 in. Artist Biography: Charles Campbell has been hailed as one of the more distinctive and imaginative contemporary American Painters of our time. In a highly individual style he combined rich vibrant colors with elaborate textures and composition. His paintings, described as modern by conservatives, and considered conservative by Avant-Garde groups, have their own unique balance of design. Charles was a quiet man who tended to make strong social statements in his paintings, some subtle, some obviously satirical, others full of fantasy and humor. A perfectionist, (he has destroyed over two-thirds of his work during his career), he painted every day until his eyes gave out and then often did some sculpting. His aim, he said, was to "Express my vision of the world in the purest possible terms." As a young man he drew inspiration from Daumier, particularly his outstanding draftsmanship. He also learned a great deal from Renoir in his handling of paint and tonal variations. El Greco's contribution is seen in the intensity and luminosity of many of Campbell's paintings, just as Picasso's line and description of the human form can be seen in others. Charles Campbell was born in Dayton, Ohio, but spent most of his boyhood in Springfield, Ohio. At 17 his family moved to Cleveland where he enrolled in the Cleveland School of Art (now the Cleveland Institute of Art), and spent five years there, receiving a B.A. degree in 1928. He taught one year at this school, but decided against the profession because he felt he had no calling for it. He was caught up in the 1930s Depression like thousands of his fellow artists and worked in WPA producing several murals. Following that he got a stake together and bummed about the country in a jalopy for a year, looking at the land and the people in the land during those very rough years in our history. He spent six months in an ancient house in Texas, painting, writing, doing a great deal of reading and thinking about what was going on, both in his own head and in the world. He returned to Cleveland and was taken on by the Treasury Art Project, producing easel paintings until 1942. At that time Campbell married and left for Los Angeles. Up until his departure from Cleveland, Campbell had established himself locally as an outstanding young painter, winning many prizes and awards. His early work was exhibited in the traveling shows in most of the major museums of the country. The Cleveland Museum and Whitney Museum own examples of his work of that period. After his move to Los Angeles, Campbell dropped out of the museum circuit and thereafter exhibited only in private galleries surviving wholly on the sale of his work. In 1952 the Campbells moved to the French Quarter in New Orleans...

Glenn Brown (British, b.1966) Dead Relatives 1995 oil on canvas laid on board 57.8 x 47.6 cm (22¾ x 18¾ in.) signed and dated 'Glenn Brown 1995' (on the verso) Price: £341,250 GBP (...

A wonderful landscape reminiscent of the great American artist Camille Carrot done. The details are masterfully done with beautiful brush work and wonderfully rich and lush color pal...

Gorgeous pointillist egg tempera portrait of young blonde girl by Robert Joseph Collins (American, 1922-2011), 1947. Signed "Collins" and dated "'47." U...

Fertility Goddesses, original abstract figurative painting, vintage 1950, by 20th century Denver modernist artist, Edward Marecak (1919-1993). ,Three nude female figures with fruit. ...

Mid-century fauvist portrait of a girl with colorful, textured impasto by Mary Sheppard (American, 20th Century), 1956. Signed and dated "Mary Sheppard '56" lower right. Unframed. Im...

"Snap Peas" is an interior portrait of a young woman working at her kitchen table, painted by Philadelphia born Expressionist painter Bernard Harmon. The 24" x 36" oil on board painting from 1955 is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

Mid Century portrait of a woman wearing red by Jon Blanchette (American, 1908-1987). Signed by the artist in the lower right corner. Canvas has been mounted on fiberboard. Unframed. ...

SALE ONE WEEK ONLY "Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflec...

Faintly signed lower right, 'D. Mayernik' for David Mayernik (American, 20th century) and painted circa 1985. A period, Post-Impressionist style study of a woman in a turban looking proudly upwards. A warm and engaging piece by a bravura hand. Artist, design architect, author and educator David Mayernik studied fresco painting with restorer Leonetto Tintori and has painted frescoes for the TASIS campus in Lugano, churches in Ticino and Tuscany, and the Palio...

'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...

Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United States, settling in New York City. It was on the boat coming to New York where Tromka first became interested in art. Fascinated by a woman who was painting, he decided that he wanted to become an artist. Upon arrival at immigration headquarters, Tromka’s family adopted the surname “Phillips,” which he kept until 1930. Hence the artist’s early works bear the signature — ‘Phillips.’ Having a rough childhood, Tromka left home at 15 and spent the remainder of his teenage years living at the Henry Street...

"Drums" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 34" x 40" oil on board group portrait of three musicians playing t...

Wonderful pulp art figurative portrait of a brunette woman in formal yellow evening gown with gloves by unknown California artist, circa 1960s. Unsigned. Acqu...

Portrait of a clown in three quarter view, with expressive brushstrokes and use of color by Marjorie Blake (1920-1994). Unsigned, but was purchased with...

Mid century Native American portrait by B. Shepard (American, 20th Century). Signed "B. Shepard" lower middle. Unframed. Currently on a mat, ...

Oil on board, 1978. It depicts an abstracted portrait of a military man in an army uniform with medals. It is signed by the artist verso. Dimensions: sight size-22 inches tall X 19 1/4 inches wide. Framed-23 1/4 inches tall X 20 5/8 inches wide. All measurements are approximate. Dean Richardson...

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Dynamic self-portrait. 1970, cardboard, oil, 37x36,5 cm + gift book about artist Vladimirs Glušenkovs Painting published in the book "Vladimirs Glušenkovs", Ed .: Neputns, 2018, on L...

At work. 1950, oil on cardboard, 49x69 cm Socrealist artworks, women are sorting sprats Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National Uni...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

"Girl at Desk" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of a young woman, presumably a student, sitting by her desk. This work features a second portrait on verso of an elegant older woman. The painting is 40" x 36" in size and is signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...