People Portrait Paintings

Let love lead. Let's be genuinely happy for each other. No malice, no backbiting. No jealousy. No comparison. Life is not a competition. At the end of the day, we will all transit to...

Antique portrait of a woman, 1920's French school, signed in the bottom left by French artist, Louis Faille (1878-1964). This is a very attractive old portrait in beautiful natural h...

Karen Offutt's (US based) "The Bather" is an original, handmade oil painting that depicts a nude female in a landscape, bathed in light, with a towel draped around her. The painting ...

Portrait of a Man in Suit French, mid 20th century oil on canvas, in a slip wooden frame Framed: 18.5 x 15.5 inches Canvas : 18 x 15 inches Provenance: private collection, France Con...

Portrait of a Woman after Modigliani (see details verso) oil on canvas, unframed canvas: 36 x 24 inches provenance: private collection, England condition: a few minor scuffs but over...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

18th-Century Portrait of a Young Captain James Cook An exceedingly rare and highly significant mid-18th century oil on canvas portrait of the legendary Captain James Cook in his you...

'Prisms of Identity: A Portrait Series VII', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Fl...

Portrait of a Man French School signed and dated 1923 oil painting on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: good and sound conditi...

This accomplished 18th-century portrait depicts the distinguished gentleman Johann Leonhard Bahnmayer (1677-1748), pictured in formal robes. An inscription verso suggests that he may...

URthe1 is a provocative art series that delves into the tension between individuality and the multiplicity of the human condition. Through a collection of striking portraits, the series examines how humans, often celebrated for their uniqueness, are simultaneously shaped by cultural, social, and biological replication. Each piece carries a subtle sarcasm, challenging the viewer to question the authenticity of identity. With its vibrant palettes, playful naïve style, and distinctive figures, URthe1 invites viewers to reflect on the paradox of being "one of a kind" in a world where we are all, to some extent, copies. The series is both a celebration and a critique of humanity, offering a visual narrative that is as thought-provoking as it is visually captivating. "Ancestor Clone #11" is a unique artwork from Natasha Lelenco's series You Are The One. This Small Format Oval Framed Painting...

“New Perspective” is a painting that epitomizes renewal and confidence. The background of the city street conveys the rhythm and dynamics of life, where the figure in its movement re...

Portrait of an Elegant Lady by Pio Santini (French 1908-1986) signed oil on canvas, framed framed: 34 x 28 inches canvas: 26 x 20 inches Provenance: Private collection, Lyon, France ...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

Portrait of an Elegant Lady by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, UK c...

Mary Kiisel Greenwood (b.1924) Studied: PAFA Exhibited: Gross McCLeaf Gallery, Philadelphia Portrait of a Beatnik, ca. 1955-60. Oil on canvas measuring 12 x 16 inches. Some w...

Madonna and Child English Old Master, c. 1800 oil on canvas, unframed (relined canvas) Canvas: 14.5 x 12 inches Provenance: private collection, UK Condition: very good condition De...

The Madonna, Christ Child & St. John the Baptist Italian School, after an earlier Renaissance masterpiece pastel on board, framed framed: 28 x 25 inches board: 24 x 21 inches provena...

"The Orange Voltaire" by Linda Delahaye (France based) is an original oil on panel depicting a graceful female nude bathed in sunlight. Born: 1980, Canada ...

This is an amazing, very impressive original large modern painting on canvas, depicting an urban cityscape with many faces in the foreground. The painting is in excellent condition....

This portrait of Grace Jones is inspired by the remarkable Jamaican-born singer, model, and actress, who has been a beacon of bravery and self-expression for women worldwide. Known f...

Frame size 50x58 cm. Joan Cruspinera Muñoz was born in 1945 in Tiana, Barcelona. This Catalan artist is a painter, draftsman and painter. His training...

The Flagellation of Christ Eastern European artist, late 19th century oil on wood panel, framed framed: 35 x 25.5 inches panel: 32 x 21 inches Provenance: private collection, Franc...

Great piece form the Great Heni Martin, period frame.

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

My beauty is one of a kind, my color is one of a kind, and I cherished my My skin which brings out the strength in me Painting Ships in a well-protected tube from Nigeria This work ...

Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...

Portrait of a Distinguished Gentleman by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private co...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...

"Micky" by John Young-Hunter (British 1874-1955) signed and dated 1920 oil on canvas, unframed canvas: 50 x 31 inches provenance: private collection, UK condition: very good and soun...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Elie HATUNGIMAN...

'Portrait of a Smiling Woman', oil on board, by Peter Robert Keil (1983). A cheerful look on the painting's subject puts a smile on the face of the viewer as well. Her beautiful blue eyes express a contentedness suggesting life is good...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 12 x 9.5 inches In good condition, though with ...

'The Lament of Icarus' Continental School, late 20th century, signed after the original painting by Herbert James Draper oil on canvas, unframed canvas : 36 x 24 inches provenance: ...

This superb British 18th century Old Master portrait oil painting is by William Williams of Norwich. It was painted circa 1780, after he had returned to England from in Philadelphia ...

Mary Magdalene in the Desert Giovanni Francesco Barbieri, Il Guercino (Cento, 1591 - Bologna, 1666) Workshop of Oil on canvas 122 x 78 cm In frame 136 x 92 cm The painting presents us with a superb image of the penitent Magdalene, portrayed as an attractive young woman, mischievously undressed to remind us of her sinful past, her gaze full of devotion turned towards the angel messenger arriving from above. The composition is made even more fascinating by her long, loose hair that falls softly over her body, revealing her breasts, a further reference to the strong femininity of this saint, who is both a sinner and a penitent, and therefore perpetually portrayed in the ambivalence between the sacred and the profane. Stylistically, the work, which can be dated to the first half of the 17th century, clearly belongs to the Emilian school, and the Guercinesque characteristics undoubtedly suggest that it was executed by an artist from his workshop. The iconography of the painting reinterprets a work by Guercino, “The Vision of Saint Jerome”, painted in 1641 for the Confraternity of Saint Jerome in Rimini: the two works are similar in their setting, the composition of the scene, the treatment of the bodies of the protagonists and even in the pose and colours and the inclusion of the angel in the upper part of the painting. Returning to our beautiful Magdalene, although Guercino's original work cannot be traced, there are other versions by his talented pupils and workshop, including that by Cesare Gennari (Cento, 1637 - Bologna, 1688), now in the Pinacoteca Civica in Cento (FE), considered one of the best talents to emerge from the prestigious teaching of the master. Gennari Cesare - Penitent Magdalene oil on canvas, 276x 171 cm, 1662, no. 0342 Civica Pinacoteca Il Guercino, Cento (FE). Although it is difficult to attribute our high-quality canvas to a specific artist, we can trace its authorship to the workshop of the great master, hypothesising that it was painted either by Cesare Gennari himself or by an artist close to his style, such as Giuseppe Maria Ficatelli, from whom the particular sense of light and vigorous naturalism derives. Our painter follows the robust and synthetic naturalism typical of Cesare's style: the touch is refined but full of character in the depiction of Mary Magdalene, with her sensual flesh, particularly her breasts, which are barely concealed by her long, curly, golden hair. The woman embodies a three-dimensional strength that makes her the focal point of the painting, around which everything else is coordinated, thanks in part to her diagonal pose, which emphasises her depth. She kneels on a rock altar, on which there is a crucifix and an open book, as well as a skull at her feet, as a warning against Vanitas. In this dark setting, with colours that are deep and functional to the message of faith that Mary Magdalene conveys, the only source of light illuminating the scene is the angel at the top of the painting, pointing to the true source of that glow, which stands out against the magnificent lapis lazuli blue of the sky. ADDITIONAL INFORMATION: Good condition, with some restoration work consistent with the age of the painting, complete with gilded frame...

Francisco Inglada Barcelona, ​​1850-1903 Oil on canvas 56 x 43 cm (74 x 62 cm with frame) Signed upper left "Inglada" Beautiful carved wooden frame Francisco Inglada painted here th...

The Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound condition

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"Bulb of Awakening" is a captivating artwork that centers around a woman adorned with an exclusive and mesmerizing hairstyle. Created by the talented artist Ekele Francis...

Elegant Victorian original oil portrait of Mrs. Rogerson by John Charlton Robert Azensky Fine Art is pleased to offer this fine example of Victorian portraiture of Mrs. Frances Mary...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

A large scale 1950s French society portrait by Anne-Marie Joly. The painting is signed and dated bottom right. Presented in a magnificent carved wood...

"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of artist' life and work. A sculpture, an antique head and a painting that remin...

Portrait of a young woman with a baby. Modern painting in the style of impressionism. Against a dark background, a warm light shines, the light of love and tenderness.As is typical ...

Artist/ School: French School, 19th century Title: Portrait of a smartly dressed gentlema from the 19th century, sporting a moustache. Medium: oil on canvas, unframed and inscribe...

In this painting, we see a minimalist room with a huge window, beyond which stretches a sky filled with fluffy white clouds. Muted colors dominate—the blue of the sky contrasts beaut...

Large French Mid 20th Century, oil on paper laid on canvas, portrait of a seated female figure by Sylvain Vigny. The painting is signed bottom left and presented in a very fine carve...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Portrait Of Henry Howard, Earl of Surrey (1516-1547), 16th Century English School Court Portrait 16th century English Court Portrait of Henry Howard, Earl of Surrey, oil on panel. ...

Alessandro Maffei, After Elisabeth Louise Vigee Le Brun, Italian - Portrait of Marie Gabrielle de Gramont, Medium: Oil on Canvas, signed lower right, Size: 39.25 x 27.25 in. (99.7 ...

English artists, circa 1870 oil painting on canvas, framed framed: 36 x 31 inches canvas : 30 x 25 inches provenance: private collection, England condition: overall very good and pr...

'Prisms of Identity: A Portrait Series VI', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flo...

Randall Exon (b.1956). Matthew, 1990. Oil on wood panel. Measures 24 x 36 inches. Unframed. Excellent condition with no damage or conservation. Signed and dated lower right. Gallery stamp on verso. Plastic wall mount taped down on verso. Provenance: The More Gallery INC, Philadelphia; Aramark Corporate Collection. Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. In 2003, the James A. Michener Art Museum in Doylestown, Pennsylvania, staged a solo exhibition of his work. He was awarded the Thomas Benedict Clarke Prize in the 2004 179th Annual Invitation Exhibition of Contemporary American Art at the National Academy Museum and School of Fine Arts, New York. More recently, Exon’s work was featured in Visions of the Susquehanna, a traveling exhibition organized by the Lancaster Museum of Art, Pennsylvania, in 2008, and Haunting Narratives, a major exhibition at the Woodmere Art Museum, Philadelphia, in 2012. BORN 1956 Vermillion, SD EDUCATION 1982 M.F.A. in Painting, University of Iowa, Iowa City, IA 1981 Skowhegan School of Painting, Skowhegan, ME 1981 M.A. in Painting, University of Iowa, Iowa City, IA 1978 B.F.A. in Painting, Washburn University, Topeka, KS SOLO EXHIBITIONS 2013 Hirschl & Adler Modern, New York, NY 2009 Hirschl & Adler Modern, New York, NY 2007 Hirschl & Adler Modern, New York, NY 2004 Hirschl & Adler Modern, New York, NY 2003 Randall Exon: A Quiet Light, James A. Michener Art Museum, Doylestown, PA 2001 Mulvane Museum of Art, Topeka, KS 2000 More Gallery, Philadelphia, PA 1998 More Gallery, Philadelphia, PA 1996 More Gallery, Philadelphia, PA 1994 More Gallery, Philadelphia, PA 1993 Tasis England American School, Main Gallery, Thorpe, Surrey, England 1992 More Gallery, Philadelphia, PA Theatre Gallery, Washburn University, Topeka, KS Widener University Art Museum, Chester, PA 1990 Charles More Gallery, Philadelphia, PA 1988 West Chester University, McKinney Gallery, Mitchell Hall, West Chester, PA Charles More Gallery, Philadelphia, PA Carleton College, Northfield, MN 1987 University of Maine at Machias, University Gallery, ME Topeka Public Library, Central Gallery, KS 1986 More Gallery, Philadelphia, PA 1984 More Gallery, Philadelphia, PA Stoneybrook School, Suffolk, Long Island, NY 1981-82 Florence Wilcox Gallery, Swarthmore College, PA Beauchamp Gallery, Topeka, KS SELECTED GROUP EXHIBITIONS 2019 Unforeseeable Thereness, Stanek Gallery, Philadelphia, PA 2018 Vis-à-Vis, Hirschl & Adler Galleries, New York, NY 2017 The New Baroque, Booth Gallery, New York, NY, curated by Robert Zeller Painted Landscapes: Contemporary Views, Heritage Museums and Gardens, Sandwich, MA 2016 Mixed Environs: Contemporary Painters, Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA 2015 Home is Where the Art Is, Hirschl & Adler Galleries, New York, NY 2014 Our American Life, Hirschl & Adler Galleries, New York, NY 2014 Edge of the Seat, The Rye Arts Center Gallery, Rye, NY 2013 Duets: Art in Conversation, Hirschl & Adler Galleries, New York, NY 2012 Haunting Narratives: Detours from Philadelphia Realism, 1935-Present, Woodmere Art Museum, Philadelphia, PA Structuring Nature, Walton Arts Center, Fayetteville, AR Summer Selections, Hirschl & Adler Modern, New York, NY 2011 Masterworks: The Best of Hirschl & Adler, Hirschl & Adler Galleries, New York, NY 2010 Summer Selections, Hirschl & Adler Modern, New York, NY 2009 Holiday Selections, Hirschl & Adler Modern, New York, NY 2008-2009 American Green – Art and Stewardship, Somerville-Manning Gallery, Greenville, DE 2008 Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2007 Finding a Form: Influences in Figurative Painting, Tower Gallery, Philadelphia, PA Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2006-2008 Visions of the Susquehanna, Susquehanna Art Museum, PA; Governor’s Residence, Harrisburgh, PA; Washington County Museum of Fine Arts, Hagerstown, MD; Roberson Center for Art and Science, Binghamton, NY. 2006 Summer Selections, Hirschl & Adler Modern, New York, NY 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, NY Selected Works from the Ballinglen Collection, United States Embassy to Ireland, Ambassadors Residence, Phoenix Park, Dublin, Republic of Ireland. Part of the Art in the Embassies Program, Washington D.C. 2001 Personal Affinities, Contemporary Artists Influenced by the works of Edwin Dickinson, Pennsylvania Academy of the Fine Arts Museum, Philadelphia, PA 2000 December Show, Fenton Gallery, Cork City, Ireland Works from the Archives, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1999 New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, NY Indomitable Spirits, The Figure At The End Of The Century, The Art Institute of Southern California, Laguna Beach, CA 1998 Visual Poetry, A Selection of Work by Artists Inspired by the Words and Sentiments of Walt Whitman, Stedman Gallery, Rutgers University, Camden, NJ The Artist's Window, Lee Hansley Gallery, Raleigh, NC Embodied Fictions, Twelve Contemporary Figure Painters, The Boyden Gallery, St. Mary's College of Maryland, St. Mary’s City, MD 1997 Abstract and Image, Four Painters, Hopkin's Center, Dartmouth College, Hanover, NH An Extended View: Landscapes by Philadelphia Artists, Levy and Paley Galleries, Moore College of Art and Design, Philadelphia, PA 1996 Figure Drawings, Hillyer Hall, Smith College, Northampton, MA Figurative Paintings, Edith Caldwell Gallery, San Francisco, CA A Show of Hands (Exhibit and auction to assist AIDS research), Moore College of Art and Design, Philadelphia, PA 1994 Figures in the Landscape, More Gallery, Philadelphia, PA 1992 Landscapes by Randall Exon & Joseph Byrne, Dartmouth College, Hanover, NH 1991 A Show of Hands, Moore College of Art and Design, Philadelphia, PA 1991 Ten Contemporary Philadelphia Painters, Westmoreland Museum, Greensburg, PA 1991 Sport in Art, Woodmere Museum, Chestnut Hill, PA 1990 Myth and Monument, More Gallery, Philadelphia, PA 1990 Evidence of the Senses, 7 Painters, Woodmere Museum, Chestnut Hill, PA Pollack Award Winners, Mulvane Gallery, Washburn University, Topeka, KS 1989 Works on Paper, More Gallery, Philadelphia, PA Nocturnes, More Gallery, Philadelphia, PA 1986 Nature Morte, Southern Alleghenies Museum of Art, St. Francis College, Loretto, PA 1984 The Spirit of the Coast: Paintings, Monmouth Museum, NJ Drawings: Personal and Intimate, More Gallery, Philadelphia, PA Night Paintings, Florence Wilcox Gallery, Swarthmore, PA 1983 Realist Direction, Penn State University Museum, University Park, PA 1981 Graduate Student Traveling Exhibit, University of Iowa, Iowa City, IA 1980 Selected Painters, Mulvane Gallery, Washburn University, Topeka, KS 1979 Artists Choose Artists Exhibit, University of Missouri at Kansas City Art Gallery, MO JURIED SHOWS 1990 Philadelphia Art Now, Philadelphia Museum of Art, PA 1989 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1987 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1984 Butler Institute of American Art Annual Exhibit, Youngstown, OH National Academy of Design Biannual Competition, New York, NY 1981 32nd Iowa Artists Exhibition, Des Moines Art Center, Des Moines, IA 1980 Iowa Artists Solon, Burnnier Gallery, Iowa State University, Ames, IA 1979 Kansas Bankers Association Exhibition, Topeka, KS AWARDS/GRANTS/RESIDENCIES 2004 The Thomas Benedict Clarke Prize, 179th Annual Invitational Exhibition of Contemporary American Art, National Academy Museum and School of Fine Arts, New York, NY 2001 2nd Fellowship, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1997 Fellow, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1992 Washburn Fellow, Washburn University, Topeka, KS 1989 Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1988 Andrew Carnegie Prize, 163rd Annual Exhibition of the National Academy of Design, New York, NY 1987 1985-86 1984 1981 1981 1980 1976, 78 TEACHING 1982-present 1994-00 1980-82 Best of Show prize, juried museum exhibition, The State Museum of Pennsylvania, Harrisburg, PA Henry Luce Scholar, Bali, Indonesia Julius Halgarten Prize for Best Painting by an Artist under 35 years of age Academy of Design Annual Exhibition, New York, NY Iowa Artists Salon, Second Prize Skowhegan Scholarship Award, University of Iowa, Iowa City, IA Student Award, 32nd Iowa Artists Exhibition, Des Moines Art Center, IA Charles Pollack purchase prize for the best painting from annual student exhibition, Washburn University, Topeka, KS Professor in Studio Arts, Swarthmore College, Swarthmore, PA Chair, Department of Art, Swarthmore College, Swarthmore, PA Teaching Assistant to Ben Frank Moss, University of Iowa, Iowa City, IA VISITING ARTIST/LECTURES 2002 2001 1998 1995 1994 1993 1994, 1992 1992 1989 1987 1986 1985 1982 Pennsylvania State University, Abington, PA Hollins College, Roanoke, VA Maryland Arts Institute, Baltimore, MD Beaver College, Glenside, PA Union College, Department of Art, Schenectady, NY Allentown Art Museum, PA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Bucks County Community College, Newtown, PA Tasis England American School, Thorpe, Surrey, England Boston Art Institute, MA Boston University, M.F.A. program, MA Beaver College, Department of Art, Philadelphia, PA Dartmouth College, Department of Visual Studies, Hanover, NH Dartmouth College, Department of Visual Studies, Hanover, NH Carleton College, Northfield, MN University of Maine at Machias, ME Horsham College of Art, Horsham, England Stoneybrook School, Suffolk, Long Island, NY Moore College of Art, Basic Drawing, Philadelphia, PA Vassar College, Department of Art, Poughkeepsie, NY PUBLIC COLLECTIONS Allentown Art Museum, PA ARA Corporation, Philadelphia, PA Security Pacific National Bank, Sanger Branch, Los Angeles, CA University of Iowa, Permanent Collection, Iowa City, IA Mulvane Gallery Permanent Collection, Washburn University, Topeka, KS Woodmere Museum, Mt. Airy, Philadelphia, PA Henry Luce Foundation, New York, NY Henry Wendt Collection, Philadelphia, PA Susquehanna Art Museum, Harrisburg, PA SELECTED BIBLIOGRAPHY Sozanski, Edward J. “Simple Situations, in almost holy light,” Philadelphia Inquirer , February 7, 2003 Francis, Naila,“Studies in Light, Space,” The Intelligencer, January 9, 2003 Thompson, Jodi, “Fabulous Realism, seeing the light,” Out & About, January 9, 2003 Hopkin, Alannah, The Irish Examiner, July 1, 2002 Hopkin, Alannah, The Irish Examiner, January 2002 Sosanski, Edward, Philadelphia Inquirer, February 2001 Carr, Jeffrey, “Landscapes of the Imagination,” American Artist, January 1999 “On The Town,” New York Times Art Review, November 1998 Adelson, Fred B...

In this delicate composition, the ethereal elegance of ballet is conveyed through the image of pointe shoes against a soft pink background. Pointe shoes, symbols of grace and dedica...

A charming depiction of a young boy reading a paper titled 'The League'. Inscribed verso 'Sketch by E. Brothers'. Presented in a gilt frame with elaborate foliate ornamentation. On c...

Daniela Astone Couple #4 50 x 40 cm Oil on wood Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltime works as a painter. Her works are all around the world in great collections. For our exhibition 'A Female Gaze' Daniela Astone made a series of paintings where the female aspect of her life is the main subject. This series contains a series of seven paintings where you see a dancing couple. Female- male couples and male-male/ female-female couples. The Currator of Galerie Bonnard says about the paintings by Daniela Astone: The classical structure and narrative paintings show a technique that is special. Her style is virtuoso and her subjects narrative. The keys are loose and subtle. For this artist, standing in front of a painting means...