Abstract Paintings

Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-scale abstract piece features a cool color palette with layered geometric shapes and planes, evocative of outer space and the cosmos. Signed and dated "1980" on the bottom right. Presented in a metal frame. Image size, 39"H x 48"L. About the Artist: Mentors: William Brice, Ron Pekar, Manfred Mueller, Gere Kavanaugh. Permanent Museum Collections: Huntington Library Archive, “Intimate View of LA”, San Marino, CA South Bay Contemporary Museum, Torrance, CA Published Work: 2012 “Nymphas Dissolutio”, The Bride Revisited Mercedes Gertz/ Nancy Louise Jones 2010 Billy IDOL...

Signed lower center, 'Buchfink' for Marie Buchfink (American, born circa 1931) and painted circa 1985. Accompanied by artist card, attached, verso. Bo...

20th century Abstract Impressionist, Fauvist inspired, view of sunlight in a forest, oil on canvas, by French artist Norbert Palmade. The painting is signed bottom right and is signe...

Original painting on canvas. Hand signed, titled and dated on verso by Paul Jenkins. Artwork is in excellent condition. Acquired by our gallery from a private collector. Gallery i...

Vintage modernist street scene painting by Gerome L. Kamrowski (1914 - 2004). Oil on canvas, circa 1985. Signed. Framing is available. Image size 39.25L x 26H.

Bold and dynamic abstracted bird of paradise by well known California artist Delmer Imhof (American, 1938-1997). Created with streaks of paint, an abstracted bird of paradise flower ...

Work on canvas White wooden frame 52.5 x 67.5 x 4 cm

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

Alan Cote Sunrise - an Expression, 1981 Acrylic Polymer (Aquatec) on Canvas (hand signed twice with original Washburn Gallery label) Hand-signed by artist, S...

Composition is an original drawing in oil on cardboard realized by an unknown artist in 1989. This Artwork is depicted through strong and confident s...

Vintage American modernist abstract geometric painting.. Oil on canvas, circa 1940. Unsigned. Image size, 66L x 30H. Housed in a period frame.

Jay Rosenblum Polarity #3, 1981 Acrylic on paper 6 × 9 1/2 inches Signed and titled in graphite pencil on the front Unframed This gem of a work is an acrylic painting on paper by ren...

Abstract Expressionist piece infused with vibrant colors of a carnival by Allie Bill Skelton (American, 1942-1986). This original painting is primarily yellow, with swirls of red, blue, and orange. Signed and dated "A Bill Skelton '85" in the lower right corner. Unframed. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Artist unknown "Black & White Lounger" c. 1980s Acrylic on Strathmore paper 40.5"x25.75" unframed Unsigned Very Good Condition - Minor wear consistent with age and history 2" tear o...

Lamar Briggs (1935 – 2015) Abstract artist, Lamar Briggs, was born November 13, 1935 in Lafayette, Louisiana. He initially attended the University of Southern Louisiana for architec...

Stunning abstract expressionist portrait of a blonde woman with a gold earring by Harvey C. Parks (American, b. 1948), 1980. Signed and dated "Parks '80" Condition: Good; minor missing paint (lower edge) retouched. Unframed. Image size: 20"H x 16"W. Harvey C. Parks (Born 1948) is active/lives in Pennsylvania, California. Harvey Parks...

Monday’s Muse by Darryl Hughto, American (1943) Date: 1988 Oil on Canvas, signed and dated verso Size: 55 x 42.25 in. (139.7 x 107.32 cm) Frame Size: 57.5 x 44.25 inches

SALE ONE WEEK ONLY "Red Harmony" is an abstract painting that does have a sculptural presence in the shapes of the red areas. The lush greens blend various shades into a background that while it does contrast sharply with the reds, it is not in conflict. The overall effect of this work is dynamic in its energy while at the same time harmonious. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Antonow’s first one-person show at the Willis Gallery in 1971, represented a radical departure from his early work – abstract bronzes shown at the Michigan Artists exhibitions at the Detroit Institute of Arts in 1969 and 1970. A founding member of the Willis, Antonow publicized his exhibition with a cryptic invitation stating, “art isn’t anything.” Echoing the challenge implicit in the exhibition announcement, the works in the show consisted of precariously balanced piles of such non-art materials as wood crates and barrels, corrugated paper or cardboard, cellophane and beer cans. These brash, paint-slathered juxtapositions of salvaged objects were perhaps the first example of the nascent “tough art” aesthetic of the Cass Corridor. (Both Gordon Newton’s wood constructions and Bob Sestok’s crude “radio wheels” first appeared in 1972.) In 1975, in the inaugural group exhibition of the Willis at its new location in the Fisher Building...

Terence La Noue (1941-) American, Skiathos, 1983 Oil and mixed media painting on treated unstretched canvas Depicting an abstract composition in red, purple, green, orange, and black. Hand signed, titled, and dated verso Dimensions: H. 53” x W. 38.” Unframed Terence LaNoue...

This original painting by Pablo Echaurren is hand signed and dated overleaf . This original artwork is made with the acrylic technique. The artworks comes with a certificate of au...

Rubio "Wild" 1989 Collage and paint on board 23x41.75" Signed and dated in paint on reverse Very Good Condition - Minor wear consistent with age and history

Alison Hildreth (American, b. 1934) Red Fox, 1980 Oil on canvas 54 x 54 inches Signed, titled, and dated on the reverse Alison Hildreth was born in Bo...

Unique abstract expressionist oil painting of three dark shadowy figures by Dwight Eberly (American, 1925-2014). The figures stand in a warm, glowing light that is depicted in soft focus. Signed "Eberly '85" lower right. Framed. Image size: 38"H x 44"L. A California abstract expressionist artist and art educator. "I want my work to stimulate on an emotional level - not just a visual. I want the response to transcend the color and canvas or composition--something that has not been touched before but is waiting to be known, an affirmation and change." EDUCATION: 1960-1961 California State University, Sacramento - M.A. Degree 1954-1955 California State University, Sacramento - B.A. Degree 1948-1950 University of Southern California, Los Angeles 1946-1947 University of Illinois, Urbana, Illinois ORGANIZATIONS: Mendocino County Arts Council 1993-1994 Gualala Arts - Board Member (4 years) Artists Guild of San Francisco - Participating Member Roseville Arts Center-Board Member; 1984-1988 Northern California Art...

Marqués de Jadraque’s ‘Tres Dalís’ is a large, original abstract oil on canvas painting that depicts several versions of the artist Salvador Dalí looking at...

Compelling small abstract of numbers titled, "Room For One More" by Tom Hamil (American, b. 1928). Circa 1980. Signed upper left corner and on verso. Presented in rustic slat wooden frame. Image size: 12"H x 8.25"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

Canvas collage, acrylic and crayon on canvas by 20th Century artist Margo Hoff (1910-2008) titled 'Lighted Street' depicting and abstract image of a street at night with glowing stre...

Wonderful abstracted painting of New York's George Washington Bridge with Manhattan skyline in background. Signed "Bing" lower right corner. P...

Abstract figures is an original contemporary artwork realized by Sandro Fabrizi in 1987. Mixed colored oil on canvas. Hand signed and dated on the lower margin. Includes frame

Joseph Glasco (American, 1925-1996) Untitled 1978-81 Acrylic on canvas collage initialed verso and dated ‘81 48 x 51 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and gre...

Bible motive. Oil on canvas, 80x40 cm

Jules Olitski (1922-2007) is one of Caviar20's favorite abstract artists of the 20th century. Over the course of his career, his aesthetic evolved in startling and fascinating ways....

Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de la Universidad de Barcelona y luego en la Escu...

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Original Mized media on Wood. Signed, titled and dated in the back with pen.

Collage, mixed technique Work on paper Dark brown wood frame with bronze patina borders

Stefanelli depicts the gods of the bygone eras, placing their figures on the forefront of the canvas. The artist loosely paints what appears to be a courtyard. The sitting figure on ...

Stefanelli’s "Seti’s Banquet" is a lush celebration, a decadent feast of a pharaoh. In this period of time many of Stefanelli’s works are focused on interpreting historical narrative...

Stefanelli’s extensive travels throughout Europe and his keen interest in ancient culture and architecture influenced this work and were the impetus for him to create "The Untitled One". Throughout the canvas one can see shapes reminiscent of antique columns painted in white to resemble marble. One such shape is placed at the very edge of the painting, to the left, standing on top of the marble steps...

At once an Abstract Expressionist and Color Field painting, this large work by Robert Goodnough is a landscape of confetti. This acrylic, oil and collage on canvas painting is signed...

A soft explosion of colors, soft renderings of blues, greens, yellows and oranges. Adapts to any decor. :: Painting :: Abstract :: This piece comes with an official certificate of...

Oil on board painting by Edward Marecak (1919-1993) titled "Masks" from the 1980s. Mosaic style oil painting in vibrant colors of red, blue, green, yellow, and orange. Presented in a...

Harry Koursaros (1928-1986) Peaceable Kingdom, the Ram, 1983 Framed 34 X 45. sheet 25.5 X 37 Hand Signed Provenance: Bank of Boston corporate collection. bears label verso. Harry Koursaros, Artist, painter, printmaker and filmmaker Student at Albright College class of 1950. In 1964 he came to Albright College as professor to establish an Art Department, and gained national recognition. He started as a modernist realist, later moving to Abstract Expressionism and eventually into Pattern & Decoration. He painted with metallic and iridescent pigments. In the late 1960s he began a program of "underground" films at the college. Many of these were avant-garde works from New York that included works by Andy Warhol. One of Koursaros students, Jerry Tartaglia, founded in 1974 the Berks Filmmakers, a group of cutting-edge movie makers who acquired an international reputation. He was included in numerous shows: "Discovering Color": Two Decades of Abstraction, paintings, works on paper, and prints from three pivotal art movements in America during the sixties and seventies: Abstract Expressionism, Color Field Painting, and Minimalism. Artists include Edward Avedisian, Walter Darby Bannard, Dan Christensen, John Grillo, Lee Krasner, and more. “Drawn From the Collection” paintings, limited edition prints and photos by such notables, among others, as Mark Tobey, Alice Baber, Rufino Tamayo and a photograph by Gordon Parks. "20/20": The Visionary Legacy of Doris Chanin Freedman. Works by Nicholas Africano, Ida Applebroog, William Baziotes, Bernd and Hilla Becher, Joseph Beuys, Jime Dine, Gunther Forg, Leon Golub, April Gornik, Hans Haacke, Keith Haring, Jenny Holzer, Komar and Melamid, Harry Koursaros, Lee Krasner, Robert Mapplethorpe, Ana...

Oil painting on foam core titled "Adam and Eve" by Denver artist Edward Marecak (1919-1993) from 1983. Portrays two semi-abstract figures with shapes in the background, painted in colors of pink, blue, yellow, and brown. Presented in a custom wooden frame, outer dimensions measure 30 ⅞ x 48 ⅞ x 2 ⅝ inches. Image size 30 x 48 inches. Painting is in good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. His junior and senior high projects earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Phenomena Prism Mirror by Paul Jenkins (1923-2012) Acrylic on canvas 147.3 x 1...

Wyona Diskin, American (1915 - 1991) Life Does Not Care Whether You Like It Or Not Acrylic on paper, Unsigned. Framed. Measurements: Frame H 54 x W 38 x D 1.5 - Sight H 53 x W 37 inc...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the artists intentions. Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller...

Three nude figures and flowers by Patricia Gren Hayes (American, b. 1932). Signed and dated by the artist in the lower left corner. Signed, dated, and titled by the artist on verso. There is also a sketch on verso. No frame. Patricia Gren-Hayes (American, b. 1932), is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada. She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

The painting is being offered with a work and authenticity certificate

Joffe's career spans the post-World War II Abstract Expressionist movement to the present. She is known for her powerful images of women and horses, often intertwined, and representi...

Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...

Patricia Zippin White Box Blue Lines 1980s Mixed Media 30.75"x 22.5", unframed *Custom framing available for additional charge. Please expect framing time between 3-5 weeks.

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Juan Suarez (Spanish, b. 1946) Naturaleza Muerta, Mixed media painting on three assembled canvases, (triptych) It is either oil or acrylic paint. it seems like oil to me. A label verso has it indicated as acrylic. Dimensions: 64 1/8 W: 64 1/4 in. Provenance: The Cleveland Museum of Art (bears label verso); Galerie Juana de Aizpuru Gallery (bears label verso). Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985. The Geometric spirit that is ever-present in his work and his perpetual curiosity lead him to incorporate materials from a very wide range of sources; composing some pieces with superimposed planes where abstraction is a key actor. His background in architectural practice and his constant demand for excellence profoundly shape his work. In his work, the influences of Barnett Newman, Jules Olitski, Kenneth Noland and, especially, Richard Diebenkorn can be appreciated. However, Juan Suárez moves away, at the same time, from the uniform vibration of color fields and the structural rigidity of closed compositions, alternating both concepts, from an emotional and poetic perspective. The density of the color dialogues with drippings and suggestive liquidiscent stains,while reserves and sharp lines make up and hold the pictorial structure.He writes in different magazines and specialized books on art and architecture. Recently the University of Seville has published its research work, New Ways of Living. Exhibition 2008 Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo) 2006 Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo) 2004 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo) 2003 Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo) 2003 VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo) 2001 VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 2001 VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo) 1999 VITA I. VOL. III Galería Senda. Barcelona. (solo) 1995 Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo) 1994 A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo) 1991 Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo) 1990 Pinturas. Galería Juana de Aizpuru. Sevilla. (solo) 1988 Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo) 1987 Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo) 1987 Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo) 1986 Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo) 1986 Pinturas. Galería Temple. Valencia. (solo) 1986 Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo) 1986 Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo) 1983 Pinturas. Galería Juana de Aizpuru. Madrid. (solo) 1982 ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo 1981 La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo) 1979 Pinturas de Barcelona. Galería Ciento. Barcelona. (solo) 1978 191 x 63. Galería Juana de Aizpuru. Sevilla. (solo) 1977 191 x 63. Galería Juana Mordó. Madrid. (solo) 1974 Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo) 1974 Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo) 1970 Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo) EXHIBITIONS ONLY 1970 Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain. 1974 On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain. Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain. 1977 191 x 63. Juana Mordó Gallery. Madrid, Spain. 191 x 63. Juana de Aizpuru Gallery. Seville. Spain. 1979 Paintings of Barcelona...

20th century modern abstract oil on canvas titled 'Rectifie', attributed to French artist Norbert Palmade. The painting is not signed but was bought from his atelier and with a collection of his paintings and is therefore attributed to him. The work is titled and dated to the rear stretcher. A highly colourful, energetic and impactful painting. The painting is very thickly applied in an impasto technique in parts and is therefore also somewhat sculptural as a piece of art. Sand has been added to the paint to give the image great texture. A strong and impactful painting, a statement piece in any room. Norbert Palmade spent much of his early years living in Morocco. He arrived there in 1930 at the age of two and stayed until 1947 when he returned home to France. He finished his schooling in Hyères in the south of France, then travelled up to Paris to study architecture, though he always yearned to return to the South of France. In Paris, aged 25, he set up a public works business and worked as an architect right up until his retirement in 1991. Throughout this journey Palmade never stopped painting, at first in watercolours. He had always drawn, then moved on to gouache, oil and finally in the last twenty years, acrylic. The latter suited his rapid handling of paint well. He says of himself that he had no particular speciality. He would paint whatever gave him pleasure, although a large part of his heart belonged to those early years in Morocco and he painted many a canvas with subjects from this country. He took part in exhibitions in a number of towns near the south coast of France including, Sanary, Le Pradet and Ollioules. He was also the guest of honour at the Academy of the Var. Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times. Sonia and Robert Delauney...

Oil and gouache on thick paper Cajori was an important second generation abstract expressionist painter. In 1952, he founded, along with Fred Mitchell, Lois Dodd...

Alison Hildreth (American, b. 1934) Katmandu, 1980 Oil on canvas 54 x 52 inches Signed, titled, and dated on the reverse Alison Hildreth was born in B...

American school abstract painting. Watercolor on paper, circa 1960. Signed. Image size, 18"L x 24"H.

Saint Clair Cemin (Brazilian-American) Double Sculpture, 1987 Graphite and watercolor on paper Hand signed, dated and titled on the back of the sheet ...