Mid-19th Century Portrait Paintings

Charles Cooper Henderson (English, 1803-1877) Windsor Mail Coach Oil on canvas With chalk inscriptions verso Property of a gentleman From the collection of Peter Roe Dimensions: (F...

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

This authentic 19th-century Mexican ex-voto is a powerful testament to faith and survival, painted in oil on tin with ink circa 1869 by an anonymous Mexican artist. It is elegantly displayed in a custom, hand-carved frame enhancing its historical and artistic significance. The ex-voto itself measures 6 ½ x 9 ¾ inches, while the outer frame spans 14 ¼ x 17 ½ inches, making it a compelling piece for collectors of religious folk art. A Miraculous Healing – A Story of Devotion The heartfelt inscription tells the story of Mrs. Dia Anacleto Rodriguez, who, in 1860, faced a life-threatening childbirth with little hope of survival. In desperation, her husband, Mr. Epimenio Manzano, turned to Santo Niño de Atocha...

This fine mid-19th-century German miniature depicts a woman wearing a black dress and a beautiful white and lilac day cap. Produced around 1840, this exquisite piece on porcelain is...

This exquisite antique 19th century oil painting on canvas depicts a romantic portrait of a young lady in serene contemplation. The model gracefully lies leaning against the curved a...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...

French Romantic School, 19th Century Portrait of a man, a selfportrait ? oil on paper 17.5 x 12 cm oval Framed under glass : 43 x 34.5 cm This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer. What this man seems to be staring at is himself. Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy. It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...

"Falling Asleep While Spinning Yarn" by Louis Edwarmay is a captivating piece that beautifully captures the quietude and exhaustion of daily labor. The painting portrays a woman in t...

La obra no va firmada, es de autor anónimo Estado de conservación aceptable Se presenta sin enmarcar la obra Medidas de la obra: 75 x 64 cm.

Antique oil portrait painting of a woman. This painting is an attractive French portrait painting of a woman in a green dress. The artist has given this painting a depth of detail ...

A black pointer in a woodland landscape by John Frederick Herring Senior, circa 1830. Oil on canvas in a giltwood frame. Provenance: Arthur Ackerman and Son Frost and Reed Blains, Bruton Place, London John Frederick Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses. In 1814, at the age of 18, he moved to Doncaster in the north of England, and by 1815, had married Ann Harris. His sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring...

Conditions : Good overall Conditions with minor retouching under UV light (as seen on pictures). Slight invisible crack in the canvas. Original Victorian frame in excellent conditio...

A pair pf 19th century English School watercolor portraits of a man and woman, possibly husband and wife. Both are inscribed on the rever...

William Fisk 1796 -1872, was an English born portrait and history painter. Although born in 1796 he didn't start his artistic career until after 1826, after the birth of his son Will...

19th Century English Folk Art School Portrait of a Cavalier King Charles Spaniel Oil on canvas, 13 x 15 inches Provenance: Iona Antiques This charming 19th century English Folk Art ...

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

French school circa 1810 Portrait of a woman in front of a landscape in a trompe l'oeil H. 106 cm; L. 91 cm Oil on canvas Preserved in its original vine leaf frame, this large portr...

Unknown Artist (English or American, nineteenth century) William Shakespeare Oil on canvas, mounted on board; 9 x 7 1/4 inches FRAMED: 14 1/2 x 13 inches (approx.) This work depicts...

Portrait of Lydia Clifton, aged 5 years, 6 months and dated January 31st 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5...

In Francis William Edmonds' family portrait, six women and three men are elegantly arranged in a formal yet intimate setting, capturing a moment of togetherness. The composition refl...

This mid-19th-century oil painting by British artist John Robert Wildman (1788-1843) depicts a gentleman wearing a dark brown frock coat with waistcoat, white shirt and cravat. He be...

"Christ Crucified" is a striking oil on copper painting by an anonymous German School artist. This bold composition presents a powerful portrayal of the crucifixion, a central theme ...

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

Sin firmar, es de autor anónimo Se presenta enmarcada la obra con un marco bastante actual Medidas obra: 32 cm. de altura x 25 cm. de ancho Medidas obra: 39 cm. de altura x 34 cm....

A striking mid 19th Century full length portrait of a young woman in a red dress and blue bonnet, sitting on a hay bail with a basket at her feet, The painting is unsigned and has be...

Alexandre François CAMINADE (1789-1862) Portrait of a Lady Oil on wood signed low right Old frame gilded with leaves Wood size : 22 X 15 cm Frame size : 40 X 30 cm Alexandre-Françoi...

Outstanding oil on canvas portrait depicting a child, Toribio de Velasco y Viguri, whose name appears written in gold letters in the upper right corner against the dark background of...

Mid 19th Century Woman in Black Dress and Lace Cap Original Oil Painting c.1840 A fine portrait of an elegant matron with the lappets of her cap held together by a fancy brooch Ori...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

English School, Portrait of a Gentleman, Oil on Canvas, circa 1830, the figure seated in an armchair, unsigned, according to a typed label verso depicting "Lord John H. Morelan(d)", ...

Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...

Philip Westcott 1815-1878, was a British born artist. This portrait is of the former Prime Minister Charles Grey 2nd Earl of the House of Howick, he was Prime Minister from 1830 to ...

"Enjoying Old Times" by Charles Baker captures a poignant and joyful moment in the life of an older man, immersed in the beauty of nature. The painting features the man in the midst of a hike, his weathered walking stick in one hand, and a bottle of champagne in the other. His gaze is fixed on the bottle, a focused and content expression playing on his lips, suggesting a celebration of memories or perhaps a spontaneous toast to the present moment. Baker’s use of warm, earthy tones highlights the natural surroundings, with the man standing against a backdrop of greenery, a rocky path, and a clear, open sky. The composition is rich in detail, from the rugged texture of the man’s clothes...

A fine American School oil portrait of an affluent gentleman or aristocrat in black with a ruffled shirt, seated at his desk with a nicely detailed gilt desk set with Cupid figure, i...

American School, Portrait of a Woman, Oil on Canvas, 19th century, unsigned, inscribed "J Harrison / 1836" to verso, giltwood frame. Image: 23"H x 19.25" W;...

A charming Victorian painting showing two girls, perched on a wooden countertop and table, one grasping a picture of napoleon. A chicken can be seen to the lower left of the composit...

Signed lower left, 'E. Brown' (English school, 19th century) and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular b...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant...

Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full-length portrait of Jules Michel Simonet (1834-1881) as a child with his dog Oil on canvas Signed...

Alphonse Legros (French/British, 1837-1911), Portrait of a Woman, Oil on Oval Canvas, 1862, monogrammed "ALG" and dated mid right, oval giltwood frame. Image: 31.5" H x 26" W; frame:...

A unique 19th-century miniature oil study depicting an old apothecary, shown with a pestle and mortar at his side. The subject is rendered with a dishevelled appearance and a distinc...

A student of the great French academic Bouguereau, Lobrichon has done a moving and entrancing depiction of a young girl mid-gaze. Beautifully painted and done in a circular format t...

Pigment on mica Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe...

'Portrait of a Gentleman Reading' by George Richmond, RA. Regency Dandy, William Blake, Royal Academy, Framed Oil ----- Signed lower right, 'Richmond' for George Richmond, RA (Brit...

For sale we have this large portrait depicting two young girls in white dresses, standing side by side and posing for the painting. Painted by John Peoli and the Girls happen to be J...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Bearded Fisherman English artist, second half 19th century inscribed 'W.M.Wyllie' to the frame Oil painting on board, framed Framed: 12 x 12 inches Board: 10 x 10 inches Condition: ...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

A fine mid-19th century portrait depicting Mayor John Neve (1796-1856) of Wolverhampton, whose tenure spanned 1853 to 1854. The artist has portrayed the figure in a sweeping Romantic...

A finely executed mid-19th century portrait depicting a dapper young lad dressed in his best attire. The artist has skilfully captured the boy’s proud, contemplative expression as he...

Joseph-Auguste Rousselin French 1841 - 1916 Head Study Oil on board, signed with initials and signed verso Image size: 12 x 11 inches This head study provides an unbelievably moving portrait of an androgynous sitter. Employing incredible technique, the artist has achieved the highly finished porcelain skin, thoughtful eyes and pink lips of the sitter with incredible softness. The unfinished quality of the background make the composition of the work particularly satisfying to the modern eye. Loosely sketched dashes and brushy swoops outline the model's head. The mix of finished and more expressive elements reveals the artist's brilliant eye, technique and personality. Artistically, Rousselin does not seem to be influenced by the friendships that he forged with the Impressionists but rather he has remained rather faithful to the academic technique of William Bouguereau, whose studio he also used to frequent. This study is certainly comparable to the work by Bouguereau, specifically his graceful portraits of women. Bouguereau championed the traditional academic style and his methods were taught to him by a pupil of Ingres. Similar academic inspiration is apparent in this work, from the conscious posing of the subject to the evenly laid colours. Indeed, alike the work of Bouguereau this follows the same classical approach to composition, form and subject matter. The Artist Born in Paris in 1841, Rousselin grew up to be a French painter and art collector. From a young age he studied in the workshops of Charles Gleyre and Thomas Couture, here he met the young impressionist generation. His studio peers included Auguste Renoir, Alfred Sisley and Édouard Manet, with whom he forged strong bonds of friendship. It was at his invitation that his two friends Renoir and Sisley exhibited at the Salon of the Society of Friends of the Arts in Pau, a region where Rousselin had family ties. Manet invited him to his family home in Boulogne-sur-Mer where he had him pose in the summer of 1868 for 'Le Déjeuner dans l'Atelie'. Rousselin can be seen in the background of the painting as the man with the cigar, wearing a grey hat...

BARON Dominique (19th Century) The Ladies and the dove Oil on canvas signed Low Right Old frame gilded with leaves Dim canvas : 59 X 75 cm Dim frame : ...

Up for sale is a fabulous antique 19th-century or even earlier original oil painting on canvas depicting an interior scene with a seated female nude queen w...

After Sir John Hoppner 1758 - 1810 Self Portrait Oil on canvas Image size: 18 1/2 x 21 1/2 inches (47 x 55 cm) Original gilt Carlotta frame This wonderful painting is after John Ho...

The self-portrait of Francis William Edmonds is a compelling depiction that offers a profound glimpse into the artist's emotion. Edmonds, known for his keen eye and detailed brushwor...

French School 19th century Close to François Xavier FABRE (1766-1837) The Princess and The Chaperone Oil on canvas One can read on the reverse "Fabre Fecit" and the name and address of the canvas dealer shop...

"The Badminton Player" French School, 19th century unsigned oil painting on canvas, framed painting: 24 x 14 inches framed: 28.5 x 18.5 inches Very rare early portrayal of a young ...

Ornate, decorative oil painting. Illustration of Marie Potonie (born Sievers). Marie was the daughter of the royal Prussian court painter Johannes Sievers. Extremely fine painting....

This painting is unsigned but evidence shows that it is from a European school. It shows a mother with a child on her lap as well as a forest background. Likely wealthier patrons due...