Early 20th Century Still-life Paintings

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Work on cardboard Golden wooden frame 75.5 x 65 x 3.5 cm The Haberjahn family, of Norwegian origin – Habrian or Haberian – had settled in Germany at the beginning of the 19th centur...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Julien Stappers (1875-960), oil on canvas. A classical still life depicting dead birds on a kitchen table with red berries and brass pots to the background. Well presented in a green...

Finely painted modernist still life oil painting with a view of the Eiffel Tower and a rotary phone. Oil on canvas. Framed. Measuring 20 by 23 inches overall and 15.25 by 18.25 paint...

Dimensions with frame : 91 x 64 x 4.5 cm This captivating work presents a still life rich in detail, in a large rounded teapot housing bright yellow flowers, creating a striking cont...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 5.75 x 10.5 inches Delightful early 20th century...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) set of 2 watercolour on paper, unframed top painting : 3.5 x 5.5 inches, signed bottom right bottom painting: ...

Scottish Cliffside, Antique Oil Painting, Signed by F. E. Jamieson (British 1895-1950) Signed on the lower right hand corner oil painting on canvas, framed Framed size: 23 x 33 inche...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 6.75 x 4.75 inches Delightful early 20th century...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom watercolor on paper, unframed set of 4 Left to right: 1: 3.75 x 2.5 inches 2 3.75 x 2.5 inches ...

Work on canvas

Very finely painted American modernist flower still life oil painting. Framed. Oil on board. Signed lower right. Image size, 12H by 17L.

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom watercolor on paper, unframed set of 3 Top painting: 5 x 8.25 inches Left painting: 4 x 3.75 in...

Work on cardboard Beige wooden frame 49 x 64 x 1 cm

Aurelio Tolosa y Alsina (Barcelona, 1861 - Barcelona, 1938) was a painter and decorator who developed his artistic activity mainly around the city of Barcelona. He was a pupil at fir...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) set of 2 Top watercolour on paper, unframed Bottom watercolour on board, unframed top painting : 5 x 7 inches,...

Vase de Roses by Eugene Schlumberger (French 1879-1960) signed lower left oil painting on canvas, framed painting: 41cm x 27cm Delightful French Impressionist oil painting on canvas...

Work on wood Golden wooden frame 59 x 46 x 5 cm

Work on canvas

Signed lower right "Vantore" for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. A fine early twentieth-century oil still-life of white and yellow daisies ...

Conditions: Very good overall Conditions. This colorfull flower composition on canvas is proposed with an original early 20th century frame. Results for this artist: 3000 - 5000 EU...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Jug and Still Life in Purple with Apples by Alvin R. Raffel 1928 Oil on Linen of An Urn with a bowl and apples in a Purple background by Alvin R. Raffel (American, 1905-1987.) Linen ...

This beautiful Edwardian Scottish floral oil painting is by noted Scottish female artist Louise Ellen Perman. Perman exhibited 28 floral oil paintings at the Royal Scottish Academy f...

Early 20th Century Still-Life with Vessel attributed to American School framed: 32 x 28 inches

Work on canvas

This delicate still life painting depicts a vibrant bouquet of wildflowers in soft pastel hues. The composition balances fragile white blossom with pops of blue, purple, and pink. Th...

Deer is an original modern artwork realzied by Paul Wilde (1893-1936) in the early 20th Century. Mixed colored oil and tempera on board. Monogram of the artist on the lower left ma...

Oil on board. Signed in oil, lower left recto, and inscribed "no. 20" in watercolor verso. With the "Douane Centrale" ink stamp verso. Provenance: Private collection, Chicago.

A beautiful 1920's French impressionist oil on board interior still life with yellow roses in a jug. Excellent quality work with lots of detail including a painting on the wall and m...

A charming oil still life study of various items on a table. In the foreground we can see a teacup, wine glass and cheese followed by the darker items like the jug and flowers behind...

A Delicious Meal Poreau Oswald Schaarbeek 1877 – 1955 Waterloo Belgian Painter Signature: Signed bottom left, verso inscribed and dated "Préparatifs d'un fin souper" Oswald Poreau...

F. Clairval Active around 1900 Floral Painter 'Various colourful roses in a glass vase' Signature: signed lower left ‘F. Clairval' Medium: oil on board Dimensions: image size 67 x...

Nina Hill Phlox, circa 1925 Signed lower left Oil on canvas 24 x 20 inches Newcomb Macklin Frame

A beautiful early 20th century English impressionist oil on canvas still life depicting yellow flowers in a blue vase. The work is presented in a lovely shabby antique...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Work on canvas

Still Life. 20s-30s, canvas, oil, 48.5x70 cm

Natalie Arias Tepper (American, 1895 - 1950) Signed: N. A. Tepper (Upper/Right) " Flowers and Casts " circa 1930s Oil on Canvas 20" x 24" Housed in a 3" Frame with a 1" Linen Li...

Wonderful modern floral still life oil painting of ranunculus in white vase and mustard weed on table by acclaimed artist and art critic Walter Pach (American, 1883-1958), 1911. Pach...

Vicente Mulet y Claver 1897 – Valencia – 1945 Spanish Painter 'Gathering fruit and flowers' Signature: signed lower right 'V Mulet' and with the artist's monogram, circa 1930 Mediu...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

Paul GUILLAUME (1891-1934) - Famous French collector and art dealer The Glass and the Bottle, 1926 Oil on canvas on cardboard Signed lower right Dated “1926” and numbered “21” on th...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Joseph Vande Fackere Bruges 1879 – 1946 Belgian Painter Les Fleurs et Accessoires Signature: Signed bottom right Medium: Pastel Dimensions: Image size 54,50 x 65,50 cm, frame size 6...

Hand signed and dated lower right "Arturo Noci 1912". In excellent conditions. Includes wooden frame: 63x78 cm.

This gem of a set design or theatre design was possibly done prior to the artist coming to the United States from Russia. Born in Kiev, this artist was talented and given the distin...

Framed dimensions: 36.5" h x 28.5' w x 5.75' d Sight size: 25.5' h x 17.5' w Signature: bottom right Early 20th century still life, original gilt frame, original stretcher. The following excerpt was written and submitted by Gary R. Libby from an essay in his book Reflections: Paintings of Florida 1835-2000. Very little is currently known about the still-life painter, George W. Seavey. Maybelle Mann’s Art in Florida, 1999, suggests that Seavey came to St. Augustine in 1883, the year of financier and hotel magnate “Henry Flagler...

Vincent Clare 1855 - 1930 Popular Birmingham still-life painter, son of George and brother of Oliver. Exhibitor at the Walker Art Gallery in Liverpool between 1888 and 1897. His work...

Well presented in a gilt effect frame. Signed and dated to the lower right. On canvas on stretchers.

watercolour of a vase of wallflowers , still life flowers by Owen Bowen. Dated and signed lower left 1911. Size of image 48 cm by 38 cm whilst overall the s...

Still Life with Vase of Flowers Oil on board with incised scraffito, c. 1929-1930 Unsigned by the artist Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, ...

Viktor Ivanovich Kalashnikov (Russian, 1923 - 1992) Still life with Radishes and Onions Oil on board Signed 'VIK', lower left 12" H x 19" W In a carved gilt frame: 17.25" H x 24.25"...

Naturalistic still life painting by Dutch artist Leonardus Nardus. The work features three jugs or vases set against a patterned carpet. Currently hung in a carved gold frame. Retains the original gallery tag on the reverse. Dimensions Without Frame: H 27 in. x W 24 in. Artist Biography: Leonardus Nardus, born in Utrecht into the Dutch upper middle class, the son of an antiquarian, was a colorful character. After training at the Amsterdam Academy, he embarked on a brief and unsuccessful gold-hunting expedition to Argentina in 1889. He then settled in America, where he became an art dealer, eventually returning to Paris a few years later. As well as being an art collector, Nardus developed his own talents as a painter. Caught up by a taste for nomadism, Léo Nardus eventually settled in Tunisia, where he built a small palace in the seaside resort of...

Léon Louis PARENT (Armentières, 1869 – Aulnay-sous-Bois, 1943) Interior with portrait Oil on canvas Signed and dated lower right 35 x 27 cm without frame 45 x 38 cm with frame 1911...