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Simka SimkhovitchElsa Reading a Lettercirca 1940
circa 1940
$5,800
£4,363.96
€5,041.76
CA$8,196.91
A$8,900.26
CHF 4,713.34
MX$109,091.63
NOK 58,329.39
SEK 55,118.19
DKK 37,629.61
About the Item
A marvelous and affecting depiction of "Elsa" the artist's wife at the kitchen table with an object not yet decided in her hand. It could be a coffee cup, a glass or a letter that the artist was intending to fill in. There are some unfinished elements to this canvas which actually make the work more compelling and give insight to the artists thoughts and handling of the composition. The face is pretty fully articulated and that is where the viewer's attention is held. We can sense that this is an era in America where this family is a regular American family and the wife is head of the household. This is not a glamorous portrait but one of everyday appreciation for what one did have and not about what one did not have. The artist and his wife had both emigrated to the United States from Sweden and from Russia.
The frame is simple and complimentary.
Canvas size inside frame is 24.25 x 24.25 inches
The work is not signed but is directly within the estate of the artist's family
- Creator:Simka Simkhovitch (1893 - 1949, Russian, American)
- Creation Year:circa 1940
- Dimensions:Height: 29 in (73.66 cm)Width: 29 in (73.66 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Work has been cleaned and conserved. Possible slight wear to the frame but ready to hang!
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1413214585772
Simka Simkhovitch
Simka Simkhovitch was born near the city of Kiev, Russia. When he was 7, he spent a year in bed with a severe case of measles. To amuse himself he used to sketch an old mill outside his window, and thus decided to become an artist. He studied at an art school in Odessa and was recommended to attend the Imperial Academy of St. Petersburg (a singular honor in Russia at the time) before the war and revolution. Swept up into the army before he could attend, his work was hung in the Museum of Revolution in Leningrad. He resumed his studies in 1914 and graduated four years later. He was sent to the United States in 1924 to do illustrations for Soviet textbooks. He quickly applied for and gained U.S. citizenship. Simkhovitch integrated with the art world immediately and galleries such as Midtown Galleries and Marie Sterner took him on as part of their stable of artists. He also was employed by the WPA and executed major mural commissions throughout the country. One of his largest commissions was the Mississippi Court House. Life magazine profiled him twice with full-length features on his life here in this country as an artist. When he died at an early age, the Whitney Museum of Art in New York offered to do a retrospective and the widow denied the possibility and simply put his works away in storage. Considered a master draftsman and an adherent of certain classicism, Simkhovitch’s compositions are often built up in a complicated but well-managed counterpoint. But at heart, he is a romanticist preferring the dreamy colors of a Russian fairy tale.
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