Abstract Paintings

Cerj Lalonde, born in 1954 in Canada, is a multi-talented artist known for his diverse creative expressions. With an adaptable spirit, Lalonde seamlessly ...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10.5 x 3.5 inches condition: very good provenance: ...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 9.5 inches condition: very good provenance: from a large private coll...

Abstract Composition signed by Sally Vaughan (contemporary) dated 89' gouache painting on card, unframed measurements: 12 x 11 inches condition: very good provenance: from a large pr...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8 x 5 inches condition: very good provenance: from ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 7 x 5.5 inches condition: very good provenance: fro...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 6.75 inches condition: very good provenance: fr...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 5.75 x 8 inches condition: very good provenance: from a large private collection...

Abstract Composition signed initials by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6.5 x 7 inches condition: very good provenance: from a large pri...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 11 inches condition: very good provenance: from a large private collection ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8.75 x 6.75 inches condition: very good provenance: from a large private collec...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10 x 10 inches condition: very good provenance: from a large private collection ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 8 inches condition: very good provenance: from a large private collection o...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) measurement...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) 2003 Metallic paint, acid etched on aluminum, wood Hand signed and dated on side Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

South II by Antonio Ole, Angolan (1951) Date: 1993 Acrylic, Impasto and Collage on Paper, signed l.l. Size: 26 x 39.5 in. (66.04 x 100.33 cm)

This piece is a unique original acrylic painting on brass by Andreas Nottebohm, created in 1997. Andreas Nottebohm is a German artist that came to America circa 1979. Nottebohm's wo...

Modernist abstract portrait oil painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

constellation original acrylic paper painting . framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana Sch...

Fecundacion original painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded her studies in etching and lithography at the Friedlaender ...

Artist: Ken Mabrey Title: Subway Riders Year: circa 1995 Medium: Oil on Canvas, signed l.r. Size: 50 x 36 inches [127 x 91.44 cm] Frame: 55 x 41 inches [139.7 x 104.14 cm]

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 50"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Signed & dated verso, 1992 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Artist: Youri Yehuda Broitman, Russian (1956 - ) Title: The Impressions of Gail Year: 1991 Medium: Oil on Canvas, signed verso Size: 14 x 9 inches Frame Size: 16.5 x 11.5 inches

Modernist abstract cloudscape abstract painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

Untitled. From "La Música Ausente" series. Oil on canvas Image Size: 170 H x 190 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist impri...

Las Tablas de JC. From "La Música Ausente" series. Painting Acrylic on canvas Image Size: 57 7/8 H x 83 7/8 W in. Unframed _______ The paintings of Sergio Bazán have a strong gestu...

ARTHUR PINAJIAN (1914-1999). Untitled, Archived No. 115, year 1962. Image size: 19 3/4"x16", 50cmx40.50cm Provenance: The Pinajian Estate Collection . THE PINAJIAN DISCOVERY: At ...

Words and Deeds Oil and collage on wood panel, c. 1990 Signed recto lower right (see photo) Verso: See photo Signed, verso: Ben Wilson Dated: c. 1990 Titled: Words and Deeds Condition: Excellent Image/panel size: 23 1/4 x 19 inches Frame size: 26 1/4 x 21 1/4 inches To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance. Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his rst one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, lled with what he called “the grief of the intolerable” and reecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identied strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting. When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specic imagery persisted but became more psychological and mythic in orientation. Inuenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early gurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.” By 1960, inuenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson lled notebook after notebook with drawings that he amplied in his paintings. Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...

Colors original abstract pastel Painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de la U...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Simonpietri's abstract work on paper glued to canvas. Pascal SIMONPIETRI is a painter from Corse Island, France. He is a figure very discreet of the Figurativisme Libre Mouvent durin...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

Artist: Don Wynn, American (1942 - ) Title: The Temptation of St. Anthony Year: 1993 Medium: Acrylic on Paper, signed, dated, titled in pencil vers...

This piece is done in a sort of sgraffito technique with the flowers sort of etched in the paint. Born in Tokyo, Japan, Nobu Fukui Came to New York where he became a US citizen. From 1964 - 65, he studied at the Art Students League in New York City. His work has been widely exhibited in New York and California. He had his first one-man show in this country in 1965 at the Daniels Gallery in New York. That same year his works were included in the Japanese Artists in Europe and America Exhibition at the National Museum of Modern Art in Tokyo. This was followed by numerous exhibits and one-man shows in various cities in the United States and Japan - New York, Indianapolis, Ann Arbor, Pittsburgh and Yokohama, for example. Fukui's works are formal, dynamic and abstract. Form functions minimally as a symmetrical structure so as to focus on his real interest in color interaction. Fukui's work is represented in the collections of The Museum of Modern Art, New York City; Larry Aldrich Museum, Conn; Dartmouth College, NH; New York State University, Potsdam NY; Roosevelt College, Chicago IL; Westinghouse Corp, The National Museum of Modern Art, Tokyo, Japan; The New Britain Museum of American Art, New Britain, CT; The Indianapolis Museum of Art, Indianapolis, IN and The Eli and Edythe Broad Art Museum, East Lansing, MI, Indianapolis Museum of Art; National Museum of Modern Art, Tokyo and National Museum of Modern Art, Kyoto, Japan; amongst others. and other private collections. He has exhibited widely, including solo shows at Daniels Gallery, Max Hutchinson Gallery, Marisa Del Re Gallery, and Steven Haller...

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

Vanita. 1995, oil on canvas, 57x69 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

This is a one of a kind original painting by southern California artist, Peter J. Geise. Its dimensions are 16" x 16" x 1.5" (HxWxD). It is acrylic on canvas, it is already framed. A...

Sax Berlin offers this exquisite portrayal of a classical maiden which he calls "endearing" ............. who are we to dispute that, she's also very beautiful. Artist Biography: Sa...

A very striking and expressive work in terms of color! This has a contemporary and upbeat feel and attractiveness to the abstracted female form coming into a room. Would brighten and bring any room into the contemporary realm and bring a very fresh dash of vivid color. Ralph Della-Volpe was a noted Post - War artist who started out with the Abstract Expressionists and then like Milton Avery and Wolf Kahn and others - chose to revert back to bringing some representational form back into his work. Color was his driving passion and he often used high keyed...

Pascal MAGIS (Aurillac 1955 - Meyrals 2011) Blue triptych - 1998 Oil on canvas H. 150 cm; L. 250 cm (2 panels of 50 cm wide, and the central panel of 150 cm wide) Signed lower right ...

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

constellation original acrylic paper painting Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. The...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

Mixed media on plywood, signed lower right.

OLIVIER SCHNEIDER Untitled (Abstract), 1995 32.0 x 32.0 acrylic on paper, mounted on wood board ink signed and dated verso Olivier Schneider delivers a unique and colorful abstract ...

Simonpietri's abstract work on paper glued to canvas. Pascal SIMONPIETRI is a painter from Corse Island, France. He is a figure very discreet of the Figurativisme Libre Mouvent durin...

One more pause. 1994 oil on cardboard, 47x54 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al secco Ltd, 2010, on page 13 In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

Artist: Doo Shik Lee, Korean (1947 - 2013) Title: Untitled Year: 1992 Medium: Oil on Canvas, signed and dated Size: 44 in. x 57 in. (111.76 cm x 144.78 cm)

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY. Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA). Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform. Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country. SELECTED GROUP EXHIBITIONS 2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...

Untitled (Musical notes abstraction) Mixed media on paper, 1991 Signed lower right center Condition: Very good Archival framing with conservation glass Provenance: ...

An abstract painting by Duayne Hatchett from his Trowel Painting Series. Oil on canvas, circa 1994. Signed. Unframed. Duayne Hatchett was a visual artist whose work included pr...

"Abstract Woman" is an original oil painting by Matthew Schaefer. It depicts a woman in bright shapes and lines instead of solid form and naturalism. Matthew Schaefer's painterly sty...

Inverted glass. 1998, oil, collage on cardboard, 45x59 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...