1980s Portrait Paintings

Evocative, contemporary portrait of a woman wearing a hat by celebrated, twentieth-century California landscape painter, Ronald Shap. Washes of thin, gold-colored paint, which we bel...

This is a rare painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) from his series dedicated to the "linearism" with a strong color presence. Colors range from Yellow, Azure...

Pierre GARCIA FONS Maternity : Mother and Son Reading, c. 1965 Original oil painting Signed upper right corner Signed and titled on the back On canvas 46 x 55 cm (c. 18 x 22i nch) ...

Artist: Francesco Scavullo Title: Lena Horne Year: 1984 Medium: Screenprint and Enamel on Canvas, Signed Verso Size: 34.75 x 32.25 in. (88.27 x 81.92 cm)

This is a rare painting by Salvador Aulestia (Barcelona 1915 - Milano 1994) from his series dedicated to the "linearism" with a strong color presence. Colors range from Yellow, Azure...

MALCAH ZELDIS (American-Israeli, b. 1931) Moses and the burning bush, 1982, gouache on paper, Hand signed and dated lower middle. Paper 9''h, 11-3/4''w. Framed 14.5 X 17.5 Provenance: Estate of Laura...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Peaceable Kingdom features more than 60 aminal portraits by famous illustrator Richard C. Hess. Impeccably rendered and designed. Signed lower center-left. R. Hess. His illustrati...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Technical Sheet - Title: *The Secret in Her Eyes* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 24 x 20 inches - Framing: Unframed - Style: Romantic realism...

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) ...

Portrait of a young woman Mara. 1986, oil on cardboard, 35x30 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R...

MALCAH ZELDIS (American-Israeli, b. 1931), ''David and Saul'', 1982, Gouache on paper Hand signed and dated lower right, titled in pencil on paper verso. Provenance: Estate of Laura Fisher...

Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil Oil on canvas glued to cardboard. Oil measures 46x38 cm. Frameless. Romantic cartoonist, especially for the foreign market, and also a gymnast. Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt. He retired from comics in the 1980s to focus on painting. He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...

Josep Serrasanta (1916-1998) - Gypsy woman - Oil on canvas Oil measures 65x50 cm. Frame measures 88x73 cm. Josep Serrasanta was born in Buenos Aires (Argentina) in 1916 - 1998 Valdo...

Title: Aubade ama femme Technique: Acrylic on cardboard Dimensions: 80 x 120 cm (31.5 x 47.2 in) Support: Rigid cardboard Condition: Unsigned work Framing: Unframed Estimated period:...

A dreamy young blond woman holding a Bengal cat is depicted relaxing in a deckchair. She gazes upward and outward, pondering—the distinctive marbling of the cat echos the floral back...

José Puyet Padilla (1922-2004) - Goyesque man - Oil on canvas Oil measures 100x80 cm. Frameless. Puyet was born in Malaga, Spain. He was the grandson of Professor José Padilla, a Sp...

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

A Citizen of the World Expressionist Portrait of Ernst Kirchner German Modernist A bright abstracted portrait and collage by California-based artist, Ricardo de Silva (American/Braz...

Jordi Curós Ventura (1930-2007) - Woman smoking Mixed technique on canvas board. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanis...

Oil on canvas realized by Giorgio Scalco in 1983. Hand signed and dated. Titled on rear. Includes a wooden frame cm. 45x70. Very good condition.

Ron Lesser Love Counts Unique oil painting on board Hand Signed Circa 1980s Image Size: 19.5 x 11.75 inches Frame Size: 25 x 18 inches Original gallery sticker on verso from B & R Ga...

MALCAH ZELDIS ''Circus, Fire Eaters'', 1989, gouache on paper Hand signed and dated bottom center, titled in pencil on paper verso Paper 12''h, 9''w. Provenance: Estate of Laura Fisher...

Vintage Latin American School Original Minimalist Painting of Artist’s Self Portrait in Acrylic on Paper Oustandingminimalist self portrait by California-based Latin American artist, Ricardo de Silva (American/Brazil, 20th C). The artist has represented himself is a stylized manner, yet is quite recognizable due to his beard and dark curly hair. He is wearing red clothing that contrasts nicely against the dark background. Unsigned, but was acquired with a collection of the artist's work. No frame. Paper size: 19"H x 16"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg...

Title: Immaculate Conception Author: Anonymous Period: 20th Century Technique: Oil on canvas Dimensions: 25.6 x 21.3 in Signature: "Karmel" (lower right) Condition: Good Descr...

Frameless. Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Whispering Winds Di Li Feng, Chinese (1958) Date: 1985 Oil on Canvas, signed verso Size: 47 x 69 in. (119.38 x 175.26 cm)

Vintage Mid Century Modern Figurative -- Seated Samurai Original Oil on Canvas A quiet mood of this warrior is captured by listed California artist Molly E. Brubaker (American, 1922...

Canvas measures 61x50 cm. Frameless He was born in 1951. Under the direction of the master Pedro Bermejo, he began his artistic career, quickly highlighting and observing in his works an unusual mastery of drawing. A very mature painter who has known how to stop time in all his works. His themes are preferably costumbristas although in his work the usual thing is to see eight century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, by the subject, of Maestro...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

José Puyet Padilla (1922-2004) - Goyesque man - Oil on canvas Oil measures 100x79 cm. Frameless. Slight paint chips Puyet was born in Malaga, Spain. He was the grandson of Professor...

Antoni Granja Llobet (1954) - Pitita - Oil on canvas Oil measures 73x60 cm. Frameless. Step into the splendor and mystery of an authentic Venetian masquerade with "Masquerade," a ...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...

Faintly signed lower right, 'D. Mayernik' for David Mayernik (American, 20th century) and painted circa 1985. A period, Post-Impressionist style study of a woman in a turban looking...

American school, Signed indistinctly lower right and dated 1988. A bravura, psychologically-penetrating oil study of a man, shown wearing a turban and contrasted against a scumbled ...

'Portrait of a Woman and Her Horse', oil on board, French School (1988). Horses are majestic, strong and can display a broad range of emotions. Whether they're around humans or other...

Agnes Preston-Brame (Hungarian/American, XX-XXI), Portrait of a Bearded Man Holding a Martini, Oil on Canvas, 1984, signed and dated lower right, black frame. Image: 39.5" H x 29.25"...

Frame size 79x64 cm.

mixed media cardboard painting CUIXART I TÀPIES, Modest (Barcelona, 1925 - Palafrugell, Girona, 2007). He cuixart initially studied medicine, but soon abandoned his studies to devot...

"Locked Out" - A Face and a Figure in Acrylic on Paper A bold figurative painting by California-based artist, Ricardo de Silva (Brazilian, 20th Century). A face and a figure have been superimposed upon each other, with no clear indication as to which in in the foreground. They are composed of red, brown, and black, with a stippled texture at the bottom. From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

Abstract expressionist portrait of a blonde woman with a gold earring by Harvey C. Parks (American, b. 1948 - 2107), 1980. This is a compelling example of Park's abstract expressionist portraiture that shows the hallmarks of his emotionally resonant and stylized portraiture. The sitter’s elongated features, stark contrasts, and muted yet moody palette Medium: Oil on canvas Signed and dated "Parks '80" Condition: Good; minor missing paint (lower edge) retouched. Image size: 20"H x 16"W. Presented in painted wood frame of the period Canvas size: 20"H x 16"W Framed size: 24"H x 20"W Harvey Parks...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

This spectacular mural size painting was commissioned as a commercial assignment for a Bloomingdale's window backdrop. It's of monumental size and a rare statement piece. It was pu...

Waiting II Paul Noiret Date: 1983 Oil on Canvas, signed and dated l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

Woman in the Morning Sun - Large Scale Portrait in Oil on Canvas Modern portrait of a woman by American painter, Patricia Gren Hayes (b. 1932). The portrait is close-up and off-cent...

Impressive early American modernist drawing. Framed. Drawing on paper. Signed. Image size, 14H by 11L.

An original painting by Harry McCormick from circa 1980. In an excellent gold frame. Artist: Harry McCormick, American (1942 - ) Title: Woman in Yellow Dress...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

Juggler and Band Paul Noiret Date: 1983 Oil on Canvas, signed and dated l.r. Size: 20 x 24 in. (50.8 x 60.96 cm)

Waiting I Paul Noiret Date: 1983 Oil on Canvas, signed and dated l.r. Size: 30 x 24 in. (76.2 x 60.96 cm)

A fresh and contemporary piece honoring charitable, revolutionary and patriotic women in the US, "The American Women" by Charles Warren Mundy (American, b. 1945), provides a nod towards the pop art movement. Pictured in this unique painting are Harriet Beecher Stowe...

Modern portrait of young girl named Cathy Gutman by American painter, Patricia Gren Hayes (b. 1932), 1982. Signed and dated lower left corner and on verso Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller fine Art Unframed. Canvas size: 18"H x 16"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Swimmer in the Jump with the Kitten by Marco Silombria. Italian Pop art Large scale painting on paper. Mixed tecnique with glitter dust on corners. Created by Italian Pop - Art ar...

Abstract Expressionist Self Portrait in in Acrylic and Pastel on Paper A colorful abstracted self portrait painting by California-based artist Ricardo de Silva (American/Brazil, 20t...

American life is captured in this Clyde Singer painting, Mailing the Letter, where he depicts a woman posting her mail in 1986. An accomplished American Scene painter, Singer success...

This painting was purchased directly from the artist, and its sale benefits a midwestern university foundation.